fangirllair

[fangirllair]

Words to Use Instead Of...

Beautiful

stunning

gorgeous

breath-taking

lovely

jaw-dropping

pretty

glowing

dazzling

exquisite

angelic

radiant

ravishing

excellent

ideal

sightly

wonderful

elegant

bewitching

captivating

mesmerizing

enthralling

magnetic

impressive

tasteful

charming

desirable

enchanting

Interesting

stricking

unusual

appealing

absorbing

srresting

gripping

riveting

alluring

amusing

exceptional

fascinating

impressive

provocative

prepossessing

exotic

readable

refreshing

entrancing

exceptional

Good

honest

upright

dutiful

enthical

pure

guiltless

lily-white

reputable

righteous

tractable

obedient

incorrupt

respectable

honorable

inculpable

irreprehensible

praiseworthy

well-behaved

uncorrupted

irreproachable

Awesome

wondrous

amazing

out-of-this-world

phenomenal

remarkable

stunning

fascinating

astounding

awe-inspiring

extraordinary

impressive

incredible

mind-blowing

mind-boggling

miraculous

stupendous

Cute

endeaing

adorable

lovable

sweet

lovely

appealing

engaging

delightful

darling charming

enchanting

attractive

bonny

cutesy

adorbs

dear

twee

Shy

modest

sel-effacing

sheepish

timid

way

reserved

unassured

skittish

chary

coy

hesitant

humble

introverted

unsocial

bashful

awkward

apprehensive

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[fangirllair]

How's your arm?

Hurts.

[fangirllair]

What No one Tells You about Writing Fantasy, #2!

I did this list about 7 annoyances about fantasy, but I write in this genre for a reason! Fantasy knows no bounds, it can encompass all other genres within it. You can write a fantastical murder mystery, fantasy horror, fantasy romance, political drama, slice-of-life, comedy, whatever you’d like!

Whether it’s urban or high fantasy, supernatural or scientific, here’s seven great benefits of writing in this genre:

1. No modern means of communication

Unless you’re writing a world with phones or phone-adjacent devices. Phones and instant communication seriously inhibits the plausibility of dramatic irony and tension when you have to keep coming up with reasons to keep your characters from calling or texting each other everything they know. It’s exhausting, I tell you, and such a relief when phones aren’t a factor.

With that said, without phones, you have complete freedom to design your own magical channels of supernatural FaceTime, as weird and zany as you want. But without instant connections? Your character who knew too much can’t pass on the intel before they die. Your hero team can’t call for backup in their darkest hour. Otherwise easily preventable tragedies and deadly miscommunications are now very real.

2. The Monster Allegory

Fantasy and sci-fi tend to overlap more than they’re set apart, and in that overlap sits the monster allegory. Everything from werewolves to vampires to witches, reapers, demons, angels, goblins, trolls, wraiths, fairies, mermaids, ghosts, to Eldritch horrors and your classic Hollywood cast of mummies, creatures from the black lagoon, and Frankenstein.

Most of the time, the monsters aren’t just monsters, they represent a monstrous aspect of society the author wants to challenge and caricaturize in a fun and entertaining way. Or, the monsters are the good guys and the humans are the real terrors. Or, you’ve got two kinds of monsters to allegory two human sides. Sometimes they represent metaphorical demons, like vampires often representing addiction and werewolves repressed identities.

What all of this boils down to is the hyperbolic nature of science fantasy that allows you to go over-the-top with your metaphor and allegory in a way that a book grounded in reality just can’t.

3. Magic Systems!

Do you love world building? Do you love filling pages upon pages with your cool and unique set of superpowers you want your characters to have? Do you dream about your fight scenes and dramatic slow-mo shots?

Then Fantasy is for you!

There are zero limits to how you want to define your magic system. You can go classic with the familiar archetypes of elemental magic, wizards, sorcerers, and witches. Or you can step off the beaten path and design a whole new funky system of power sets. Best part? Your readers will have an awesome time imagining themselves with those powers, and debating endlessly about how it works.

4. Real-World Politics, who?

Amazon’s Rings of Power was twice-doomed when they only got the rights to adapt the appendices of The Silmarillion and when they decided to inject current political problems into a timeless story written purposefully to be divorced from those politics. You *can* write about human politics, but in fantasy, you don’t have to. You *can* interpret Lord of the Rings to be an allegory about the World Wars, but no matter how hard you argue, it wasn’t written with that intent.

Which means: Even if your story is set in the reality-adjacent fantasy version of 1543, you are free from the following: Racism, homophobia, sexism, religious bigotry, mental health bigotry, gender norms, anti-feminism, toxic masculinity, and more. “But that’s how it was-”

Nope. This is fantasy. You built this world, you decided to keep in the discrimination. Or… You can fill your fantasy world with a rainbow of gays, POCs in power, women in power, men unafraid to be compassionate and caring, a religion that doesn’t foster hate and division, the list goes on. You. Are. Free.

