ren || he/they nb || 30; mdni if nsfw || no w*/winklines. also no terfs. || i love cas! ✨|| i study dean like a beloved bug😌. || find me on twt: dirtangeldean || postlimit is: @dirtangeldeanjail l || header: angelfishofthelord
there are QR code posters here in Melbourne for reporting graffiti to the council - and someone has been printing their own and carefully placing them over the official ones
they lead to a documentary on hip-hop/graffiti culture
it's perfect because the QR posters are uglier than any bit of street art
Personally I think being a good stepdad is one of the most masculine and manly things a man can do. Almost anyone can create a child. Not everyone can raise them. Putting your ego aside to step up and nurture someone else’s kid and do something for the good of humanity, that’s true manliness. Fuck the manosphere ‘your a cuck to raise somebody else’s kid’ bullshit.
Girl. You know I love your theories about queer coding in television. But some times those two male characters are stood that close bc they need to get them both in the frame .
Sam Winchester Appreciation Week 2024 → Fusions: your culture, field of study, science, space, favourite music/books, interest (dragons), etc, & Sam Winchester
long time ago I promised I'd do dragons
so here's one. and I might do more because...they're so cool. and we were so robbed. dragons aren't regular dudes!!!
something something dragon riders!au
actually the plot of this is very angsty...but so far, it lives only inside my head. maybe i'll expand on it some other time :D
dean will call cas sweetheart and sunshine and baby and honey accidentally in public. infront of god and his brother and mom and random waitresses and it’s on accident he didn’t intend to. and in bed he calls cas pal. or buddy. dude, or man sometimes. and it’s Not on accident
Sam Winchester Appreciation Week 2024: Day Five - demon blood
Please be silent, please be silent. There are days when I cannot trust myself: a demon burns me, shakes me, consumes me.
- The Last Letters of Jacopo Ortis by Ugo Foscolo, translated by J.G. Nichols