Museum Assignment
I attended the Hurry Slowly exhibition at the Kleefeld Museum for my offsite assignment. The exhibition is a summary, or recap, of the last fifty years of the organization’s collections. There was a great variety, as one can imagine, of works that ranged from photography to sculpture to painting. The exhibition provoked many interesting if disjointed thoughts in me, as well as a great deal of awe at the scale and detail of many of the artworks.
I was drawn to the more abstract, colorful drawings and paintings. One radiating painting by Robin Mitchell stopped me in my tracks when I entered the first room. The piece, called Boutonniere, displays every major color on the color spectrum, but manages to be highly cohesive and beautiful. An artwork by Amy Myers immediately provoked my imagination. Even in black and white, their piece shined with imaginative possibility, probably because it seemed to have been taken straight from the artist’s imagination.
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Assignment #3B
This project began by testing the limits of my ability to do rough sketches that looked 3-Dimensional. I wanted to take a sketch of an abstract person and turn it into a large scale sculpture piece. I landed on a design that I liked (waist up sketch of a person with noodle hair and hands of hips) and I got to work in Fusion 360. I intentionally made all of its parts geometric so that I could do it all from scratch. In the process, I used the Revolve, Loft, Tube, Extrude, Offset Plane, Split Body, Move/Copy, and Combine tools. This was the most involved project I undertook in this class, simply because there were so many unique parts to it. At the end, I played around with appearances and scene lighting to get a green glass sculpture sitting in a white-walled room. If I were to really make this a public art piece, I might not make the material glass, instead a translucent plastic material, and I would scale it up to the height of a person. I am happy with the outcome and this has given me more confidence to take on more ambitious pieces in the future.
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For assignment 1, I wanted to capture a 3-dimensional environment and fill that environment with an emotion. I initially started with some abstract shapes for the background scene, and I tried to make them as interesting as possible so that they would juxtapose the more simplified, endearing foreground shapes. I landed on a design that attempts to capture a negative mind state, where one is feeling separated from the desaturated world they perceive around them. The focus of that person would be on their own shadow, and the problematic dynamic within themselves. Thus I chose to literally project their shadow selves into the space.
Some challenges with this project were making sure the background images were one singular connected shape and that they didn't break apart at the thin attachment points. Converting my drawings to vector was relatively straightforward; I used trace, simplify, and the blob brush for most of it. I used black poster-board as my material and added pink tape to the central figure to mark them as different from what they are feeling.
If I could redo any part of the project, I would project the shadows deeper into the space and make them bigger and taller. This would have an effect of demanding more attention, which is what the pink person in the scene is also paying attention to. Everything is from their perspective.
I think this project turned out mostly successful, but I would have changed the scaling of some things.
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