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Different POVs In Writing
POV - Short for Point Of View, meaning that the audience is experiencing a story from the perspective of a specific person or outside entity; they are part of the story in one way or another
• 1st Person POV - Experiencing a story from the perspective of the main character. Pronouns will be I, me, my, mine, etc
• 2nd Person POV - Experiencing a story from your own perspective as if you were a character within the story. Pronouns will be you, your, yours, etc. Stories are rarely written from this perspective outside of Choose Your Own Adventure style stories
• 3rd Person POV - Experiencing a story from an outside perspective. No personal pronouns will be used for you, but other characters will be referred to as he, she, they, it, etc
• 4th Person POV - Experiencing a story through a collective perspective. Pronouns include we, us, someone, anyone, etc. I’ve never seen a story written from this perspective. Fourth person perspective is mostly used in livestreams, in which the chat forms a non-specific collective presence that are all addressed as one
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My only real and valid writing tip is that you google every word you make up for your fantasy stories. That's It
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A reminder to all my lovely fellow writers: progress is progress, even when it isn't. Writing four thousand words in a session is progress. Writing a hundred words in a session is progress. Removing an entire scene because it doesn't flow well is progress. Rethinking your plan for the plot in order to get unstuck is progress. Development looks different for every writer and every story.
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Quick PSA, if you get one of those "Work scanned, AI use detected" comments on AO3, just mark them as spam.
Some moron apparently built a bot to annoy or prank hundreds of authors.
There is no scanning process, your work doesn't actually resemble AI writing, it's all bullshit. Mark the comment as spam (on AO3, not the email notification you got about the comment!) and don't let it get to you.
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Types Of Writer’s Block (And How To Fix Them)
1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out
Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on
2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page
RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable
3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it
Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them
4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt
Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else
5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference
Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on
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Oh my gosh. I just found this website that walks you though creating a believable society. It breaks each facet down into individual questions and makes it so simple! It seems really helpful for worldbuilding!
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me in planning stages of writing: this fucks. this is gonna be so fun.
me the minute i sit down to write: language is an unwieldy cudgel we use to beat the human experience to death in an attempt at ever communicating fully with another being. i wish intelligent life had never evolved. i want to go back to the cell stage like in spore
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ant tips on writing episodoc story but still having an overarching plot?
Overarching Plot for Episodic Story
It really depends on how you want to structure your overall story. With an episodic story, you can either take a big story and break it into smaller pieces--at which point the overarching plot is just the regular plot--or you can follow a TV show model and tell more encapsulated stories that are united beneath an overarching plot.
In the case of breaking a story into smaller pieces, you're going to flesh out your plot and structure the way you would if you were writing a novella or novel. Then, you'll look for natural "episodes" within to break up the story. Most of the episodes will likely center around a story beat, such as the introduction, the inciting incident, the dark night of the soul, etc. In this scenario, the story is the story. The story you're telling is the one that resolves the main conflict.
In the case of a TV show model, you're sort of telling stories within a bigger story. I like to use The X-Files as an example here... the overarching story (aka the "myth arc") of TXF was aliens and the government conspiracy to hide their existence. But the everyday story was two FBI agents tasked with investigating unsolved paranormal cases. Many of the episodes were stand alone stories known in TV as "monster of the week episodes," because they center around a different conflict or "monster" each week rather than being progressive segments of a primary conflict. However, the "myth arc" would be explored and furthered with periodic "myth arc episodes" where the central conflict was specific to the myth arc. And, sometimes monster of the week episodes would tie back to the myth arc or would have a myth arc subplot. So, in this type of story, you still want to look at the premise and flesh out the main plot as you would for any other story, figuring out the "myth arc" conflict, the "big bad," and what the protagonist must do to resolve the myth arc conflict and defeat the big bad. However, rather than break that story up into smaller pieces, you'll figure out a "monster of the week" framework that works with the premise and allows you to develop the characters, explore the world, and tie in bits of the "myth arc."
Happy writing!
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How to Outline: For Beginners to Writing Veterans
Let me start out by defining a few things:
Pantsers
These types of writers generally plan out very little before diving into their novels. They might have some ideas, maybe a small outline, but they feel free to take their story in any direction they please. The lack of outlining and planning lends itself to untethered creativity.
Plotters
These types of writers usually have some sort of outline that they follow while writing their novel. They spend some time planning and rewriting their outlines and know what’s going to happen (to an extent). Usually the novel is planned out before they begin writing it, which cuts out the element of surprise for the writer and tends to reduce writer’s block.
There’s no right way to be, but personally I’m a plotter. I probably plot too much. If you’re a pantser and it’s working for you, keep doing it! More power to ya!
However, if you’re looking to experiment with plotting or you just want to learn how to do it, check out these tips below:
Where to Begin:
Skeleton Outline
If you’re looking for a little bit of direction, but don’t feel like/find it necessary to build a huge outline, this is probably what you’re going for. Create an outline that focuses around the main points of your story.
Detailed Outline
A detailed outline usually builds on what you did for the skeleton outline. This adds more detail to the structure of your story and helps focus on fleshing out what’s going to happen throughout the novel. I usually add in some sections about my characters and any sort of world building I might do.
Chapter-by-Chapter Outline
This is literally when you plan out each chapter of your novel. Some might find it unnecessary to get that detailed, but if you have pacing problems or want to cut down on extensive editing, this might work best for you.
