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I love the idea of Steve just forgetting to tell people he’s bisexual.
He’s actively wine-ing and dining Eddie and it just completely goes over everyone’s head.
Bonus points if Eddie also doesn’t know what’s going on.
He shows up to Steve’s house which is decked out with candles and dimmed lights. A fancy tablecloth draped over the table, the Harrington’s good china is on display, and there’s a fucking rose on the table in a vase.
“Do you have a date or something?” Eddie inquires.
Steve stares back at him, a little dumbfounded by the question. “Yea”
“Oh really? Am I interrupting, you invited me over so I assumed we were going to hang out?” Eddie rambles.
Steve continues to stare at Eddie blankly. “You’re not interrupting, you’re here to spend time with me.”
“What about your date?” Eddie vaguely gestures to the setup.
“Eddie, you are my date.”
“Say what now?”
“I asked you to go out with me!” Steve stressed.
“Yea, but then you called me dude, so I’m sorry if my signals got crossed.” Eddie replied, voice laced with disbelief. “I failed senior year twice, I need clarity.”
“I want to fuck you.” Steve says slowly, sounding out every part of each word carefully.
“Wow! Where’s the romance?”
Steve wordlessly gestures at the set table behind him.
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Steve Harrington, who has a very “in name only” relationship with his parents, the people who claim they love him lots but have simply given him cash for his last six birthdays without bothering to send a card.
Steven Harrington, who lost his connection to the only adults in his life who actually parented him when he had his final fight with Tommy and Carol-- not that they ever really did that much. Having an adult put a bandaid on his knee and complimenting him for being tough was plenty enough.
Steve Harrington, who drove Dustin and co. to the Byers house that one Christmas and was told by Hopper not to come in; that Joyce was still mad at him about the ‘demodog in the fridge’ and figured his exclusion was fair--it wasn’t like Hopper actually liked him. Joyce certainly had no reason to. It wasn’t like he was doing anything for Christmas anyways.
Steve Harrington, who is fairly certain Robin’s parents have clocked her as queer but who still treats him in that careful way many parents do when he’s hanging around their daughter. There’s a barrier there, in the way of firm handshakes and “get her back safe”’s that keep things formal. (It’s never bothered him before, and he swears it doesn’t bother him now.)
Steve Harrington, whose relationships with adults are defined by words like “networking”, “proper connections”, “favors”, and “finances”, who has at best been treated like a miniature version of his father and at worst as a spoilt moron, who encounters Wayne Munson and has no idea what to do with the man.
Wayne Munson, who asks him actual questions about his life. Who asks him to watch the game with him. Who calls him “boy” and “son” in ways that sound affectionate and not frustrated. Wayne, who shoos him away from the dishes and compliments his cooking, who has invited Steve over when Eddie isn’t even home.
Steve Harrington, who keeps apologizing to Eddie because “I’m not trying to steal your Uncle man, I promise.” and doesn’t believe Eddie when the latter just laughs at him.
(“You can’t steal Wayne, Steve.” Eddie says with a snicker, when he finally figures out what Steve is apologizing for. The guy apologizes a lot for things that make no sense, it’s a bad habit Eddie’s working on him with. “Though I do believe he has been trying to steal you.”
“Oh.” This does not relieve Steve. In fact, this seems to make him more nervous looking, which Eddie does not want.
“I uh. I don’t want to come between you guys so I guess we can just hang at my house…?” The voice he trails off with is downright painful for Eddie to hear, and he’s already slashing his hand in the air in a wild ‘No’ before Steve can even finish speaking.
“Dude you’re fine. I’m glad you guys are getting along! Wayne needs someone to talk sportsball with and clearly so do you because you keep trying to talk about it to anyone who will listen.”
“I guess if you’re alright with it…”)
Steve Harrington, who allows himself to be adopted by the Munsons much in the way a feral cat lets itself become domesticated, and who starts looking at Wayne like the man hung the moon.
