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A stereotypical High School Anime, but the main character is a loud and proud American girl from Texas who moved to Japan with her family.
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seriously i wish people understood that queerbaiting has almost nothing to do with the actual content of a story. two men can gaze soulfully into each other’s eyes for 45 minutes straight and then at the end be like “oh yes my good pal friend no homo” and its still not anything more than homoerotic and kind of stupid writing.
queerbaiting is a marketing technique to get gay people to buy a ticket. it’s hemming and hawing whenever someone asks about subtext, giving long answers that don’t mean anything to sort of imply “maybe you just need to wait and find out. ;)” it’s interviews where the actors talk about how much they love that particular relationship, and they think they will ~surprise~ you with how it turns out. it’s every single trailer showing these two people almost kissing, even as the creators talk about how offended they are that anyone would think it’s gay. it’s disney’s 65th First Gay Character that they sort of imply might actually be a main character this time but is yet another nameless asshole. it’s evil, because it’s completely deliberately misrepresenting the actual media just to make a buck.
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you people are really out there putting skeletons in negligently small enclosures without any enrichment or socialization smh
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I also have not eaten fish soup in my entire life
I have a weird sudden craving for fish soup
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I have a weird sudden craving for fish soup
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Aliens have captured you, and placed you in one of their nature preserves. However, they have sorely miscalculated on two issues: The amount of calories needed to keep a persistence predator sated, and the lethality/brutality of a hangry human.
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Fucking around in AIDungeon be like

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If You’re Gonna Make Something Wheelchair Accessible, Don’t Make it a Thing
Here’s some examples awkward accessibility being a thing:
Your at a hotel that has a lift to get you from one sub-floor to another, but the lift can only be unlocked and operated by one specific person that the hotel now has to go find. Sure, they’ve made the entrance to the sub-floor is accessible, but now it’s a thing.
The buses are wheelchair accessible but the driver has to stop the bus, take 30 seconds to lower the goddamn ramp, move passengers out of their seats, hook up the straps and then secure you in the bus. Sure, they’ve made the busses accessible but now it’s a thing.
The restaurant has an accessible entrance, but it’s past the trash room and through the kitchen. Sure, the restaurant is accessible, but now it’s an insulting thing.
Here’s some great examples of accessibility not being a thing:
The train to the airport pulls up flush with the platform. I board with everyone else and sit wherever the fuck I want. Riding the train is accessible and not a thing.
In Portland, I press a button the side of the streetcar and a ramp automatically extends at the same time the door opens. I board in the same amount of time as everyone else. This is not a thing.
I get that it is difficult to design for wheelchair accessibility, but folks need to start considering the overall quality of the experience versus just thinking about meeting the minimum requirements.
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You are an ancient entity, contracted to defend the village’s sheep from danger. The times move on, and you begin to hibernate. Once more, your services are requested, and you agree that, technically, defeating intergalactic invaders would be protecting sheep.
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Sorry but this is the funniest thing to happen on this website. I’ve been thinking about this for hours. Literally I am sobbing,,, this HAS to be satire. I hate them. I hate this. I hate it here. Omg
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A technician pulls a headset off of you and asks you if you liked the VR. You panic, and he calmly says that your whole life was a 2 minute VR experience to show you what being an average person would be like. You, stunned and afraid, ask, “Who am I, then?” He stares in complete disbelief.
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How To Draw A Horse by Emma Hunsinger in this week’s New Yorker magazine.
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