curiosityschild

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of course your knight has pronounced canine teeth and pronouns

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If you haven’t changed your url in years tell me why as someone in your same boat it’s for science

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This one goes with the Twisted Fate/Graves set. A whole Bilgewater crew :)

"Surely we have space in the cargo hold for these stowaways, huh Violet?"

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"I'm always saying this" --me when I've never been saying this

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In case anyone was interested…

Made a silly little guy…

✨

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The American consumer doesn’t actually want trucks and cars that are huge enough that you can’t see a six foot tall person over the hood. They make vehicles that big now to avoid environmental regulations related to engine efficiency

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Youtube post of that Myanmar quake vid shown at different speeds and zoomed to highlight changes.

This really is the first time a side-strike rupture (sideways, as opposed to a head-on collision like Japan's) has been caught on video.

I will never again be confused what they mean by "right lateral" side-strike.

(I keep yammering on about it since I live 80-100 miles from the San Andreas fault, which has and will move the same way.)

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Hard to get out of bed sometimes

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I didn't want to add it to my art fight because I'm not sold on it and it doesn't resonate as well as I wanted

But regardless! Creature me :3

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height check. how tall are you people in my phone

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Technical team of the expedition ! I love the difference in physique between these three.

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Vincent van Gogh - "The Starry Night", 1889

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"A Touch of Pride" 🏳️‍🌈

Woven rainbow, with real strung hand castings.

I thank my friend for sitting still as I sewed their hands to my weave 🙌

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One thing about Van Gogh that people don't talk about is how brilliantly he uses texture in his artwork. The way he uses oil paint is so three dimensional, and he's so aware of it and uses it to his full advantage to add depth and texture. It's not as obvious in photographs or digital versions of his paintings, which is a damn shame because once you see them in person you realize how much it adds to them. There's one in the Van Gogh museum in Amsterdam called The Sower with a tree cutting through the foreground, and the majority of the trunk is one flat stroke of paint, ending with a knot in the trunk made bulbous by the end of a brush stroke that was never smoothed out. One of his paintings in the Met, Wheat Field With Cypresses, has the brush strokes very choppy on the top of the wheat, but smooth and almost textureless on the stalks. It's one of the things that I think really separates him from the other artists of the period.