Wayne Munson, who is referred to by Steve as “Dad” exactly once, and feels so fucking happy about it he misses the panic attack Eddie has to talk Steve through.
He also misses that that is the moment when Steve accidentally confesses his feelings to Eddie in the Munson’s (new) cramped bathroom, on grounds that “I can’t date you and also call Wayne dad like that, that’s weird! Isn’t that weird!? It feels weird!”
(“Sweetheart,” Eddie says, trying not to smile and failing entirely. “I get what you’re saying, but I think in your panic you missed something kinda key, there.”)
Steve Harrington, who gets himself an entire family in the end (and gets to both call Wayne “dad” and Eddie as his boyfriend, without issue, because “we’re not related babe, you can call your inlaw whatever you want.”
“Now who's skipping steps? When did we get married?”
“The very second it’s legal, that’s when.”)
--and has never been happier in his life.
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cannot stop thinking about the yandere! stalker!Pete fic and my brain is slowly rotting
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i was drawing a lot of work lately so now i can to draw only silly modern coffee shop jayviks, sorry (i personally try to get closer to viktor with my 4 syrups at home)
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This is Viktor, Viktor loves his personal space.
And this is Jayce, he also loves Viktor's personal space

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'ao3 needs a like and dislike button'
what you need, my algorithm-rotten minded friend, is a grip
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Uh- are you aware of the meaning of proship?
Proship has never meant anything except a combination of three ideas:
Ship and let ship (your ships don't harm me and vice-versa) and YKINMK (your kink is not my kink, and that's okay; my kink stories don't harm you and vice-versa)
Harassment over fiction is not acceptable
Censorship of fiction is not acceptable either
Any other definitions are made by antis, not proshippers, and are an attempt at revisionism to justify harassment based on false claims.
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An adaptation of Sherlock Holmes set in a world in which the fictional character/literary juggernaut Sherlock Holmes, and all the subsequent adaptations thereof, still exist.
Sherlock Holmes (pronounced Holl-mess, as he is constantly reminding people) just had the misfortune of having parents who really liked the books, and his attitude towards his fictional counterpart is pretty much the same as that of Sir Arthur Conan Doyle.
Sherlock runs a Youtube Theory channel called Mysteries Unwrapped with Sherlock Holmes. He has received no less than seven cease and desist letters from the Conan Doyle estate, all of which he has so faded managed to rebuff by pointing out that that's literally his name.
(No he won't change his name. He's Sherlock Holmes the real live human person. Let Sherlock Holmes the non existent fictional character change his name.)
John is Sherlock's flatmate. Sherlock almost refused to live with him once he realised that it would mean staying with a medical student named John, and only gave in once John pointed out that: a) he's a biomedical student, which is completely different from an md, and b) his surname isn't Watson.
It's now been three years, which is long enough for them to have developed a genuine friendship, and for John to have a) started working towards his PhD in biotechnology, and b) for him to start dating somebody with the surname Watson.
Sherlock can feel the narrative closing in.
His Youtube channel is meant to be focused on lost media, fan theories and stuff like that, but he keeps accidentally stumbling upon and then solving genuine crimes.
His brother Mycroft may or may not have chosen that name after he transitions specifically to annoy him.
He doesn't even live in London, but somehow the only flat they could afford was on a street named fucking Baker Street.
Sherlock Holmes and the Unescapable Power of the Narrative.
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The woman is fucking stunning. A goddess amongst mortals, a vision sent from the heavens to bless any who may see her. Eddie could honestly go on, but she has to return her focus to the man currently standing at the counter and not the beauty that just walked through the door.
"Here's your change," she says as she passes over the few coins and receipt. "Pickup is at the end of the counter, and they'll call your name when it's ready.
The man gives Eddie his thanks before walking away, and then Aphrodite incarnate is stepping up to the counter. God, she's even more beautiful up close. The slant of her nose, the artful swoop of her chestnut hair - the twin moles on her cheek that are eerily familiar for a reason Eddie can't quite place.
