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actually as a lesbian i'm not attracted to men. it's actually not nuanced at all for me. yes even whatever exception you're thinking of. hope this helps 👍
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Ok, loves, so we've all got the message that joking about suicide is bad for your mental health. Now we need to get on "joking that the planet/all of humanity has no future is bad for societal health/encouraging resistance to bad shit."
#I've been fighting anxiety about the end of the world since i was like twelve#y'all are not making it any easier
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“you should be at the club” i should be by the sea. i should be in the mountains. i should be awestruck and rendered speechless by the majesty of the natural world. if you even care
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y'all ever stay up a bit too late and suddenly become worried that your whole family is gonna die in the middle of the night?
#this happened a lot more often when i was a kid#but idk tonight im just anxious#my mental health is kinda fucked right now so that's probably why I'm circling back to old patterns#dont worry though guys hopefully i will soon cleanse my mind of the horrors and be able to sleep before ive gotta get up and drive 7.5 hours#also#tw: death#does this need that warning? i don't actually know and i dont want to upsrt anybody
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pride is good but the way things are going i actually think we should start focusing on wrath
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One of my favorite parts of Hadestown is the way Hermes slips so seamlessly between participant and narrator. The fact that he knows from the beginning how the story is going to go, but still plays his part, surrounded by people who don’t know they’re characters in a tragedy. And he plays his part well. Every night, he tells Orpheus, “You want to talk to her? Go on," and every night, he asks, “Just how far would you go for her?” Every night, Orpheus asks him, “ It’s not a trick?” and he tells him, “No, it’s a test.” And every night, when the cycle starts again, when his voice is so broken with grief that he can barely get the words out to tell the audience - the audience that he and no one else has known was there the whole time - “Don’t ask why, brother, don’t ask how he could have come so close. The song was written long ago, and that is how it goes,” when Eurydice appears - fresh-faced and alive, with no memory of what has just happened - to ask, “anybody got a match?” he wordlessly extends his matchbook to her, and lets the story start anew. Someone’s got to tell the tale, whether or not it turns out well.
And still - AND STILL - every night, at the very beginning, he says, “Maybe it will turn out this time, on the road to hell, on the railroad line.”
#it’s a sad song! it’s a sad song! it’s a tragedy! it’s a sad song! but we’re gonna sing it again!#hadestown#orpheus and eurydice#hadestown hermes#tragedy#i love this musical so fucking much
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Pirates of the Caribbean would’ve been way more interesting if Jack was a woman. There, I said it.
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Im weighing in on the discourse. We need to start putting sea monsters on maps again.
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oh shit, it's 3/21/23, 32123, palindrome day
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