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Count—count—count—count—the bullets in the bandoliers
If—your—eyes—drop—they will get atop o' you
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mick: yeah this kid who had to save coins to buy fruit is a paid driver
Jack: yeah an Argentine account made this edit
*both a lie and insults
all of you: we need to take these WILD and VIOLENT people off our whitPure sport who NEVER had an SINGLE instance of RACISM until we let these PEOPLE in
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The only thing that I'm going to say about the fia statements is that checo faced racism, xenophobia and death threats by European fans for years and they didn't say shit.
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both parties are at fault argentine fans because they can't catch a hint and stop harassing doohan online and doohan & co. because they can't understand this is a massively popular sport and fans will be fans. A lot of famous people get harassed online idk what to tell you. Targeting a whole country as the sole perpetrator seems dumb and ignorant, it's the worst thing that he could have done "it was fabricated by Argentine fans" tell me about poking the sleeping bear. Also the previous statements made by mick doohan which made the whole fakers thing more believable and even possible in the first place
my hottest take is that doohan shouldn't have been second driver in the first place, just a reserve from the start.
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Franco Colapinto with teammate Pierre Gasly and Yuki Tsunoda (Red Bull Racing) on the fan stage prior to final practice ahead of the F1 Grand Prix of Emilia-Romagna at Autodromo Internazionale Enzo e Dino Ferrari on May 17, 2025 in Imola, Italy.
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I watched Mickey 17 and i really like the bug creatures (creepers) so i wanted to draw them!
i hope you enjoy, and have an AWESOME day!!
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People who are oppressed and traumatized die several deaths and are reborn multiple times. Mickey 17 is Mickey Barnes' greatest desire to live. Mickey 18 is Mickey Barnes' deep rage and violence; his reaction to being continuously ground under the boot of the higher class. No one can be expendible, because none of us are made to be expendible, yet some lives are treated as expendible. Some lives have less value than the upper class' "taste". 18, in the end, regains power through self-sacrifice—this is the extent of what he can do to free 17, his purest, most child-like desire to live. The traumatized fight back eventually; 17 channels 18 when he dreams of the wife printing herself and her husband, when he sees the bowl of blood (where did it come from? Who did she kill?) and this is his nightmare because he feels like his new found freedom is once again at risk; that he once again needs to be brutalized by tragedy. But he knows he has to resist and he finds strength in 18. "Fuck off". This movie has such heart and is a tribute to those of us who are crushed by the ones above them with more money; more power. Robert's portrayal of 17 is beautiful and personifies the best of humanity. It's just so well made and earnest and I'm so disappointed that so many of the reviews seem to have completely missed the point, instead failing to find satisfaction in some superficial perception of what makes a movie artsy.
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thinking sooo hard about Mickey being like “i pushed a button and it ruined my FUCKING LIFE”
and then at the end, 18 pushed a button to end his life and 17 pushed a button to destroy the printer and start living again
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