5. Nothing is too “unrealistic”

Both that you will always have people whining about how X would never happen so write the book you want to read, but also because fantasy is fake. Fairies aren’t real. Mermaids aren’t real. There are no rules for how they must be written and that’s how we have so much variety with so much room for interpretation by so many creators. Twilight made how much money writing about vampires that sparkle like diamonds in sunlight and crack like marble?

This is fantasy, it’s supposed to be unrealistic. Yes, your plot should make sense, but don’t be afraid to get weird. Write at least some of your story dependant on those fantasy elements. Write a story that can’t just be told in the real world minus the spectacle. Don’t be afraid to be sincerely fantastical and weird. People love weird. People love loving weird.

6. You are in complete control

But you do still need to research, unfortunately. Unless this is urban fantasy that depends at least a little on the human world, yours is completely your own to govern like a god tweezing weeds from their garden. You get to design your own geography and weather patterns and seasons. Your own countries and kingdoms and politicians. Your epic pre-canon fantasy war and the stakes that it was fought over. Your species, races, and ethnicities.

It’s a shame that a movie like Avatar (2009) set out to be this wholly unique take on aliens with music completely divorced from earthly bonds, new languages and a visually and culturally distinct alien species… and ended up a largely generic blue Pocahontas in space. It forgot that it was fantasy and didn’t go weird enough. They have horses, monkeys, wolves, rhinos, and deer just re-skinned with some extra limbs and colors. It’s pretty but it’s so, so shallow.

It could have become a cult classic like many a positively *weird* 80s off-beat fantasies, and now it just… exists. It makes a whole lot of money but its impact on the cultural zeitgeist is negligible. I’m the only person I know that can name every major character in the movie, and I’m no Avatar obsessor. They had complete creative control, and this is what they did with it. Don’t be Avatar. Take your creative freedom and run.

7. Even if it has been done before, do it again

You can say this about any genre, particularly romance, but fantasy and sci-fi, by the gatekeep-y nature of their fans, can be a lot less forgiving when it comes to claims of “unoriginality”. No one hates Star Wars more than Star Wars fans. Fans of these genres can get… concerningly attached to their favorite stories (mostly because the people who like them had only their fictional heroes to protect them from very real bullies).

But Game of Thrones exists because the author likes Lord of the Rings and went “yes, but what if it was an R-rated parade of misery?” Dungeons and Dragons exists because people wanted to roleplay in an LotR-esque world. Legolas and Gimli single-handedly defined what a badass elf and dwarf looks like in high fantasy. And people still gobble up media ripping shamelessly, or even good-naturedly, from this one story.

So on my other list, I argued that the sum of your parts is still original, even if the components aren’t. On this list, I implore you this: It’s not stealing or appropriating to write another Legolas if you love Legolas. Everyone loves Legolas. How many generic buff action heroes do we have and love? How many Hallmark romances tread the same predictable path? Who gives a damn if it’s unoriginal? Just make it entertaining and have something fresh to say in the end (or don’t, that’s fine too), and people will read it.

And when people say “Oh, you mean like Legolas”, take it as a compliment, not an insult. Yes, exactly like Legolas. Here’s my new elf because I adore this other book, now watch him go on a new adventure that I wrote for him.

[fangirllair]

Can you please share some words to use instead of "Look", I really struggle with that, it's always "She looked at him in shock" or "He looked at her with a smile". I know there's "Gazed" and "Glanced" but I wanted some advice to use "Look" less

Words To Use Instead of "Look"

Words Closest in Meaning (w diff connotations!):

stare

eye

study

behold

glimpse

peek

glance

notice

observe

inspect

regarding

view

review

look-see

get an eyeful

peer

give the eye

eyeball

size up

size up

check out

examine

contemplate

scan

recognize

sweep

once-over

judge

watch

glare

consider

spot

scrunitize

gaze

gander

ogle

yawp

Other (more fancy) words:

glimmer

sntach

zero in

take stock of

poke into

mope

glaze

grope

rummage

frisk

probe

rivet

distinguish

witness

explore

gloat

scowl

have a gander

comb

detect

surveillance

squint

keeping watch

rubberneck

pout

bore

slant

ignore

audit

pipe

search

note

speculation

simper

[fangirllair]

