dennishopper
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Fantastic Planet // La Planète sauvage (René Laloux - 1973)
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People messing with their textbook mini DUMP
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✨Another ceramics colab with the amazing @kaleyflowers ‼️
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“We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality…an ideality that can be distilled from the past and used to imagine a future. The future is queerness’ domain. Queerness is a structuring and educated mode of desiring that allows us to see the future beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of the moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds … Queerness is essentially about the rejection of a here and now and an insistence on potentiality or concrete possibility for another world.”
— In memory of José Esteban Muñoz, from his book, Cruising Utopia: The Then and There of Queer Futurity (via nyupress)
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Japanese Exhibition Poster: Makurihirogeru en la Habana. Washio Tomoyuki, Kiyoshi Awazu. 2015
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Crops from one of the giant Heaven and Hell illustrations I did for Cards Against Humanity back in 2016. This is from the Heaven illustration. The full thing is 1 foot by 6 foot at intended viewing size. The intended style was a sort of Bosch meets where’s waldo.
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The Portraits of Modern Chinese Beauty for Harper’s Bazaar China April 2018, photographed by Liu Zongyuan
Styled by Cathy Dong, Hair by Bon Fan Zhang & Makeup @chunnan
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As Promised: the Jimi Hendrix art of Jean Giraud, aka Moebius.
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Susan Kare, famous graphic artist who designed many of the fonts, icons, and images for Apple, NeXT, Microsoft, and IBM. (1980s)
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