delort-ed
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The Combaticons hearing about the Protectobots for the first time:
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starscream: why??? Does everyone??? Blame me??? for things??? That go wrong???
thundercracker: because they’re usually your fault u helium snorting unkind leg jet
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I did this for a friend as a commission (kinda) some time ago…. though, I wasn’t very happy with it and it was so difficult…(╥ ╥) still like to share it. You can only improve. (maybe I would do it better now (^p^)…)
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Your phone rings. The number looks familiar. You pick up to hear your own voice asking you for help.
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IT’SSSSSS CRYPTIDSMAS AGAIN FOLKS. Time for a new batch of cards! Wish I’d gone a little harder on the black placement this time, and that watercolor paper scanned better, but I still had a total blast making these.
If any mutuals want to trade cryptidsmas cards, hit me up! This year, I have had the foresight to not be in the middle of fucking moving, so I can be sure not to accidentally miss anyone this time. Non-mutual followers or passersby are also totally free to inquire about a card trade, but I may have to turn you down due to time restraints.
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So, when I first tried to download the song, THIS IS WHAT I GOT.
Traditional Russian folk cover of Boney M’s “Rasputin”.
Seriously. JUST PRESS PLAY.
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quality entertainment.
1990s stock photos about the Internet
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Today scenic design is taught and classified into two types… Box Sets & Unit Sets.
I would like to propose additional scenic design classifications (which can be viewed above and are listed below). Each week I will focus on a different classification. Now, some of these can be combined and it could even be debated that some of these “classifications” are the same but, by redefining the terms we use as designers, artists and theater practitioners we can further develop what scenic design is, can be and will be as the theater progresses.
Got a question, comment, thought? Hate it? Love it? Think I’m a fool? Got something to contribute? I want to hear from you! Let’s get a discussion going!
Atmospheric: “Tartufe” - Katrin Brack
Box: “Venus in Fur” – John Lee Beatty
Green: “Bloody Bloody Andrew Jackson” – Donyale Werle
Digital: “The Magic Flute” - Esther Bialas
Found Space: “The Drowned Man” – Felix Barrett, Livi Vaughn & Beatrice Minns
Installation: “Death of a Salesman” – Narelle Sissons
Light: “Passing Strange” – David Korins
Material: “Don Giovanni” – Frank Gehry
Motion Based: “Replacement” - Barbara Ehnes
Unit: “Ragtime” – Derek McLane
Follow me at www.scenicdesign.tumblr.com for more updates, photos and scenic design…
- Bryce Cutler
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