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Joanna Karpowicz, Chill in the Air After a Hot Day. 2022, acrylic on paper.

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Cho Gi-Seok

Cover fror Vogue Italia

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Irini Karayannopoulou - Untitled. 2022

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Sonia Rykiel - Fall 1994 RTW

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Some people go to priests; others to poetry; I to my friends, I to my own heart, I to seek among phrases and fragments something unbroken—I to whom there is not beauty enough in moon or tree; to whom the touch of one person with another is all, yet who cannot grasp even that, who am so imperfect, so weak, so unspeakably lonely.

Virginia Woolf, The Waves

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james spader in sex, lies and videotape (1989) dir. steven soderbergh

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The Lady Eve Opening Credits 1941, directed by Preston Sturges Paramount Pictures employed Leon Schlesinger’s animation studio - the masterminds behind the Looney Tunes cartoon - to craft the genius opening credits sequence starring the cheeriest snake you’ll ever meet.

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Mario Schifano, Tutti morti, 1970

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Emil Robinson

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At the Table by Jordan Kasey

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Enzo Mari, The Hammer and Sickle

On 9 April 1973 Carla Pellegrini inaugurated the new headquarters of the Galleria Milano in via Turati with a solo show by one of the greatest Italian artists and designers, Enzo Mari. The exhibition, entitled “Hammer and Sickle. Three of the ways in which an artist can contribute to the class struggle”, caused a great stir and public success.

via Humboldt Books 2020.

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Photo by Wayne Miller, 1947

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Vertigo (Alfred Hitchcock, 1958)

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“Opera has the power to warn you that you have wasted your life. You haven't acted on your desires. You've suffered a stunted, vicarious existence. You've silenced your passions. The volume, height, depth, lushness, and excess of operatic utterance reveal, by contrast, how small your gestures have been until now, how impoverished your physicality; you have only used a fraction of your bodily endowment, and your throat is closed.”

— Wayne Koestenbaum, The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire.

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Gregory Crewdson, Untitled, 2001-2002, Chromogenic print

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Summer Lovers (1982) dir. Randal Kleiser

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Juan Esteban Reyes, Sin señal, 2023  

Oil on canvas, 220 cm x 190 cm.