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Leverage x Onion headline

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Love how leverage makes you think Parker (and maybe Eliot) is the crazy one at the beginning when the crazy one is clearly Nate

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the leverage ot3 is so amazing because each pair within it has its own unique and fascinating dynamic and then all 3 together have a third fascinating dynamic so the character depth is so good.

like parker and hardison have their adorable dynamic that gets tons of attention in the show so i don't think i have to explain but if i do, they are super playful with each other and so loving and romantic and hardison is always calling parker pet names and it's fucking adorable.

then you have parker and elliot, who are the two most emotionally stunted on the team, but something about being the two people who aren't "good" like the rest of the team (like basically the whole conversation they have while stuck in that like ice cave in the mountain climbing episode) is super deep. also, especially in redemption, i love how even though they pardison are not canonically dating eliot, parker is always including him in their future plans, like elliot will also get robot bodies with parker and hardison, etc. etc. like this is particularly sticking out to me in the most recent leverage redemption episode (the swipe right job) when parker is going on a rant about dating apps and elliot goes "we're in trouble" (about their covers getting blown on a job) and parker's like "no me you and hardison are fine" like hello did she just acknowledge that they're dating? more to the point though, i love how we see parker and elliot just hanging out and having like real, honest conversations, especially in redemption. i also love how they clearly spend time together outside of work - like the sheer number of parker and elliot noodle incidents is insane.

next up: elliot and hardison. holy shit they are so iconic. they are the big guy smart guy duo and it plays out in such a sweet way in their relationship. like even though he acts all exasperated, hardison really softens elliot up, for example, elliot complaining about the lucille song but then joining in in the first contact job. and then, at the same time, elliot helps hardison be tougher, think his really great speech in the rundown job where he convinces hardison that he is capable of stopping the terrorist attack and he like grabs the back of his neck and stares him right in the eye like he's donating his aura or something. but at the same time as encouraging him to be tough, elliot is still super overprotective of hardison, like when he instinctively grabs hardison and steadies him when he steps on the mine in that same episode, and i think that's so cute. speaking of the rundown job, the way that elliot and hardison are supportive of each other both in like a serious way and like a funny flirty way. as far as serious, in that episode, we have elliot literally jumping for joy when hardison figures out the sos car thing in time, and then of course as far as flirty and funny, you have the handshake when they're both staring at how hot parker is dodging lasers. btw the fact that they have a handshake too is just like the definition of their dynamic. i love it.

finally, all three together is super interesting because of how all of these dynamics come together. elliot is the scary looking dog who could fuck you up but is actually quite sweet and would rather nap with you on the couch. parker is the cat who takes a while to warm up to you but once she does she is super loving and sweet. and hardison is their genius golden retriever who is like the heart of the group and is always bothering the other two to play with him but secretly they love it. and they work together so well because they play off of each other's strengths and compensate for each other's weaknesses. it's just so fucking amazing ot3 5ever.

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If you didn't want to be assimilated into my found family then you should have killed me when you had the chance

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I always read it as ‘we don’t like that you drink because it makes you compromised’ BUT ‘when you drink you are at least consistent and predictable in the ways in which you will be compromised and we know how to account for that’

So what’s your read on “We don’t like it when you drink, but we trust you when you do”?

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Leverage textposts part 3/?

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"Even memory is an act of imagination, you never tell the same story twice, not even to yourself" ~ Michael Burkard

This quote showed up on my dash and reminded me of The Rashomon Job and how interesting I find it that many people can watch the episode and walk away with the impression that we've been told the 'correct' or 'true' version of what happened that night, specifically by Nate.

And I get why. The team certainly lets him have the last word, and structurally we are used to the 'Nate's Eye View' dénouement being the point where we see a complex web of events finally make sense as a designed structure. But the multiple thefts of the dagger weren't part of a unified whole arranged by Nate, or by anyone - so maybe we should approach the usual conceit of revealing the scheme as seen through the eyes of the mastermind rather differently in this episode.

As an audience, we depend on Nate's ability to pull off the impossible just as much as the team do, and even though we (and the team) may roll our eyes at his god complex it's important for our continued investment that we (and they) manage to almost believe he's Just That Good. But the tell that his version of this particular story is not entirely without colour is that it's all just a little too neat.

