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going through the badlands archive for anniversary celebrations and found these New Americana stills from some set ups that didn’t make the final vid. I love the whiplash of moods lol little baby.
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I am hanging from a hook in the ceiling
like animal carcass.
I am splayed open, salted and tenderized.
My fatty bits sectioned off with bakers twine.
Red juices weep from my wounds.
Not blood, but the meat sweating
for better flavor.
A heavy palm comes down hard on my rump.
He lifts from the flank.
He samples the breast.
Hunger animates his body but he knows he must wait until the meat is ready.
He massages oils into the fibrous texture.
Working it in with the strong flat pads of his thumbs and fingers.
The meat is shivering.
The meat is shaking.
I’m told this is a chemical process.
Even once dead and removed from the body,
the meat dances on the table.
Due to the residual energy and nerve endings present in the tissue.
The flesh will twitch.
But it must be ready.
When it is ready he’ll carve it off in slabs,
and drop them into his mouth;
a mouse falling into the mouth of a snake
hanging by the tail.
He’ll glide the knife under the muscle
and it will slide down his throat
but it must be ready.
The meat is hanging but will not dry.
It drips
and drips
more juices.
The air is escaping.
The tendons are loosening.
He ties her off again and again.
Soon little lamb.
Soon.
- MEAT 2024
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This is how I originally wrote it. One of those that starts as a poem and then begs to be a song. I posted a fragment of this on tumblr a while back, but here’s the initial piece in its entirety 🤍
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“Combat—I’m ready for combat—“
“I know you want to—slip under my armor—“
“My armor can walk and talk and they look just like me. But you can’t hurt us anymore, because one of us isn’t real.”
armor, 1617
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“So proud was she to die
It made us all ashamed
That we cherished, so unknown
To her desire seemed—
So satisfied to go
Where none of us should be
Immediately—that Anguish stooped
Almost to Jealousy”
— Emily Dickinson, So proud was she to die, (1272)
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“tell me who you run to, when i’m stuck in your head?”
— “Feel the Shame”, Vaishalini
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Death and the maiden, George Clark Stanton (1832-1894)
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the shores bend and break for her,,,, and she begs to be loved.
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round and round like a horse on a carousel
© Andu Artist
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