Elizabeth, from Brazil, biologist and music freak. Reblogs A LOT and sometimes turns this in a The National appreciation blog.
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JAVELIN is out today. Thank you for listening. I love you.
This album is dedicated to the light of my life, my beloved partner and best friend Evans Richardson, who passed away in April. He was an absolute gem of a person, full of life, love, laughter, curiosity, integrity, and joy. He was one of those rare and beautiful ones you find only once in a lifetime—precious, impeccable, and absolutely exceptional in every way.
I know relationships can be very difficult sometimes, but it’s always worth it to put in the hard work and care for the ones you love, especially the beautiful ones, who are few and far between. If you happen to find that kind of love, hold it close, hold it tight, savor it, tend to it, and give it everything you’ve got, especially in times of trouble. Be kind, be strong, be patient, be forgiving, be vigorous, be wise, and be yourself. Live every day as if it is your last, with fullness and grace, with reverence and love, with gratitude and joy. This is the day the Lord has made. Let us rejoice and be glad in it.
Thank you. I love you. XOS
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creemore, ontario david herzog + should have known better, sufjan stevens
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I don’t know if this is the right thing to say because English is not my first language, but some people fly too close to the sun. When I think about Sufjan Stevens or Ryuichi, Terry Riley, Frank Ocean, I feel like their music is great, but you love them because you can really hear their suffering, their agony, their pain. They have been given a role to filter not just their own feelings through music, but other people’s suffering and pain, too. I always feel so sad for them. Like, why them? Why do they have to bear that role of witnessing so much hardship and the difficulty of just being alive in this world and then translate it through music? I have endless respect and support for this type of artist. I went back to Japan for the first time since the pandemic and there were changes in my parents’ lives. I had to help my father change his living situation. It’s never easy to prepare them for the next chapter, the next chapter, the next chapter, and then you die. Yet I’m so grateful for that and to return to Japan and still feel like it’s my home. Sufjan and I share the same birthday, maybe one day apart [Stevens’ is July 1, Makino’s is July 2], so we’ve spent two birthdays together by his place in upstate New York. He made it so special. I was quite shy, and maybe being the same sign is why he’s just as shy as me, but I really appreciate his way of carrying himself. He wears super colorful clothes, he’s super different, and I love the way he’s not shy of being shy, like he just kind of stares at you and then doesn’t say anything. Everything about him hits close to my heart. He was obsessed with the fireworks then, almost like a child, and even though we didn’t talk much, I felt so much tenderness, intimacy, and warmth from him and his partner. Now I think about Sufjan and his surroundings quite often. His music has been helping me quite a bit: Carrie & Lowell, Call Me By Your Name, his recent piano work that sounds massive. I listen to him in the middle of nowhere in Japan, trying to clean up my parents’ shit. I’m amazed by his responsibility when dealing with very difficult stuff. He’s the type of person who flies quite close to the sun. I hope he’s doing alright, I hope he’s happy, and I hope he’s gonna manage. Because some people just have a very difficult role to feel things so intensely, and that’s not easy. It’s a big ask—even of someone phenomenal like him. - Kazu Makino (Blonde Redhead) on Sufjan
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Sufjan published 10 of the essays included in the vinyl of the Javelin album to An Other Magazine in preparation for the album release. They're gorgeous and heart breaking. Here they are in photo form, via Asthmatic Kitty Records to An Other Magazine.
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Here’s the new single from my album Javelin, “A Running Start.”
More info here.
THANK YOU. I love you. Peace to you.
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i wanna hurry home to you put on a slow dumb show for you & crack you up so you can put a blue ribbon on my brain god im very very frightened ill overdo it you know i dreamed about you for twenty-nine years before i saw you you know i dreamed about you i missed you for twenty-nine years you know i dreamed about you for twenty-nine years before i saw you you know i dreamed about you i missed you for twenty-nine years
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The Pond House in East Meredith, New York.
Photographs by @pbcrosby More photos on @cabinporn.
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The National in the Eucalyptus music video
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Matt Berninger for PORT by Arianna Lago
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I get myself twisted in threads To meet you at The Alcott...
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