"That thing you said, about being a leader," Clarke breaks our silence, "It made me think of the time we'd just met. Of the you, back then, and your beliefs. How you tried to live by them. Even tried to teach me the same." "You were so terribly stubborn!" Despite recalling my constant frustration with her, a soft chuckle falls of my lips. "Yet you liked me," she reminds me. The raillery in her voice is hard to miss. "No, I didn't," I tease right back, "I just thought you were hot." The next moment I'm on my back, taken by surprise by Clarke's quick attack. As she pins me down, her eyes lock mine. "Liar!" More laughter escapes me. "What, you were! You were brave, and determined, and smart - despite never agreeing with me. You challenged me, which was annoying as hell... but so damn hot." Clarke, however, is not that easily fooled. "You liked me," she simply says again. As she keeps a firm hold on me, we both refuse to break eye contact. Seconds go by. Six. Seven. Eight... Until I finally give in. "I liked you," I admit, grinning. "I didn't want to. You confused me, unbalanced me. The way you saw me, for real... it scared me. But yes, silly me, I liked you." (x)

[fangirllair]

Let's talk about fight scenes.

Writing fight scenes requires a delicate balance of action, emotion, and detail to keep readers engaged and immersed in the moment.

Here are some tips to craft compelling fight scenes:

Know your characters: Understand their fighting styles, strengths, and weaknesses—are they offensive, or defensive? Spontaneous, or strategic? Trigger-happy, or reluctant? Their personalities and motivations will influence their actions and decisions during the fight.

Create tension: Build tension leading up to the fight to increase the stakes and make the action more gripping. Foreshadowing, verbal sparring, or physical intimidation can all contribute to a sense of anticipation.

Use sensory details: Engage the reader's senses by describing the sights, sounds, smells, and physical sensations of the fight. This helps to create a vivid and immersive experience—but make sure not to overdo it. Too much detail can distract from the adrenaline of the fight.

Maintain clarity: Ensure that the action is easy to follow by using clear and concise language. Avoid overly complicated sentences or excessive description that could confuse readers.

Focus on emotions: Show the emotional impact of the fight on your characters. Describe their fear, anger, determination, or adrenaline rush to make the scene more compelling and relatable.

Include strategic elements: Incorporate tactics, strategy, and improvisation into the fight to make it more dynamic and realistic. Think about how your characters use their surroundings, weapons, or special abilities to gain an advantage.

Balance dialogue and action: Intersperse dialogue with action to break up the fight scene and provide insight into the characters' thoughts and intentions. Dialogue can also reveal or support the characters' personalities and motivations.

Keep it concise: While it's important to provide enough detail to immerse readers in the action, avoid unnecessary padding or overly long fight scenes. Keep the pacing brisk to maintain momentum and keep readers hooked.

Show the consequences: Illustrate the aftermath of the fight, including injuries, emotional trauma, or changes in relationships between characters. This adds depth to the scene and helps to drive the story forward.

Hope this helped ❤

[fangirllair]

Been writing DTTW! Little snippet…

//

“I knew you were working together, but not…this.” Her expression is inscrutable as she shifts her gaze between the two of them standing there, breathless and disheveled. A cool corner of Echo’s lips tips up sardonically. “Don’t know what’s more of a shock. Alexandria Woodward and her girlfriend fucking nasty in the bathroom during a children’s charity gala, or the Commander crying after Wanheda makes her come.”

Echo cries out in pain when she’s suddenly slammed back against the tiled wall. Lexa glares, jaw set, hands fisted at her sides. Echo’s eyes bulge, body trembling as she tries and fails to break free of Lexa’s hold on her. Clarke suspects she’s doing it via blood manipulation rather than basic psychokinesis, because Echo looks like she’s in the worst pain of her life, choking, strangled screams trying to shred their way through her throat.

It’s kinda hot.

Sighing out a hum, Clarke slips a finger into her mouth one at a time, absently sucking them clean as she approaches Echo.

“I wasn’t crying,” Lexa says resentfully.

“Hush,” Clarke ignores Lexa’s outrage as she walks up to Echo instead, tilting her head as she looks into those eyes— Echo is the one crying now, tears leaking out, the pain getting to her even despite the rage frozen in her face. “You fucked me before the Commander ever did. Didn’t you?” She pops a clean finger out of her mouth, and trails her fingertip along the side of Echo’s face, tracing the line of her jawbone. More tears stream when Clarke grasps Echo by the face, tightly enough her cheeks hollow in. “You set me up. You and that dickhead out there.” Clarke jerked her chin toward the door. “You sent us to kill each other. Backfired, didn’t it?” Those glossy eyes just hold Clarke’s, fixed with rage and pain. Clarke doesn’t turn as she says, “Let her go, Lexa. I want to hear her beg first.”

Lexa does so, and the effect is immediate. Echo starts to cry out as her body relaxes; Clarke clamps a hand over her mouth to silence her. After a moment, she draws back.

