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𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: the minister for magic’s office, after hours. 𝚂𝚃𝙰𝚃𝚄𝚂: closed, to ezekiel burke. ( @hoggleswart )
antique tumblers are a solid thwunk! against aged mahogany before the door is even broached, before ezekiel has so much as dared to enter / one of those days, another in an endless, toiling series of one of those fucking days, it seems. there’s no question as to whether oldest friend will sit, steal an hour away to wilt sorrows in barrel - aged amber ; assumption has been made for several hours, long before anton flicks a dismissive hand towards one glass & sends it scuttling forward. “ do you know who i despise most of all ? journalists. ” unprompted musing is clipped, spat like muted venom. ladies & gentlemen, one guess as to what hallowed institution has been pestering the minister’s office all day ! “ pests, the lot of them. ”
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𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: beaumount court, marjoribanks road. 𝚂𝚃𝙰𝚃𝚄𝚂: closed, to diana dyer. ( @dramaqveens )
there’s no altar quite like that of a party bathroom. several different smears disgrace porcelain by the time mattie slumps against it, china white & ruby woo & godric knows what else, veritable petri dish ! there’s no undignified bow towards someone else’s coke, though / instead, ringed digits struggle with intricate zip on an impractical bodysuit chosen less for its function & more for its fashion, wild divergence from traditional form. ( last time they ever do that, though, what with the cramps in lower vertebrae from bizarre angle that they’re curled at ! ) “ motherfu- ” frustration bubbles up, gurgled growl that loses all threat when it tapers into a whine, then shifts to noise of utter delight when they twist almost directly into diana’s path. “ oi ! can you ... ── HELP ? ”
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𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: beaumount court, marjoribanks road. 𝚂𝚃𝙰𝚃𝚄𝚂: open. ( @startertms )
“ ... pardon ? ” every elegant line of a lithe frame angles towards figure she’s ended up tucked in this corner with, crown of her head flush against the wall despite curious cocked angle. hues glow hazel in dim light ( though they shift in the murky light, a constant kaleidoscope spiral ) ── “ must’a MISHEARD you there, darl’. someone’s done what, where ? ” not entirely sure whether it’s body shots or battery uttered beneath the noise ; is she convinced she wants to hear the answer ? stay tuned.
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#lmortem, or: lorcan d'eath.
“why are you looking at me like that ?" @dolors / astoria
Perhaps Lorcan has been staring for far longer than they should be. But it’s the scent that draws the vampire to them, strongest among the smell of delectably sweet treats. It’s the scent of death. Lorcan had simply been on a run to Honeydukes for more blood pops, since that damned Goyle couldn’t do it for them. And in the midst of examining the blood type on the wrappers, the stench had hit them. Lorcan smiles, “My apologies,” A quick sweep of their mind would tell the vampire if the wix was aware of their illness, but Lorcan doesn’t probe. “It might be crude to say, but I was admiring your beauty. I could use a face like yours in my next music video. Perhaps you are interested? Unless you don’t have the, erm, time…” they trail of uncomfortably.
dental decay be damned, sometimes there’s nothing to cure a nagging ailment quite like a sugar rush: they’re not always a sweet tooth, but honeydukes has always been bathed in something of a gilded, nostalgic glow. first step over the threshold, wrapped up in saccharine embrace, & the world feels right ! astoria’s never quite so keenly aware of percipient observation, though ... lorcan’s watchful gaze has been a laser on the back of a clammy neck for a beat too long by the time they whip around, a whirl of unkempt tresses & features knit with evident bemusement. “ beauty ? merlin, i wish. ” they’re unable to contain a rueful little snort as the weight of other’s words sink in, features a sharp twist / not like a knife, not like a weapon ... no harsh edges to the way they resign themselves to what lorcan knows. salazar alive, is it that obvious ? “ well, if your music video films in the next three to five years, give me a ring. can’t promise you much after that, i’m afraid. ”
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𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: beaumont court, marjoribanks road. 𝚂𝚃𝙰𝚃𝚄𝚂: closed, to ron weasley. ( @corroding )
holy ground, sacred space: pilgrimages made to abandoned corners, sacrosanct whispers have always made the sweetest benediction. beaumont court is just the latest to play host to light - fingered fun, a game made of pilfering the kinds of things so easily forgotten. the party rages on, vivid chaos & cacophanous choir of laughter that rings beneath booming bassline, but hermione still makes a BEELINE for ron / falls into his gravitational pull, easier than breathing. “ i scoped out the bathroom earlier. how d’you feel about magnolia - scented hand soap for the collection ? ” oh, but she’s DEADLY serious ── the uptick to furrowed brow & the devious curl to lacquered grin says it all !