How to:
Skeleton Outline
This is essentially the “road map” of your story. Figure out what the conflict is and focus on the beginning, middle, and sometimes the end (a lot of writers aren’t completely sure what their ending will be, but sometimes it helps to have to planned out so you can effectively lead up to it in the story. It could also help with tone issues. Example—if you ending is dark, you might want to set up the audience for that).
For a skeleton outline it helps to focus on story arcs. For example,
·         Stasis
·         Trigger
·         The Quest
·         Surprise
·         Critical Choice
·         Climax
·         Reversal
·         Resolution
Learn more about story arcs here: http://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/
Filling out those story points will help you build a more detailed outline if you choose to do so and will help you focus your story, so it’s not all over the place. If you want to have a clear idea where you’re headed, but don’t want to bog yourself down with the details, a skeleton outline might be best for you.
Detailed Outline
For a detailed outline, you basically just take your skeleton outline and flesh it out. Add to each section of the story arc and drop in more detail. Focus on what scenes will help you get across each main story point.
For example:
Stasis – Amy lives with her mother and her sister in a house that’s nearly falling apart. She’s unhappy with her life and her family doesn’t treat her well.
This is Amy’s everyday life, but you can do more to plan it out before jumping into writing. What’s Amy’s home life like? What does her family do to treat her poorly? What scenes will you explore to show the audience what’s going on.
Maybe Amy’s sister teases her or makes her do all the chores. Maybe Amy’s mom often doesn’t come home or doesn’t take care of her children. Explore these ideas and use them to flesh out your outline. Then, you’ll have some idea what to write when the time comes, instead of just something vague. This could also help you cut down on telling instead of showing.
Chapter-by-Chapter Outline
This takes a lot of time, but from experience, it does help cut down on the editing process, AND it helps you write a synopsis and query letter when or if the time comes. I spent around a month writing my last chapter-by-chapter outline, so I know exactly what I’m going to do when I start writing. I prefer this because I know I won’t get stuck and I’ll be able to get through the draft quickly. If you like to write fast, which I do because I like to keep my excitement for my project up when I’m writing, a chapter-by-chapter outline might work for you.
A chapter-by-chapter outline might be difficult for your first time writing a novel because you might not know how long it should be or what your strengths and weaknesses are as a writer. There’s no right answer for how long a chapter-by-chapter outline should be because only you know how long your chapters usually are or if you have any problems with word count (Is your novel usually too long? Too short?).
Anyway, if you feel like you want to do a chapter-by-chapter outline, I usually do something like this for each chapter:
Chapter 1:
Paragraph or more about what’s happening in the chapter. Think about each chapter as its own tiny story. Each chapter should have a beginning, middle, and end, and should lend itself to the overall story. Think about what the purpose is for each chapter and what information you want to convey to the reader.
Conflict (I tend to write a sentence about what the conflict is in each chapter. If I can’t find any, I know that’s a sign I need to rewrite that section of the outline. There should always be conflict! There should always be something driving the plot forward!)
I also suggest letting your chapter-by-chapter outline sit for a week or so and editing it. I know that sounds like a lot of work, but that will help your catch any plotting, pacing, or conflict problems BEFORE you start writing. If you’re a planner, this will help tremendously.
Additional Notes:
Obviously, some people like editing. They feel that’s when their story really comes together and they love that aspect of it. They like tearing their story apart, starting over, and building something new. That’s perfectly okay! You don’t need to have a detailed outline if that doesn’t work for you.
The reason I focus on planning is because I can look at the bigger picture before I start the draft. I have a clear focus and I know what’s coming next.
Also, there are plenty of ways to write an outline. How I do it isn’t necessarily right, it just works for me. Experiment with it until you find something that makes you feel comfortable.
What I’m really saying is:
There are no rules for writing. Whatever feels right or whatever makes you happy is what you should focus on. If you don’t want an outline, don’t write one. If you’ve been having trouble with writer’s block or the editing process, maybe try it out! Figure out what’s right for you!
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I have a lot of feelings about the rise of he would not fucking say that attitudes in fandom spaces and the paralysing effect it can have on creators. As a writer i think it’s important to just write what feels true to you and not what you think others will “approve” of. Like even as a reader i have enjoyed a variety of different characterisations that all work because the writer makes them work for a particular story. And a fic that’s written out of character to some will be in character to others. Writing fic is not your job you’re not being paid it’s your hobby please. Make them as close to canon as possible. Make them completely different. Who cares! Have fun! Have so much fun! There is an audience for every kind of fic and every kind of character interpretation i promise
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I want to write. I have ideas. I open document. I type four of the worst sentences ever created in the english language. I daydream the rest of the scene. I close document.
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I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.
I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.
Then she had a “miserable” 3 more miles to walk to the inn.
Babes she would not MAKE it to that inn.
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How do you feel about the use of AI as a tool for writers? Not to make the writing for us, of course, but to ask for prompts or "chat" about plot points where you're stuck.
Friends are nice. If you can find some human ones. That's how Terry Pratchett and I became friends. He'd call me up when he wanted to chat about plot points when he got stuck.
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if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?
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writers whenever they’re starting a new fic: I have these ✨ vibes ✨ now I’ll have to build an entire plot and write an entire fic about those vibes
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Shout-out to all the stories that didn't make it out of the shower with us in time to be actually written down.
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