“I had no choice,” Echo says hoarsely, glaring mutinously at Lexa, then Clarke. “If you can keep it in your pants for a minute…I’ll explain everything.”

[fangirllair]

and they did in so many traumatic events….

the 100 having both the most atrocious case of bury your gays trope in tv history and the biggest case of straightbaiting in tv history is so funny like they really said no-one is gonna win this you're all gonna lose

[fangirllair]

psychologists say if you recognize this photo you’ve been traumatized

[fangirllair]

freedom is just another word for nothin' left to lose

[fangirllair]

It's 2024 and Clarke and Lexa still own my entire fucking heart.

[fangirllair]

I wish someone had warned me…🥲

[fangirllair]

s02e11, “coup de grace” / s03e01, “wanheda, part one” / s02e16, “blood must have blood, part two” / s03e17, “thirteen” / s05e03, “the children of gabriel” / s01e01, “pilot” / s04e11, “the other side” + taylor swift, “anti-hero”

[fangirllair]

In peace may you leave this shore.

In love may you find the next.

Safe passage on your travels until our final journey to the ground.

May we meet again.

[fangirllair]

if you write a strong character, let them fail.

if you write a selfless hero, let them get mad at people.

if you write a cold-hearted villain, make them cry.

if you write a brokenhearted victim, let them smile again.

if you write a bold leader, make them seek guidance.

if you write a confident genius, make them be wrong, or get stumped once in a while.

if you write a fighter or a warrior, let them lose a battle, but let them win the war.

if you write a character who loses everything, let them find something.

if you write a reluctant hero, give them a reason to fight.

credit:@aj-eddy

[fangirllair]

show, don't tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions

[fangirllair]

Some of My Favorite Ways to Describe a Character Who’s Sick

pressing their forehead into something cool or comfortable (this could be an array of things. the table, the floor, someones leather jacket, their water bottle, the countertop)

warm to the touch, or heat radiating from them (could be noticed if someone’s gauging their temperature with their hands, hugging them, or just generally touching them)

leaning into people’s touch, or just spontaneously leaning on them (like pressing into their hand when someone’s checking their temp, or just, like, literally walking up and laying their head on them from fatigue. bonus points if the character is usually feral and the other is scared to engage™︎)

falling asleep all over the place (at the dinner table, on their homework, in the car, in the bathroom — just being so exhausted from doing literally nothing)

being overly emotional (crying over things that don’t usually bother them, like their siblings arguing, or their homework, or literally just nothing)

stumbling/careening/staggering into things (the wall, furniture, other people. there is no coordination in feverish brains. running into chairs, hitting the door, falling over the couch, anything and everything)

slurring their words (could be from fatigue or pain. connecting words that shouldn’t be connected, murdering all of their conversations with the excessive use of ‘mm’ and ‘nn’ in place of words) (this is my favorite thing ever)

being overly touchy (basically like a sick kid — just hold them, please. do that thing where you brush their hair back out of their face, or rub circles on their back, or snuggle them. they won’t care. bonus points if this is also the feral character and they refuse to believe it afterwards)

being extremely resistant to touch (flinching away when they usually don’t so someone can’t feel the fever, not letting themselves be touched because they’re so tired they just know they’ll be putty in their hands if they do)

growing aggressive or being extremely rude (it’s a defense mechanism — they feel vulnerable and are afraid of being manipulated or deceived while they’re ill)

whimpering/whining/groaning (this was in my “characters in pain” post but it’s so good that i’m putting it here too. this shite is gold, especially if it’s just an involuntary reaction to their symptoms)

having nightmares caused by a fever and/or delirium (crying and murmuring in their sleep, or being awake but completely out of it and convinced they’re somewhere else)

making themselves as small as possible (curling up into a ball everywhere they lay, hunching over slightly when standing, wrapping their arms around themselves)

TW for vomiting below cut !!

sleeping in the bathroom floor because they keep getting sick over and over (bonus if someone finds them all weak and pitiful. bonus bonus if they find them there in the morning only to learn they’ve been there all night)

using their hands/other body parts to clamp over their mouth so nothing can come out (like pulling their knees up to their chest and using that, or like, their arm, y’know) (~maccreadysbaby who has emetophobia suddenly gets very awkward about this post~) (~yes i have a phobia of puke and still write this happening to my characters, shut up~) (~it’s about the hurt/comfort okay~)

sympathy pukers (people who aren’t the sick ones but get nauseous/vomit when they see someone else throw up) (~aka me~) (~okay I’m done now~)

dry heaving (it’s gross, but good for making your characters absolutely freaking miserable)

rolling/churning/spinning/cramping/ lurching and all those awesome words that describe what stomachs do when sick (i hate these words with a deep, fiery passion. but they’re good for writing or whatever)