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[empress-cornelia]

TTEOTM Character Portraits

The Opening: Tormented Tantai Jin x Protective Ye Xiwu (released April 7, 2023)

The Dream Arc: Remorseful Mingye x Innocent Sangjiu (released April 9, 2023)

The Finale: Defiant Cang Jiumin x Determined Li Susu (released May 7, 2023)

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TTEOTM Easter Eggs Part 2 (Production Details)

Anyone still rewatching Till the End of the Moon? Here's another round of easter eggs!

(1) Does this shot look familiar? In Ep 1, we see a visual reference to the first teaser poster released back in Nov 2021.

(2) In Ep 1, we already see Xiaoyao Sword formation, which Cang Jiumin learns from Zhaoyou in Ep 30.

(3) In Ep 2, we are introduced to Ye Bingchang, who is feeding the poor. What is she serving? Congee. (Not poisonous, of course)

(4) Throughout Ep 3-7, there are many shots of observing crows which explain how Tantai Jin gets his intel, e.g. the location of the dream demon's forest, his maid Yingxin's plot to poison him, Ye Xiwu's plan to set up her sister with the unplesant fifth prince, or Ye Xiwu and Xiao Lin's conversation about TTJ.

(5) When we first encounter Mingye in his dragon form, he is shown holding tightly onto a broken clam shell.

In addition, the dragon has two eye colors: TTJ enters Bo're dream through the black eye (half god) and XYW enters through the red eye (half demon), foreshadowing Mingye and Sangjiu's fate.

(6) Sangjiu actually manages to drag Mingye (drugged and drunk) all the way back to her own bedroom to complete her wedding night.

(7) Tantai Jin finds out that the congee Ye Xiwu cooked for him is poisoned through the butterfly that dropped dead after tasting the congee. As you may recall, TTJ's mother has an affinity to butterflies. There's a fan theory that this is his mother protecting him.

In fact, the butterfly also shows up in Ep 6 when Ye Xiwu goes on an acid trip conjures an illusion to cheer up Tantai Jin.

(8) During Tantai Jin and Ye Xiwu's wedding night where the Dragonheart Shield flew out to protect Tantai Jin from the three final nails, we briefly see Mingye's eyes as though he is protecting him.

(9) In Ep 36, an impressive one-shot-through sequence is shown to represent the evil and suffering of the world. We follow a sick man who is too poor to buy medicine. We've actually seen the man and the montage before as he was kidnapped by the dream demon and his experiences harvested to grow nightmare flowers in Ep 3.

(10) In TTJ's own Bo're dream, we see YXW's father walking around with crutches even though he was physically fit and died fighting TTML's army. That is because the dream was created in TTJ's mind, and TTJ never found out that he was faking the injury the entire time.

(11) Sangjiu and Mingye's wedding is an exact mirror of Tantai Jin and Li Susu's wedding, from the entrance on a flying carriage to the procession. Even the dancers are the same!

(12) Ye Xiwu's grave in the Jing mausoleum says "beloved wife of Tantai Jin", but TTJ's grave only says "husband of YXW". TTJ wasn't sure he was loved by YXW at that point (but it would also be slightly presumptuous of him to etch that after the events of Ep 39.)

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It is so rare for me to genuinely enjoy the way a cdrama straight romance is being written, so I'm holding onto these two and never letting go - y'all I'm only on episode 9 rn and I'm writing this based on what I've seen of 9 episodes but if Tantai Jin and Ye Xiwu don't get a happy ending I will actually be SO fucking upset.

And I've been sitting here and thinking about why these two hit so different for me, when I've sat through countless other heterosexual cdramas with my mom and have been unable to get invested in any of them (I got invested in danmei shows but never straight romances purely because of the way they were written) and I have a couple reasons. And because this show has eaten my brain I'm gonna talk about it and write a fucking love letter to the one show that has made me FEEL SOMETHING ABOUT THE MAIN COUPLE SINCE FOREVER.

1. This is a legitimate enemies to lovers plotline:

Like I've noticed with cdramas that are not danmei - when they write "enemies to lovers"? It's never legitimately enemies to lovers. Either the reason for being enemies is really shallow and easily solved, or only one side hates the other, or - my least favourite - they start off as genuinely enemies for a legit reason but then the guy falls in love super damn quickly at the first sign of the girl being nice and the rest of the drama is spent with the guy desperately chasing the girl while the girl is ambiguous to him before slowly falling in love. Hah? Ey why did he fall in love so quickly, huh? I thought the reasons he hated her were real and legitimate (I'm looking at you Romance of Tiger and Rose)?

