i cry, icon by jamsbunnies god i keep forggeting to add that lol
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when you listen to a song and it gives you inspiration to daydream an answer to the plot hole in the story building inside your head

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"found family" but it's family in an institutionally violent way. like those jobs that call you "part of the family" while abusing you and your coworkers to death for corporate profit.
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i hope everyone with paracosms that are aus of other paracosms has a great day
(like, we got Normal, we got Everyone Is 10x More Dickish and Also They're Musicians, we got Everything Went Well Plus the Ship the Paracosm Was Originally Created for Don't Even Meet Because Circumstances and They're Just Mega Unhealthy in Normal. yeah they'd all be fucking horrified at eachother; prime example, the parame: N@EIMD: so your family still kinda sucks AND you don't get adopted? EIMD@N: you seriously wasted 16 years of your goddamned life on that asshole? N@EWW: why would you decide to live in a city actually on a map? EWW@N: everyone from your childhood either died or you didn't know their whereabouts for MULTIPLE DECADES? EIMD@EWW: how are you able to just adopt a random unknown child with barely any legal process? EWW@EIMD: your partner didn't contact you for a few months and that was bad enough to worry over?)
-🎲 anon back on the looping toy train track of thought
Home is where the looping toy train track of thought is
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lol yeah go ahead try and attack me *notices i left my dragon scale talisman of immortality at home* or maybe lets not be too hasty
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-despite everything, there is still love
@arthoesunshine/ @artsheila/ @daisies-on-a-cup/ @gayarsonist / @hjarta/ @yunawinter on twitter/ @bakwaaas/ @death-born-aphrodite/ anon on gentleearth/ @classicnymph on twitter
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When writing toxic family dynamics
Toxic family stuff isn’t always screaming matches or broken plates. Sometimes it’s quiet control. The expectation to shrink, the pressure to be perfect, the guilt that rides shotgun. It’s complicated. And it’s deeply, deeply personal.
✧ Make the love real, but conditional. One of the most damaging things about toxic family is the illusion of love. It’s not “I love you no matter what.” It’s “I love you when you obey.” Let your character notice that.
✧ Control shows up in micro ways... Who’s allowed to speak. Who’s allowed to feel. Who apologizes first, even when they’re not wrong. Control doesn’t need to be loud. Sometimes it’s a raised eyebrow or a guilt trip.
✧ Let them question reality. Toxic families are great at gaslighting. Your character might constantly wonder, Was it really that bad? Am I being dramatic? Let them doubt their own memories. That internal confusion is real.
✧ The guilt will be crushing. Leaving a toxic family doesn’t feel empowering at first. It feels selfish. It feels wrong. It feels like betrayal, even when it's survival. Show your character grieving the fantasy of the family they wish they had.
✧ Let them try to earn love. Your character might work their ass off trying to “be good,” hoping maybe this time they’ll be enough. Toxic families move the goalposts. Let that break them a little.
✧ Show emotional whiplash... One moment everything is warm and nostalgic. The next, it’s tense and full of landmines. That unpredictability is the dynamic. Use it.
✧ Don’t make the villain cartoonish. Even the abuser might think they’re doing what’s best. They might bake cookies and say “I’m just worried about you.” That’s what makes it so damaging. Write them like people, flawed, manipulative, real.
✧ Let your character unlearn in layers. Even after they leave, they still flinch. Still fold under pressure. Still crave approval. Recovery isn’t clean. But it’s worth it. And when they finally say no, even just once, let it be electric.
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Weirdly Healing Things to Do When You’re Feeling Creatively Burned Out...
Write a fake 5-star Goodreads review of your WIP—as if you didn’t write it. Go ahead. Pretend you're a giddy reader who just discovered this masterpiece. Bonus: add emojis, chaotic metaphors, and all-caps screaming. It’s self-indulgent. It’s delusional. It’s delicious.
Give your main character a Pinterest board titled “Mentally Unstable but Aesthetic.” Include outfits, quotes, memes, cursed objects, and that one painting that haunts their dreams. This is not about logic. This is about ✨vibes.✨
Make a “deleted scenes” folder and write something that would never make it into the book. A crackfic. A “what if they were roommates” AU. The group chat from hell. This is your WIP’s blooper reel. Let it be silly, chaotic, or wildly off-brand.
Interview your villain like you’re Oprah. Ask the hard-hitting questions. “When did you know you were the drama?” “Do you regret the murder, or just the way you did it?” Bonus points if they lie to your face.