When the storytelling starts, Nate's delighted. The minute he realises he can scoop them all, and even retroactively be the mastermind who puts it all together, he's just pleased as punch. "Why don't you all come over and I'll tell you what really happened." He says. You know, like a liar.

The first thing of note about Nate's Version is that he never went into the party, but still takes it upon himself to give them an authoritative reconstructed version of what went down based entirely on his own sense of how it would have happened, based on his understanding of the team and his assumptions about their behaviour. Naturally in Nate's Version Eliot and Sophie don't flirt even a little. Naturally in Nate's version it's going to be Eliot who takes Sophie's adulterated champagne glass, intended for Hardison, from Parker's tray, despite nobody else having specified anything about this detail (Eliot - the gastronome - wouldn't remember spitting out foul tasting champagne? Sophie wouldn't have noticed a key part of her plan going awry?). But this way it fits it all together like one of his plans, so naturally it's all going to be nice and neat.

Not content with imagining the entirety of the party sequence, he also entirely constructs a conversation between Coswell and the securty guard locked in the store room. Based on Nate's own description of his movements there's simply no way for him to know what went down in that room. We know from Parker that Coswell made his way into the vents, and we know how he got the climbing equipment, but would the Coswell of Nate's Version really go climbing into ducts? It's neat, but it's thin.

Coswell is really where we have to question the neutrality and authority of Nate's version the most. Not only because - even if we allow that IYS jackass Nate Ford did in fact perceive this security guy (probably most security guys) as an ineffectual irritant - he's clearly reacting to Sophie's contemporary jibe about Coswell's potentially superior intelligence by making the man a buffoon in his retelling. But, also, because believing him about Coswell's buffoonery requires us to accept that Parker, Eliot, Hardison and Sophie all massively overestimated an opponent on a job. Is that really plausible? Even if we allow for a percentage of exaggeration because they're thieves swapping stories in a bar, it doesn't add up. Hardison and Parker, who were young and mostly there for clout, maybe. Eliot and Sophie? No.

When they describe Coswell as brusque, efficient, and suspicious - and they corroborate each other, we should be very wary of Nate's entirely re-written character sketch of the man. Especially the idea that his behaviour could all be explained because he had a crush on Sophie. Sophie Devereaux - who can pick a mark's weakness of a driving license photo - not notice when the head of museum security has a crush on her? Not bloody likely.

Everything Nate remembers Coswell as actually saying could just as easily have been said by the version of Coswell the others describe. For instance, "I don't know much about gold but I know it's not meant to do that." Could be silly - could be sardonic. Nate thinks he's an irritating pleb, so it's recounted as silly. But even in Nate's Version Coswell makes a good point about the dealer running. Again, it's neat, but it's thin.

As for the idea that the dagger fell from a vent directly into his hand? Well, as Hardison says, nobody's that lucky. Nate's showboating. He's embellishing and neatening his recounting of his own (biased) recollections just as much as the others, and he's doing it to reinforce his team's (and maybe his own) perception of him as slightly beyond the laws of chance, reason, and even physics. This episode is also one of the last times he denies that he's a thief - a tell if ever there was one.

Eliot and Sophie both express reservations, but they let him have it, because on some level they know that they need him to be that lucky. The whole house of cards only stays up if Nate really is That Good.

Plus, of course, none of the team's versions are without colour - and they all know it. Firstly, all perception is shaped by biases. So Sophie remembers different details than Eliot or Parker, because they look at the world differently and prioritise different kinds of contextual awareness, reasoning, and value judgements. Secondly, and more importantly, they're not just remembering and recounting what happened that night - they're all thieves telling stories to other thieves, to friends they want to wind up (the accents getting worse and worse, Sophie saying Coswell was maybe even smarter than Nate), impress (Hardison being the centre of female attention, Sophie getting a round of applause), or correct (Eliot and Sophie both claiming the other was the one doing all the flirting, when if we take Hardison's word...) But their descriptions of the sequence of events all line up reasonably well.

Ultimately they're all right about parts of it. Nate's probably right about Coswell being ineffectual by IYS standards. Sophie's probably right about his personality. Hardison's probably right about Eliot and Sophie flirting outrageously. Parker's probably right about her encounter with Coswell in the vents (she's not going to misremember vents). But we, the audience, don't see the One True Version of what happened that night.

