floraoleander - Tumblr blog

floraoleander · 18 days ago

Text

I LOVE THE WAY THEY WRITE

company benefits 🗂️ junhui x reader.

you can’t really call wen junhui your ex-boyfriend. it was more of a friends with benefits situation—except you only got ghosted, while he got an internship at your recommendation. people always say to not bite the hand that feeds you; it looks like jun didn’t get the memo.

🗂️ pairing. marketing intern!wen junhui x copywriter!reader. 🗂️ word count. 12k. 🗂️ genre/warnings. smut, romance, humor, pinch of angst. alternate universe: non-idol. mentions of alcohol, food; profanity. semi-public & unprotected sex. ex-situationship, forced proximity, tension... so much tension!!!, contract terms i’m not 100% sure about. soonyoung from eunha’s Be My Tigress? 🗂️ footnotes. this is part of the that’s showbiz, baby! collaboration. eternally grateful to all the writers in the server who motivated me to finish this. above all, indebted to @diamonddaze01, who pitched this collaboration to me over six months ago. what a pleasure to finally write a long fic for jun!!! goin to take a veryyy long nap now. 🎵 recommended listening ⸻ company benefits.

You never dated Wen Junhui.

You made out with him in the backseat of an Uber once. Shared a bowl of tteokbokki at 1:00 a.m. and left a toothbrush at his place. He sent you voice notes saying things like, “I wish you were here,” in that half-awake tone he got when he couldn’t sleep, which was often.

You spent entire weekends tangled on his couch, watching movies you barely remembered because you were too busy tracing the veins on his arm with your pinky. You cried once, in front of him. He didn’t flinch.

You never dated Jun, so when he shows up as one of the interns at your company, it's not like you can call him your ex. You can, however, nearly snap a Pilot G-2 pen in half.

The intern orientation is a thirty-minute slide deck with enough corporate jargon to resurrect a Roman senator. You're sitting near the back, doodling tiny skulls in the margins of your notes, when your manager says, “Let’s all welcome this year’s marketing interns!”

And there he is.

Wen Junhui. Hair longer than you remember. A navy button-down that you’re 90% sure used to be yours. He spots you in the crowd like it’s nothing. Like no time has passed. And then—the male audacity of it all—he smiles.

Your pen creaks, spine bending until the plastic gives a quiet, pitiful snap.

You recommended him. That’s the worst part.

Back when he was unemployed and soft-spoken and yours in a way you never could quite name. You filled out a glowing referral form like an idiot. Said things like creative thinker and natural collaborator when what you meant was: makes me laugh when I don’t want to, makes me feel like I matter.

Now he’s here. Mid-career intern. Probably labeled as non-traditional in the onboarding notes. Definitely labeled as dead to me in your mental CRM.

You corner him in the coffee room after orientation. He’s stirring oat milk into some artisanal nonsense, back to you, as if this isn’t the beginning of your villain arc. “You’ve got some nerve, Junhui,” you declare, properly pissed.

He doesn’t even flinch. Just turns, holding his mug like he’s in a toothpaste commercial. “... I was just getting coffee,” he answers, one perfect eyebrow already arched.

You fold your arms. “What are you doing here?”

“Interning.”

“You’re in your thirties.”

“I’m only twenty-nine, actually.”

“You had a whole job before this.”

“And now I have a new one.”

You resist the urge to glower. “As an intern.”

“Mid-career transition,” he says smoothly. “It’s a thing. There’s a podcast about it.”

You’re aware. You introduced the podcast to him. “Why here?” you bite out.

He sips his coffee, meeting your gaze without hesitation. “It’s the best, isn’t it?” he drawls. “And I always want the best.”

There it is. That infuriating sincerity, tucked behind some metaphor you can’t afford to unpack. That must mean I wasn’t the ‘best,’ then, you nearly snap, considering, you know, you up and left.

You hate that your chest aches. You hate that he still looks at you like you mean something. Like he didn’t disappear. Like he didn’t cut the cord with clean hands and a lazy smile.

You made your bed. Now, you have to lay in it.

–-

This Agreement was entered upon by Wen Junhui [“FORMER SITUATIONSHIP INTERN”] and You [“ABSOLUTE FOOL COMPANY”] and shall remain in effect until either party learns how to stop looking for closure in a coffee room.

–-

You decide to be a professional about it.

Which is to say: you ignore him. Flawlessly. The way an inbox ignores unread emails from old flings or the way a cat ignores physics. With dignity, aloofness, and a very calculated schedule of exits and arrivals.

You walk into Monday morning’s marketing sync with an iced Americano, a bullet-pointed agenda, and an expression that says try me. Jun, mercifully, sits at the far end of the table, between a girl who uses color-coded spreadsheets and a guy whose entire personality is PowerPoint animations. You pretend not to notice when he nods at you. You definitely pretend not to notice that he’s taken to twirling his pen the same way you do.

Soonyoung, the Marketing Director, is wearing a shirt printed with neon tigers. Again.

“Okay, okay,” he claps his hands once, then dramatically slaps a stack of post-it notes down. “Let’s make this week roar!”

The interns balk, but none of the full-timers bat an eye. You’re all used to it. The man once themed an entire quarter around ‘predator energy.’

You run through project updates with the calm precision of someone who did not threaten emotional homicide in the coffee room last Friday. You lead the discussion on the spring campaign revisions, answer questions, deflect unnecessary input, and even sneak in a joke that makes Soonyoung laugh hard enough to drop his whiteboard marker.

The meeting ends. You gather your things. You’re halfway out the door when he catches up to you. “Hey,” Jun says, gently, like he’s trying not to spook a wild animal. “You killed that. You always do.”

You glance at him, expression neutral. "Thanks."

He looks like he wants to say more. Like he wants to be invited to say more. But you walk away, shoes clicking a little faster than necessary.

You still remember the other times he said it. After your first promotion. After you helped him rehearse for a job interview he never got. After a random Wednesday when you had ranted over a headline you couldn’t get right and he said, I wish you could see yourself the way I do.

You don’t want to remember any of it, so you go get coffee with Jihoon.

The head of HR is not known for emotional delicacy. Or any kind of delicacy, really. He wears monochrome like it’s a moral stance and drinks black coffee like it’s a dare. But he’s your friend, and he gets to the point.

“I’m not asking for details,” Jihoon says, stirring his drink with the slow menace of someone thinking about a compliance form. “But I saw the way you looked at the new intern.”

You feign innocence while you still can. “Which one?”

“Don’t insult both of us.”

Short-lived. You sigh. “It’s fine. He’s fine. We’re professionals.”

“Good. Because if I get even a whiff of nepotism, I’m lighting your recommendation form on fire.”

“You’re throwing around the word nepotism pretty lightly.”

“Am I?”

You lean back. “Everything’s professional,” you insist. “I wouldn’t jeopardize my own career over someone who thinks career pivots counts as a personality.”

Jihoon gives you a look. You sip again. Neither of you smiles.

Business as usual.

At least, that’s what you keep telling yourself. Some of it fractures two days later, in the breakroom with the flickering fluorescent light. You’re there for a sad granola bar and a moment of peace. Instead, you walk into chatter. The kind with edges.

Three interns—clipboard girl, PowerPoint boy, and someone new who looks like she does CrossFit for sport—are huddled near the snack station, laughing in that tight, conspiratorial way that means something mean is about to follow.

“I swear, he’s like, ancient,” Clipboard says.

“Wasn’t he in finance before this?” PowerPoint Boy adds. “Kind of sad, right? Like, starting over in your thirties?”

“He’s not in his thirties,” CrossFit interjects. “I checked. He’s twenty-nine. But still. Mid-career intern? Kinda screams washed-up.”

There are no names being thrown out—the slightest practice of discretion. It’s not difficult, though, to nail the topic of their breakroom gossip. The oldest intern in the pool. The one who hasn’t quite meshed with the Gen Z-ers who take OOTD mirror selfies and film TikToks in the bathroom.

You clear your throat. Loudly. The interns freeze, a tableau of bad choices and instant regret. “Funny,” you say dryly. “I thought interns were supposed to observe before speaking.”

Clipboard opens her mouth. Closes it. Tries again. “We didn’t mean—”

“You did,” you interrupt. “But that’s okay. Not everyone gets to be interesting on their own, so I understand the appeal of tearing someone else down.”

PowerPoint looks at the floor. CrossFit suddenly finds the nutritional facts on her trail mix fascinating.

Your words come out with their trademark sharpness, with the type of teeth that has silenced board rooms. “Jun has more experience than most of you. He chose to be here. He got in the same way you did. Maybe keep that in mind next time you’re measuring someone’s worth by your own insecurities.”

Silence. Blessed, blooming silence. You grab your granola bar and turn around.

And then you nearly walk right into Jun.

He’s standing by the doorframe, coffee in hand, eyes wide. You have no idea how long he’s been there. Long enough, judging by the way he looks at you. Not shocked. Not smug. Soft. And a little sad.

He doesn’t say anything. Neither do you.

You nod once. He nods back.

You walk away, heart tapping a rhythm that feels like a memory.

–-

IV. In addition, the Intern will be eligible to participate in bonuses and other employee benefits established by the Company for its employees. The Employer currently offers the following benefits to its employees: momentary witness to your better nature, free of charge.

–-

The assignment happens on a Wednesday. Which already feels unfair. Mid-week emotional warfare is always much more draining than, say, a Monday terror or a last-minute Friday deadline.

You’re sitting in the glass meeting room with a half-dead laptop and a whole-dead espresso shot when Soonyoung bursts in with his usual flair, dragging Jihoon behind him like a reluctant paperweight.

“Alright, team!” Soonyoung announces, sleeves rolled and tie nowhere to be seen. “It’s time to mentor the future!”

Jihoon sets down his folder with the quiet judgment of a man who had no say in this decision. “Intern shadowing,” he says, flat. “Mandatory. Two weeks. No complaints.”

“Like a tiger teaches its cubs,” Soonyoung adds, teeth bared in a wide grin.

Pairings are doled out quickly. Clipboard girl is assigned to someone in data. PowerPoint boy goes to Accounts. CrossFit intern gets Soonyoung himself (“I will break her spirit or befriend her forever,” he declares).

And then—

“Junhui,” Jihoon reads. And then your name.

You don’t flinch. You nod once, hand still moving across your notes. Professional. If the pen’s plastic creaks underneath your grip, that’s between you and whoever invented Faber-Castell ballpoints.

Jun, across the table, shifts. “Is that... final?”

Jihoon frowns. Never a good sign, even if it is his default. “Would you like to dispute the legality of this HR-approved decision?”

“No,” Jun mutters. But he doesn’t look at you.

The meeting ends. People scatter. You’re organizing your things when Jun corners you in the hallway, by the glass copy room that reflects everything you don’t want to see.

“I was trying to give you an out,” Jun says curtly, almost explaining.

You glance up at him. “What?”

“Back there. In the meeting. I was trying to not make things worse.”

“By publicly questioning a department head’s assignment?”

“By not forcing you to work with me when things are clearly… complicated.”

You back out a laugh. “It’s just work, Junhui. Not everything is personal.”

He stares at you, like he’s trying to figure out if you mean it. You mean it. Mostly.

There’s a flicker of something—memory, maybe. The last time you fought, back in the vague non-label limbo of your not-a-relationship. Something about a canceled plan. Or the way he left your texts on read. It spiraled, and somehow you ended up half-yelling and then making out in his kitchen, back against the fridge.

Those arguments never lasted long.

This one already has.

You tuck a pen behind your ear, shoulders squared. “We’ll get the intern materials from Soonyoung this afternoon. I’ll book a conference room.”

“Okay,” Jun says. He still looks like he wants to say something else. Maybe everything else.

You walk past him before he can. The hallway feels colder than usual.

Just like that, the stage is set. You. Him. Two weeks. One shared desk. Zero unresolved tension whatsoever.

The project brief lands the next morning like a meteor.

Marketing strategy for upcoming romantic comedy starring Jeonghan, the email reads. The subject line includes a heart emoji. You click it with a growing sense of dread.

The film’s title? Just Friends.

“Fuck me in the ass,” you mumble underneath your breath, the same way a corporate slave does once or twice a week.

You open the attached pitch deck. The logline reads: Two friends navigate the blurred lines of a no-strings-attached relationship until one of them catches feelings.

You close your laptop. You reopen it thirty seconds later. Professionalism, you remind yourself, is a decision.

By 2 p.m., you and Jun are in a borrowed conference room with Soonyoung, who has inexplicably brought snacks and a whiteboard shaped like a heart. “Okay! Let’s ideate,” Soonyoung says brightly, cracking open a soda. “No bad ideas. No wrong answers. Just vibes.”

“How about a trailer that ends with both characters alone,” you start, “because some things aren’t meant to be mutual.”

Jun’s lips quirk to one side. “A little bleak for a rom-com.”

“Not if it’s honest.”

“Or bitter.”

“Not everything has to be about you.”

Soonyoung pauses mid-sip.

Jun clears his throat of the faux pas. “We could do a digital campaign,” he offers. “Confession booth at the premiere. People record what they never told their almosts.”

You write it on the board. Then, without looking at Jun, you add: “QR codes on limited-edition tissues.”

“You still have those?” Jun asks, his tone a little snide. “Thought you threw them out.”

“I did.”

A beat. The marker you’re holding is probably going to run dry by the end of this hour. Jun’s fingers are tightly clenched over the table edge. Soonyoung is unashamedly looking back and forth between the two of you, as if this is a particularly interesting tennis match between Carlos Alcaranz and Jannik Sinner.

“Maybe a microsite,” Jun says quickly. “Where users can soft-launch their regrets anonymously. Could include heat maps for popular phrases.”

You nod. “We could include copy like Sometimes the fine print on friendship is heartbreak.”