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#rebuildeds, or: tempest clearwater.
tempest’s fingers play with the folded hem brushed against the harpies tattoo on their thigh - the outfit had been a purposeful choice, of course, but it had been as if viewing themselves from a distance as they pulled the shorts from the depths of their wardrobe. half-comfort, half-torture. half please do not forget her and half don’t you fucking dare— and they’re not sober, which helps and hinders equally, fingers drifting down to feel at the fabric, wishing it were raised in some way. make it feel real.
percy’s appearance at her side is another one of those half conundrums. here’s someone who gets it at war with no one could ever. half salt on a gaping wound, half… something reminiscient of those evenings curled up in tattered covers with a hot drink. they take the bottle offered, raise it in a cheers to clink against his own. there are no words. none of them are enough. so, they settle for a : “ thanks. you good? ”
since she died, he's been sleeping with the window open. not that he sleeps much / no, darling that it is, rest evades him at every corner, slips just out of recalcitrant reach every time he so much as tries. stargazing helps a little, bloodshot hues tracing imaginary glossy lines between DYING sparks, the same clusters he once traced between the freckles on penelope's shoulders with a featherlight touch ... are you there ? a pleading requisition into the night, like she's watching him from somewhere between andromeda & cygnus. ( he keeps waking up to iron, incisors sunk into his tongue ; begging has begun to taste like blood. )
“ i'm alright. you ? ” this is a strange language, that of the half - truths buried under pleasantries, but it's one that grief demands. i'm okay translates to i've been screaming in my sleep again, imploring a hardhearted god to trade places / i'm okay, dull veneer for i just want, i just need, i see her when i close my eyes & i see her when i don't, what am i to do with this ghost that i can't let go of ? it's the kind of doublespeak that common tongues have come to terms with, paired with a knowing glance over the rim of a bottle when he pulls off of it. shoulders heave in an enervated shrug, weighted with something unspeakable that tempest knows all too well / that she should never have had to learn. “ haven't seen you since ... ” the funeral. it goes SILENT, this new period at the end of every devastating sentence. if he never has to speak the fuckin' word aloud again, it'll be too soon.
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#sacchariines, or: lavender brown.
“it’s never just one with you , is it ?“ @dolors
“i suppose not,” maisie made her best effort of being assertive with her response, her back straight, chest out, but the slight falter in her words likely gave her away. that and the way she bit the inside of her mouth as she studied the male in front of her. “is that a problem for you?”
they make a fascinating study in what it means to fail: this is the last time, okay ? ( said a week before chance grazing in the three broomsticks, callused touch an overheated junction against satin of an inner wrist. ) fuck’s sake, again ? really ? how many times are we going to go over this ? ( venom wrapped in rapidly - cooling bedsheet, all mussed hair & a groove pressed into unruly brow. ) a push & pull, aberrant magnetism, opposites attract or something like that. at the very least, this exchange lacks quite the biting heat that theirs normally take on ! instead, there’s something uncomfortably soft about slate grey as he peers up at her. “ ‘course not. i like at least two rousin’ arguments with you before my morning coffee. keeps me on my toes. ”
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𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: beaumount court, marjoribanks road. 𝚂𝚃𝙰𝚃𝚄𝚂: closed, to tempest clearwater. ( @rebuildeds )
it’s the stars that do it: constellations on denim, a shimmering galaxy made manifest in the half - darkness, & it’s got an unsteady pulse jumping to a noticeable throb somewhere just below unshaven jaw. ( like he thought she was going to rise again, like it wasn’t real, like ... godric only knows. once a foolish boy infatuated, turned forlorn man with half his heart still aching for someone who cannot possibly come back, what could he expect ? there’s a certain faith in love, this is true, but there’s no boulders to be pushed aside here. no empty cave. grave remains painfully occupied, & no crescent moon earrings glinting in party light will change that. ) when he recognises tempest, makes the connection, it doesn’t quite soothe the raw burn buried somewhere alongside the scorched highway that bourbon makes down the column of his throat, but it doesn’t make it worse. ( that’s the baseline he’s working off these days: fine is a pipe dream, you can only hope for something middling that doesn’t twist the dagger. ) it’s not comfort he’s aiming for, when he finds himself at their side with an unopened drink dangling from a lax grasp. presented like a peace offering: i miss her too, like a phanton limb. “ drink ? ”
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#hoggleswart, or: lavender brown.