That's why it's so nice when the episode ends with them all going to steal the dagger, properly, together. Because that's where the truth is. The truth that they're all thieves, telling stories in a bar. Even Nate. But when they're stealing things together they can defy the laws of chance, reason, and even physics. That's where they'll really see and understand each other, and that's what matters.

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Leverage 4x16- "The Gold Job"

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Fascinated by the contrast between these two undressing scenes in "The Cross My Heart Job"...

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Leverage 4x13- "The Girls' Night Out Job"

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Of course Eliot knows how to sew, between his military service, medical skills, and the likelihood that he's slept with a seamstress or two. He can, at minimum, hem a pair of pants and do most types of repairs.

Hardison, though? Sure, word of God is that he makes the disguises that the team uses during cons, which could just mean he's ironing "FBI" transfer letters onto windbreakers.

HOWEVER.

Hardison is a cosplayer in the early 2010s. I did my first con cosplay at AnimeNext in '08. Before 2013 or so, you could not Google a character and find sales listings for a ready-made cosplay. If you wanted to cosplay a character who doesn't wear readily available normal clothes, you had two options: you either found someone who could sew and were very, very nice to them, or you learned how to make stuff yourself. I know several people who taught themselves how to sew by taking apart thriftstore finds for cosplay, and I had a side hustle taking on sewing and patterning commissions.

Hardison could have commissioned his first cosplay, but I think he'd get sucked in. He'd get really excited about computerized sewing machines. He'd get himself a machine that he can hack and reprogram so it's got extra stitches, multiple buttonhole settings, automatic seam guidance, a controlled heat setting that does a fused edge finish on synthetic fabrics. He digitizes his own embroidery patterns.

At some point Eliot asks to borrow a sewing machine because his job is as rough on his clothes as it is on his body, and he nearly has an aneurysm trying to do a basic darning patch on Hardison's beeping whistling computer-monster. A couple days later, a second sewing machine shows up. It's an old one with sturdy metal innards and mechanical dials to set stitch length and width. It has no screen, no control buttons, and only a handful of settings. One of them is a darning stitch.

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the types of leverage episodes

wow, check out this fucked up thing that's legal in the us

a character needs an arc, so this is about them and their stuggles (and also this fucked up thing that's legal in the us)

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Leverage S03E12 The King George Job.

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not only did the three “die” holding hands, the two of them that were in a romantic relationship didn’t. eliot was in the middle. he held both their hands. you would think a show would put their long-time building romantic relationship together and have them hold hands as they died, right? nope. not leverage. most shows wouldn’t even consider having their two male characters hold hands. especially in such an intimate, emotional scene. most shows wouldn’t have one of their male characters hold hands with his friend’s girlfriend as they were dying. leverage showed us how important their relationship was by eliot’s placement. eliot meant so much to both hardison and parker and they meant so much to him. and this was nate’s story. nate came up with this, told people how the three thieves died together, holding hands. he had to make sure people knew that eliot spencer , alec hardison , and parker loved one another so so so so so much

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The Nigerian Job is such a special pilot to me. “THE Parker?” “Is there someone better?” “No, but Parker is insane”. “I don’t even know what it is you do” to “That’s what I do”. The OT3 elevator scene. Eliot helping to haul Hardison out of the warehouse before it explodes. Their mini-con escape from the hospital. “What’s in it for me?” “Payback, and if it goes right, a lot of money” “What’s in it for me?” “A lot of money, and if it goes right, payback” and “I was just gonna send 1000 porno magazines to his office but hell yeah”. The Sophie “this isn’t her stage” reveal. The bait and switch that they meant for Dubenich to know he was being conned. “It’s a walk away job” but none of them do. “So go find some bad guys. Bad guys have money.” It does so much good work to establish what this show and these characters could become without jumping the gun on making them get too close too fast.

Like, the thesis of the episode is Nate’s “You all know what you can do, but I know what you can do together” and it’s such a fantastic way to handle a pilot because it’s all about potential: we understand immediately that these people are already hyper competent, but by the end of the episode we see what they could become together too. It’s about showing you the tentative beginnings of this partnership and all the space it still has to grow.

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Leverage S02E03 The Order 23 Job.

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Can you imagine being THIS petty???

Request by @gendermybeloved