Jun’s next words are spoken under his breath. “Right. Friendship.”

Soonyoung raises his hand like he’s in school. “Sorry,” he squeaks. “Is this a pitch or—an actual breakup in real time?”

“Both,” you say simultaneously with Jun.

Jun clicks his pen. “At least I’m trying.”

“Is that what this is? Trying? Looked more like derailing.”

“Better than deflecting.”

“Better than ghosting.”

Soonyoung reaches for another snack. You turn back to the board. “Let’s bring in Jeonghan for a cheeky teaser. Maybe he narrates bad firsts. First kiss, first fight, first time you find their ex’s number still in their contacts.”

Jun exhales, sharp. “How about the first time they refused to introduce you to their friends?”

“Not as bad as the first time they said someone else’s name during sex.”

Soonyoung coughs, intentional and interrupting. “Wow. Okay,” he exhales. “Let’s take a break, cubs. Hydrate. Process.”

No one moves.

You cap your marker slowly. “I’ll send a write-up.”

Jun’s stiff fingers flex on the table. “Looking forward to your notes.”

–-

V. The Employer also offers the benefit of one (1) shared creative meltdown in the presence of your manager, and unlimited awkward silence thereafter.

–-

Jihoon calls you into his office with the same tone someone might use to summon a guilty terrier who’s chewed through a power cord. You arrive with your laptop and your most composed expression. You know better than to ask what this is about.

He shuts the door. Points to the chair opposite his desk. You sit. Jihoon steeples his fingers. “Soonyoung says the marketing brainstorm was intense.”

“I’d call it thorough,” you say wryly.

“He used the words ‘emotional combat.’ Also ‘trauma-fueled campaign ideation.’”

You exhale through your nose. “We delivered on the brief.”

“Is there something I should know?”

The question hangs. You think about deflecting. About redirecting. But Jihoon’s office is too small for half-truths, and cluttered with evidence of a man who lives off structure and caffeine. You suspect he can smell lies the same way bloodhounds smell fear.

You lean back into the chair and pick out the bullet points. “Jun and I were… sort of a thing. Before. It wasn’t official. But it also wasn’t not.”

Jihoon doesn’t even blink. “Yeah,” he huffs. “I figured.”

Your brow furrows. “Then why ask?”

“I wanted to see if you’d admit it like an adult,” he replies. “You passed. Barely.”

“I’m not going to make this a disciplinary thing,” Jihoon continues, flipping through some papers just to emphasize how above it all he is. “But you have to keep it together. Finish the project. Grin and bear it.”

“I am grinning,” you mutter. “Aggressively.”

“Good. Because this is what happens when you mix personal history with professional decisions.”

You squint at him. “You mean helping a qualified former friend apply for a job and letting HR do its job?”

“See,” Jihoon says, pointing with his pen, “this is why nepotism is bad.”

You groan. “It wasn’t nepotism. We weren’t even dating. He was unemployed. I had a moment of generosity.”

“And now you have a moment of regret,” Jihoon says. “Funny how that works.”

You cross your arms. “I liked it better when you barely spoke to people.”

“Me too,” he replies. Then, almost kindly: “Finish the campaign. Keep it clean.”

You nod. He returns to his laptop without another word. You take that as your dismissal.

As you leave Jihoon’s office, you hear him grumble, just loud enough: “God, I hate romantic comedies.”

You invite Jun for coffee the way some people file restraining orders. Terse. Cold. Legally sound. “After work,” you say, passing his desk without slowing. “Fifteen minutes. Corner place with the green awning.”

Jun, understandably, looks mistrustful. “Is this a trap?”

“Only if you make it one.”

Thirteen minutes later, he shows up. Hair slightly mussed. Shirt rolled at the sleeves like he’s trying to look less guilty. It doesn’t work. You’re seated already, nursing a decaf and a dull headache.

He slides into the chair opposite you. Eyes scanning your face like you’re a riddle he once solved and forgot the answer to. “If it’s not a trap, is it a truce?” he asks outright.

“Not everything has to be war, Jun.”

“You spent half our brainstorm launching missiles.”

“Well,” you say, sipping. “Some of them were paper airplanes.”

He grimaces. “I’m not doing this sober.”

You hate it when he’s right.

The bar you two agree on is dim and semi-functional. Exposed brick. Mismatched stools. The music sounds like it was curated by a heartbroken DJ. Jun orders a peach soju; you get the blueberry one.

“So,” he says around the rim of his soju bottle. “Where should we start?”

“How about,” you exhale, “with your obnoxious sipping habits?”

“My what?”

“The way you slurp. It still gives me the ick.”

Jun’s responding laugh is humorless. The drinks go down quickly. The second round is unnecessary and immediate.

“Remember that fight we had about ice cream?” you ask, after he chewed you out for being emotionally unavailable and unnecessarily anal-retentive about halving bills.

Jun laughs into his glass. “You said anyone who chose mint chocolate chip was self-sabotaging.”

“And you defended it like a personal religion.”

“You called it mouthwash in disguise.”

You shrug. “Still true.”

More drinks. More memory lane. There’s a half that has teeth, that tears through the gripes and frustrations. But there’s also a half that’s almost tender, that provides a montage of why it could have worked once upon a time.

“You kept a spare toothbrush at my place,” he says.

“You gave me a drawer.”

“You never used it.”

“You never asked why.”

Silence. Real, this time. The music changes to something softer. A song you both know. You hate that you both know it.

“I was always trying to be careful,” he says delicately. “Trying not to overstep.”

You stare at your glass. “Yeah. Well.”

In not overstepping, Jun ended up taking no steps at all. Another silence tugs. Longer. It doesn’t bite. Just lingers.

“We were never good at timing,” he says eventually.

“We were never good at talking.”

You expect him to push back on that. He doesn’t. For a moment, you contemplate asking the million won question. Why did you ghost me?

Before you can, though, he’s saying something too sincere for you to ruin. “Thanks for the rec. For the job.”

“Thanks for finally thanking me,” you answer, taking a long enough sip of your soju to ignore the way your heart flutters.

He winces, smiles. “Small steps.”

You nod.

“So, we’re okay?” he asks.

You think about it. The ghosts, the drawer, the campaign brief that cut too close. “Whatever ‘okay’ means,” you say, because you never lied to Jun; you weren’t about to start now.

He raises his glass in a wordless cheer. You clink.

The second brainstorming session is mercifully normal.

You arrive ten minutes early, not because you’re eager but because you’ve started pre-gaming meetings with silence. Jun arrives exactly on time, not a second more, not a second less. He looks at you like he’s bracing for shrapnel. You nod like you’re not holding any.

Soonyoung plops into the seat across from you both, wearing a tiger-print shirt that says FIERCE IDEAS ONLY. You want to make fun of it. You don’t. Growth.

The meeting flows. That’s the only way to describe it. No barbs, no barbed metaphors. Jun pitches clean, clever ideas. You counter with strategy. There’s laughter. There’s alignment. There’s a genuine moment where you look at him and say, “That’s a good one.”

He smiles, appreciative and maybe even a little fond. You have to look away from it. The compliment tastes like a penny on your tongue.

“Hehe,” Soonyoung cackles, eyes flicking between the two of you. “Am I interrupting something?”

“Just your reign of chaos,” you deflect.

“Horang-haaay,” he sighs. “Anyway. Love this direction. Run with it. Make it beautiful. Make it bite.”

You do.

The presentation goes well. Soonyoung beams like a proud zookeeper. Jihoon nods once, which is his version of a standing ovation. The execs approve the romantic comedy campaign with minimal edits. There are even murmurs of early awards submissions. You pretend not to care. You care deeply.

Jun catches you after the meeting, shoulder brushing yours in the hallway. “Hey,” he says. “We made that work. Really work.”

The pride blossoms in your chest, persistent and unwelcoming. “We did.”

“So,” he starts, casual but not, “Want to grab a drink? Just us. Not like before. Or maybe not not like before. Whatever works.”

You hesitate.

If it were anyone else, you probably wouldn’t balk. This offer isn’t a romantic advance. It’s a grabbing-a-drink-with-your-workmate-after-a-job-well-done. Unfortunately, your mind is a slideshow of late texts, half-finished thoughts, and the sound of silence where a goodbye should’ve been.

“I can’t,” you answer. Not unkind. Just honest. You give no explanation, and Jun doesn’t press even though he flinches. Wavers. As if he’s remembering his place.

He nods slowly. “Okay,” he says with faux cheer. “Another time.”

You don’t say yes. You don’t say no. He walks away like it doesn’t sting, and you stay rooted like it does.

To ease the hurt, you take yourself to dinner like a pity party with better lighting. Your comfort place is a hole-in-the-wall Italian spot tucked between a laundromat and a locksmith, which is, frankly, how you know it’s good. The tables wobble slightly, the waitress knows your name, and the carbonara tastes like a hug from someone who never judged you for your bad taste in men.

You order your usual. Set your phone face-down, then pick it up again. Jun’s contact is open.

You don’t remember when you opened it. Your thumb hovers over the keyboard, caught between being impulsive and being pathetic.

You almost start typing. Something like, Hey, my schedule cleared up. Drinks on me? or Were you flirting with me or am I delusional? or I’m at the place where we had our first date. At the very same table we sat at, in fact.

Then the door chimes.

You look up.

Jun walks in. Not alone.

He’s with another intern—the one from finance, maybe? She laughs at something he says as they walk toward the back. He’s relaxed. Rolling his sleeves like he wants to look like effort. He gestures to the menu like this place wasn’t once yours.

You watch, stone-still, as he orders. You catch fragments. “You’ll love the tiramisu.” “This place is a hidden gem.” “No, seriously, the carbonara—life-changing.”

You’re vaguely aware that you’re gripping your fork too tight. You don’t name the feeling. Not jealousy. Definitely not jealousy. Just territorial spite and righteous betrayal with a dash of indigestion.

Your pasta arrives. You pick at it. Every bite feels like chewing a memory that now has someone else’s fingerprints on it. In your head, it’s a litany of fuck you Wen Junhui, fuck you Wen Junhui, fuck you Wen Junhui.

The carbonara is wrong. Too salty. Not al dente enough. And Jun is sitting a couple of seats away, smiling at his date. Blissfully unaware that he’s ruined your comfort food for life. Wrong, wrong, wrong. Fuck you, Wen Junhui.

You flag the check. You tip generously, because if you’re having a terrible night, then the waitress might as well have a good one.

Jun notices you only as you brush past his table. His expression morphs mid-laugh—first surprise, then something else. His companion’s gaze flits to you, recognizing you as a senior at the company.

“Hi!” she says politely.

You give her a tight nod. “Hello.”

Jun rises. “Wait, hey—”

But you’re already pushing past the door. The air outside is cooler than expected. He catches up halfway down the block.

“Hey,” he calls, a little breathless. “I didn’t know you were there.”

“Clearly.”

“It wasn’t a date.”

“Didn’t ask.”

“I wasn’t trying to—”

“Oh, what, colonize my safe spaces?” You stop. Turn to him. “I didn’t realize you gave restaurant tours now. How generous.”

He runs a hand through his hair. Frustrated. “I wasn’t thinking about it like that.”

“You weren’t thinking. That tracks.”

The words hang. Sharp. Petty.

“Don’t be rude to your not-date,” you grit out. “Haven’t you got some life-changing pasta to share?”

You don’t wait for his reply.

You walk off, fast. The kind of walk that dares someone to follow.

He doesn’t.

That, too, tracks.

–-

VI. The Intern is entitled to unlimited paid time off (PTO) for as long as they do not do it at bygone date spots. In light of this, the Employer may claim a lifetime of pettiness.

–-

Soonyoung makes the announcement as if it’s a reality show reveal.

“There might be one or two interns we absorb after the cycle,” he tells the room of department heads, bouncing on the balls of his feet like this is an exciting twist instead of a budget conversation. “Jun’s doing well. Also, that other one—what's her name? Finance intern? The one who has a nice laugh.”

You freeze mid-note taking. He means the girl from the restaurant. The one who knows about the tiramisu. Your stomach coils, and your poor pen jabs into your paper a little too hard.

You make it through the rest of the meeting on autopilot, the kind of dazed professionalism that only corporate trauma can birth. Jihoon gives you a look on the way out. You ignore it.

As expected, you’re assigned to write Jun’s intern evaluation.

It’s a task you’d normally treat like any other. Bullet points. Benchmarks. But the cursor on the blank Google Doc blinks at you like a dare. Because it’s not just about campaign contributions or interpersonal skills. It’s about putting on record what he it, or what he isn’t.

You close the tab. You’ll come back to it. Maybe. After a lobotomy.

Two days later, Jun finds you by the vending machine. “You’re evaluating me?” he says by way of greeting.

You take your time selecting a soda. The machine whirs dramatically. Maybe if you ignore him, he’ll go away.

He proves otherwise. “Soonyoung told me,” Jun presses. “He said you’re writing my assessment.”

You procure your strawberry Fanta with deliberate coolness, fingers already toying with the metal lid. “Do you greet all potential references this way?” you say dryly.

“I just—I figured you wouldn’t be neutral.”

That stops you. You turn, slow. “Excuse me?”

“I mean, after everything. The way we—” He gestures vaguely. “That night. The restaurant. You were pissed.”

You laugh. You can’t help it. God, what did you do in your past life to end up in a situation like this? The last of your patience snaps like a rubber band, and the words spill out of you with a kind of cutthroat that could melt tungsten.

“I gave you a glowing recommendation, Jun,” you snipe. “I said you were sharp and collaborative and vital to the pitch. Which, in case you forgot, you were. I did my job. Maybe try doing yours.”

He gapes. You don’t stop. “You’ve been the unprofessional one here. You keep making things personal. You bring other people to restaurants that aren’t yours to share. You act like I owe you something when I don’t even owe you eye contact.”