Host a fake awards show for your characters. Categories like “Most Likely to Die for Vibes,” “Worst Emotional Regulation,” “Himbo Energy Supreme,” or “Best Use of a Dramatic Exit.” Write their acceptance speeches. Yes, this counts as writing.
Write a breakup letter… to your inner critic. Be petty. Be dramatic. “Dear Self-Doubt, this isn’t working for me anymore. You bring nothing to the table but anxiety and bad vibes.” Rip it up. Burn it. Tape it to your mirror. Your call.
Create a “writing comfort kit” like you’re a cozy witch. A candle that smells like your WIP. A tea that your characters would drink. A playlist labeled “for writing when I’m one rejection email away from giving up.” This is a ritual now.
Design a fake movie poster or book cover like your story is already famous. Add star ratings, critic quotes, and some pretentious tagline like “One soul. One destiny. No chill.”
Write a scene you’re not ready to write—but just a rough, messy outline version. Not the polished thing. Just the raw emotion. The shape of it. Like sketching the bones of a future punch to the gut. You don’t have to make it perfect. Just open the door.
Let your story be bad on purpose for a day. Like, aggressively bad. Give everyone ridiculous names. Add an evil talking cat. Write a fight scene with laser swords and emotional damage. Just remind yourself that stories are meant to be played with, not feared.
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When writing toxic family dynamics
Toxic family stuff isn’t always screaming matches or broken plates. Sometimes it’s quiet control. The expectation to shrink, the pressure to be perfect, the guilt that rides shotgun. It’s complicated. And it’s deeply, deeply personal.
✧ Make the love real, but conditional. One of the most damaging things about toxic family is the illusion of love. It’s not “I love you no matter what.” It’s “I love you when you obey.” Let your character notice that.
✧ Control shows up in micro ways... Who’s allowed to speak. Who’s allowed to feel. Who apologizes first, even when they’re not wrong. Control doesn’t need to be loud. Sometimes it’s a raised eyebrow or a guilt trip.
✧ Let them question reality. Toxic families are great at gaslighting. Your character might constantly wonder, Was it really that bad? Am I being dramatic? Let them doubt their own memories. That internal confusion is real.
✧ The guilt will be crushing. Leaving a toxic family doesn’t feel empowering at first. It feels selfish. It feels wrong. It feels like betrayal, even when it's survival. Show your character grieving the fantasy of the family they wish they had.
✧ Let them try to earn love. Your character might work their ass off trying to “be good,” hoping maybe this time they’ll be enough. Toxic families move the goalposts. Let that break them a little.
✧ Show emotional whiplash... One moment everything is warm and nostalgic. The next, it’s tense and full of landmines. That unpredictability is the dynamic. Use it.
✧ Don’t make the villain cartoonish. Even the abuser might think they’re doing what’s best. They might bake cookies and say “I’m just worried about you.” That’s what makes it so damaging. Write them like people, flawed, manipulative, real.
✧ Let your character unlearn in layers. Even after they leave, they still flinch. Still fold under pressure. Still crave approval. Recovery isn’t clean. But it’s worth it. And when they finally say no, even just once, let it be electric.
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The most human thing a character can do is contradict themselves.
The cynic who still carries a childhood stuffed animal.
The liar who craves honesty.
The overthinker who makes reckless decisions.
The heartbreaker who believes in soulmates.
The pacifist who holds lifelong grudges.
The tough guy who cries during old movies.
The thrill-seeker who's terrified of commitment.
The grump who’s unfailingly polite to waitstaff.
People aren’t consistent. Your characters shouldn’t be either.
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getting a new interest that it feels like nobody gaf about is so excruciating what do you mean people aren't going ham nuts over this thing. please start losing your minds
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if it's good enough for you, then it deserves to be made. don't let anyone else decide if your story is worth it or not.
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What they don't tell you about writing is that as you write, you discover scenes and entire plots that you hadn't accounted for that need to be written. So you can spend two hours writing and editing only to realise you're further away from the finish line than you thought you were when you started
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me: i wanna talk about my ocs
someone: ok tell me about your ocs
me, suddenly convinced that every single thing about my ocs is stupid and cringy and probably offensive: i. have them
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spring is the perfect time to write something feral and floral. soft boys covered in blood and daisies. girls with dirt under their fingernails and god complexes.
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me: this scene is stupid.
also me: writes it anyway and accidentally unlocks the entire plot.
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