This drama is genuinely attempting an enemies to lovers relationship. Like Ye Xiwu has a super legit reason to despise Tantai Jin and the same vice versa. Ye Xiwu knows Tantai Jin kills all the people she loves in the future - and yet this man is not quite that person yet, hasn't done much wrong at this point. And meanwhile Tantai Jin knows Ye Xiwu as just another one of his abusers, one he's married to - but little does he know that this Ye Xiwu isn't that person anymore. Basically, they have legitimate dislike for each other in the beginning. They don't fall in love at the first sign of the other person being not like they thought they were - as they SHOULDN'T, it wouldn't make sense. Instead they're slowly getting to know each other. And they repeatedly look out for each other in the beginning but it's clear that the motivation is not love. And even as we go, you can see that they're starting to realize that the other person might be someone worth knowing but they still don't TRUST each other. And fuck that slow burn is SO GOOD and is what's missing in so many cdramas. Even when Ye Xiwu makes up that excuse for why she keeps saving Tantai Jin, that she "likes him" - you can see that Tantai Jin is taken aback in a good way but still doesn't trust it. And meanwhile Ye Xiwu is fully aware of her real goal. Like that?? That's my fucking shit. It doesn't make sense for them to trust each other that quickly and the slow development of it is what I live for.

2. Minimal fanservice scenes that make no sense - maximal scenes that progress the relationship.

I'm gonna use the scene in episode 3 as an example - that moment when Ye Xiwu touches the flowers and gets blasted in the face with the powder and Tantai Jin runs forward to steady her. They were standing next to each other, so the show totally could've gotten away with one of them landing on the other, and another fanservice cdrama would have done that and used it as a way for them to wake up in a romantic situation. But no, in this one they someone landed APART despite the fact that one of them had his arms around the other, and the resulting camera shot was sO DAMN COOL. And the moment when Ye Xiwu fell back, it wasn't some dramatic swooning into Tantai Jin's arms. And then they both faceplanted. We love gender equality LMAO. But that's what I'm talking about, this show knows to pick it's moments. It's aware that now is not the time for a scene like that, and the lack of jarring fanservice scenes that don't fit with the vibe and tension of the moment is so refreshing. And the short fanservice romantic moments that do happen?? Goosebumps. Like for example when the flower demon realized Ye Xiwu was trying to rescue Tantai Jin and said "together then" and pulled Ye Xiwu up into the swirling thing - and they were face to face with the soundtrack swelling. Short and sweet, and both of them look suitably surprised - y'all I loved it.

3. The respect this show affords the female characters.

This shouldn't be a rare thing. IT REALLY SHOULDN'T. But the amount of cdramas where the main female lead acts all dumb and cute to endear herself to the "bad boy" male lead, and y'know what I shouldn't say act because half the time the female lead is GENUINELY DUMB - and keeps getting into deep shit so the man has to go rescue her.

Or THE ONE I HATE THE MOST, the main female lead is a competent, intelligent character that's super powerful, and then somehow loses all her braincells and ability the minute she meets the male lead because the plot needs a way for the male lead to repeatedly save her as a romantic trope. The shows that think that they can't write a romance when the female lead is on equal or higher standing then the male lead in terms of skill or intelligence. Leave. Leave immediately.

This show?? Nah. No Ye Xiwu is just as smart as she was at the beginning of the show, and even though her magic is greatly diminished she's still able to strategize and use it effectively. She's a match for Tantai Jin in terms of intelligence and ability and WHY IS THAT SO RARE TO SEE IS IT SO MUCH TO ASK FOR. And just - this is such a small nitpicky detail but the way Ye Xiwu doesn't shy away from nudity or the implication of taking off clothes - WHICH MAKES SENSE CAUSE SHE'S LITERALLY A DEITY like WHY would she be worried about shit like that? The amount of times I've seen female characters who really shouldn't be iffy about nudity shriek and yell when that stuff comes up *screams in frustration*. No but fuck I love Ye Xiwu so much, Tantai Jin went "you wanna search me? Why not get me to take off all my clothes" expecting her to chicken out and this queen looked him dead in the eyeballs and went "do you think that's a hardship" and then sat down on the bed and waited like "bet". AMAZING.