Jun opens his mouth. Closes it again. You toss your still-full can in a nearby bin. You don’t have the appetite for anything sweet right now.

“You haven’t changed, Wen Junhui,” you bite out—the last word, huzzah!—before walking off.

It’s not the cleanest exit, but it’s something final. And right now, that’s all you have.

Jun pretends like nothing happened.

You’re not surprised. Denial is practically his native language. He nods at you in meetings, leaves polite spaces between you in the break room. He’s mastered the art of the neutral expression, the kind that suggests nothing has ever gone wrong. That everything is fine.

Then a package arrives at your desk.

No note. Just a brown paper bag tied up with string, like something out of a middle school crush fantasy. Inside, nestled in tissue paper, is a bouquet.

Of ballpens.

Dozens of them, in your preferred brand and ink weight. All black, all clicky. Not one of them chewed, cracked, or snapped in half—yet.

You stare at them like they’re a coded message. Maybe they are.

Jun used to tease you about it. How you went through pens like breath mints. How he’d hear the telltale crack of a barrel and look over to find you sheepish, a half-dismembered pen in hand. Once, he said he was going to buy you a box just to see how long it would take you to kill them all. You laughed and told him that was the most romantic thing he’d ever said.

You use one of the pens in the next meeting. On purpose. Jun notices. You can see it in the flick of his eyes, the way he registers it with a twitch of his mouth that isn’t quite a smile.

After, as people are clearing out, he lingers.

“That one working okay?” he asks.

You click it. Unclick. Click again. “Still alive,” you say. “No casualties yet.”

He nods. You don’t say thank you. He doesn’t say sorry.

All the same, it hangs there, between you. The closest either of you has come to being a decent person.

–-

VII. The Intern will respect all intellectual property of the Company, and in return, the Company will provide necessary tools for productivity—and occasional forgiveness.

–-

The interns are tasked with planning the company party to cap off the end of their rotation. It’s meant to be a fun assignment. Low-stakes. High morale. Naturally, it turns into an emotional landmine.

Jun, for reasons you pretend not to think too deeply about, takes the lead.

He delegates well. Manages expectations. Schedules with military precision. In the end, what catches your attention is the uncanny accuracy of his planning decisions.

The venue is one of your favorites. The playlist includes that one obscure indie-pop band you once had on repeat. The snacks avoid all your known aversions—no olives, no red velvet, no sad carrot sticks masquerading as party food.

You raise an eyebrow when he unveils the plan in the department-wide meeting. He doesn’t look at you directly, but when you glance his way, he winks. Later, when everyone’s clapping for the effort, you wait for him to slide into the seat next to yours. You lean over and mumble, taunt just for him, “Stalker.”

He raises one shoulder in a shrug. “I shadowed you for two weeks. I’m observant.”

The party is in a week, which is probably why you run into him at the grocery store later that night, arms full of sparkling water and overpriced string lights.

You’re already in line, clutching a frozen meal and a bottle of wine that screams dinner-for-one. He falls in behind you, a little breathless, a little smug.

“Fancy seeing you here,” he says.

“Is that rosemary sea salt popcorn?” you ask, peering into his basket. “Wow. Intern budgets have really changed since my day.”

He grins. “Only the best for Carat Company.”

You point at a tub of hummus. “That brand’s terrible. Too tangy.”

“Noted,” he says, and swaps it out for another without fanfare.

You don’t know what makes you say it—maybe the buzz of fluorescent lights, maybe the way he’s stacking paper plates like it’s an art form—but you tilt your head and ask, “Bringing a date?”

Jun doesn’t miss a beat. “Nope.”

“Finance intern not free?”

“She’s got better taste than me,” he says. Then, a little more tentatively: “Position’s still open, if you’re interested.”

You click your tongue. Before you can think better of it, a responding flirtation breaks free. “I could be convinced.”

Jun giggles, quick and honest. He tries to cover it with a cough, but he’s still smiling as he sets down his basket.

The next couple of days unfold with unnerving ease. You tell yourself it’s just the party approaching, just everyone being unusually cooperative for once. But there’s a rhythm to the way you and Jun move around each other now—a familiarity that feels inherited. Like muscle memory. Like relapsing.

You catch him finishing your sentences, anticipating your notes in meetings, handing you the pen you’re about to ask for before the words even leave your mouth. It’s annoying. It’s also disarming.

You’re in the office late one evening, finalizing a last-minute asset for the event. A print layout no one else had the brain cells to catch. Most of the floor’s lights have gone dark, save for your corner, glowing sterile and soft. But Jun’s still there too, cross-legged on the carpet like he lives here, surrounded by poster tubes and tangled cable wires, wielding a stapler with the intensity of a man on the edge.

“You know we have tape, right?” you say, leaning against the copy room door frame, sipping cold coffee that tastes like regret.

He glances up, squints. “Yeah. Tape’s a coward’s tool.”

You snort. It sounds like something he would’ve said back when you were sharing fries and arguments on your living room floor, when evenings blurred into 2a.m. discussions about plot holes in movies and whether hotdog sandwiches were burgers.

“Besides,” he adds, popping a staple in with too much flair, “this is more permanent. It says, I commit.”

You raise an eyebrow. “To the banner?”

“To the bit,” he says, deadpan.

You roll your eyes and go back to your screen, but your grin lingers longer than you want it to.

He offers you a ride home. Says it casually, like it’s a weather update. You accept. Too casually. Like you haven’t already memorized the way his dashboard lights flicker, or how he drives five over the limit.

In his car, it’s too quiet. The AUX cable is broken. His windows fog slightly from the humidity. The air smells like mint gum, vinyl from a new car freshener, and something else—something old. You give him the directions without thinking, because they haven’t changed. Neither has the weight that settles in your chest when he takes each turn with instinctive precision.

Outside your apartment, the silence hovers. “Thanks for the ride,” you say, hand on the door handle, already half-gone. Trying very, very hard not to think about the dozens of other times this ride has happened, and how each of them ended the same way.

He doesn’t answer for a moment. He just watches you, head tilted slightly like he’s solving a puzzle or waiting for permission. You face him, nose scrunching with mild confusion. “What?”

“Nothing,” he says.

And then he kisses you.

It’s not sudden, but it still surprises you. Your body forgets to protest, forgets the smart thing to do, forgets the narrative you’ve been building for weeks about being over this. His mouth is warm, and patient, and frustratingly familiar. The kind of kiss that bypasses logic. The kind that knows too much.

You kiss him back. Automatically. Completely. As if no time has passed. As if the ghosting, the tension, the HR talks and overused pens never happened. Just mouths and memory and momentum.

It isn’t until you break apart—his thumb still barely touching your jaw, breath heavy in the space between—that you hear yourself say, “What are you doing?”

He exhales a laugh, like he’s embarrassed. “Convincing you.” A beat. “Is it working?”

The panic rises in your throat like bile. You’re not sure what you’re about to throw up—regret, probably. But for what? Which part?

You don’t know the answer to that question. And so you peel away from a confused Jun, and you open the car door. The night air rushes in, cool and intrusive. You get out without a word.

He doesn’t follow. Doesn’t call after you. You don’t know what you’d want him to say, anyway. For once, you’re grateful that Wen Junhui has never chased after you when it counts.

The morning after, you walk into the office like nothing happened. Which is to say: you walk in five minutes late with a coffee too hot for your tongue and sunglasses still on because your soul isn’t ready for fluorescent light.

You make yourself a promise. You will not acknowledge the kiss. You will not dwell. You will do what Jun did months ago. You will ghost in broad daylight.

It feels very mature.

Except, unlike Jun, you have to see him at the printer. And at the shared snack drawer. And at the joint team huddle where Soonyoung teaches everybody how to this weird, new hand gesture he picked up on.

Jun keeps looking at you. That too-familiar softness, that edge of disappointment creeping around the corners of his mouth like he expected better from you. You don’t return the look. You don’t even return the stapler he loaned you yesterday. If professionalism is a hill to die on, then consider your gravestone already drafted.

Two days pass. You think you’ve successfully rewritten history until Jun corners you by the vending machine. Again. Before you can half-joke we have got to stop meeting like this, Jun is already snipping at the strings of your defenses.

“Is this revenge?” he asks, low voice, eyes scanning your face.

Your hand hovers over the button for salted almonds. “What?”

“This,” he gestures vaguely at the space between you, which has become somehow both intimate and unbearable. “You pretending like it didn’t happen. Like the kiss didn’t happen.”

You choose the almonds. Not because you want them, but because silence is at least with vending machine clatter.

“You kissed me back,” he says. Almost an accusation.

You shrug. It’s not as nonchalant as you probably want it to be. “People kiss. It’s a thing.”

Jun recoils, and something like white-hot guilt flashes through you. You douse it as Jun huffs out his next words with poorly-concealed offense, “Wow. Is this what being the bigger person looks like now?”

You pocket the almonds. “Well, you always said I was good at taking notes.”

His jaw flexes. Hurt flashes in his eyes before he smooths it over with a tired smile. “Right. Got it.”

You don’t stop him when he walks away. For the both of you, it’s a lesson learned. Turns out, the taste of your own medicine is bitter.

And, sometimes, it comes with a side of overpriced almonds.

–-

VIII. The Employee acknowledges that emotional clarity is not listed among official job responsibilities, and therefore will not be provided under Company policy.

–-

The company party is held at a rented rooftop bar with fairy lights, questionable shrimp cocktails, and cheap beer masquerading as an open bar. Someone’s playlist is stuck on a loop of early 2010s hits, and there’s a half-deflated inflatable swan in the punch bowl. It’s all very on-brand.

There are icebreaker games, a makeshift red carpet, and a cardboard cutout of Soonyoung in a tiger costume posing with the slogan: ROAR FOR Q4! It is, in every way, excessive.

You don a black silk blouse tucked into tailored high-waist trousers, sharp and clean and the only ironed thing in your apartment. Your lipstick is a soft red. Strategic, not romantic. You wear your hair up, simple earrings, and shoes that are just shy of painful. You look like someone who planned not to linger.

Jun shows up in a white button-down with sleeves rolled past his elbows, collar slightly askew like he got halfway ready and forgot to care. There’s a wine-colored blazer slung over one shoulder and, unfairly, it works. He has the ease of someone who didn’t expect to be watched yet somehow is.

You avoid each other all night with the precision of two people still nursing unspoken sentences. You talk to other departments. He lingers around the interns. Jihoon drinks exactly one cocktail, makes direct eye contact with you for three seconds too long, and vanishes like The Judgmental Ghost of Situationship’s Past.

The party buzzes on. There’s a chocolate fountain that no one trusts and a dance floor that Soonyoung won’t leave. There’s a photo booth filled with props from last year’s pirate-themed anniversary campaign. You find yourself laughing at something someone from Legal says, and immediately hate that it reminds you of how Jun used to make you laugh just like that—like you were surprised by it.

It’s going fine. Almost.

Until the awards begin. Soonyoung, of course, is the MC, beaming with chaotic delight. “And now,” he grins, pausing for effect, “for the honorary award for Best Enemies-to-Lovers Plot Unfolding in Real Time…”

You blink. Jun blinks. You both know how this film is going to end, and sure enough, Soonyoung is screeching your name and Jun’s.

There are cheers. Some gasps. Mostly laughter. You rise with the grace of someone preparing for emotional war. Jun’s already on his feet, giving you that look like this is either his worst nightmare or his best bit. Possibly both.

Onstage, you are handed a trophy of a basketball player bought from the dollar store around the corner. You and Jun pose awkwardly for a photo as a chant of Speech! Speech! Speech! resounds in the crowd.

You contemplate handing in your two week’s notice tomorrow.

Under string lights and scrutiny, you take the mic first. “I’d like to thank HR for not firing either of us,” you say for the lack of better thing to say.

Polite chuckles. Someone from the Events team yells, “Not yet!”

Jun takes the mic next. “And I’d like to thank, uh, Soonyoung. For teaching me what a ‘horanghae’ is. Seriously, it’s done immeasurable damage to my vocabulary.”

Louder laughter. A few whoops. You both smile too hard, too bright, too fake.

Later, you spot him near the edge of the bar, half-shadowed by a potted ficus. He’s slipping away. Classic Jun, retreating mid-scene.

You excuse yourself before you think too hard about it. You follow him down a stairwell half-lit by emergency bulbs, the music above thumping faintly through concrete. He hears your steps before you speak.

“You always leave like this?” you ask.

He turns, hands in his pockets. His expression—initially closed-off, ready to bolt—creaks open ever so slightly. “I didn’t think you’d notice,” he answers.

“Can’t help it.”

He looks at you like it hurts. Like you’re saying too much without saying enough. “Is this the part where you ask me why I’m leaving?”

You fold your arms over your chest, over the maddening beat of your heart. “No,” you breathe. “I want to know why you left.”

You don’t care about tonight. Jun could leave this party and never look back at The Carat Company, and you wouldn’t blame him. You care about the way his texts stopped coming in, the way it was radio silence for weeks. How he didn’t even come to take back his things, so you made the executive decision to donate them to a thrift shop like it might somehow make you feel better about yourself.

Jun exhales, long and tired. He shifts from one foot to another. For a moment, you think he’s going to make a run for it.

He doesn’t.

“I didn’t think I could be enough,” he says, finally. “Not for you. Not for the version of you that has her life together, who writes like a scalpel and moves like she’s never tripped over anything in her life. I didn’t want to hold you back. I didn’t want to be another unfinished thing in your life.”

When Jun had gotten laid off his previous job, he’d fallen into a rut that you tried so hard to get him out of. You sent him motivational LinkedIn posts. You pointed out Harvard courses and helped him scour JobStreet. All the while, you were working your ass off at The Carat Company. Coming home burnt out but still willing to help him back on his feet.