𝐏𝐑𝐎𝐌𝐏𝐓: " do you remember how we first met? " ft. lavender brown & parvati patil ( @dolors. )

She remembers. ― Of course she remembers. Lavender doesn’t have a lot of fond memories to hold onto anymore. Past blends into a haunted present & thinking back on better times does nothing but weigh her down : taunting the wolf with a life that slipped right through her fingers. Some images, however, are HARDER to wipe than others because no matter how much she pretends otherwise . . . those early Hogwarts days ( She’s eleven years old with tear - stained cheeks & a quivering bottom lip, hiding in an empty train carriage on the Hogwarts Express. Lavender has never been this far away from home before and it’s all a little overwhelming, until a kind soul sits beside her. / Brown, Lavender is the first name to be sorted into Gryffindor that year. She saves the seat beside her, in the desperate hopes her new friend from the train will be given the same house. ) are still the clearest. They’re the same thoughts she once used while attempting to conjure a patronus in fifth year. Yes, she remembers . . . but what good would admitting that do? Reminiscing on a bond now lost tugs too harshly at an already - aching heart. " That was forever ago. " The muscle in her jaw clenches tight and Lavender doesn’t DARE make direct eye contact, fearing longing gaze will betray true emotions. Instead, they stare downward, focus on anything other than them. " How could I possibly remember that far back? "
a momentary lapse in judgment, that’s what they’ll chalk a badly - suppressed curiosity to: an itch that needed to be scratched, a desperate yearning to know ... WHAT, exactly ? whether lavender is haunted by the same persistent spectre, terrible little poltergeist that lingers in vivid technicolour at the frayed edges of all their worst days ? ... she’s right, of course she is. it was forever ago. promise of something greater than whatever eleven - year - old minds could cobble together glimmered BRILLIANTLY in the distance, close enough to taste / sharp enough to puncture into softest places when it all comes shattering down, when closest friends become ghosts in steam - fogged mirrors, blurred shapes just out of reach & yet so intimately familiar that so much as a glimpse of a buoyant grin & bright eyes sends stomach tumbling back. those hues don’t so much as falter now, though ; parvati tracks each fleeting moment, notes the distance. liar. you remember everything. “ the train. chocolate frogs. ” buzzwords said like prayer, moment of weakness: please, just tell me you remember. tell me that this all meant something to you, too.
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#hoggleswart, or: marcus flint.
𝐏𝐑𝐎𝐌𝐏𝐓: " what, you don’t have time for me anymore? " ft. marcus flint & julius crabbe. ( @dolors. )

" Don’t be so dramatic. Of course I have time for you. " And if words don’t convince, actions quickly follow, arm sliding around Julius’ shoulder with a natural ease to tug him closer. " You know how mom gets. She’s a very bossy woman. She says jump, I ask how high. You’ll be thanking me when my inheritance comes in and I take us on that vacation we keep planning. " Fingers ruffle hair before grip loosens up and they let out a long, drawn - out sigh. How tiring it must be to play the role of doting fiance! Hard to believe more people aren’t showing him understanding. " Of course . . . that vacation might also be my honeymoon, but we can make it work. We always do. "
“ could’a fooled me. ” sullen patron saint of bad graces, he can’t even feign indignance when marcus wraps a lanky arm around the broad slope of sagging shoulders ; there’s the hint of something mirthful dancing in the corners of narrowed hues. “ y’reckon it’s worth me sortin’ her out ? puttin’ on my best moves, all of that. oh, but mrs. flint ... ” dizzying octave change, a fluttering of sooty lashes / perhaps the last thing that marcus’ mother needs in the middle of planning a wedding is a meddling fuckin’ CRABBE, a spanner in the works if ever there was one ! entire expression sours at the mention of what comes after nuptials, though ... “ i’m not goin’ on your bloody honeymoon. ” ( but i’ll spend your entire wedding shamelessly ogling your bride. )
#── ❛ : 𝙹𝚄𝙻𝙸𝚄𝚂 𝙲𝚁𝙰𝙱𝙱𝙴‚ ✎ prose.#the way this + a couple other things have just been SAT in my drafts .......