Not only that, the other female characters are afforded a lot of that same respect in the way they're written - the female assistant isn't treated as dumb comedic relief, the kind sister isn't treated as frail even though her initial scenes was about her getting sick from falling in a lake - honestly so far, up to the amount of episodes I've seen there isn't a single female character that's airheaded in that cutesy way I absolutely hate. They're different personalities, different ability levels, different intelligence levels but they're all afforded the same amount of agency as any male character in the show. And fuck, the scene in the flashback with Tantai Jin's mother? First off, I'm weary anytime they touch on tribal stuff in cdramas because sometimes it's some racist bullshit about them being brutes blah blah blah, but while I don't know if this show was accurate in the clothing or demeanor, they depict them in a very positive way - two, there's something so powerful and freeing about seeing her stride down that aisle on her own, head held high, raising her arms up to greet the emperor. They're meeting on equal terms. It was beautifully done. Basically I'm in love with the way they wrote these female characters.

4. The romantic tropes that do occur don't shove gender roles down my throat.

I feel like this is self explanatory, but one thing I've noticed is that cdrama romantic tropes seem to enforce gender roles, to the point where it no longer makes sense in the plot. Like oh this girl is super powerful? Irrelevant she still has to swoon into the man's arms. Man is the breadwinner, is the protective one, the one who gets jealous. Woman is the mediator, is the kind one, the one to be admired for beauty. I am tired. I'm BORED actually? Like I have nothing against people liking those tropes because yeah, they exist for a reason people obviously like them and it's so valid. It's not like I don't get the appeal of swooning into your partners arms. But if it's the ONLY THING you ever see? If the tropes start piling up so that the female character can only ever be soft and feminine and the male character can only ever be strong and masculine, I stop seeing them as individuals, as characters. They're now a caricature of what society thinks men and women should be. They stop having a face. And once they cease being individual characters in my mind, I lose interest.

I like the way this show handles the romantic tropes, because at the beginning it really doesn't make sense for Ye Xiwu to need saving - she's in a safe home and she has more power then Tantai Jin in terms of social standing - and even if she did need saving Tantai Jin for sure wouldn't do it LMAO AS WE SEE WITH THE LAKE THING PFFT 🤣🤣

No but because it doesn't make sense for plot - Tantai Jin is the one being repeatedly rescued even though it's not a role the male lead usually takes in these tropes. And Ye Xiwu does it in a very "swooping in like a cool male lead" type of way. Like when she shoved her brother back after he slashed Tantai Jin's robes? Damn. I'm so gay wtf. Also buying new robes for Tantai Jin *cough* sugar daddy *cough*.

And meanwhile Tantai Jin is allowed to be withdrawn and soft and quiet and still vicious and super competent but in a sassy, bitchy way. My god I love him. He's my babygirl. His little smirk after he roasts someone. I'm so bisexual actually, fuck. Both of them can just step on me But basically neither of them are 100% one or the other - not 100% masculine or feminine gender roles, it's a changing dynamic and it makes them seem like real people.

????. What number is this??? Uh

5. I think. I'm not gonna scroll up. Anyways um.

The SHOTS. The SOUNDTRACK. The CINEMATOGRAPHY.

Beyond the fact that the CGI in this show actually looks passable cause i'm sure they had a bigger budget then some danmei shows i've seen, but HOW did they inject so much bittersweet nostalgia and loss into the flashback wedding scene? That moment when Ye Xiwu runs for Tantai Jin with a sword in hand to kill the birds, her robes flowing out behind her? The demon's garden??? Tantai Jin's bitchy glittery sparkly murder hanfu??? The winter scenery, the winter cloaks, i'm just. THE HIGH PONYTAILS. MAN ARE THEY INCONVENIENT WHEN THEY SWISH AROUND BUT I STILL LOVE THEM.

Also Ye Xiwu's headdress is beautiful and fully INDESTRUCTIBLE 🤣🤣 and I love it.

I, no joke, rewatched that flashback wedding scene no less then seven times, cause I just find it that well done.

Anyways I don't have much to say here everything is just gorgeous.

6. NO FUCKING LOVE TRIANGLES (SO FAR)

Let's hope it stays that way. That is all

This is getting way too long so Imma end it here. Thanks for reading!