You hadn’t realized how that might’ve looked like for him. You hadn’t seen the cracks, stretching like spiderwebs over his fragile male ego. Obscuring the reason why you did it all in the first place.

Love. Crazy, stupid love. You clear your throat, refusing to let the rage tip out of you. Some of it bleeds into your incredulous question, anyway. “So you decided for me?”

His shoulders flinch. “I was scared.”

“You don’t get to do that,” you say, your attempt at being cool fracturing. “You don’t get to leave me, then show back up like a better man, when the truth is—you didn’t even let me choose.”

He looks at you, stunned. “I—”

“No,” you say, stepping forward. “Who I want to suffer for is my call.”

This time, you kiss him.

It’s not clean. It’s not soft. It’s messy and fierce and fueled by months of bitterness and longing, of misspoken lines and things unsaid. His hands find your waist like they’ve never left it. Your mouth moves like a dare. There’s a wall at his back, and your chest at his front, and none of this feels professional at all.

It feels like something finally falling into place. Or breaking open.

Jun’s car is parked two levels down, the far corner of a concrete lot that smells like rain, gasoline, and the ghost of things unsaid. It’s far from the rooftop’s sticky laughter and company-wide inebriation. A hush broken only by the soft echo of your heels and the low, restless rhythm of your breathing. His, too.

You’re kissing again by the time you get nearer to the car. This time, it’s slower. Hungrier. The kind of kiss that drags a sound out of him—half-sigh, half-swear.

Jun groans into your mouth, hands moving instinctively. One finds your jaw, the other your waist, fingers curling with intent. Your back hits the side of his car with a quiet thud. You smile against his mouth, sharp and satisfied.

“You gonna run again?” you mumble, voice low, all edge.

He shakes his head, dazed. “Not unless you tell me to.”

“Good,” you say, fingers slipping under the hem of his shirt, grazing hot skin. “Then shut up and get in the car.”

He listens. He always did know how to listen when it mattered.

The door slams shut, muffling the world. The air smells like him—clean linen, faint spice, something faintly sweet beneath it. The dash glows dim. Your blouse is unbuttoned by the time you straddle him, knees digging into the leather seat. He fumbles to push his seat back farther, and you don’t wait. You settle on his thighs, hungry hands pushing his shirt up, over his head.

His eyes are already wild. Chest bare. Breath uneven. Like he can’t quite believe this is happening. You kiss him again, rougher this time, teeth grazing his bottom lip. He gasps.

“You want this?” he asks, voice cracked, part awe, part fear.

You lean in, lips brushing his ear. “I need this.”

Clothes are tossed somewhere in the front seat—jacket, trousers, shirt, all lost to heat and haste. Your fingers fumble with his belt; he helps, hands shaking. You lift your hips, letting him drag your trousers down, your underwear already damp and sticking to your thighs. His knuckles brush the inside of your legs as he pulls them off, slow and reverent, then not-so-slow.

His fingers ghost along your inner thigh, then between your legs, slipping through slick heat. He exhales like it guts him.

“Still so wet for me,” he breathes, voice shredded. “How are you still so wet?”

You take his hand, guide his fingers to your lips, and suck your own slick clean. Your eyes on his the entire time. The sharp, guttural sound he makes is a reward in its own right.

The kiss that follow doesn’t end so much as it fractures. Broken by breath, by the heat of your thighs still spread over his lap, by the way your hips keep shifting like you haven’t quite had your fill.

Jun exhales sharply when you pull back. His mouth is swollen, his chest rising and falling like he ran a mile, and his hands—God, his hands—don’t stop touching you. One strokes your thigh, the other drifts higher, sliding back between your legs.

He groans, thumb dragging through your slick, and you shudder. “You always get like this,” he whispers, like it’s a secret meant only for you. “I touch you and you… fuck, you melt for me.”

You grind into his palm, voice already too hoarse to feign nonchalance. “Don’t pretend you’re in control right now.”

His eyes flick up, wide and wrecked. “I’m not,” he laughs. “Not even close.”

His fingers slip in. Two at once, with a stretch that makes your eyes flutter. You gasp, back arching, one arm braced against the seat in front of him as he starts to work you open. Slow. Deep. A rhythm that feels almost reverent, like he’s savoring this. Like he’s making up for every missed chance.

“So warm,” he grunts, forehead pressed to your collarbone. “So perfect.”

You reach down to find his cock still half-hard and twitching. Your fingers wrap around him, familiar with the way he likes to be touched, with how he reacts when you drag your thumb just under the head. He shudders. Moans. His hand falters inside you.

“Don’t—don’t do that,” he stammers.

You smile, sharp and smug. “Why not?”

You jerk him slow, just enough to keep him on the edge. His eyes flutter. His mouth opens, breath catching on every exhale as your hand works him while his fingers fuck into you.

This is how it used to be, back when it was messy and undefined, back when you still pretended this didn’t mean something. His hands in your pants after a long day at work. Your mouth on him in a shared shower. But this is different. Sharper. Hungrier. The way he looks at you now—it isn’t casual. It’s not temporary.

His lips graze your jaw. His voice cracks. “You feel so good,” he says, his words slurred with pleasure, “s-so good. I can’t think.”

You lean closer, nipping at his throat. “Don’t think. Just give me your fingers.”

He does. He gives you everything. Curling deeper, pressing harder, stretching you out until you clench around him and gasp, nails digging into the side of his neck. “Shit,” you whisper. “There, please. Right there.”

He moans, like he’s the one being burned alive. His hips jerk up into your palm. “So polite,” he says affectionately, placing a quick kiss to your shoulder before going on, “You’re gonna come for me, baby? Huh? Just on my fingers?”

You grind down, breath punching out of you. The pleasure coils hot and fast in your stomach, that dizzy, electric pull that tells you you’re about to break. When you register that the old pet name had slipped out of him—baby—you shatter.

It hits you all at once. Tight, breathless, a wave crashing through your spine and curling your toes. Your moan rips through the silence, raw and wild, as you pulse around him.

Jun curses under his breath. Even as you climax, your hand hasn’t stopped moving. He trembles, thighs tight beneath you. “Fuck, stop, stop—please, I’ll come,” he pants. “I’ll come and I’m not inside you yet. Please.”

You still your hand, fingers flexing around the base of his cock. His hips twitch anyway, desperate. His head falls back against the seat, jaw slack, chest heaving.

You watch him. The boy you almost had. The man who’s trying not to lose you now.

“You good?” you ask, voice low. Fond. Worried.

He nods, swallowing hard. “Barely,” he croaks. “Need you.”

You lean in, mouth grazing his. “You’ve got me,” you promise, and it’s the truest thing you’ve said all night.

The second your hand lifts from his cock, Jun fumbles between your thighs with shaking fingers, lining himself up. His touch is clumsy, reverent, desperate. His breath hitches when the head of his cock drags against your slick, catching at your entrance.

“Fuck, yes,” he gasps, the sound raw, like he’s already too close.

You sink onto him in one motion.

It’s not graceful, not slow. It’s greedy.

Your body takes him deep, full, stretched wide around him in a single sharp thrust that leaves you both dazed. His head snaps back, mouth open in a moan that cuts off halfway, swallowed by the thud of your hips meeting. “Jesus Christ,” he chokes out. “You’re—fuck. Fuck. You’re perfect.”

Your nails dig into his shoulders, anchoring yourself. The leather creaks beneath your knees. You don’t wait, don’t answer. You ride him fast, rough, punishing—like you need him to feel just how badly you've wanted this.

His hands scramble to keep up, one sliding to your waist, the other gripping your thigh, then your ass, then back again. He can’t seem to pick where he wants to touch you, so he settles for everywhere.

“You’re taking me so good,” he groans, eyes flicking down to where you’re joined, completely lost in it. “So fucking deep. Missed this. Missed you.”

You grind down harder, pace unrelenting. “You missed me, or just my pussy?” you bite out, even as a moan escapes.

He laughs, broken and breathless. “Both. Don’t make me choose.”

You lean in and kiss him, open-mouthed and hungry, your teeth dragging against his bottom lip before you suck it into your mouth. His hands tighten, fingertips bruising. Your hips roll, bounce, grind. Every motion is intentional. Relentless. He’s twitching inside you already.

He lets out a strangled sound when you clench around him. “Trying to—hng—ruin me?” he whimpers, forehead pressed to yours.

“You’re doing that all on your own,” you exhale before chasing his lips.

The car rocks. Windows fog. Sweat beads at your spine, your thighs, the crease of his neck where you bury your face to muffle a cry.

He’s fucking up into you now, meeting every downward slam of your hips with a thrust that has you seeing stars. His rhythm is messier than you remember, but it’s probably the moment. The setting. The reunion.

“Gonna come,” he warns, voice wrecked. “Shit—baby, please.”

You pull back, lips brushing his ear. “Then do it,” you whisper. “Come—ah—inside me. Make a mess, baby.”

His whole body jerks. His fingers dig in. He groans deep in his chest like it hurts to hold on. You don’t let up.

Your pace gets rougher. Sloppier. He’s moaning, practically whimpering. The kind of sounds you’ve only ever pulled from him when he’s too far gone to pretend. “You sound wrecked,” you pant, dragging your nails down his chest. “You close, baby?”

He nods, dazed, unable to speak.

You fuck down harder. Grind meaner. Your clit drags against the base of him and your whole body tenses. It hits you without warning—full-body and sudden. Your orgasm crashes through you like a wave, ripping your breath away as your muscles seize around him.

He cries out, high and choked. His hips stutter. “Wait—wait, fuck, baby, stop—please,” he pleads, voice cracking. “Need this to last. Need to have you for longer.”

You freeze, panting against his mouth.

He’s trembling.

“Alright?” you ask.

He nods, frantic. “Yeah. Yeah. I just—don’t want this to end.”

You stroke his cheek, your body still sensitive in aftershocks.

He looks up at you, eyes glassy, lips kiss-bruised. “I used to dream about this,” he says, voice barely there. “After we... you know. Dreamt of having you again. But it never felt like this.”

“Like what?”

He swallows. “Like I could lose you if I didn’t hold on tight enough.”

The sincerity bowls you over, so you kiss him again. This time, you slow down. Not because you want to, but because you know you’re both too close to let it end like that.

Your next words are a tremble against his lips. “Don’t leave. Not this time."

“I won’t,” he answers without missing a beat.

You don’t move for a moment. Just sit there, full of him, your body still trembling with aftershocks, hips twitching every few seconds like your muscles don’t know it’s over. Jun’s forehead rests against your sternum, his breath hot and uneven against your skin, his grip around your waist just this side of desperate.

You let it stretch. The quiet. The weight. The ache.

The car is still and humid, your skin sticking slightly where it meets his. All you can hear is the slow, syncopated rhythm of your breath tangled with his. Every now and then, your body clenches around him involuntarily, dragging tiny, startled sounds from both your throats.

After a couple of minutes, you start to move again. Just a slow, idle grind of your hips. Gentle. Lazy. The kind of roll that shouldn’t mean anything, but still makes you both react. A twitch from him. A flutter from you. You do it again. Then again. Just enough pressure. Just enough friction to keep you grounded in it.

He whimpers quietly, head tilting up to look at you through damp lashes. “This is torture.”

You smile. Kiss his temple, almost laughingly. “I always did like making your life hard.”

Jun huffs something like a laugh, more breath than voice. His hand curls around the back of your neck, thumb stroking over your pulse. The other traces down to your thigh, fingers dragging along the crease with slow reverence. You keep rocking gently, almost absentminded. Not fucking. Not chasing. Just—resting. Keeping him there. Letting him feel all of you, even in stillness.

It’s unfairly intimate, how your body fits against his like it remembers how. The arch of your spine molded to the shape of his chest, your forehead resting against the curve of his jaw, your hands cradling his face when you lift it.

His heartbeat pounds beneath your palm, too fast. Too vulnerable. “Can I…” he starts, voice cautious, almost shy.

You lift a brow. “Can you what?”

“Take some of the control. Just for a bit.”

It kills you. That he has to ask. That he still doesn’t think you’d give him the world. “Of course,” you say, the word murmured against the corner of his mouth. “Take me.”

He doesn’t answer. His grip on your ass tightens, fingers digging into the supple fleshed. “Baby,” he says, wrecked and serious, “I’ve been dreaming of fucking you properly since the day I left.”

Your teeth grazes his lips. “Do it, then,” you hum.

And he does.

He plants his feet. Braces himself. Then lifts you slightly and thrusts up hard, cock dragging deep, unforgiving. The breath punches out of you like a hit. Your hands scramble for purchase on his shoulders, your head falling forward.

He does it again. And again. Brutal. Precise. Each upward slam meets the drag of your body grinding down, slick and hot and soaked with all the aftermath he’s still pulsing inside.

“That’s it,” he growls, his breath ragged. “Let me fuck you. Let me make you feel it.”

You let him.

You go pliant in his hands, let him chase the tempo, his rhythm messy but deep. Every thrust is a reminder of what you both lost and what he’s begging for now.

He fucks up into you like he’s trying to chase every unsaid apology down your spine. The car rocks with the motion. His arms strain with effort, sweat slipping between your bodies, your skin slapping wetly together with every filthy thrust.

“You’re unreal,” he moans. “So good. So fucking good. I forgot how you feel. I forgot how you sound when I—”

“You didn’t forget,” you cut in, panting. “You just—hng—thought you could survive without it.”

He whines at that. Literally whines. You tighten around him and his hips stutter.

The pressure rises again. Slower this time. No sharp edge. Just steady, building tension in your core. Your muscles twitch with each thrust, your chest pressed to his, damp and heaving.

Jun kisses you hard, tongue hot and desperate. “I wanna feel you come again,” he begs against your mouth. “Please. Please, baby. One more. Give it to me."

You nod, but it’s not conscious. Your body answers before your mouth can.

