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I think more historical fantasies and alt histories that have gay marriage be allowed should mess around with the societal implications of this. If your aristocracy allows gay marriage, why? As a release valve for inheritance problems, like monasticism was in parts of medieval Europe? As a way of removing your failchild from the line of succession by legally binding them to the failchild of your political ally, ensuring any offspring they both have will be illegitimate? How about a society where the lower classes are allowed to be gay but the nobility aren’t? Idk there’s just a lot of options that are more interesting than “homophobia just doesn’t real”

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yesterday in economic botany we were learning about plant based oil compounds and stuff and my botany professor was talking about lynn seed oil, which in woodworking is rubbed on over furniture as a varnish. this oil has an exothermic chemical reaction with oxygen, meaning that the reaction creates heat. what often happens, apparently, is that woodworkers will finish rubbing on the oil with a rag and then will ball up the rag and throw it away, but because the reaction is taking place and the heat can’t escape (like it would on a piece of furniture where it can be cooled) it gets trapped in the rag, which gets hotter and hotter until it reaches the temperature where it bursts into flame. apparently many woodworking shops have been burned down by this. the proper way to dispose of rags with this oil is to hang them up on a clothesline, so again the reaction never gets enough heat to start a fire. im telling you this because im a writer and ive never heard of substance that will just…spontaneously combust conveniently like that so long as it’s in a confined space. my botany professor tried it in a trash can in his driveway and it did indeed burst into flame after 45 minutes, which is an exceptionally convenient time delay. im sorry im tying this so fast my laptop is on 2% battery and theres no outlet an

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Anxiety: You're almost 30 and haven't published a single book. You wasted your chance to become a successful author!

Me: Stan Lee created Spider-Man at age 40. George R. R. Martin wrote A Game of Thrones at age 48.

Anxiety: Oh fuck nvm you do you, king.

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write badly. write weirdly. write like a cryptid in a cave with one candle. that’s where the good shit starts.

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writing advice: never italicize words to show emphasis! if you’re writing well then the reader will know and you don’t need them!

me: oh really??? listen up, pal, you can just try an pull italics from my cold, dead fingers

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delicately holds up 2 characters (specimen) with tweezers whilst peering sagely through a jeweller's lens: "why yes. oh yes...they'll make a marvelous divorced couple"

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something to remember is that writing is hard. and I don't necessarily mean in terms of writers block or trying to solve plot holes etc (although that's part of it), but as in it's hard work. even when writing is going well, you're spending a lot of mental energy on it – on deciding which words to use and in what order, remembering how to spell those words, figuring out if character dialogue sounds good, remembering the things that happened around the bit you're currently writing + what you want to happen next, checking plot notes, remembering your established canon, holding different subplots in your head.... that's like having a whole bunch of programs running simultaneously on a computer, and even the best computer with high end specs can't run like that forever. so if you ever catch yourself thinking "man all I did was write/revise/edit. why am I so tired?" that is your answer. because your brain has been running multiple processes and it needs a break

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the ‘kind character snapping’ trope has been co-opted by too many people who don’t understand it fundamentally. you can’t have your character actively think of themselves as that kind of person bc that makes it like bragging. ‘you wouldn’t like me when i’m angry 😡’ ’no more mister nice guy 😈’ ’demons run when a good man goes to war 👿’ ’honestly i scare myself sometimes 😰’ WROOOOOONG. those are all threats. first off a truly kind character should be humble and not even consider kindness a thing of theirs. and second off please. if they’re truly gentle they should be ashamed of the very thought of their own wrath and not like openly talk about it. yeah i bet they do scare themselves and others when they finally get pushed too far but like don’t have them say or consciously think that without shame… it should be like a tragic thing that happens to them against their will and not like an alter ego they’ve been gleefully looking for an excuse to slip into

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Idea for a Generic Medieval Fantasy Setting: The characters refer to their nameday as an apparent stand-in for birthdays, celebrating it annually according to their respective preferences and perhaps family customs, as one does. People talk about things that happened before someone's time as having gone down "before you were named", someone grievously insults an opponent on the battlefield by going "your mother should never have named you." So with the way naming is always talked about, as a reader you start to somewhat assume from context clues that these people have some sort of a taboo about the word "birth" or something, and naming is used as some sort of an euphenism to avoid naming the process in which people come into the world.