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Alright, folks, I rewatched the Bo’re Life arc this week, and I have thoughts and a newfound appreciation for it (what? Me? Liking the Bo’re arc?It’s more likely than you’d think). As my mom used to say at the start of road trips or our semi-annual family viewing of The Sound of Music: buckle up, chitlins. 

Okay, first off: this arc is a lot easier and more interesting to watch the second time around. I suspect that’s because I’m not chomping at the bit to just get back to Tantai Jin and Susu in the real world, since I already know what happens. This time, I can settle in and appreciate Bo’re Life without the urgency of “when is the actual story going to come back, fuck you writers”. It’s also very fun for me to draw parallels and find foreshadowing I didn’t notice before. And, having done so, I present the following thesis: the Bo’re Life arc strengthened the overall story both as a tragedy, and as a “happy” ending.

Addendum: I have a lot of thoughts about what constitutes a happy ending, and my thoughts on TTEOTM in this regard are complicated. Essentially, I would argue that the ending, while certainly sad, isn’t a “tragedy” in the narrative sense. While the individual happiness of the characters takes a real blow in the end, they do accomplish their ultimate goal. It’s a pyrrhic victory, but a victory nonetheless, and it’s implied that they will get a much happier ending as individuals sometime in the future. That doesn’t mean it was as satisfying as it could have been (it seems clear that TTJ will come back but I'm pissed we didn't get to see it), and I know a lot of viewers will totally disagree with my opinion. But I digress! Let’s get into Bo’re Life.

Bo’re Life threw a LOT of information at both protagonists, and the roles they played in it didn’t correspond neatly with their own destinies, which kind of baffled me the first time around. Ming Ye represented both what Tantai Jin could aspire to be, and the mistakes Susu needed to avoid in neutralizing him. Sang Jiu represented both Susu’s traumas and doomed loveline, and Tantai Jin’s fate if Susu failed as Ming Ye had.

The parallels between Bo’re life and real life perfectly underline the tragedy of the story: both protagonists are shown beforehand the choices they must not make, but because of who they are, they make them anyway.

Susu was an idealistic and traumatized woman with a mission, so she was always going to fail like Ming Ye did by putting the greater good ahead of love and communication. Tantai Jin was a disempowered and naive man falling in love for the first time, so he was always going to be just like Sang Jiu and give his fragile heart too fully, then shatter under the weight of betrayal. Bo’re Life both foretold the tragedy, and failed to prevent it. 

It could be argued that Tantai Jin and Susu played the wrong roles in Bo’re Life to avoid tragedy in the Jing arc, but they played the right roles to avoid it in the cultivator arc. In the mortal world, Susu needed Ming Ye’s experience of losing everything because he neglected his heart. And Tantai Jin needed Sang Jiu’s experience of subsuming herself in another person so recklessly that she lost her soul to it. Neither of them got that, and so they repeated the tragedy of 10,000 years ago: Susu by loving and then betraying Tantai Jin, and Tantai Jin by allowing his obsessive love to run unchecked.

But as cultivators, 500 years later, they both ended up relying on the virtues of the roles they played in Bo’re Life. Susu channeled Sang Jiu’s optimistic love and staunch loyalty to repair her relationship with Tantai Jin and become someone he could genuinely rely on. And Tantai Jin needed Ming Ye’s sacrificial love and dedication to the greater good to understand and execute his subversion of destiny.

This time around, they were both where they needed to be, playing the roles fate assigned them… but drastically changing the lines. Susu became a goddess, just like her mother, the only being who could defeat the Devil Lord. And Tantai Jin became the Devil Lord, just as he was born to do. But there was no battle between them, no great war like 10,000 years ago. Just like during their dance at the Jing water festival, Tantai Jin played his part, then surrendered.

And, just as she removed his mask 500 years ago, Susu saw through his act to who he really was, who he’d always been.

They redeemed the very mistakes they made at the end of their story in Jing: Susu, who couldn’t trust him and destroyed him as a result, finally gave him her trust, even as he wore the image of her greatest fears. And Tantai Jin, who was so desperate for her love that he killed her trying to keep her, finally let her go to save the world. 

The Jing arc ended with both of them as the worst versions of themselves: Susu vengeful and traumatized, Tantai Jin obsessive and broken. As she died, Susu threw Tantai Jin’s destiny in his face, calling him the greatest curse and rejecting him in this life and the next. In his last days in Jing, Tantai Jin devolved into despair and denial, unable to cope with the grief and betrayal. They didn't learn the correct lessons in Bo're life, not this time around.