It crashes into you, serrated and mean. Your third orgasm claws through your nerves, your thighs clamping down around his waist as you cry out into his neck. It’s overwhelming. Scalding. Your body trembles, every inch of you unraveling in his hands.

That’s all he needs. He groans, deep and undone, shoving into you one last time and staying there. His whole body goes tight, shakes. You cup his face. Make him look at you.

The thought occurs to you for the nth time: Jun is so pretty when he comes.

Even if he does it with a raw, wounded sound. He pulses deep inside you, buried as far as he can get, and you swear you can feel him shaking with it. Like it guts him. Like it saves him.

He clings to you afterward. Breathing hard. Drenched and unraveled.

You don’t say anything. You just stay. Let him hold you. Let him come back to you, slowly but surely.

Because this time, he isn’t running. And for once, neither are you.

The next morning, though, you wake to the absence of weight.

That’s the first thing you notice.

The second is the shape of your own anxiety, curling low in your chest, familiar as a bad habit. The other side of the bed is empty. The sheets are rumpled and cooling. There’s a single long strand of hair caught in the pillowcase. Not yours.

For a moment, you just stare at it. Then you look around. Bedroom door open. A thin shaft of light bleeds in from the hallway.

You don’t call out. You don’t move. You just go very, very still.

This is, after all, a familiar pattern. Boy meets girl. Boy runs away. Girl pretends she doesn’t notice until it’s convenient to feel something about it. The air smells like sex and detergent. The ceiling has a crack in it that you keep forgetting to report to the landlord. Your throat is dry.

Then Jun reappears.

Towel low on his hips, toothbrush in hand. He stops short in the doorway, mid-step, and you watch the exact moment he realizes what his absence must’ve looked like. The moment the air shifts. The look on your face must be something, because his shoulders drop in a slow exhale and his voice goes soft.

“Hey. I didn’t leave,” he says, swallowing his toothpaste—what a fucking psycho—before setting his tooth brush on to the nearest flat surface. “Just went to brush my teeth."

You raise an eyebrow. Try to mask the little betrayal that had already crept in. “You know, most people announce their morning survival before disappearing,” you say. “It’s customary.”

Jun winces. “You’re right. I should’ve said something. I just didn’t want to wake you.”

You sit up, sheets falling to your waist. Your body aches in a way that feels earned. Your hair is a mess after the two, maybe three rounds that you and Jun had when he fell into your bed last night. You don’t care enough to hide the overthinking.

“You could’ve left a note,” you say. Half-serious, half-joking. “Or a sock on the door. A smoke signal.”

He laughs, crosses to the side of the bed. Drops the towel a little lower on purpose, the menace. “Noted. Next time I disappear into the bathroom, I’ll launch a full PR campaign.”

You narrow your eyes. “See that you do.”

His hand lifts to your face, thumb dragging just under your cheekbone. “I’m here,” he says, plain and simple as a promise. And he means it.

Maybe it’s stupid that you believe him. Maybe it’s messier than it should be, that you’re even in this place, in this bed, with this boy again.

But his hand is warm. His mouth is soft when he kisses your forehead. And when he climbs back in bed to hold you to him, you don’t say no.

It’s a Saturday, so the two of you let the sun climb high enough to slice through your blinds. You’d move, but Jun is draped over you like a weighted blanket with abandonment issues. It’s clingy in a way that would be annoying if it weren’t also stupidly comforting.

His leg is thrown across yours. His arm is a dead weight on your stomach. He smells like your shampoo and the faint citrus of your soap, and the whole thing is either domestic bliss or a very elaborate trap.

His fingers are tucked into the curve of your hip, not moving, just there. A quiet claim. As if anchoring himself will stop time or stop you from thinking of endings.

You’re not even annoyed, which is suspicious. You should be cataloging all the reasons this is a bad idea. Cross-department entanglements, your no-office-romance policy (written internally, unspoken externally), the sheer HR nightmare of it all. Instead, you’re memorizing the rhythm of his breathing.

“So,” he says after a long moment, voice still scratchy with sleep, mouth near your collarbone, "they offered me a job."

You blink at the ceiling. The fan clicks. One of the blades wobbles slightly. “‘They’ being The Carat Company.”

He nods into your shoulder. You feel the curve of his smile before you see it. It’s smug and sleepy and dangerous—a combination that should come with a warning label.

You hum. Neutral. “That’s… a choice.”

Jun shifts. Enough to glance up at you, catching your expression with lazy amusement. It’s probably somewhere between polite support and visible internal shrieking. “Wow,” he murmurs. “You are doing an excellent job of pretending that doesn’t horrify you."

You sigh, staring at the water-stained patch on your ceiling. “I just think our HR department is one passive-aggressive email away from imploding, and I’m not sure I want to share a copier with someone who’s seen me naked.”

He chuckles. Kisses your shoulder. “That’s fair. But relax. I’m not taking it.”

You pause. Blink. Turn your head just enough to catch his face. “You’re not?”

He shakes his head, pulling back slightly, grinning like a man who knows he’s about to get a dramatic reaction. You squint at him. "So?"

“Sebong offered me something better.”

Record scratch. Full stop. You sit up slightly, sheet dragging across your chest. “Sebong Corporation? Our most flamboyant and passive-aggressive rival?”

“The very same.”

You purse your lips. “The one that sent us cupcakes during Q3 just to say ‘Sorry about your metrics’?”

Jun grins. “A plus for petty. But yeah, they want me.”

“You’re going corporate spy now? Love that for you,” you jab. “Can you wear a wire to our next team sync?"

He shrugs, undeterred by your sarcasm as a coping mechanism. “They offered better pay, better benefits. Free espresso on every floor.”

You make a sound of mock envy. “Now you’re just bragging.”

“I am,” he adds, with that soft arrogance only he can pull off without getting slapped. “I think I’m gonna take it.”

“Why?”

He looks at you with the kind of gaze that burns just a little. Like he’s searching for a permission he already knows you’ll give. Then he says it. The same thing he said when he waltzed back into your life, self-assured and saccharine.

“It’s the best, isn’t it?” Jun says. “And I always want the best.”

You roll your eyes so hard your ancestors probably feel it. But something in your chest stutters. This time, the words land different. Softer. Honest in a way that makes your ribs ache.

He’s making a concession. He’s doing something to make this, make the two of you, possible.

He’s calling you something he wants, and calling you the best, in the same breath.

Jun leans in, presses his forehead to yours, nose brushing yours like an apology. When he kisses you, it tastes like toothpaste and devotion. And also maybe like something terrifyingly close to commitment.

You lie there for a while. Wrapped in warmth and silence and the complicated calculus of wanting things that feel big and breakable. Like him. Like this. Like futures you haven’t even said out loud yet.

At some point, Jun shifts behind you, arms tightening around your middle. His chin rests in the crook of your neck, breath brushing your skin.

“You okay with it?” he asks.

You shrug. “I mean, it’s marginally better than you working across the hall from me and flirting over the printer queue.”

“We’d both get nothing done.”

“Exactly. Chaos.”

Jun kisses the back of your shoulder again. It’s like he can’t stop kissing you, like he can’t believe he can do it all again. Somewhere in the quiet that follows, your brain writes the paperwork.

This Employment Contract (“Agreement”) is made between Wen Junhui (“Boyfriend”), and you.

WHEREAS the Boyfriend agrees to remain shirtless in your apartment at least three mornings per week, and to bring the good coffee whenever you run out;

WHEREAS emotional transparency shall be upheld with the same rigor as quarterly reporting, including but not limited to: post-sex vulnerability, Sunday-night anxiety debriefs, and one (1) designated safe word for moments of self-sabotage;

WHEREAS both parties are permitted one (1) bad take per fiscal quarter, to be gently corrected and never mentioned again;

THEREFORE, both parties agree to exclusive rights to back scratches, late-night ramen runs, shared Spotify queues, and slow dancing in the kitchen when neither of you feels like cooking;

FURTHERMORE, cuddling shall not be used as a diversion tactic during emotionally intense conversations, unless unanimously approved by both parties in advance.

Effective immediately. Benefits include forehead kisses, a stupid amount of texting, sleeping on opposite sides but always ending up tangled, emergency ice cream runs, and never having to go to office parties alone.

#junhui

547 notes · View notes

floraoleander · 20 days ago

Text

Glutton (TEASER)

Pairing: demon!Kwon Soonyoung x f! grad student reader

Genre: smut, reincarnation au?, urban fantasy/dark academia

warnings: fingering, oral sex (f. receiving), dry humping, unprotected sex, chan makes an appearance (sorry), more tbd

Teaser Length: ~1.3k | Full Length: TBD

Note: as every fic this started as plotless smut and then turned into whatever the hell it is now. thank u @sailorsoons and @gyuswhore for being my betas, and @100vern for the banner. finally i have written something since my vday fic. i'm hoping to have the full fic posted next week! inspired by ninth house/hell bent by leigh bardugo

summary: You didn't mean to summon him but your demon is dedicated to serving you anyway he can.

m.list

This blog is intended for 18+ only! Minors/blank blogs will be blocked.

You didn’t mean to.

The incantation you studied for nearly six months was perfect. In no way, shape, or form should the ritual have gone awry even if stray magic emerged. At worst, nothing should have happened. You’d should’ve ended up with an empty summoning circle, wasted materials that would need to be vacuumed up. At best, you’d have a servitor ready to assist with the more mundane parts of your thesis research.

As with every ritual, you drew the proper wards in salt and bone ash, some graveyard dirt on hand just in case. You had the knife, ready to sacrifice a few drops of blood for such a useful creation.

You recited the incantation, pricked your finger and then…

Nothing.

The sulfurous stench occult didn’t flood the room, the wards didn’t even manage a flickering glow. The candle flames didn’t even wince.

Utter failure.

You were too tired to do much more than release a choked scream in frustration before blowing out the candles and running upstairs.

Tomorrow you’d study the ancient manuscript for what you missed and try again. You just needed some sleep first.

You barely manage a few hours when you wake up with the distinct feeling something is wrong.

Everyone else left for winter break, leaving you alone with a mountain of books and articles to skim for the thesis you’ve been writing for years. It’s why you need a servitor to begin with; there was too much work to be done and simply not enough time.

No one should be in the house but you got the distinct feeling someone, or something, was.

Only the noise of the house rang through your ears, the creak of the floor boards, the wind battering against the windows. The occasional owl calling from the tree outside the window of the living room on the ground floor. You swiped a knife from the kitchen and one of the spare jars of graveyard dirt before heading downstairs.

What a terrifying image you portrayed: a raggedy university sweater and pajama pants, dark circle bruised beneath your eyes, and a dirty kitchen knife.

None of it mattered.

The sharp scent of magic clouded the air at the bottom of the steps leading to the basement, thick as a curtain. But it wasn’t the rotten scent you were accustomed to. It was heavier with the sickly sweetness of flowers, like a poisonous bloom attempting to lure you in.

And what would want to lure prey into a trap than a predator?

Standing in the circle was a man but he was too perfect to be just a man. Gold flowed through his veins, illuminating him from the inside out. His eyes glowed like honey as he stared at you, watching. Waiting.

You were so distracted by his eyes you barely realized he was naked. He didn’t seem to care either, or register the fact he’s hard and you can see the way his length bobs between his thighs.

Embarrassment didn’t have a chance to take root because he said your name just as sweet as the flower smelled.

You launched the jar of dirt at him in shock, the bottle shattering into a thousand pieces at his feet. The man made no move to avoid the explosion, didn’t disappear like the undead usually did when confronted with the reminder that they were no longer of the living. He didn’t even blink.

“What are you?” you shouted, brandishing the knife as if that could do anything. He was in the circle, that was safe enough for now.

“Yours.”

“That’s not,” you start, breathless. “What are you?”

“I’m…” Soonyoung struggled with the words to explain his purpose.

You tried to keep your eyes level with his but miles of bare, tan skin, with taunt muscles corded underneath proved too tempting. A few silver scars littered his body, indecipherable in the light and the passage of time. He was much older than you could even begin to imagine; this form only the briefest glimpse of his actual power.

“I’m a servant.”

“You’re the servitor I summoned?”

The manuscript you studied didn’t specify what a servitor looked like, only that it would serve its summoner with whatever tasks it was assigned.

He nodded widely. “I’m meant to serve whoever I’m bound to.”

“And now you’re bound to me.”

“Yes,” he swallowed. For the first time, he seems to realize he’s naked but continues to be unbothered by it. His palm shakily grazes over himself before curling around his thighs.

Other passages from your reading came to mind as you forced your gaze away.

Bind your servitor to their duties as soon as possible, they don’t do well without direction.

They are eager to please and are capable of any task their summoner presents them with.

“We need…” you swallowed, trying to hide the squeak in your voice. “We need to make a deal.”

He nodded.

“You have to follow all of my commands.”

“Of course.”

“If you don’t, I’ll banish you to a demiplane.”

His head tilted to the side, eyes pouring down your figure. Perhaps the stains of your sweater weren’t intimidating to him but you held the power. He was still stuck in the circle, and you could send him away with a spell. Either he listened or turned back into nothing. Or worse; stuck in a demiplane with no purpose.

“Whatever you tell me to do, I’ll do,” he rasped.

“Give me your name.”

“Hoshi.”

You almost settled for that but something told you that wasn’t right.

“Your true name,” you commanded.

He watched you for a long moment, eyes fading from gold to brown. Human eyes. Something familiar flickered in them until he said, “Soonyoung.”

As you repeat it, he shivers, a strangled inhale to match. You don’t mean to, but a quick glance down shows he’s hard and leaking. Obscenely so. To the point it mixes with the circle drawn on the floor.

“Swear to do everything I say, and to never disobey me.”

“I swear to follow your every command, exactly as you say them.”

“And…”

“And to never disobey you or betray you. I bind myself to you, and anything you wish of me.”

