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david gilmour - record collector magazine (may 2003)

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kyubey

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Is it future or is it past? Laura Palmer & Dale Cooper TWIN PEAKS 1.04 / TWIN PEAKS: THE RETURN PART 17

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red velvet starring in: chill kill

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紀子の食卓 (Noriko’s Dinner Table) (Sion Sono, 2006) Alternative poster by Gokaiju

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ラブホテル - Love Hotel (Shinji Somai, 1985) | Directors Company Blu-Ray by Third Window Films | Cover by Gokaiju

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red‎ velvet‎ music‎ videos‎ (‎ 2014‎ →‎ 2024‎ ) happy ten year anniversary! ♡

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Albin Grau (1884–1971) - Poster concept art for 'Nosferatu, eine Symphonie des Grauens'

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seulgi for behind the blinds ph. by yookeun lim ♡

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(SCAN) Red Velvet - The 3rd Full Album ‘CHILL KILL’

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Yuqi [YUQ1] Concept Photos #1

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YUQI ☆ THE 1ST MINI ALBUM

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ᴄᴏᴍᴇʙᴀᴄᴋ: ʏᴜǫɪ

freak

reblog if you save

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*・°☆

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TWIN PEAKS - the Red Room x the Glass Box Room: eerie, interdimensional portals of coffee, kissing, & comfy armchairs... The Sam-and-Tracey scenes of Parts 1 & 2 are evocative of a number of other elements of the show, none more so than TP's various Red Room scenes.

Tracey's black dress is redolent of RR-Laura's black dress, and the chalky, naked, humanlike figure that materializes in the Glass Box is shot in stances and at angles distinctly similar to those used by/for the white, naked sculptures in the Red Room...

Notably, in Part 2 one of the RR sculptures transforms into a doppelgänger of the Evolution of the Arm, a sinister figure whose gaping maw and wrathful lashing-out are similar to those of the Glass Box's "Experiment"... (Apologies for the gore in the image.)

Tracey carries coffee cups with a black-on-white "Z" figure drawn on them; likewise, her dress is later shown to feature a white-on-black "Z." Whatever else they may evoke, these zigzagging figures are visually like the iconic chevron zigzags of the Red Room's floor...

The side table in the Glass Box Room ["GBR"] has a small bonsai tree which, while (as fans have noted) evocative of the bonsai Windham Earle uses in Season 2, also is evocative of the Red Room's own tree, the Evolution of the Arm...

Like the Red Room, the Glass Box Room is a type of "waiting room," one likewise filled with "secrets." A picture of its primary secret, the Experiment, is viewed by Gordon et al in Part 3, its wraithlike figure floating over an oval much like the RR's oval owl cave ring...

When the Glass Box Room is visited by Cooper in P2, we get a shot of the reflection of his floating figure looming over the empty seating in the room, a tableau curiously similar in framing to the superimposition of the Angel floating over the empty RR chairs in FWWM...

One of the most intriguing aspects of Cooper's P2 visit to the GBR is that it means we get to watch a replay of Sam/Tracey scenes first seen in P1. A similar replay occurs in P18, this time of RR scenes first seen in P2. It all seems linked to the slipperiness of time in TP:TR...

"Someone is here," Gerard says; "No one is here," Tracey says. These opposing lines get at the ways the RR & GBR scenes are also set up in certain ways to be subtly opposite of one each other...

As always, more could be said about the subjects raised by the above posts—why the show is setting up these weird parallels, what we might make of the slippery, repetitive time elements of these scenes, etc. I'll likely post more on this parallel soon...

TWIN PEAKS: THE RETURN - Part 1.

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No one:

Agent Cooper in the Black Lodge for 25 years, while his doppelgänger continues to assume his identity in the natural realm:

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Evil Dead II 1987 | dir. Sam Raimi