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Anti-piracy ad from 2004

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Sympathising with my mother but at the same time

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SO excited for this year. Cannot WAIT

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as a fat person who's always clamoring for more interesting fat characters in media, I honestly think one of my all-time favorite depictions of a fat character is Jumba from the original Lilo and Stitch - both visually and personality wise

from a design perspective, even though he's an alien, he has so many little anatomy quirks that make him a more believable fat character than many fat human designs in other media. I love the realistic sag and layering of the fat on his arms, the lack of neck definition, the rim of chub around his face and upper back, the way his back is rounded. his clothes pull taut and pinch in anatomically accurate places (e.g. shoulders are firmer = smoother outlines, the sides and back are squishier = bumpier outlines).

and he's stylized so well! all these great details boiled down to some simple shapes and pen strokes. IMO the Lilo and Stitch art style is extremely appealing - it's warm and clean and visually pleasing, but every character is super unique. Jumba isn't supposed to be pretty, but even though he's a very large, very fat, bald older guy who spends most of the movie in crop tops, the way he's stylized and staged makes it clear the audience is supposed to find him interesting to look at, and variably intimidating/cool/powerful/capable. he's often funny, but the physical aspect of his comedy is derived from being so hefty the other characters struggle to prevent him from barreling ahead and doing whatever he wants; being fat makes him come off more in control of the funny situations he gets into, not less. also, because the art style is what it is, a lot of his character acting also just makes him look kind of cute ... though that's universal across the cast

I also really like the fact that his size clearly gives him both realistic advantages and realistic disadvantages. along with having a stronger sense of agency in the comedic scenes, his size in combination with his impulsivity also makes him a more intimidating antagonist. you never know what he's going to do, and his size makes it difficult for other characters to stop him when he's made up his mind. at the same time, it seems to take him longer to catch his breath, he sometimes grunts when moving around a lot to imply it takes more effort, and he clearly struggled to find clothes that fit him when putting together his disguise. I think it's awesome that the character's size impacts how he interacts with the world so much, and again, in relatable ways

and personality wise, it is ALWAYS great to see fat characters portrayed as intelligent - not only is Jumba an accomplished scientist, he's also crafty and witty! a few quiet scenes imply a philosophical side, as he ponders on Stitch's existence and feelings as a living weapon. with Stitch explicitly being made in his own image to an extent, I'd argue there's even room to interpret some of the things he says about Stitch being hints to how he sees himself; we never learn much about Jumba's past, but it's clear he's a social misfit and strongly defiant. I don't think it's a stretch to assume some of what he said to Stitch about being a monster who can never belong anywhere was intended to read as projection (which makes it all the more heartwarming when both of them find a place to belong on Earth)

it's also a nice twist that toward the end, Jumba is the one who is unexpectedly compassionate toward Nani, while Pleakley tries to urge him to ignore her. again alluding to a level of emotional depth and intelligence that is often missing from even well-intentioned depictions of fat people. his character isn't even fully explored, and yet he's one of the most dynamic and interesting supporting characters in a movie full of fantastic characters. the audience is expected to find him fascinating and even sort of mysterious, and he is!

the sequels and spinoffs were more merchandise-driven franchise fluff for kids than the artsy direction of the original movie, but even so, I remember Jumba went on to become Lilo's lovable, amoral uncle figure, which I also thought was so fun as a kid. I love that they committed to the fact that he was more caring and compassionate than he seemed. not only was he a cool evil mad scientist character, but he was also eventually ... a friend ...

and he was even gay

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this website is a great source of info about cat genetics, including a gathering of reports and resources on cats in Forbidden Colors

I think harmless mutations that make cool colors and patterns are neat and i want to see where these are going

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I procrastinate so much that I have a gaping hole of dread inside my chest where I think my other emotions are supposed to go. unless a potential employer is reading this, in which case I don’t do that & I have all the normal emotions that human beings have & I love capitalism

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and a shoutout to the two Māori men who travelled to Vienna in 1859, got themselves apprenticed as printers (and incidentally became accomplished ballroom dancers), and finally had an audience with Franz Josef where they charmed him so much that he sent a printing press to New Zealand….which was promptly used from 1861 to print the newspaper of the Kingitanga anti-colonial movement.

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observation: among a certain subset of tumblr users, the term “blorbo” has become unchic, but the concept it describes is still important; and so it has been replaced with “The Character”

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some tom cardy out of context because I just think he's neat

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we were talking about the criminalization of homosexuality in class and my professor (who as far as i know isn't in any way queer) said something i quite enjoyed in that. well the exchange was more or less this: a student asked a question (doesn't really matter what exactly just know that i was rolling my eyes So hard internally) and the prof looked at the student and was like (i'm paraphrasing here this conversation was not in english) Do you have any queer friends? and the student went Uhhhh in a manner that made it clear the answer was probably no and the prof said Actually statistically speaking you most likely do. If I had to divide this room into two groups the way to do it would not be "people with queer friends" and "people without queer friends" it would be "people whose queer friends are out to them" and "people whose queer friends aren't". And if you're in the latter category you should consider why that is--if maybe your behavior is indicating to the queer people around you that you're not safe to come out to. to come back to your question if you really want to know about queerness there's a very simple way of doing that: you make yourself a person queer people feel comfortable talking to about their experiences and then you fucking listen to them when they do (the fuck is not paraphrased) (there was a fuck involved) (frankly king shit)

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In one of my film classes last semester we had to tell a story in 3 pictures for a mini assignment so my friend and I did this

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okay now I'm curious and I dunno if this is really such an archaic foreign thing to young people today or if I'm just out of touch

Please reblog, I'd love to see a lot of responses!

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goodnight to crazy people only