Something wasn’t right. Soonyoung seemed like he wanted to tell you more, but you needed to ask the right questions. You knew what the question was, and that made you dread it all the more.

“You’re not a servitor at all, are you?”

Soonyoung rolled his shoulders, his muscles shifting and flexing with the motion. He seemed to grow taller, take up more space with the action as if only a fraction of his true form existed in front of you and the rest was being hidden out of sight. “No.”

“Then what are you?”

“I think you know what I am.”

A demon.

A demon bound in service. To you.

Horrified, you rushed back up the way you came. If Soonyoung was truly a demon, then the wards would only keep him trapped for so long and the last place you need to be was next to him when he escaped. You felt the weight of his gaze on your back as you raced back up the stairs. Profound relief and disappointment greeted you once you were safely tucked back upstairs knowing that he hadn’t followed.

taglist: @tomodachiii @cvpidyunho @miniseokminnies @ddaengpotate @arycutie

@gaebestie @primoppang @gyuguys @mine-gyu @doremifasire

@missminhoe @toplinehyunjin @crvs4vldtn @sliceofwoozi

@writingbarnes @dokyeomkyeom @christinewithluv @minwonfairy @wobblewobble822

@futuristicenemychaos @seungkw1 @horanghaezone @jespecially @scoupsjin

@isabellah29 @luvseungcheol @crisle19 @iamawkwardandshy @lukeys-giggle

@aaa-sia @tinkerbell460 @gyuhao365 @ourkivee @bokk-minnie

@cookiearmy @moonlightwonu @kyeomofhearts

@melonacco @lllucere @wwjagabeee @syluslittlecrows @yourbimbohope

@whrryuu @wonrangwoo @xchaenx @champagnenoona

#kwon soonyoung

257 notes · View notes

floraoleander · 21 days ago

Text

Made me cry

The Tiger & The Moon

Pairing: Circus performer! Kwon Soonyoung x Artist! F. Reader

Wordcount: 12.7K

Smut Warnings: Explicit sexual acts - Foreplay (F. receiving) - Slight Bodyworship - PIV - Unprotected intercourse - Use of petnames - Reassurances and clear consent (this is incredibly soft lovemaking)

This story is intended for an adult audience only. Minors do not interact.

It’s the sound of drums that draws you in.

Not hunger, though that gnaws in your stomach like it always does. Not the wind, though it hisses cold through the hem of your tattered skirt. Not even the need for safety—because that’s something you stopped believing in the moment your legs carried you across the city’s edge, away from the suffocating perfume and filthy hands of the brothel.

It’s the drums. Low. Rhythmic. Hypnotic.

You stumble across a dew-drenched field just past midnight, led only by the flickering glow of distant lanterns and the echo of music that feels like something ancient. It beats like a second heart inside you. Ahead, the tents bloom like massive, sleeping flowers—red and gold, navy and cream—sprawling beneath the stars in messy rows.

A travelling circus.

You’ve heard stories, of course. Dancers who bend like willow trees, men who swallow swords, tigers that leap through hoops of fire. But in the city, in the brothel, dreams were things beaten out of you with the back of a hand. Here, dreams seem to shimmer above the grass like fireflies.

You hover at the edge of the makeshift grounds, wrapped in a stolen cloak two sizes too big, fingers curled into the sleeves. You don’t belong here. You know that.

But then the drumbeat quickens, and something else begins—something theatrical and alive. A cheer from the crowd. The hush of anticipation. And the metallic snap of spotlights flooding the massive tent’s entrance.

You slip through the shadows, heart racing, eyes darting. No one sees you. No one cares to. But that’s the trick, isn’t it? Be small. Be quiet. Be nothing.

You crouch behind crates stacked near the back of the tent—costumes, ropes, props—and peer through a narrow flap left ajar. The scent of sawdust and sweat curls in the air, but it’s not unpleasant. Not like the sweet, rotting perfume they used to force on your skin.

Inside, the ringmaster stands in the centre, announcing acts with a booming voice and a sharp smile, cracking his whip-like punctuation. The audience roars as a woman juggles knives on horseback, her braid flying behind her. A man in glittering blue dives through a column of fire.

You watch, wide-eyed, breathless.

But then he appears.

Not from the center. No. From the shadows. From the ceiling. He swings down from a rope like gravity never applied to him at all—legs bent, body twisting midair, tiger stripes painted onto his chest in glittering gold and black.

You forget to breathe.

He’s wearing nothing but loose black pants, his shoulders flexing with each spin. His movements are sharp, primal, choreographed to the beat of the drums. When he lands, the entire tent goes silent, as if waiting for him to roar.

And he does. Not with sound. With movement.

A flip. A clawing gesture. A slide across the floor that ends with him kneeling, hand outstretched toward the crowd. They erupt.

Your pencil is in your hand before you realise it.

You pull a crumpled sheet of paper from your pocket and begin to sketch, hands working almost on instinct. Curves. Angles. His shoulders. The grace. You don’t think. You just draw.

And then his gaze flicks sideways, right to where you are hidden.

Your fingers still. Your chest goes tight. You convince yourself he doesn’t see you through the curtain of crates and outfits.

His eyes are impossibly warm and impossibly dark. And for a second—just a second—he doesn’t smile. He doesn’t grin. He just looks.

But then he’s gone again, dancing, spinning, leaping into the air as if the moment never happened. You watch him until the lights dim, the applause roars, and the ringmaster calls for the next act.

You don’t realise your drawing is finished until your pencil slips out of your grip.

Hours pass. You stay hidden.

When the crowd finally disperses and the lights begin to dim, you sneak through the back of the grounds—quiet as a shadow—until you find an empty wagon stacked with boxes. You curl into it, pulling your knees to your chest, using the cloak as a blanket. Your fingers still smell like pencil lead. You close your eyes.

And then a voice startles you. “You’re not supposed to be here.”

It’s his voice. Rough. Low. Accented in something lazy and teasing.

Your eyes fly open. He stands at the opening of the wagon, still shirtless, a towel around his shoulders and a smirk on his lips. His hair is damp.

“You know that, right?”

You sit up sharply, preparing to bolt. But he raises his hands in surrender.

“Hey—hey. Relax. I’m not gonna hurt you.” He tilts his head. “You were watching me earlier.”

You stay silent. He saw you? He steps closer.

“You’re not a thief, are you? You don’t look like the type to steal. Except maybe hearts. But that’s a performer thing, too.” His grin widens. “Unless you’re here to audition. In that case, great hiding spot. But we don’t usually hire ghosts.”

You speak for the first time in what feels like days. “I’m not a ghost.” He pauses. Cocks his head, like a tiger curious about a mouse.

“No. I don’t think you are.” You glance at the door. He follows your gaze.

“If I was going to turn you in, I would’ve done it already. The ringmaster doesn’t like strays. But me? I’m a sucker for sad eyes and good timing.” You don’t answer.

He hops up into the wagon without asking. You flinch. He notices. The grin falters for just a moment.

“Sorry. I’ll stay over here.” He drops onto a crate across from you, towel still looped around his neck, eyes scanning you with less mischief now and more curiosity. “What’s your name?”

You shake your head.

“No name? Mysterious. I like it.” He leans back and stretches his arms behind him. “Alright, no-name. You look cold. And like you haven’t eaten in a while. You planning on sleeping out here all night?”

You blink. “I have nowhere else to go.”

He studies you for a long time. “Fine. You can stay in my wagon. Just for tonight. I won’t touch you. I talk a lot, but I’m not a creep.” He scratches the back of his neck. “You’re probably better off there than out here, where Rigo might see you.”

You hesitate.

“You trust me?” he asks. You shake your head.

He laughs. Loud and unashamed. It startles you. “Good. That’s smart. But I’ll still offer.” He hops down and gestures. “Come on, Moon.”

“Moon?”

“You didn’t give me a name, so I gave you one.” His eyes soften. “You look like the moon tonight. Pale. Quiet. Far away from all of us.”

You say nothing, but you follow him.

You tell yourself it’s because anything is better than the cold.

The inside of his wagon smells like lemon oil and dust.

Not in a bad way—just lived-in, like someone’s been here too long without changing anything. Crumpled shirts hang from hooks, performance pants tossed over a stool, and a tiny mirror edged with fairy lights blinks at you from the wall. There’s a faded photo stuck in one corner—him as a boy, maybe fifteen, grinning with his arm around a tiger statue.

You hover at the threshold.

“It’s not much, but it’s warmer than outside,” he says, flicking the light on with a sharp click. “You can take the bed.”

You shake your head immediately.

“Come on. I’ve slept in worse places. The hay pile behind the giraffe cart? Unbelievable back support.” He grins again. He does that a lot, it seems—too easily. Too brightly. You don’t trust it.

You settle into the corner farthest from the door, your cloak pulled tight. He doesn’t push. He just throws himself onto the small bench under the window and crosses his arms behind his head like he hasn’t just invited a total stranger into his home.

“I’m Soonyoung, by the way,” he says. “But everyone calls me Hoshi.”

You don’t reply.

“‘Hoshi’ means ‘star’ in Japanese. My mom called me that when I was little.” He lifts a shoulder. “Thought it sounded cooler on posters than ‘Kwon Soonyoung the dancing idiot,’ so I kept it.”

Still, you don’t speak. You don’t owe him anything—not your voice, not your name, not your trust.

He shifts, observing you. His tone changes—softens.

“You don’t have to talk if you don’t want to. I know what it’s like to… want to disappear for a while.”

You watch the way he fiddles with a gold ring on his pinky finger. It’s shaped like tiger fangs. Sharp. Delicate. Probably fake.

“Everyone here’s running from something. That’s kind of the circus’s thing, isn’t it?” He smiles, but it doesn’t quite reach his eyes. “You run away, you join the show, and suddenly you’re someone else. Someone shinier. Safer.”

He lays back again with a sigh that sounds too tired for someone who laughs so much.

“I’m happy here.”

The words hit the floor between you with a dull thud. You don’t believe him.

The next few nights pass in a hush of repetition.

You wake in silence, hide during the day, and slip out only when it’s dark enough not to be seen. Hoshi smuggles you small pieces of fruit, leftover meat pies, and, once, a package of coloured pencils he claims he “borrowed indefinitely.” You nod your thanks, never quite sure what to do with his kindness.

He talks a lot.

About the time he tried tightrope walking and fell into the cotton candy machine. About the fire-breather who accidentally singed her own eyebrows. About the night a tiger escaped its cage and wandered into his wagon like it owned the place.

“I offered it my dinner. We’ve been cool ever since.”

You don’t laugh, but your mouth twitches. He notices. He always notices.

You stay hidden, but he never questions it. Never asks you to explain. And each night, when the music starts and the big top floods with light, you creep to your place behind the crates and watch him come alive.

He moves like he’s been set on fire and only the rhythm can put him out. Like if he stops dancing, he’ll vanish.

You draw him every time. The curve of his spine, the snap of his arms, the wildness in his grin when he lands a perfect flip.

You sketch until your fingers ache.

Until you know him by lines alone.

It happens five nights in.

You can’t sleep. The roof drips, the blankets itch, and something inside you is restless. Hoshi had told you he’d be late—extra rehearsals, he said. You slip from the wagon quietly, boots soft in the mud, coat pulled tight around your frame. The circus grounds are mostly dark—tents closed, wagons locked, fire pits reduced to embers.

You walk past a row of cages—empty now—and head toward the supply wagons when you hear it.

“You said it’d be done by now.”

It’s Hoshi’s voice. You freeze and duck behind a barrel.

“And I said the debt doesn’t clear just because you’re popular,” replies another voice—older, crueller. “You still owe me three hundred thousand. You want to leave, Soonyoung? Pay up. Until then, I own your name. Your act. Your body.”

"I’m trying. I’m performing every damn night—”

"And drinking away your cut by morning.”

"That’s not—”

"Don’t lie to me.”

You peer around the edge. Rigo—the ringmaster—stands with his back to you. Hoshi is in front of him, shirtless again, glitter smeared down his jawline. He looks smaller. Angrier.

“You said I’d be free by the Paris tour,” Hoshi mutters.

“And maybe you will be. If you keep earning.” Rigo steps closer. “But if you try to leave early, if you even think about running—I’ll find you. And I’ll break every bone you use to dance.”

Silence.

“Don’t forget who gave you a stage when the world laughed you off it.”

The ringmaster walks away. Hoshi stays still for a long time, fists clenched, chest heaving. When he finally turns, you’re already gone.

Hoshi comes back late that night, humming some off-key melody, sweat dripping from the nape of his neck.

“Moon, I brought—hey, you okay?”

You’re sitting on the floor, paper and pencils scattered around you. One sketch lies in your lap, the most detailed one yet.

You don’t answer. You just hand it to him. He looks down.

A tiger in a cage.

Its shoulders are hunched, not in fear, but in exhaustion. Its paws are bruised. Its tail is curled tight against the bars. But its eyes… its eyes are still burning.

He blinks. “Is this… me?”

You look up at him. And for once, you don’t hide the sadness in your face. “You’re not happy here.”

He doesn’t smile this time. He just kneels down slowly beside you, gaze never leaving the drawing. He places it gently on the bench, then leans back on his heels.

“No,” he says quietly. “I’m not.”

One morning, without warning, he throws a scarf at your face.

“You need air,” Hoshi says, grinning as he pulls on his boots. “And you’re gonna get it.”

You flinch when the scarf hits your cheek, even though it doesn’t hurt. He notices. His grin falters but doesn’t fade completely.

“You’ll come with me. I’ll show you around. Just don’t tell anyone you’ve been living in my wagon rent-free.”

You hesitate. Fear creeps into your stomach like spoiled wine. If they find out what you are—who you were—there’s no telling what Rigo will do. Or worse, who he might call.

