eggrolls-and-fandoms

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beautiful women named extreme heat warning keep blowing up my phone

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worlds slowest fanfic author tries really really hard

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it's called one william dollars because it's. bills:)

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Art book preview art book preview art book preview! Shipping August 15th! Pre-order today!

Hardcover.

Over 290 pages with many choices to make, just like the game!

The nightmare is there! >:]

@abby-howard PERSONALLY laid out ALL OF THESE PAGES

NEVER BEFORE SEEN CONCEPT ART OF ALL YOUR FAVORITE GIRLIES Couple notes: • EU friends: we're trying to finalize a distribution deal so you don't get murdered on shipping. • For folks who want to see all of this art but at a lower price point, we'll be releasing a digital version of the art book on Steam for the game's 2 year anniversary celebration (starting on October 20th)

Pick it up though!

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people don't talk enough abt ralseis line of how darkners made out of the memory of dead lightners only appear in very specific lights. and how the knight's fountain brought Gerson back to life in vivid, loving detail. i hesitate to go all in on dess knight theory even if it's likely, because i don't want to exclude other interesting possibilities, but, whoever the knight is clearly remembers Gerson not only fondly but Well

literally!! it's why i don't buy the reading that alvin was the one who made the church fountain. for all he must have known his father for longer than anyone else, his perception of him was heavily clouded by his insecurities and self doubt. just like Susie's dark world was coloured by her trust issues and fear of abandonment/messing up, i feel like he would've found himself in a similar situation

we're not really sure what the knight's ultimate intentions are, why or how dess is back, and just how in cahoots she is with kris... but it feels like they both have some kind of shared hidden motive. they're following the prophecy now, sure, but something tells me she's planning to write her own path too, in a way.

hm. wonder who taught her that.

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are you ever in a bad mood and mistakenly flatten all human experience

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Hello?

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oh deer!!! 🦌❤️💚

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IT FUCKIN YURI DAAAAAAAAAAAY

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life is beautiful

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A quick theory on Shadowcrystals

We're told that the Shadow Crystals grant some sort of power:

But we never quite get a good idea of what combat advantage, if any, the crystals offer.

But I actually think we do. I propose that the Shadow Crystals are what allow you to do a "Neo Attack", or more commonly referred to as a fullscreen attack. Y'know, Jevil's True and Neo Chaos, Spamton's Power of Neo, and the Knight's Roaring attack.

This would explain why Gerson does not have a fullscreen attack- he doesn't use his crystal, he says so himself:

And this also potentially explains why the Knight drops a shadowcrystal on defeat, despite presumably not wanting to give it to us. They drop it because they were just using it, since they had just called upon its power to use a neo attack.

The narration warning you about the fullscreen attack draws special attention to the Knight's hands. Why? Because their Shadowcrystal is in their hand and they're channeling its power. It's no wonder that they dropped it after Susie clashed with them- it must've still been in their grasp!

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shes intersex now, thats my attack

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Obviously not expecting a (white) American site to gaf about today so lemme talk a bit more about Windrush Day and the Black British experience:

I feel like the Black British experience is constantly one of work and struggle. Our parents and grandparents lived through colonial and post colonial (using the term lightly) rule just to end up working and serving the imperial core, targeted by the same government that invited them here. A lot of the time its phrased as a choice but in reality what else could they have done? Ts and Cs apply bc for some West African Brits their parents were middle class back home but for me and others our families grew up in poverty in places still recovering from slavery and colonialism.

Britain whitewashes the history of Black immigrants, literally in the sense we're not taught our own history of Black people in Britain and metaphorically by applying British individualist myths; that as long as you work hard, don't complain about it and love Britain you can be British too. But it erases, ignores and distorts the truth that the British state used our community as nothing more than a labour force to rebuild after WWII and actively targeted Black British communities with police surveillance, brutality and systemic racism. All whilst denying it of course and turning their nose up at the very accusation. Very British.

Black British contributions, West African and West Indian to be more specific don't just apply in terms of work but in terms of shaping culture. 'Roadman' has become a meme and a caricature (including by some Americans on here ik u lot love 'chav') with barely any connection to its Black British roots, even when the term gets used as an insult to mainly Black working class men or used as a British version of 'thug'. The grime scene is undeniably a staple of Black Britain yet it is pathologised and judged, moral panics about Black people's violence and yet capitalised and profitted off of by non Black Brits as an aesthetic. Everybody wants the tracksuits, the tunes and the terminology innit. To be 'road' means to be Black British yet when its time to talk culture, nobody wants to credit it us. All of a sudden its 'London culture'.

But it isn't all doom and gloom. There's so much history and culture here in our spaces. I'd be lying if I said growing up where I did was easy. But it has shaped my outlook and made me and I'll carry that with me forever. Our grandparents and parents came here with so little and made so much out of nothing. And I'll always honour that. Justice for the Windrush generation.

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The Cage

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Story from another world

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little kids