Then somewhere halfway through the story it turns out that in this setting, people aren't named immediately after being born. This is a semi-realistic-gritty fantasy setting, after all. Due to the somewhat high infant mortality, to at least somewhat soften the blow of potentially losing a child, babies just aren't named before the parents are pretty confident that the kid is going to survive. The naming ceremony is where a baby is officially aknowledged as an entire individual, a member of the family and a legally existing person, instead of just a gurgling extension of the mother who may or may not disappear from this world. And that timespan between birth and being named is - depending on the situation and the family - somewhere between 1-4 years.

And suddenly the whole bunch of annoyingly-too-mature teenagers and other weird remarks about age start making sense in hindsight. The heroine protagonist who celebrated her 16th nameday at the start of the story is actually 19 years old. The wild difference in maturity between two characters who were both named the same year wasn't just a difference in backgrounds, The Rich Idiot isn't just rosy-cheeked and naive due to being sheltered growing up, but actually literally years younger than a peasant "of the same age". A character who's sickly and was frequently remarked to look much older than their years hasn't just been harrowed by their illness, but was not named before the age of seven because their parents didn't think they'd survive.

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Idea for a Generic Medieval Fantasy Setting: The characters refer to their nameday as an apparent stand-in for birthdays, celebrating it annually according to their respective preferences and perhaps family customs, as one does. People talk about things that happened before someone's time as having gone down "before you were named", someone grievously insults an opponent on the battlefield by going "your mother should never have named you." So with the way naming is always talked about, as a reader you start to somewhat assume from context clues that these people have some sort of a taboo about the word "birth" or something, and naming is used as some sort of an euphenism to avoid naming the process in which people come into the world.

Then somewhere halfway through the story it turns out that in this setting, people aren't named immediately after being born. This is a semi-realistic-gritty fantasy setting, after all. Due to the somewhat high infant mortality, to at least somewhat soften the blow of potentially losing a child, babies just aren't named before the parents are pretty confident that the kid is going to survive. The naming ceremony is where a baby is officially aknowledged as an entire individual, a member of the family and a legally existing person, instead of just a gurgling extension of the mother who may or may not disappear from this world. And that timespan between birth and being named is - depending on the situation and the family - somewhere between 1-4 years.

And suddenly the whole bunch of annoyingly-too-mature teenagers and other weird remarks about age start making sense in hindsight. The heroine protagonist who celebrated her 16th nameday at the start of the story is actually 19 years old. The wild difference in maturity between two characters who were both named the same year wasn't just a difference in backgrounds, The Rich Idiot isn't just rosy-cheeked and naive due to being sheltered growing up, but actually literally years younger than a peasant "of the same age". A character who's sickly and was frequently remarked to look much older than their years hasn't just been harrowed by their illness, but was not named before the age of seven because their parents didn't think they'd survive.

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1e1642 - 483873 - 735ba4 - f4e4cd - b2a0bb

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everyone's all about queer subtext until it's aromantic or asexual

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favourite things about first drafts:

square brackets with notes to self mid-line like [does this make sense with worldbuilding?]

ah yes, Main Character and their closest friends, Unnamed Character A and Unnamed Character B.

bullshitting your way through something that you probably definitely need to research later

also square brackets to link up scenes. [scene transition idk] my beloved

the total freedom of word vomits

"I'll fix that later"

the moment when the world and characters start to gain a life of their own

pieces falling into place as you write that you were uncertain about before you started

the accomplishment of Made A Thing

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for all of you guys that are writing fantasy and getting into fantasy cartography, i highly, highly recommend that you sit through artifexian’s youtube series on building realistic fantasy maps

he basically breaks down stuff like how to realistically place climate zones on a map, what they look like, how ocean currents work, how they affect things (like where your world’s fishing hubs and climates are going to be placed), where mountain ranges should go and how they affect climate, where your world’s metals (i.e. resource wealth) are going to be found, and on and on and on. it’s SUPER incredibly fucking helpful and really fleshes your world out in a whole new way

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your draft isn’t bad. it’s just going through its awkward teenager phase. let it wear a hoodie and slam its door.