Hoshi holds out his hand. Open. Steady.

“I’ll tell them you’re the new sketch artist. That the boss approved it. No one questions my mouth anymore. Too loud to argue with.”

You don’t take his hand, but you follow him anyway.

The circus in the daylight is nothing like the spectacle at night.

The glitter is dulled. The costumes hang in long rows on wires, limp and sequined. Elephants bathe lazily near buckets of water, and smoke curls from frying pans where breakfast burns on open fires.

You walk closely behind Hoshi, the scarf clutched tight around your neck, chin tucked low into the fabric. He’s all motion and brightness—waving, laughing, tossing casual greetings around.

“Morning, Andrei!”

"Hey, Mira! Save me a biscuit this time!”

People nod. Smile. Some glare. He doesn’t seem to care.

When he finally introduces you, it’s with a flippant gesture and a wink. “This is Moon. She’s our new sketch artist. Bit shy, but brilliant. Like a raccoon with talent.”

You keep your eyes down. Offer a small nod. Most people nod back with vague disinterest—too tired or too wary to care. Some squint.

A few notice the tension in your shoulders.

One of the acrobats—a tall, wiry man named Luca with sharp cheekbones and a cruel smile—lingers. He steps close. Too close.

“Didn’t know we were letting in strays now,” he says, eyeing you like a spider eyes a fly. “You get her off the street, Hoshi? Or also into your bed?”

The words land sharp and cold. You stiffen. Hoshi goes quiet.

Then he steps between you and Luca, shoulders squared. His voice loses its brightness.

“Watch your mouth.”

Luca raises an eyebrow, smirking, as he walks off.

“I’m just saying—Rigo won’t like it when he finds out you’re hiding runaways. You know how he feels about… damaged goods.”

That word—damaged—splits something open inside your chest.

You turn away, hands shaking, throat closing around the ache that’s been building since you stepped out of the shadows.

“He’s got the personality of spoiled cabbage,” Hoshi mutters as he catches up to you. “Ignore him.”

But you’re already spiralling.

As the tour continues, a juggler brushes too close behind you. A fire breather claps a hand on your shoulder in greeting, and your whole body jolts like you’ve been burned. Hoshi sees it. Every time.

When you finally slip away after dinner, you think no one notices.

You sit behind the main tent, knees drawn up to your chest, arms wrapped around your ribs like you’re trying to keep your bones from shattering. The sounds of rehearsal echo nearby—drums, whip cracks, the creak of wires overhead—but they feel far away.

Your breathing’s shallow. Your cheeks are damp with fallen tears. You hate how familiar this feeling is.

Powerless. Exposed. Vulnerable.

You thought you were past this. Thought the circus would be different.

A shadow moves in the corner of your vision.

You tense, expecting harsh words, maybe worse—but it’s just Hoshi.

He doesn’t say anything. Doesn’t joke. Doesn’t ask what happened.

He just sits cross-legged beside you, arms resting on his knees, not touching. Not pressing. Just breathing beside you like it’s the easiest thing in the world to share the same air with someone breaking.

You wait for questions. There are none. The minutes pass in silence, broken only by the occasional shout from the tent or the distant bray of a donkey.

Eventually, your tears slow. Your breath evens out.

And then—“I hate his guts.”

Hoshi’s voice is low. You glance at him.

“Luca,” he adds, as if it needs clarification. “Always sniffing around like he’s the ringleader’s favourite pet. I’m gonna replace his shampoo with glue one of these days.”

Your laugh comes unexpectedly. A real one. Crooked. Barely there. But it’s enough. He grins, but not in a triumphant way. In a relieved one.

“Better. That suits you more than silence, Moon.”

You don’t reply.

But when he rises and offers his hand again, you take it.

And when the two of you curl up that night in opposite corners of the wagon—backs to each other—there’s something binding in the silence.

And you sleep. For the first time in years.

You’ve never had someone bring you gifts before.

Not ones that weren’t dripping in expectation. Not ones that didn’t come with strings wrapped around your throat.

But Hoshi doesn’t tie bows around his kindness. He just… offers.

First, it’s a bundle of dried flowers—pressed and quirky, the kind that only bloom in colder months. He drops them beside your sketchpad one morning with a wink and a shrug.

“Found them near the trapeze wagon. Figured you might like dead things that look pretty.”

You don’t react. But you take them.

Then it’s a tin of coloured charcoal blocks—half-used, dull at the tips, but vibrant in your hands. The reds are bright, the blues deep. You don’t ask where he got them.

“Artist tools for my artistic shadow,” he says. “Now you can sketch me with proper flair. Make me taller, okay?”

Later, two perfectly peeled oranges, tucked in a napkin.

“You don’t eat enough,” he says, plopping beside you on the wagon step, his shoulder close but not touching. “You’re gonna float away at this rate. Then who’ll sketch my dramatic death leaps?”

You split one in half and hand it back to him without a word. He grins. Like he always does.

That night, he lights a candle in the middle of the wagon and sets it between you. The wax pools golden, flickering against the walls, throwing soft shadows across his face.

He talks while you draw. He always talks.

About his tiger routine, and how he once landed wrong and cracked two ribs but didn’t tell anyone. About a show in Prague where the audience threw roses—and one pair of underwear—onto the stage. About the time the tightrope snapped mid-performance and the crowd thought it was part of the act.

“I stuck the landing, though. Obviously.”

You glance at him.

“Barely broke my ankle. Ten out of ten.” He winks.

Your hand pauses on the page. A laugh itches in your throat but doesn’t come out.

“You’re hard to crack, Moon,” he says eventually, voice softer now. “I’m trying not to pry, I swear. But sometimes I look at you, and it’s like... I dunno. Like you’re made of glass, but all the sharp parts are turned inward.”

The candle flickers. So do you. He doesn’t ask anything else that night. Just hums while you sketch.

You don’t show him the drawing, but he smiles like you did.

You start watching him at night.

When the circus sleeps, and only the stars keep time, you slip out barefoot and perch behind the tent. He practices long after the others have stopped. Moves with a fever in his body, like he’s chasing something no one else can see.

Tonight, his shirt is discarded in a heap on the floor, and sweat slicks his spine as he flips, lands, stretches—again and again. No music. Just the beat of his breath and the slap of his feet against the pallet floors.

He stumbles. Not hard, but enough that he swears under his breath. You hear it—“Shit.”—followed by the dull sound of him sitting heavily on the edge of the platform.

He doesn’t notice you at first.

Then—“Moon?”

You freeze. He turns toward your hiding place, wiping his face with the hem of his shirt.

“You always watch from the dark, don’t you?”

You don’t move. But he doesn’t seem upset.

“I don’t mind,” he says, softer now. “Just wish I knew what you saw when you looked at me.”

You step into the candlelight. Not fully. Just enough to be seen.

He smiles, but it’s tired. Raw.

“Do you ever think about leaving?” he asks suddenly. “Not running. Just… stepping out. Free. New city. New name.”

You say nothing.

He looks down at his hands.

“I wanted Paris.”

The words are quieter now. Less Hoshi, more Soonyoung.

“I used to dream about it every night. Dancing in Montmartre. On a stage that mattered. I wanted to be someone people wrote about. Someone remembered.”

He chuckles bitterly. “Instead, I sold my soul to a man who locks animals in cages and calls it art.”

You take another step forward. He doesn’t look at you. Just continues to stare at his palms.

“I owe him too much. Money. Time. My best years. I perform, and he lets me breathe. That’s the deal. That’s the cage.”

Your heart twists. Because you understand. More than he knows.

“Sometimes,” he murmurs, “I think I could just disappear. Walk out into the night and never stop walking. But then I remember—no one would come looking.” He says it with a crooked smile.

Your voice is rough when you speak. Barely a whisper. But it slices through the night like a thread of silver.

“I would.”

He freezes. His head lifts. Eyes wide. Lips parted.

You’re not sure why you said it. Or maybe you are. Perhaps you’ve known since the first time he called you Moon and smiled like he meant it.

The silence that follows is the kind that lands heavily on your skin.

“Say that again,” he breathes.

You shake your head. He doesn’t ask again.

Instead, he stands. Walks over. Stops a step away. You brace—but he doesn’t touch you. He sits down beside you. Cross-legged in the dirt.

Like he did the other night. No questions. No explanations.

Just two lonely things pretending—for a moment—that they are not alone.

They call it The Velvet Night.

Once a month, the circus throws a masquerade for its wealthiest patrons—aristocrats in velvet, merchants with too many rings and not enough kindness, and strangers with mouths that never smile unless they’re closing a deal. The ringmaster loves them, of course. Their wallets are heavier than their morals, and they pay for illusions like addicts pay for Nirvana.

Tonight, the tents are lined with gold silk. Wine flows like water. Lanterns flicker from every beam and rope. The world smells like roses, sweat, and something sour beneath.

You spend the day in the costuming wagon, where Mira and the others chatter and laugh around you, unaware—or uncaring—that your hands shake every time you touch lace or ribbon. The feel of silk between your fingers makes your stomach turn. It reminds you of curtains. Of rooms that locked from the outside.

You sew quietly. You keep your head down.

Hoshi pops in at one point, barefoot and smiling. “Moon,” he says, eyes lighting up. “Come watch tonight. I’ve got a new finish. It’s dramatic as hell. Might pull a muscle for it.”

You nod. He winks and disappears.

Night falls; the masquerade begins.

You don’t risk going near the centre tent where the patrons gather, but from a side flap, you catch glimpses. Silk gowns. Flashing jewelry. Glasses filled with golden liquid. Painted lips and empty laughter.

You know this kind of party. The kind where you aren’t a person—just something to look at, to own, to touch if no one’s watching. Your stomach turns.

Still, you stay. Because Hoshi is in there. And for reasons you can’t name, you need to see him. You lean against a pole, hidden in the dark, mask in your hand, breath held.

And then he steps into the ring.

He wears black tonight. A fitted, sleeveless top that sparkles under the lights and tight pants that hug the strength in his legs. His face is hidden behind a white and gold mask that glints with each movement.

Every turn, every snap of his limbs is poetry. He spins for them. Leaps for them. Smiles for them. And none of them know how much it costs him.

You know. You see it in the way his shoulders dip just a fraction too low when the music fades. How his chest rises with effort, not excitement.

And then— It happens.

A woman in red—older, tall, with lips the colour of blood—pulls him in with her fingertips. She slips folded bills into the waistband of his pants. Laughs. Says something you can’t hear.

And he—He kisses her hand. Grinning. Flashing that perfect, practised smile.

You stagger back as if struck. The breath leaves you in a rush.

You turn before you can see anything else and walk—fast—into the darkness behind the wagons.

You don’t stop walking until your legs shake.

You end up behind the animal cages, near the row of hay bales where the fire breathers warm up in the mornings. No one comes here at night. It’s too quiet, too far from the music and the masks.

You sit. And the tears come.

You don’t mean to cry. Not like this. Not because of him. Not because he kissed someone’s hand and smiled like it meant something. But it pulls at a memory buried so deep inside you, you had almost forgotten about it.

You curl your knees up. Bury your face in your arms. Try to pretend you’re somewhere else. But the memory creeps in anyway.

Men with cold rings and even colder hands. A room that smelled like wine and roses. The sharp click of heels. The way they’d touch your face like you weren’t even there.

Used. Brushed aside. Forgotten. Always forgotten.

You thought it might be different here. And that makes you hate yourself more.

“Moon?”

Your body jolts, instinct screaming hide—but it’s too late. He’s already seen you. Hoshi approaches slowly, carefully, as if approaching a wounded animal.

“I saw you leave. I didn’t mean to upset you,” he says softly. “Can I… sit?”

You nod without looking up. He lowers himself onto the hay beside you, hands between his knees, gaze turned away. Silence stretches.

Then, in a voice you barely recognize as your own—“They used to make us smile, too.”

He stills.

You don’t look at him. You can’t. But the words keep spilling out, hoarse and thin, like something cracked inside you and finally let loose.

“At the brothel. We were supposed to laugh. Greet them like old friends. Let them touch us. Call it work. Call it love.”

You swallow hard. “They paid for what they took. That made it okay, they said.”

The air grows heavier with every word you whisper.

“Some of them liked it when we cried. Said it made us look real.” You feel your hands shake in your lap.

“I learned not to cry. Not to move. Not to exist, if I could help it.”

You finally look up. And he’s watching you. Not with pity. Not even with shock. Just quiet, fierce grief. Tears fill his eyes but don’t quite fall.

“Moon,” he whispers.

You flinch when he reaches out. His hand hovers near yours. But he stops.

“Can I hold you?” he asks.

Your throat closes. Your nod is barely a twitch. But he sees it.

He wraps his arms around you. Not tightly. Not hungrily. Just… safely. You don’t know the last time someone held you like this. Not to use. Not to consume. Just to be there.

He doesn’t fill the silence with apologies or, promises or empty words.

He just breathes. You feel his chest rise and fall. Feel the steady rhythm of his heartbeat against your cheek. His hand rubs gentle, slow circles across your back—no pressure. Just presence.

You cry again. This time, without shame.

And he stays.

The circus rolls into another town. Another foggy field. Another string of faceless patrons with fat wallets and vacant eyes. You’ve stopped caring where you are. All that matters is the tent. The rope lights. The sketches you leave scattered across Hoshi’s wagon table.

You sketch him constantly now. Not just onstage.

As he braids Mira’s hair between acts. As he sleeps curled on his side, hand under his cheek. As he rubs ointment onto his bruised knees.

Your pencils know the shape of his body like religion.

One night, you wait behind the curtain as the show ends.

He finishes his routine, glittering and breathless, but tonight, he’s a half-second off. His landings are sharp, but not as sharp as they should be. His final pose holds less punch, like his mind is somewhere else.

And Rigo notices.