"Welcome to Black Roast Café, can I have a name for your order?"
"Hi there," the woman says with a soft smile, and god, Eddie feels bad for ever making fun of Jerry Maguire. You had me at hello, indeed. "Uh, Stevie is fine."
Eddie nods and types the name into the system. "Okay, Stevie, what can I get you?"
The woman - Stevie - doesn't even look at the board before she rattles off her order. "Can I please get a large, iced caramel latte, with three shots of espresso, a pump of white chocolate, and extra whip? Oh, and a butterscotch blondie."
Eddie's brain shudders to a halt. The order is specific, unique, and it's one she's heard before, from- well if she's being honest, from the only man that's ever made Eddie question her lesbianism.
Steve had been so beautiful and so kind. He was her absolute favorite customer before he'd moved away two years ago, following his best friend when she transferred to a different university to complete her master's. Eddie had mourned just a little, had grieved the loss of sunshine he brought to her days.
Eddie's eyes snap to the two moles on the woman's cheek and everything clicks into place. "Oh shit! You're back!" she says, her filter absolutely failing her. Stevie's smile fades a bit, replaced with a tinge of nervousness as she shifts in place.
"Oh, uh, I didn't- I wasn't expecting you to-"
"Remember you?" Eddie cuts in as she finally punches the order into the register. "Honestly, your order is a hard one to forget. Clearly I was right about all that sugar going to your hips."
It's a gentle tease, one she used to make back when- before, because the order really is just so sweet. It works the way Eddie hoped it would, because Stevie just laughs softly and smooths her hands over her full, curvaceous - fuck, Eddie, head out of the gutter - her hips.
"Yeah, I could probably stand to cut back a little, huh?"
"Don't you dare," Eddie retorts, offended at just the suggestion. "If anything I encourage more, because you're- you look amazing, actually."
The woman blushes, so pink and pretty, and bites into her lower lip the way Eddie wants to. "You think so?" she asks as she hands her card over to Eddie.
"Uh, totally. Like, you were attractive before - and that's coming from a lesbian - but now you-" Eddie pauses, taking a second to run the card as she shrugs. "You're like, glowing. And it only makes you more beautiful."
There's no response from Stevie as the receipt prints, and it's not until Eddie is handing back the card that she sees the stunned look on Stevie's face, her flush even darker. Fuck, that might have been too much.
Before Eddie can apologize though, Stevie takes her receipt and blurts out "I think you're hot."
Huh?
"You do?" Eddie asks, and Stevie nods.
"I've always thought you were hot. But you have the little-" She points to where Eddie's nametag is, to the little lesbian flag sticker that she stuck on it. "The sticker, and like- My best friend, Robin? She's also a lesbian, and she's talked about how annoying it is when guys hit on her and I didn't want to be like that, so I never said anything."
God, Stevie's just as sweet as she used to be, and much more considerate than Eddie even knew. She probably wouldn't have minded getting hit on by Steve at the time, and now that Stevie is standing before her, more beautiful than she's ever been and claiming that she finds Eddie attractive? Well, there's no way Eddie can't make a move.
"How long are you in town?" Eddie asks.
"Oh, uh, we just moved back, actually. Robin finished her master's program and got a job at a local museum translating documents and artifacts."
"Okay, that's cool as hell and I definitely want to hear more about that, but first- Do you want to go out with me? Like, on a date?"
The question seems to surprise Stevie, and it takes her a second to process it. "Are you sure? Even though I'm-"
"The most beautiful woman I've ever seen and way out of my league? Yeah, I'm pretty sure, sweetheart. And I'm not above begging if I have to."
Stevie blushes again and oh, Eddie is already addicted to the way it floods her cheeks, is in love with how alive, how happy she looks. "Then yeah, I'd really, really like that." She grabs a pen from the nearby cup and scribbles her number on the back of her receipt before passing it to Eddie. "Call me when you're off?" she asks, and Eddie nods, beaming.
