fashioninternproblems

[fashioninternproblems]

500+ Fashion WhatsApp Group links list

Hello friends, Welcome to my blog. Her in this post you are going to find some of the fashion-related WhatsApp group links. all these groups are public WhatsApp group from all over the world and anyone can join these groups without any permission. all you have to do is simply click on any of the below lists of fashion WhatsApp group links and it will redirect you to your WhatsApp messenger.

Select the option called join group and you will be inside that WhatsApp group. Before you join any of these group make sure you strictly follow the rules of the groups which are mentioned below.

ALSO CHECK: Italian firms reaffirm their DNA

Fashion WhatsApp Group Rules

Give respect and take respect

Do not personally message any of the group members without there permission

Stay active in the group for latest update about fashion

No sharing of any kind of adult content in the group

If you feel you have any problem with the group members then do contact the group admin

For more rules of the group please contact the admin of that group.

Fashion WhatsApp Group links list

Chating group: https://chat.whatsapp.com/invite/KxW1bMYlzcDCaerjTnsBiJ

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lslamic Group: https://chat.whatsapp.com/invite/D7KIMRNMimfECXmEAN3Ghy

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Conclusion:

We hope that you have successfully joined these whatsapp group links withour facing any problem. if you are facing any then do let us know about it. you can also share your whatsapp groups with us so that we will add them to this list. feel free to share this fashion whatsapp group links posts with your friends & family members.

[fashioninternproblems]

Italian firms reaffirm their DNA

Milan starts with Prada and ends with Gucci . The Italian fashion camera has decided to change the usual calendar to open and close with the two heavyweights of this biannual appointment. This ensures that publishers and buyers remain in the city all week and attend parades and presentations of less influential brands. And, for now, it is precisely the idea of ​​influence that plans on these first two days of parades.

On Wednesday, Miuccia Prada presented a collection with which he revisited some of those milestones that made the Milanese firm the great prescriber in matters of style: knitted, armed jackets, buttoned necks, unfinished garments, elements that, in the change of century, defined the woman of Prada as a woman of complex and eclectic aesthetics, regardless of fashions and trends. Now that the Milanese firm is not going through its best moment - sales have fallen and you show how Balenciaga or Gucci herself monopolize media attention - Miuccia appeals to her classics to strengthen her identity. It may not have been the best collection of the house, but it has been an exercise in reaffirmation: now that maximalism, pyrotechnics and crazy styles set the tone on the catwalks, Prada takes a step back and changes the waste by rigor.

N. 21, however, has done the opposite. Instead of shaping his identity, he has been carried away by the influence of third parties. The Alessandro del Acqua brand almost always offers volume games in its collections. This time, the designer has preferred to bet on fluid dresses, floral prints and deconstructed tailor suits, three very recurring elements in the current catwalks, but that together in the same collection turn the proposal into something diffuse. Today, you can no longer talk about functional and / or commercial collections because anything, strange as it may be, can become a sales success, or you mold a recognizable and consistent style or you run the risk of diluting yourself against the competition.

Although, without a doubt, the one that had it most difficult these days has been Silvia Venturini. The designer was facing her first collection in Fendi without Karl Lagerfeld . And he has passed the test exceedingly. With the image of a rising sun at the bottom of the catwalk - metaphor of a new stage - the brand has opened its next chapter without falling easy, that is, without being carried away by the legacy of the German creator. Venturini has designed garments inspired by the refined bohemian of the seventies, pieces in which you can appreciate the artisan mastery, DNA of the house, but whose aesthetics are very much in tune with the present: mixture of different textures, from gauze to plastic through silk and, of course, by skin; silhouettes that go from fluid to rigid and very functional accessories. Fendi has rejuvenated a few decades. If a few years ago his aesthetic evoked classicism and tradition, today he plays with comfort and irreverence.

But if it is about influences and identities, the first two days of the Milan Fashion Week welcomed two of the best examples of this: the first, Armani, capable of doing things his way for 40 years. Emporio Armani's extensive parade was just that, a break in the search for short-term trends and developments. The Milanese designer has never hidden that his thing is to make comfortable and easy-going pieces. This time, and using a color palette essentially in pastel shades, from dusty pink to sky blue, he has done what he does best: tailor jackets in a thousand and one styles, two-piece suits in all lengths and textures and sophisticated blouses . It may not bring anything new, but it is not necessary because Armani is proof that if something works, it should not be touched.

The second year around identity starred MM6, the affordable line of Maison Margiela. If in the first line John Galliano tries to endorse the legacy of the brand, in this, created by a design team, its founder, the mythical (and anonymous) Martín Margiela is appealed. Or at least, they try. On Wednesday they decided to occupy a dilapidated industrial warehouse to exhibit a collection that plays, among other elements, with the unfinished wedding dresses of punk aesthetics. In short, they tried to recreate the recipe that made the firm of Belgian origin famous a few decades ago. The question is whether it makes sense. Few of the pieces that could be seen can be put up for sale and, more importantly, trying to resurrect an identity that emerged in a moment, a time and a space that are not those of now does not lead anywhere.