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This is Absolutely Gorgeous Rare Red Fox Agate.

Photo   Crystal Lion Gems

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Discover NEW POSES! Enjoy 35% OFF my PDF/ZIP Pose Books featuring over 1800 poses using the checkout code SUMMER35 💥

Don’t forget to share this with fellow artists! Let's spread the art love. 🙌

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70s stock photo men

via mashable & classicstock.com

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Alessandro Biffignandi

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FIRST/PUNCH

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🤘🏻🤘🏻🤘🏻🤘🏻

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André Juillard (1948–2024)

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Luigi Critone

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Some road that goes somewhere, Kimmo Ojaniemi

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I made a mini tutorial on how I approach Those Face Angles in my art, for free!

I've got a few more mini tutorials on my patreon if you'd like to support me too :D Patreon Link!

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adorkastock intern, i love you. do you have any poses with dinosaur hands. you know the ones. like "RAWR" hands. please i would sell my soul to you for them

mmmm I don't know but here's a few guesses lol one of these was actually titled 'rawr' soooo :)

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– by @pointdotiozao

You're my shrine and I'm your most faithful devout

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The golden hour, Elsa Bleda

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Richard Williams - "Gothic Beauty" - 2022 Painting - Original art sold by Heritage Art Gallery August 2022

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>> PSD 011

Single 540x500 character template. Fonts used are Cocogoose [link] and Catamaran [link]. Click through for better image quality, etc.

Please like or reblog if you use; do not claim as your own. A credit is appreciated but unnecessary. Have fun!

Like what you see? Buy me a ko-fi!

more PSDs

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How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

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Hope this helps anyone struggling! Now get writing.