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When you’re trying to do something for Cherry Blossom for @bokuakaweek and that Beyoncé insp hits you…

Day 1 | Day 2 | Day 3 (v.1) | Day 3 (v.2) | Day 4 | Day 5 (nsfw) | Day 6 | Day 7

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낙서 조오금

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소녀는 그렇게 어른이 되어가고.

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How to do “extra” facial expressions!

Drawing basic facial expressions is not the hardest. Most people can draw a sad face, a happy face, angry etc., but making more multidimensional expressions is more of a challenge. I have gotten a lot of compliments on how I draw facial expressions, (specifically “angsty ones”) telling me that they are very dramatic and well… expressive! And there are actually only a few things I think about when I draw faces that take them to the next level, so I thought i’d illustrate them all here!

SUPER IMPORTANT TIP BEFORE WE START: Look at your own face when you draw faces. Even making the face when you are drawing (you don’t even have to look at it), will give you some sense of how the face muscles pull and where things fold and stretch, because you can feel it. You are the best reference when it comes to facial expressions!

Angles 

Draw the head in an angle that matches the expressions you want to make. It is not a requirement, but is going to add to the effect.

Symmetry vs asymmetry 

A face is rarely symmetric. Unless the face the character is making is 100 % relaxed or even dissociating, the eyebrows, mouth and facial muscles will have different placements of their respective side. This image shows the dramatic impact asymmetry has on a face: 

That’s the difference between a smile and a smirk!

The first one’s like “oh yeah?” and the second is like “oH YEAH??”

The “balloon squishing principle”

This is something I did subconsciously, and I didn’t know about until I made this tutorial. And this principle goes hand in hand with an asymmetric face. Basically, if you squish one part of the face, you need to even out the empty space by “inflating” the other part of the face so that it doesn’t appear shrunken. The picture hopefully explains it:

Teeth 

Don’t forget to add the gum when the mouth is open to its full potential!

Squinting and folding

Adding folds around the eyes when a character is squinting makes a HUGE difference. It makes a smile more genuine and a growl more intimidating. Adding folds to the face in general makes your characters more lifelike and ‘visually relatable’. Like, they look human, and less plastic or fake.

and so on..

Pupils and irises 

The placement of the iris and pupil in relation to the eyelids is very important! The less of the white you see, the more relaxed the character is. 

And then of course eyebrows and eyes go hand in hand!

Gestures, spitting, sweating… 

Adding more elements than just a face is key to making the character actually look like they are feeling what you want them to feel. Just the tiniest sweat drop adds to their anxiety, spitting adds frustration to their rage, slouching shoulders, waving hands, a double chin, extreme angles, the list goes on! Add whatever and see what kind of impact it makes! Does it do the trick? Great! Add it! 

Over exaggeration!! 

Remember that you can almost always exaggerate more. Don’t be afraid to do draw “too much” because you’re just experimenting. See what works and what doesn’t. What do you like to exaggerate?

Now that you know some theory, it’s time to practice!

Practicing!! 

The 25 Essential Expressions (a classic! I’ve done it multiple times)

And the one I do when I’m bored:

Fill a page with circles and fill them in with different expressions. Try and exaggerate as much as you can! 

This is mostly for experimenting. They are quicker to draw than complete faces, but the same rules should apply!

And that’s about it!

I don’t know if I covered everything in this tutorial, since some things might be obvious for me, and this post perhaps only scratches the surface. So feel free to send me a message if you want an explanation about something more in depth! Thank you for reading! And now DRAW!!! ✨🎨

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와 너무 귀엽자나....어쩌자고....

Mudad week Day 3: AU.  There you go, Flower shop AU. I’m pretty busy atm so it’s all I’ll be able to manage this week. 

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보고싶다.

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2017!

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늘었다

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성동공고 프로필 [학교 생활 기록부] "으아-! 공부하기 싫다!" 놈이 기지개를 크게 피며 소리쳤다. 이내 하품을 쩍 한 남자가 당신을 보곤 씨익, 미소지었다. 이름 : 시오마츠 겐야 나이 : 17 성별 : 남자 키/몸무게 : 183/67 계열 : 자연계열(이과) 외관 : 전체적으로 덩치가 크다. 먹색-회색 계열의 머리카락을 가지고 있다. 나머지는 사진참고. 성격 : 평범한 -대체로 장난을 좋아하고, 공부를 싫어하는 활기차고 평범한 남고생 으로 보인다. 계산적 - 무엇이든 계산하고 행동한다. 본인의 이익이 있지 않으면 딱히 나서지 않는 타입. 이중적 -활기차고 친구가 많은 겉모습과는 달리 속으론 경쟁의식이 심각하게 강해서 친구들은 모두 경쟁상대, 적으로 생각한다. 이 때문에 교실에서는 공부도 안하고 자거나 장난만 치지만, 기숙사에 돌아가면 밤새서 공부를 한다. 냉정한 -특정부분, 특히 공부나 학업 관련된 부분에서 냉정하다. 이 뿐 아니라 타인이 고통받는 상황에서도 냉정할 때가 많다. 특징 : 말버릇 -공부가 싫다. 공부왜하냐. 공부는 하는게 아니다.라는 말을 유독 반복하고, 강조해서 말하는 습관이 있다. 열등감 -경쟁의식이 심해서인진 몰라도 열등감이 강하다. 이 때문에 공부를 목숨보다 중요하게 생각한다고. 진로희망 : 딱히없지만 고르라면 물리학자 동아리 : 과학부 선관 : 사사야키 후유 -룸메이트. 사촌이기에 어렸을때부터 같이자라긴 했지만 그의 성격을 딱딱하고 원칙주의자 라고 생각해 좋아하진 않는다. 관계지향 : (SL,NL,BL,GL,ALL) ------------------------------------ 오너 : ㅍㅇㅍㅇㄱㅍㅇ 나이 : 빠른01

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【夜莺军团9人】Shingeki no kyojin “No Name” 威風堂々【 踊ってみた】  

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Time to get festive ;))

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감정은 다양할수록 좋다. 어느 한 감정에 치우치는 것은 그것이 부정적이든,긍정적이든 바람직하지 못하다. 적당히.서로 양보해가며,균형을 이뤄가며. 희노애락. 이 네가지가 조화를 이루어야 건강한 정신이 된다. 나는 지쳤다. 지치고 피곤하다. 이제부터 노와 애,락을 찾아 기나긴 여행을 떠나고, 내 스스로를 돌아보려 한다. 응. 안녕.

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초보지만 연습해야지.

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by littlethunder http://ift.tt/1Wi2p8B

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수업시간에 죠스케낙서