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DIFFERENT_TRAINS-EXCERPTS from david fodel on Vimeo.

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Meeker Museum Mockup 3 from david fodel on Vimeo.

2-sides-2-sources

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Meeker Museum Mockup 2 from david fodel on Vimeo.

2-sides-1-source

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Meeker Museum Mockup 1 from david fodel on Vimeo.

1-side-1-source

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Meeker Museum Mockup 1 from david fodel on Vimeo.

1-side-1-source

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Denver Botanic Gardens Projection Example from david fodel on Vimeo.

Example of a pole mounted climate-controlled projector enclosure.

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NCAR_Mockup from david fodel on Vimeo.

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portrait-drawing-robot-final-1 from david fodel on Vimeo.

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Artemis_Vision_FANUC_Demo_Final from david fodel on Vimeo.

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Chops by John Dawson; Sound Design by David Fodel from david fodel on Vimeo.

Chops is a film by Colorado artist and filmmaker John Dawson in 2024. I had the honor and pleasure of creating the sound design for his film. It is a film of moving abstract images created by painting directly onto 16mm film stock. Dawson describes it as "paint with a pulse, abstraction that moves and comes alive. I am taking an old school technique and trying to do something modern and current with it." "My films are all about the colors, motion and having fun! I hope people are entertained and energized by all of my films. You can think of it like a ride at the amusement park or view it the same way you might view fireworks or abstract painting."

Screenings:

Festival Fotogenia, Mexico City, Mexico, Worldwide Premiere Post-Cinema Film Festival, Sicily, Italy, Italy Premiere, Official Selection

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Tektōn #3 - Bees and Flies from D-Fuse on Vimeo.

A collaboration between Mike Faulkner and Paul Mumford.

Tektōn #3 is the latest in a series of experimentations with the processing of analogue imagery into architectural light structures. Originally developed in D-Fuse & Scanner's "Light Turned Down" performances, Mike Faulkner and Paul Mumford have been continuing the process while working with L'Usine, H17 and Swayzak.. The latest in the study is a one minute film produced with the German artist Hauschka and features densely packed formations of light.

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excerpt from david fodel on Vimeo.

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An Introduction to Duo Denum from Tom Law on Vimeo.

A 10-minute highlight reel from the first 8 Duo Denum collaborative concerts at Green Kill Gallery, 2022-23.

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ERIENESS: Project Documentation from Michael Chernoff on Vimeo.

Video documentation of a multi-channel projection and real-time video processing project done in-residence at FEED Media Art Center

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ghost in the wall - trailer from karla on Vimeo.

Ghost in the Wall An animated theatrical Mini-Object and 
Media Art performance - installation.

Ghost in the Wall is an immersive performance exploring coincidences, dreams, and fears. Inspired by Taiwan's ghost culture, it delves into the haunting experience of hungry ghost month. The show combines physical sensations, rotating platforms, comic-like objects, and shadows to create a magical journey into a dark and surreal world. It features live video performance and a powerful soundtrack. Dive into the interwoven chaos of fears and projections.

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Benton C Bainbridge & Stephan Moore at EMPAC 360 from Benton C Bainbridge on Vimeo.

bentoncbainbridge.com Live audiovisual performance for EMPAC 360 with custom digital/analog systems by the artists.

Benton C Bainbridge Stephan Moore Pierre-Alain Hubert Jo Kreiter/Flyaway Productions

curated by Kathleen Forde

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Captive in the White House by The Luminists from ur sullivision on Vimeo.

The Luminists Charles Cohen - audio Eric Schefter - video (1991)

The source materials for Captive In The White House were created during a residency at The Experimental Television Center, over the course of one day, during OPERATION DESERT SHIELD (1991). Captive was a real-time reaction to the American television media's preoccupation with war, sports, and the "cult" of the president.

Thanks to: Hank Rudolf, Sherry Miller Hocking and all the ETC folks. Isabelle Sigal, Naval Cassidy, Eric Marano and American Montage. Produced at the Experimental Television Center which is (was) supported in part by: the New York State Council on the Arts, the Pennsylvania Council for the Arts, the NEA and by private contributions