Audio
For You, My Lovely Mindy….🎵
VI Morceaux, Op. 51, No. 6 - Valse Sentimentale (Sentimental Waltz)
By Composer Pyotr Tchaikovsky
Performed By Violinist Josef Sakonov And The London Festival Orchestra
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Hey, you know what my favourite thing about The Foxhole Court is? How Neil’s flirtation with Andrew is almost entirely just catching him out on the precise wording of previous conversations… because I’m pretty sure Andrew always knows exactly what he said… he has an eidetic memory… like I’m not saying he does it on purpose but
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My kink is faithful and belligerent use of the Oxford comma.
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everyone when logan was announced: whom in the fuck wants another wolverine movie..
wolverine: When I Die. Then You Will Realize.
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no sideblogs we create an incoherent jumble of content like men
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Being 4’11 is so hard sometimes, for real.
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are you city lights or star lights? dandelion fluffs or wishing wells? ocean breezes or warm fires? art galleries or big libraries? polaroid pictures or record players? antique shops or small cafes? hot chocolate or iced tea?
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The Dregs: You can’t just cut people out of your life, Kaz
Kaz: snip snip
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long feng: you’ve beaten me at my own game azula: GAME? 😂👀 DoNT flatter 💢YOURsElf 🔥YOU were💦 NEVER❌ 😠 even a PLAYER 🏀 💯 dont HATE the player ✋ hate 🌊 the GAME ✌😈 👌
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Conversation
Neil first meeting Andrew: Fuck you
Me: *looks into the camera like I'm on The Office*
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journey’s end (of a sort)
fullmetal alchemist au.
The door to Neil’s room slams open, and he can’t even say that he’s surprised to see Andrew behind it. His grip tightens around the railing Hernandez had mounted along the wall, and Neil turns so his back is against it and he’s facing Andrew. He feels himself being observed carefully as Andrew shuts the door behind himself without looking.
“Millport automail? This is where you’ve been hiding?” Unlike before, Andrew’s face doesn’t match the bite behind his words. His expression is blank, and Neil wonders if he’s imagining the steel in his eyes.
“I haven’t been hiding,” Neil points out. “Everyone on the team knows I’ve been here.”
Everyone except you, he meant. He hadn’t wanted to distract Andrew from his own recovery.
Maybe a month ago that would have provoked a reaction from Andrew, be it an uncontrollably manic smile or an ugly flash of rage. Instead, Andrew just stares at him flatly. “Do they know you’ve been trying to walk? They must not, because otherwise this room would be full of idiots trying to teach you what ‘recovery’ means.”
Keep reading
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Audio
VI Morceaux, Op. 19, No. 4 - Nocturne For Cello And Piano
By Composer Pyotr ilyich Tchaikovsky
Andres Diaz, Cello And Samuel Sanders, Piano
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Photo
A Cure for Wellness (2017) Dir. Gore Verbinski
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Andrew Joseph Minyard - “Andrew was the Foxes’ freshman goalkeeper and their deadliest investment.”
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