By contrast, the cultivator arc ended with both of them as the best versions of themselves: Susu capable of trust and forgiveness and elevated to godhood, Tantai Jin whole and loved and able to overturn his evil destiny. They learned, not just from their own mistakes, but from those of Ming Ye and Sang Jiu. And it helped them win.

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Ye Xiwu rushing in to shield her husband whom she absolutely definitely hates

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LUO YUNXI as TANTAI JIN Till the End of the Moon 长月烬明 (2023) – Episode 38

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Fun Facts behind TTEOTM!

Creative Team

Till the End of the Moon is the second TV drama produced by newcomer Otters Studio (獭獭文化), which was originally set up for dangai/BL drama Immortality (皓衣行), also featuring Luo Yunxi.

The Hangzhou-based Otters Studio is a subsidiary of Nanpai Entertainment (南派泛娱), the company owned by Kenneth Xu (aka “Third Uncle" 南派三叔). Xu is best known as the novelist and screenwriter behind "Grave Robbers' Chronicles" (盗墓笔记).

A big part of TTEOTM's core creative team also worked on Immortality. And a lot of the Immortality team came from Ashes of Love (2018) with Luo Yunxi. This includes...

He Fang (Screenwriter) - Immortality

Luo Xuan (Screenwriter & Associate Producer) - Immortality

Huang Wei (Costume Designer) - Immortality

Guan Dazhou (Music Director) - Immortality

Wang Yirong (Lead Producer) - Immortality

Wang Haiqi (B Unit Director & Action Director) - Immortality & Ashes of Love

Tsang Mingfai (Makeup Designer) - Immortality & Ashes of Love

Shen Xufei (Special Effects Director) - Immortality & Ashes of Love

Hua Tian World Concept - Immortality & Ashes of Love

Wang Haiqi was the stunt coordinator who trained Luo Yunxi in Ashes of Love

Part of the creative team came from Huanyu (Bai Lu's management company, aka the production company of Yanxi Palace). This includes award-winning art director Luan Hexin, Huang Xinyao (Yue Fuya) and Liu Min (Nan'an).

This is the second time Luo Yunxi and Bai Lu have paired up in a drama. They previously played a couple in modern workplace romance Love is Sweet (2020). Bai Lu expressed interest publicly in pairing up with LYX again in a costume drama numerous times.

In addition, a number of Love is Sweet actors have minor roles or cameos in TTEOTM:

Zhao Yuanyuan (Qiao Na aka Yuan Shuai's colleague who has a crush on him) plays the Moon Goddess

Cheng Chang (Jiang Jun's father) plays Ye Xiwu's father

Deng Jinghong (Jiang Jun and Yuan Shuai's shady client) plays Ye Xiwu's brother Ye Zeyu

The popularity of TTEOTM has generated renewed interest in Love is Sweet on iQiyi. In the first half of 2023, Love is Sweet is ranked #5 on Yunhe's "old/classic drama" list, receiving 360M views (10M views/episode), equivalent to airing a new medium-budget drama.

Two actors in Ashes of Love also have minor roles in TTEOTM:

Wang Yifei (Shuihe aka peacock princess in Ashes of Love) plays the Devil God's lieutenant Siying

He Zhonghua (Heavenly Emperor aka Runyu's father) plays the King of Sheng, again terrorizing Luo Yunxi's childhood

In addition, a number of TTEOTM actors play minor roles in the unaired Immortality:

Huang Yunyun (Yue Yingxin) plays Song Qiutong

Zheng Guolin (Qu Xuanzi aka Susu's father) plays Jiangxi

Huang Haibing (Zhaoyou) plays Nangong Zhangying

He Zhonghua (King of Sheng) plays Nangong Liu

Geng Yeting (Ye Qingyu) plays an unknown role

Production

The source novel (黑月光拿稳BE剧本) was optioned by Otter before it was complete due to strong early hype around the IP and interesting characters & premise. It's one of the top 10 most-saved web novels of that genre on the Jinjiang platform. Its title literally translates to "black moonlight is guaranteed a bad ending screenplay".

