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saimaiyu akesuk, "composition (razor bird)," 2019, colored pencil and ink

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In 1994 Haraway sent me a draft of “Mice into Wormholes: A Techno-science Fugue in Two Parts.” It was an implosion of science and technology loaded with images. I loved the visual possibilities of what she referred to as “startling hybrids of the human and inhuman in technoscience. “ Shaping technoscience is a high stakes game, she wrote, “a form of life.” I was captivated by her description of the herbicide-resistant crops and genetically engineered plants. It was hard to resist combining a tomato and a flounder in a painting. But the image that lingered was of poor little OncoMouse, the first patented life form.

- Lynn Randolph

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グループ展『未完性のエンドロール』より

“garden“

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Keith Haring Untitled 1982

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Camila Valdez 2012

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Playgirl Advisor (1977)

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“Sin In My Heart” | Siouxsie and the Banshees