"The moment I clock out," Eddie promises, and Stevie giggles - giggles! Stevie's name is called and Eddie is thankful that the store is practically empty, because for a second there she genuinely forgot where she was.
Stevie gives her a wink and a "Talk to you later, Eddie," and Eddie barely waits for her to leave the store before she's adding Stevie's number into her phone.
"Okay," Chrissy says as she slides up beside Eddie. "Who is she and how did you get her number so easily?"
Eddie grins as she saves the new contact under Stevie 🩷🌹😍 "That, darling Christine, is my future wife."
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Fic where the Corroded Coffin boys need money for The Battle of the Bands in Chicago.
They’re getting high and thinking of ways to come up with the money - selling their shit, donating blood, ect - when one of them suggest they do a ransom.
Dick Harrington is the richest guy in town. Surely, he’d pay big bucks for his only son, right? They could get enough cash to get to the Battle of the Bands and also buy new amps. They should do this, right?
It’ll be easy.
Turns out, it’s not easy to kidnap someone because Steve fights back surprisingly hard. Gareth is limping. Jeff has a broken nose. Grant has an asthma attack chasing Steve when he runs.
The only reason they get him is because Eddie hit him with his van and now they’re all panicking about how he’s probably slowly dying from a head bleed. This what they’re doing when Steve slowly regains consciousness, tied up in Gareth’s mom’s basement.
They don’t stop panicking until he’s like, “Um, can I get a cigarette?”
Steve is both the best and worst hostage they’ve ever had (also the only hostage they’ve ever had). He doesn’t scream or cry like they thought he would, but he’s really bitchy and kinda mean, and he does try to escape when Eddie unties him so he can use the bathroom.
It’s like three hours later when Steve tells them that his dad is not going to pay a ransom because like, “He doesn’t even like me.”
“He’ll pay,” Eddie says, breaking his hour long streak of ignoring Steve. “Anybody would pay to get their kid back.”
“He didn’t last time.”
Freeze. Record scratch. “What?”
“What do you need the money for anyways?” Steve asks. Grant tells him and a Steve nods like, “Oh. Yeah, I can get you the money. Easy peasy.”
Cut to a genre change. This is a heist now and the Corroded Coffin boys quickly learn that Steve is fucking insane and also, maybe their manager now?
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SpiderBaby Miles + SpiderBand 1/3
I really enjoyed drawing Gwen, I think I will post more of her in the future 🫰
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One scene that never fails to break my heart is the scene where Joyce is reporting Will missing. Specifically Hopper's behavior in this scene. Before Hopper walks into his office, he knows that Joyce can't find Will. And he's treating it like it's no big deal. Obviously this is off-putting considering we, as the audience, already know that this situation is very serious. But also, this was a different time. This was a time when parents could let their kids run around unsupervised and not worry that they wouldn't come home. The Duffers cite this as one of the things about this time that was integral to telling this story. This story would play out completely differently if it took place in a modern setting. Hopper views this small town as a sort of safe haven. It's quiet and nothing ever happens. Kids don't go missing here. It just doesn't happen. So his immediate assumption is that Will is just being a kid. Which honestly, you can't really hold against him. But then Joyce says "Lonnie used to say he was queer, called him a [f slur]". And Hopper's demeanor completely shifts. He says "is he?" and at first that seems like a rude question. Like he's being homophobic. And Joyce interprets it as such, which is why she says "he's missing! is what he is!". Hopper leans back in his chair with a look that I really don't know how to describe, but he's obviously reevaluating what he initially thought of this situation. And then he asks when was the last time Joyce heard from Lonnie. It becomes clear that Lonnie is already a suspect in Hopper's mind. A suspect in what he is assuming to be a hate crime.
Hopper takes Will's disappearance extremely seriously from this moment forward. The possibility of Will being queer didn't cause him to take it less seriously like some other cop might've done (or like a lot of townsfolk did). No, instead the possibility of Will being queer lit a fire under Hopper. In his mind, a gay kid was missing in this small conservative town, and he wanted more than anything to find him alive.
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