easygoingaestheticmower

[easygoingaestheticmower]

You will never understand what I had.

And I will be okay.

[easygoingaestheticmower]

you’ve been like this for quite a while

do you remember what it was like before?

[easygoingaestheticmower]

I close my eyes and burn down my world, breathe in the ash, and rebuild.

[easygoingaestheticmower]

I don’t remember

I can’t remember

Why won’t I remember

[easygoingaestheticmower]

I hate you

[easygoingaestheticmower]

Let’s play pretend

[easygoingaestheticmower]

there was nothing

[easygoingaestheticmower]

If love could kill

[easygoingaestheticmower]

to live in a love that was promised to be returned,

and to wait,

and wait,

and wait,

[easygoingaestheticmower]

memories that don’t belong to me

[easygoingaestheticmower]

and then I became a wandering corpse of my own actions

[easygoingaestheticmower]

your tears are showing

[easygoingaestheticmower]

this was never my story

[easygoingaestheticmower]

What’s stopping you?

[easygoingaestheticmower]

Make a choice

[easygoingaestheticmower]

“It's difficult to explain, but when I'm drawing I feel the existence of what I call ‘gravity’.

In other words, while you might think that as an author I have utter control over the actions of the main characters by the progression of the story, or the world in which I make them live, it's not always like this, and at some moments it is the characters who act against my will. Through this method, some drawings have come out that I didn't want to make in the first place. That is how ‘gravity’ manifests itself, which I also assimilate to ‘fate’.

When you read this last volume of Stone Ocean, I'd like you to think a little about this.”

Hirohiko Araki, 2003

[easygoingaestheticmower]

‘Perhaps it was a dream. Maybe you and I and the fish exist only in the memory of a person who is gone. Maybe no one really exists and it is only raining outside. Maybe the bird never existed at all.’

Angels Egg