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can't say "too much flirting, not enough kissing" and then not actually include any kissing, right? 😤

(follow-up to this!)

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BEN AFFLECK as GEORGE REEVES dressed as SUPERMAN.  Hollywoodland (2006) | Dir. Allen Coulter

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Clark Kent and Kara Zor El by David Talaski

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SMALLVILLE | 3.2 “Phoenix”

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LEX LUTHOR & CLARK KENT/SUPERMAN in JLA/JSA VICE AND VIRTUE

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These type scenes are everything 😂😂

Clark is so adorable 😍😍

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拉斯科尔尼科夫在当今的时代这么一看简直是个超级大好人，他只是想杀一个恶人去救其他千千万万的人，之前杀医药公司高管的美国青年在互联网上被捧为超人。 《罪与罚》​这本书有很厚的宗教气息，我还是第一次了解到东斯拉夫人的国教—东正教是起溯于基督教，它所传递出柔和的人道情感还是我所未触碰的。“心灵的辨证法”和“纯洁的道德情感”是它主体所被看到的特点，我认为陀翁的作品里的主人公里的道德水准简直高到不能把他们称为“罪人”的地步。 ​现流行的网络小说已经把那种恐怖的行动给无声的合法，包括我在内，我的接受范围已经低到了不可思议的边缘。血腥暴力美学在如今早已成为了受众面之广的标签。好吧，是时候再让我们回头看看，有这么一部作品，富家少爷，英俊，多金，风流，挑出来的每一个特性都能让现世人尖叫，但他却因为玩弄了一个卖淫女而感到心灵的咆哮与痛苦。不可思议的情节，歌颂内心的欲望早在互联网上成了常态，醉生梦死的荒淫生活被相当多的一部分人所追捧。聂赫留朵夫拥有这些，他在心灵的煎熬下抛弃了这一切，灵与肉中选择了前者，接受新生活。《复活》真是部有着瞠目结舌情节的心理小说（在新世纪的我看来。 《罪与罚》中尼采的“超人”思想在我看来也很有意思，在他的《快乐的科学》中，能看出他是极度的憎恨上帝，厌恶宗教，他称这种玩意把那些优秀的人都束缚住手脚了。有些人生来就是不平凡的，其他平凡的人只是繁殖同类的工具，不平凡的人即使杀人、用脚踏过尸体也不能被称为罪行，是被允许的。一个人推崇什么，那他肯定是他的坚定拥趸，尼采本身就是奴隶主，这就能知道他对这种几乎被称为“纯善”的思想感到恶心，他发出的那句“上帝死了”让长达十几个世纪的教徒振聋发聩。我觉得拉斯科尔尼科夫被尼采中描绘的虚假面所遮蔽住他原有的心，也仅仅只有一点黑色的影子，他本身就是超级大善人（跟克拉克肯特同类的那种），这才让他萌生去杀一个恶人去救其他人的念头，在我看来他根本不算罪。他所熬受的罚来源于他纯洁的，没有一点污秽的心灵。 关于尼采，我曾经在学校看他的《快乐的知识》被老班逮到，他甚至翻了翻好几页，而我在上面做了些个人注解，我当时内心的恐慌是无法比拟的，但万幸他没有没收，只是勒令我带回家。尼采在人格上的高傲，蔑视基督，嘲笑社会主义运动，有些观点真是我无法认同的，但瑕不掩瑜，他那些空前绝后的见解也并非一般人可触及，辨证的看就好了。 《罪与罚》我还没有看完，也许看到后面我就改变想法了，但这只是一个同人女在深夜中被惯性的思想活跃所写的，我该去赶我的同人了（皱眉脸 ​

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I'm in the process of creating this. It's far from done but I'm still so proud of it that I'm sharing it :D Things like anatomy and skin tone take years to master and mastery has not yet been achieved but I'm proud of it! - Alexis Luthor

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Superman (2023) #10

Art by: Bruno Redondo

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Well…

A pair to this

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Okay, so I originally looked up DC Comics Presents #41 to see the context behind this panel:

And the context is Superman and the Joker going to Hollywood and teaming up in a delightful romp.

There's so much happening here, both in the text and the pictures, but I want to draw your attention the almighty alliteration game on display. The Joker's greatest crime is no longer introducing himself as the 'Harlequin of Hate.'

Our story opens with the Joker breaking some small-time Metropolis crook called the Prankster out of jail, seemingly at random. While investigating, Clark gets to partake in his favorite hobby: scaring the living hell out of criminals who somehow don't know who he is.

As chance would have it, there's a journalism conference in Hollywood. Clark, Perry White, and Lois Lane are off to Tinseltown! But wait, something's missing. Isn't there normally a brooding, bat-shaped shadow following the Joker everywhere? Well…

"Listen to reason!" Why would he start now, Dick? Anyway, through a series of wacky hijinks, Perry is kidnapped by the Prankster and the Joker, just in time for the inevitable betrayal.

Once they pick up some random plot items, the Superman and Joker team-up begins in earnest! And what does it consist of?

Wandering around for hours in a neighborhood famous for its gay scene, naturally. Our dynamic duo eventually figure out where the Prankster is headed, leading to this outstanding panel:

Superman carrying a burning police car off into the sky. Hunky construction workers. The Joker descending from above to kick a guy directly in the head. This is the future liberals want. Obviously, the Joker double-crosses Superman, and what follows is a delightfully bonkers chase sequence that I think is best summarized with this context free panel.

Why does the Joker have that? Irrelevant! In the end, the day is saved, Perry White is rescued, and all is well. But wait! How has Alfred been keeping Bruce from watching what must be some truly crazy news coverage of Superman and Joker's Big Hollywood Adventure?

By just taking apart the TV, naturally.

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I am frankly never going to recover from the fact that the Superman (2023) run started with the reveal that:

Lex is constantly doing a running commentary about his day to Superman because he knows Clark instinctively listens to him. This includes trying to backseat drive all of Superman's fights.

Clark's reaction to Lex's steady stream of "CRUSH KILL MAIM DESTROY" during combat is to gently shush him, like he's a dog getting slightly too amped up about the mailman being outside.

and the two of them only got weirder about each other from there. Clex shippers have truly been given such a rich bounty in the recent years.

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Need everyone to see this variant cover by Kris Anka immediately