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𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: the three broomsticks. 𝚂𝚃𝙰𝚃𝚄𝚂: closed, to dudley dursley. ( @rebuildeds )
“ budge over. ” command comes in tones consumed with their own weariness, soft only because raising it to something more audible is too much work. several reasons unfold themselves into complex webs as to why he seeks dudley out, something of the moth to light / distraction, maybe ? distance, from those who know the kind of hazard that comes with shots sunk on a tuesday night ? little small talk necessary, only the vaguest brush of a shoulder as he slides into worn position, another barstool occupied for the night. “ you eaten yet ? ”
#── ❛ : 𝙿𝙴𝚁𝙲𝚈 𝙸. 𝚆𝙴𝙰𝚂𝙻𝙴𝚈‚ ✎ prose.#i like the vibe of them jus bein like. weird distant pals tht u wld not expect
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𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: fortescue's ice cream parlour. 𝚂𝚃𝙰𝚃𝚄𝚂: open. ( @startertms. )
perservance in grief: it’s the way that the minute the bell above the door sings its mellifluent chime, there’s the ghost of a hollowed - out smile / the spectre of reflex, to flit back into customer - service cheer. ( as if anyone would chide her for lack of spirit. brother’s portrait is still shiny, new on its spot on the wall, not up long enough to collect dust. he’s the first thing she looks at in the morning, bleary - eyed, still smarting with that immeasurable loss. ) matilda tracks their eager gaze, watches with a growing dismay as it lands upon an empty tray. GODDAMMIT. “ ... we’re just out of that one, sorry. ” read: that’s henry’s favourite flavour, & owling to reorder it feels like a hot knife in my most sensitive parts. can i offer you cookies & creme, instead ?
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#sibylliine, or: damaris vector.
𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽 : anywhere ( knight bus shenanigans ) !
they’d never have gotten away with indulging in their side hustle if it were ANY busier, but between it being midweek and word getting around that otto was the one driving the 59, tonight, damaris was getting a shocking amount of down time. the greying wizard was notoriously slow even by muggle standards, nevermind other knight buses, and more than once in the last few hours had they slowed to pick someone up in the middle of the english countryside only for them to have ‘forgotten’ something crucial and insist they’d catch the next one. with rent due friday and bills going out of their account first thing monday, they’re lucky & they know it. the sickles they make off a susceptible customer each time they spread a tarot deck across a spindly table aren’t much, but they build up enough to be worth it, over time. they just have to keep going - which they do, though with everyone else on the bottom floor now sound asleep, they feel like they’re able to be a little more dramatic without fear of being overheard. usually, it pays more. “it’s not looking good, bruv,” they suck in a breath for emphasis and make sure to look at the chosen cards with appropriate levels of horror. tonally, it’s actually a really good imitation of the tik tok - and they’re a little chuffed by it - but they don’t have high hopes of their wixen comrade actually getting the reference, “it’s not looking good.”
it’s a strange habit to indulge, almost as if prodding & prying at a yellowing bruise ... ( dig the pads of indelicate fingers into sensitive flesh, but don’t have the gall to YELP when it thuds with a dull pain. ) tarot cards, crystal balls, tea leaves, they’re all a variation on holding a steam - fogged mirror up: nothing good is coming. what else is new ? & despite it all, the dreadful weight of knowing that no salient hues will ever gaze on future & see a silver lining, astoria’s still drawn to it. there’s a greek tragedy there, in knowing that your end is limned in something grimy but still digging around, hoping for gold. “ how shocking. ” words catch the tail end of a huff, & they only just fight the urge to roll honey hues. settling for gnawing on the chapped skin of a lower lip, they’ll dare another peek at the cards spread across the table again. ( with the way their gaze hasn’t broken, the image is burnt into the backs of their eyes, destined to haunt in vivid colour whenever they dare close them. ) “ so what’s going on there, anyways ? what’s killing me this time ? ”
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#aliciaxspinnet, or: alicia spinnet.
location: the three broomsticks, hogsmeade status: open ( @startertms )
Alicia was relieved that practise was over; that one had been especially gruelling, which could only mean one thing. A quick shower followed by a trip to The Three Broomsticks for a cheeseburger and fries accompanied by a butterbeer.
