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We looked inside some of the posts by fabiabercsek and here's what we found interesting.
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1
Likes Per Post
1
Reblog Per Post
0
Reply Per Post
0
Time Between Posts
24 days
Number of Posts By Type
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17
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Fábia Bercsek, “WORLD EXPO 2025”
Fashion Show, Casa de Criadores, 22 Jul 2025
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Fábia Bercsek, “MEGA-BOW” #3 & #4, 2025
Cardboard, crayon, acrylic paint, glitter, PVA glue, 64cm x 90cm
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Fábia Bercsek, “GODDESS 10K”, 2025
Digital performance, dimensions variable
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Fábia Bercsek, “MEGA-BOW” #2, 2025
Cardboard, crayon, acrylic paint, glitter, PVA glue, 148cm x 182cm
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Fábia Bercsek, “MEGA-BOW” #1, 2025
Cardboard, crayon, acrylic paint, glitter, PVA glue, 148cm x 182cm
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Fábia Bercsek, “CASTLE”, 2025
Paper, cellophane paper, gum arabic glue, adhesive tape, polyethylene, glitter, metallic confetti, crayon on laminated foam, 180cm x 146cm
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Fábia Bercsek, “DUNGEON I”, 2024
Paper, gum arabic glue, adhesive tape, polyethylene, glitter, metallic confetti on laminated foam, 118cm x 146cm
Integral part of the collective installation and exhibition THE INFLUX OF DISCOURSE at UNCOOL GALLERY
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Fábia Bercsek, “DUNGEON II”, 2024
Paper, gum arabic glue, adhesive tape, polyethylene, glitter, metallic confetti on laminated foam, 78cm x 117cm
Integral part of the collective installation and exhibition THE INFLUX OF DISCOURSE at UNCOOL GALLERY
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Fábia Bercsek, “VORTEX”, 2021
Self-adhesive vinyl on street kiosk, Dimensions variable
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Fábia Bercsek, “BEAUTY OF NOISE”, 2019
Tissue, metallic, crepe, felt and cellophane paper, glitter, acrylic gems, and graffiti, 96cm x 130cm
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Fábia Bercsek, "FANTASIA", 2018
Street glued outdoor posters, 140cm x 200cm
FANTASIA is the initial art project from Fábia Bercsek. During the Carnival days, shortly before imigrating to the European continent, she produced a series of gigantographs featuring the nine bodybuilders who won the Overall category in the defunct IFBB WOS Ms. Olympia Competition (restored in 2020). The work carries a visual manifesto and reflects the artist’s thoughts and desire for transcendence. All posters were self-installed in public places in São Paulo, marking different moments of her everyday life and shaping a strategic public intervention to convey a symbolic message.
Fábia Bercsek identified with these individuals. Suspending their bodies to expand the horizon and confront reality, alongside typography, brought about physical and spiritual changes. This moment was imbued with natural hormones and cosmic fluids, serving as a rite of passage and a final exchange with the city. Like affectionate masks, the display of the souls behind the facades invited the observation of the transient nature of matter. The impermanence of paper, color pink flirtation, and white glue as the only sustenance worked in tandem to demystify the ideal. They offered propaganda as a non-dogmatic practice to nurture the organic evolutions of beauty. And the bodies quickly disappeared, with some succumbing while others remained shrouded in mystery. However, the first one persists, like a dream fragment, like fantasy.
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