The screenplay was written for 40 episodes, which was edited into 50 episodes of probably 45 mins each. The original plan (based on governmental records) was to air 34 episodes as part 1 and 16 episodes as part 2. However, the NRTA (Chinese government agency that regulates TV) closed the loophole around airing two seasons back to back early this year, which is why TTEOTM was edited back down to 40 episodes of 55 mins each so that it could air in one go.

TTEOTM changed its Chinese title twice. It was originally named 月照千峰为一人 (The moon shines for one person). It was then renamed to 长月无烬 (long moon without Jin/ember, also a pun for without limit or endless), which is the official publication name proposed by fans of the web novel. Right before the booting ceremony, it was renamed 长月烬明 likely for auspicious reasons (especially after the LYX accident and Immortality not airing)

Some keen netizens have noticed that if you break apart the characters of its Chinese title, 长月烬明, it becomes 长月火尽日月, which literally means....

长月 (long moon) - how people refer to the drama, in its short form

火 (fire) - Chinese internet lingo for explosive or popular

尽日月 (to the end of sun and moon)

(Gotta give one to Chinese people for coming up with auspicious names)

Luo Yunxi was injured right before production began when filming his final scene in Light Chaser Rescue. He got punched in the mouth by a costar which required emergency surgery and left a scar on the top left corner of his mouth. Production was delayed as a result. Bai Lu had to film her solo scenes first starting Oct 19, 2021. The booting ceremony took place on Nov 6, 2021 after Luo Yunxi joined the set.

Luo Yunxi was the first actor to be cast, according to an interview with the producer. It is rumored that he might have even picked which novel to adapt as Otter initially optioned both "Black Moonlight" and "Black Lotus Casebook". Bai Lu is also the "only choice" for Li Susu according to Yu Zheng.

Yin Tao (Who Rules The world, Love & Redemption, and Ancient Love Poetry) was originally considered for director, but he worked on the Blood of Youth instead. In the end they went with Kuk Kok Leung, an award-winning veteran TVB director who has adapted 7 out of 8 Jin Yong novels. One of the Cantonese songs Luo Yunxi kept singing on set is the OST of the 1983 Condor Heroes where Kuk served as Assistant Director.

Sun Zhenni (Pianran) and Zhao Shiyi (Fuyu) won their roles through open casting call. Sun Zhenni was a big fan of Bai Lu, and the two became close friends during the shoot. She is 1/4 German Jewish through her paternal grandmother.

Chen Duling (Ye Bingchang / Tian Huan) briefly dated Xichao Wang (who plays Jing Mie, the demon god's other lieutenant). They were apparently introduced by Yu Zheng (boss of Bai Lu's studio).

Luo Yunxi and Sun Zhenni are the only actors who dubbed themselves in the drama. Bai Lu is dubbed by Duan Yixuan, who is also the voice behind Linglong in Love & Redemption.

This is the second time Luo Yunxi plays a dragon god (Runyu is the first). This is also the second time Bai Lu plays a character who leaps off the tower to her death in a costume drama.

Post-production was rumored to be delayed and then rushed due to a number of reasons, including covid which hit the special effects team hard and the last minute change of the 40-episode rule.

Promotion

During the premiere day, celebrities posted on Weibo to promote the drama in support of Luo Yunxi (usually actors only ask for this favor when it's a really important project to their career): Huang Xiaoming, Tan Songyun, Wu Jingyan, Chen Yuqi, Cheng Xiao, Victoria Song, Zhang Ruonan, Huang Xuan, Chen Yao. The most noteworthy ones were Chen Xiao (whose drama was also opening on the same day) and EDG (the esports team that LYX supports)

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till the end of the moon  | Pian Ran’s report

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#pian ran and ye xiwu <3

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till the end of the moon  |  marvelous women in red

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Till the End of the Moon Ep.23 (2023)

…to have met you in this lifetime is my greatest fortune…

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Saw this on twitter:

I said it there and I'll say it here:

I'M BURNING EVERYTHING WHY DIDN'T THEY SHOW US THIS!?!?!?!?! THEY WERE WAAAAY MORE RELEVANT THAT MO NV Y JINWU I'M SO ANGRY THIS ISN'T FAIR GIVE IT TO ME NOOOOW

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Pian Ran Portrait

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till the end of the moon, ep. 22 .

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≿──────　Pian Ran ❈ Fu Yu　──────≾

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Till the End of the Moon Ep.19 (2023)

the response to being told she gets no breaks this month AHAHHAHA

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happy labor day and this is why union is important asdfhjkl;;