That sounded like heaven.
Alicia quickly showered before apparting just outside The Three Broomsticks. She walked into The Three Broomsticks, hoping to find a seat at the bar and noticed there were a few open spots. Great. She was just about to sit in one when she heard footsteps beside her. She turned to face whomever it was before asking, “Oh, were you sitting there?”
& a proper barfly she has yet to make ( perish the thought ), but there’s a certain comfort sought from the way an ice - cold butterbeer goes down. something holy, something sacred / blanches away the taste of hours’ worth of paperwork, dotted lines & scribbled signatures washed away with nectarous gulps that soothe something she was unaware ached quite so much. perhaps that’s why she tightens quite so visibly upon returning from the bathroom, palliated profile turned sharpened once more. something twitches at the corner of her mouth, junction between a sneer & a bemused smile. “ a full glass normally denotes someone sitting there, yeah. ”
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#antigonai, or: antigone xu.
𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽 : outside slug & jiggers, diagon alley !
the apothecary hasn’t reopened since the attack. that’s what she’d heard, anyway, and from the looks of it, that was about right - the many bouquets and bears and candles that have been left by well meaning wix have formed a memorial that has clearly gone undisturbed by regular business. antigone isn’t sure whether it’s a staffing issue or an undeniable sense of doom, about the place ; then again, she’s not sure whether she’s making the latter part up, based off what she knows. in one hand, she holds argos’ leash and keeps him from barging through the sea of tokens, and held securely by her other arm is the wreath of gerbera daisies she had wanted to lay closer to the door, though it’s going to be a bit of a trek. she’d made a mistake bringing the german shepherd with her, but she hadn’t wanted to leave him behind. with an air of desperation about her, antigone turns to the nearest to ask, “would you mind holding him, a second? he doesn’t pull, or anything- he’s very good.”
he hasn’t moved. the sun is too bright, strains something fucking dreadful / there’s a pounding building behind his left eye, a migraine borne of dante’s seventh level / he can’t move, still rooted to the spot. ( there are too many flowers, none of which she’d like. what do you do with the knowledge of your first love’s favourite flower when you can’t give them to her anymore, can’t surprise her 𝙾𝙵𝙵𝙷𝙰𝙽𝙳 with a bouquet & a boyish smile ? ) he’s got to be making quite the sight, all unshaven jaw & thousand - yard stare, doing his best to simply get through the day & being pulled up short by the sight of a veritable tidal wave of sympathies. “ huh ? ” it takes a minute, to yank himself back into some semblance of reality, to gather the proffered leash & antigone’s apologetic look ; “ yeah, yeah, i’ve got him. you go. ”
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#kxbellem, or: knox bellamy.
location: outside the wet gillypad
status: open ( @startertms )
“oi! watch where you step!” knox grumbled at the newcomer. the last thing knox wanted to do was spend thirty minutes sweeping some of the ash off the ground from a fiery plant gone wrong accident. some asshole customer thought it’d be funny to leave a bunch of them at the front step of her shop. despite her prior annoyance though, she had to put on her best customer service face, like her mother taught her. knox set the broom aside and gave a pained—it was supposed to be welcoming—smile to the other, “welcome to the wet gillypad—no it’s not as dirty as it sounds—what can i help you with?”
“ motherf- ” it’s what he deserves, maybe, to catch the corner of a sneaker on a stray flowerpot unaccounted for on his ascent to her shopfront. balance is sent momentarily askew, one palm pressing FLUSH against cool brick ; scornful gaze could laser the damned pot in half ! 𝚜𝚘 𝚖𝚞𝚌𝚑 𝚏𝚘𝚛 𝚊𝚗 𝚎𝚗𝚝𝚛𝚊𝚗𝚌𝚎 ... “ what if i wanted it dirty ? ” it’s the way he breezes in, all lazy limbs that carry the faintest air of an unearned arrogance / crooked grin & something warm that glints under flinty gray, he’s too cocky for a man whose knuckles are only just returning to normal colour after a 𝗰𝗹𝗼𝘀𝗲 𝗲𝗻𝗰𝗼𝘂𝗻𝘁𝗲𝗿 with a fire seed plant. “ came ‘ere to get a plant for a mate, but honestly, i’d rather y’go on talkin’ filth. ”
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