As the crowd erupts into applause, the ringmaster stalks over to him like a storm cloud.

“What the hell was that?” Rigo snaps, grabbing Hoshi’s arm before he’s fully off-stage.

“It was fine,” Hoshi mutters, panting slightly.

“No. It was distracted. Sloppy. You’re better than that—so what’s got your head up your ass lately?”

Hoshi wrenches his arm free, jaw clenched. He sees you, just over Rigo’s shoulder, and his eyes soften for half a second.

“Maybe I’m just tired,” he offers.

“Then wake up,” Rigo growls. “You don’t get tired. You get perfect. That’s the deal.”

He walks off before Hoshi can reply.

You slip back into the shadows, heart hammering. The guilt feels sudden. Sharp. You wonder if you’re the reason his landings aren’t clean anymore.

You wonder if you’re unravelling him.

That night, you sit together outside the wagon.

The stars are unusually bright—clear for once, not clouded by fog or smoke. Hoshi sits beside you, hands clasped in front of his knees, chin resting on them. You watch the wind curl through his hair.

“We’re going to Paris next month,” he says suddenly.

You glance at him.

“It’s our biggest show. Rigo’s been hyping it for years. We’ll be at the Palais Garnier, if you can believe it.” He laughs once. “Me. In a building with gold ceilings. What a joke.”

You nudge your shoulder against his gently. He sighs.

“I’ve been thinking about leaving.”

He doesn’t look at you when he says it.

“After the Paris show. Slipping out during the night. Starting over. No more debt. No more cages. Just a train. A map. A backpack. I’ve saved enough. Barely, but enough.” He finally turns his head toward you. His voice is quieter now. More vulnerable. “I want you to come with me.”

You freeze.

His eyes search yours—not pleading, but open.

“I know you’re scared. I know you don’t trust easily. But I trust you.” A beat. “You’re the first real thing I’ve found in years, Moon.”

You stare at him, and your heart twists.

Because you want to say yes. You want to leave.

But part of you still believes you’re a shadow. Something cursed. You don’t want to ruin whatever light he has left.

So you lower your gaze.

He just whispers, “Think about it.”

You don’t sleep that night.

And by morning, everything has changed.

Hoshi bursts into the wagon, jaw tight, eyes furious.

“He knows.”

The words are like ice in your veins.

“Rigo. He knows about you.”

You rise slowly, heart pounding. “How?”

"Luca.” His mouth twists. “Little bastard must’ve told him last night. He told Rigo everything. That you’re not crew. That you’ve been staying in my wagon.”

You swallow hard. He sees your fear. Tries to soften it.

“It’s okay. We’ll figure it out. I’ll—”

A voice cuts through the air like a whip.

“So this is the little stray.”

Rigo stands at the entrance, dressed in dark green and gold, his ringmaster cane tapping ominously against the threshold.

You shrink back. Rigo steps into the wagon like he owns it. Because he does.

“No name. No papers. No protection. You know what that makes you, sweetheart?” His voice drips like poison. “Sellable.”

Hoshi steps between you, blocking Rigo’s path.

“Touch her, and I’ll kill you.”

Rigo lifts a brow.

“Brave words for someone still owing me two hundred grand.”

"Take me instead,” Hoshi spits. “Whatever it is you want from her, I’ll do it. I’ll clean cages. Dance double. Fucking wear a leash if you want—just don’t touch her.”

You’re trembling.

Rigo narrows his eyes. Then—without warning—he strikes.

A backhand. Brutal. Fast.

Hoshi stumbles back with a choked sound, blood already blooming at the corner of his mouth.

You scream. Instinct. Terror. Rage.

You move forward, but Hoshi lifts a hand, even through the pain.

“Stay back.”

"You want to keep her?” Rigo sneers. “Fine. She’s your debt now. Double it. Four hundred grand. Pay it, or I send her back to the brothel myself.”

He turns, storming out as the door slams shut behind him.

And the silence that follows is deafening.

You wait until Hoshi falls asleep in his bunk—after you’ve cleaned the blood from his lip and kissed his forehead so softly he doesn’t stir—to leave. You pack nothing. Take nothing.

Just your cloak, your boots, and a sketchbook filled with drawings of him.

You run. To protect him. To protect yourself.

He might hate you for leaving, but that’s a price you’re willing to pay.

You don’t know the name of the city you end up in.

The circus had stopped on the edge of somewhere cold, grey, faceless—one of those in-between places that no one dreams about and no one stays in unless they have nowhere else to go.

You walk around with your cloak pulled tight, eyes darting with every step you take. No one notices you. That’s good. That’s the goal.

Disappear. Blend in. Be nothing again.

It’s easier than it should be.

By mid-afternoon, your stomach is growling with hunger.

You pass a street market where vendors shout over one another, hands waving, eyes hawk-sharp. You linger near a bread stall. Time it. When the seller turns his back to argue with a customer, you slide a roll off the edge of the cart and disappear into the crowd.

You do the same with an apple not long after. Your hands still shake when you tuck it into your pocket. But your feet don’t stop moving.

You’ve learned that survival means guilt becomes background noise.

That night, it rains.

You find shelter beneath a wide stone bridge, its arch stretching over a river that smells of metal and sewage. You press your back to the cold wall, knees drawn up, the stolen bread long gone. The apple you save for tomorrow.

You watch the raindrops trace lines across the river’s surface and pretend you’re okay. You’re not. You miss the wagon. The scent of lemon oil and warm blankets. The candle he lit each night—flickering against wood-panelled walls. You miss him.

The way he called you Moon like it was sacred. The way he let you be quiet without demanding answers. The way he looked at you like you weren’t broken.

You don’t allow yourself to cry.

You just press your forehead to your knees and breathe through the ache of everything.

The next morning, you wake soaked, sore, and starving.

You spend the day trying to find a way out.

You walk into a café, asking if they need help in the back. They glance at your dirty clothes and shake their heads.

You try a laundry service. A florist. A small bookshop with dusty windows.

Every time:

“We’re not hiring.”

"No experience?”

"Come back another day.”

You leave each time with your head lower than before.

By sundown, your apple is gone, and your coin purse is empty. You can feel the panic start to creep in again—sharp, familiar, suffocating.

You turn a corner, not even sure where you’re going, and walk faster.

You’re trying to think, trying to plan, when you hear it.

“Angel?”

The name slices through the air like a whip. You haven’t heard that in a long time.

“Angel, is that you?”

Across the street, under a flickering lamp post, stands a man in a long coat with a hat pulled low around his eyes. Older. Heavy. His mouth curls into a grin you know too well.

“Thought I’d recognise that little walk anywhere. Been years, but damn. You haven’t changed a bit.”

Your heart launches itself into your throat. You turn and keep walking.

“Don’t be like that, Angel!” he calls louder. “Come say hi to an old friend!”

You walk faster.

“Come on, you remember me, don’t you? You used to like me. Said I was your favourite.”

That sets you off. Your feet slam against the pavement. Your eyes scan for an escape. Shops are closed. The street is empty. You don’t dare look back.

“ANGEL!”

The shout becomes a bark. A threat. You start running.

Your breath comes out sharp and ragged. Your boots slip on the slick stones. You round a corner, then another. Behind you, footsteps thunder.

He’s chasing you.

And this time, it’s not for a transaction. You stumble past an alley and are about to keep going when a hand grabs your arm.

You scream—but another hand clamps over your mouth, and you’re yanked into the shadows and dragged underneath a rusted fire escape.

Your body thrashes until you hear the voice.

“Shh. It’s me.” Your blood stills.

“Moon. It’s me.” The voice presses against your ear like a balm. “It’s me. It’s Hoshi.”

You don’t believe it—not for a second—until you turn your head and see his eyes in the dark. Wide. Familiar.

And then footsteps pass.

“Angel! Where the fuck did you go?”

You go rigid. Hoshi’s arm around your waist tightens just a little. His other hand stays over your mouth, steady but gentle. You both breathe as silently as you can.

“I know you’re out here!” the man shouts, voice slurring now. “You can run, but I will find you. You’re mine, you little—”

The words cut off as his footsteps fade down the street.

You wait. Long after he’s gone. Until the only sound left is the wind shaking loose a gutter pipe above you.

Hoshi finally lowers his hand. You suck in a breath like you haven’t in hours. Your heart is hammering inside your chest. Your fingers tremble as you look at him—really look at him.

He’s soaked. Panting. His shirt is half untucked. Eyes brimming with worry.

“You—how—what are you doing here?” you whisper.

He exhales through a shaky laugh.

“Looking for you, obviously.”

You stare, stunned. “How did you find me?”

"You’re not exactly subtle when you run away in the middle of the night with nothing but your coat.”

He reaches into his jacket and pulls out the sketch you made the first night you saw him. The one you left behind.

“I figured you wouldn’t go far.” His voice is softer now. “And I couldn’t—” He breaks off. Looks down. “I couldn’t let you leave like that.”

Your throat is thick. Your hands curl at your sides.

“But Rigo—he’ll kill you if you keep protecting me. He said—”

"I don’t care what he said.” His voice sharpens. “I’ll figure it out. I’ll work twice as hard. I’ll sell my ring, my shoes, I don’t care. I’ll dance until my legs break.” He steps closer. “But I’m not letting you disappear again.”

Your lips part, but nothing comes out. He keeps going.

“You said once that you would come looking for me.” His hand brushes your sleeve. “So now I’ve come looking for you.”

You don’t mean to. You don’t plan it.

But you step forward, fists balling into his shirt, and you crash into him like the sky’s falling.

“Thank you,” you whisper against his chest.

He melts around you instantly. His arms wrap around you, one hand cradling the back of your head, the other gripping your waist like he’s afraid you’ll vanish again.

“I’ve got you now,” he breathes. “I’ve got you, Moon.”

The wagon looks exactly as you left it.

Your coat drapes over the corner of the bench, the coloured charcoals still lay scattered across the table beside a stack of half-finished sketches. The candle is fresh now, a new stub melting quietly in the jar you used to stare at every night.

You sit down in the same spot you slept in for weeks, staring at the flame until your hands stop shaking.

Hoshi hovers like he’s afraid you might vanish again. He doesn’t touch you—but he doesn’t take his eyes off you either. You don’t mind. For once, it’s comforting. A tether instead of a chain.

“You’re safe,” he murmurs, more to himself than you. “You’re safe. That’s what matters.”

The circus moves two days later.

Another town. Another dirt lot. Another field where fog clings low and the ringmaster’s voice cuts through the morning like a cleaver.

No one knows you’re back except for Mira and the twins from the rigging crew, who catch glimpses of you slipping into Hoshi’s wagon at odd hours. They don’t say anything.

Hoshi’s return, however, doesn’t go unnoticed.

The moment he sets foot near the main tent, Rigo is on him.

“Gone two nights,” the ringmaster growls through gritted teeth. “Two full shows missed without a word.”

"I was scouting a location. Spoke to the fire-breather about it weeks ago,” Hoshi lies smoothly, with just enough annoyance in his tone to pass for truth.

You listen from behind a canvas divider, heart in your throat.

Luca stands nearby, arms crossed, trying not to look smug.

Rigo eyes Hoshi but doesn’t press.

“If it happens again,” he says, voice dropping, “I’ll have another very interesting conversation with a friend of mine back in the city. Runs a brothel. Says he’s been looking for one of his girls. Thought she’d vanished. Sad story.”

Your blood runs cold.

“You leave again without permission,” Rigo continues, “and I’ll be sure to point him in the direction of our last stop. That would be a shame, wouldn’t it?”

Hoshi says nothing. But his fists are clenched. You can see it even from here. The trap is set.

And there is nothing either of you can do.

Because if he leaves, you’ll be taken back.

And if he stays, he’ll be ruined.

When he finds you later, you act as if you haven’t heard anything. You reassure him, a smile gracing your lips that doesn’t reach your eyes. “All good. Nothing to worry about.”

On your way to the next stop, Hoshi tells you he wants to debut something new.

“A solo,” he explains, eyes lit up. “But not just me. I want it to be our piece.”

You stare at him, confused.

“Your sketches,” he explains, stepping closer. “You capture me better than any mirror ever could. I want to bring that version of me to the stage.”

You hesitate, he notices.

“Come on, Moon. We’ll choreograph it together. In secret. It’ll be just ours.”

You nod. Because how could you not?

You spend nights in empty tents and behind curtains, moving with him. Not dancing, not really—but guiding. Sketchbook in hand, you draw each frame. Each leap. Each reach. He watches your eyes more than your lines, and listens when you say “Again”. It becomes something else. Something that belongs to both of you. Not the circus. Not Rigo. Just you.

The night of the performance, he doesn’t tell anyone what he’s doing.

He steps into the center ring in silence, no music at first. The crowd murmurs. Rigo frowns from his usual spot near the edge of the tent but says nothing.

Then the lights dim. A spotlight blooms. And Hoshi begins to move.

It’s slower than his usual routines. Less about spectacle, more about story. Every line of his body carries emotion—grief, yearning, rage, release. He uses space like it’s water, shifting in and out of it with the grace of something both wild and controlled.

You watch from the shadows, breath caught. Because this—this is not a cage.

This is art. This is flight. This is freedom.

He ends on his knees, back arched, chest heaving, arms thrown wide like he’s asking to be struck by lightning.

And for the first time in months, the audience is silent.

Then—Thunderous applause. They stand. They shout.

Yet, Rigo doesn’t smile.

While you help Mira gather some of the costume bins behind the dressing tent, you hear voices again.

You duck behind a rack of sequined jackets, crouching low.

“What was that tonight?” Rigo snaps. “That wasn’t the act we approved.”

"You said as long as he performs, you don’t care what it looks like,” Luca mutters.

“I said I want obedience. That little stunt was defiance dressed up in glitter.”

A pause. Then—

“How much does he owe you again?”

“Doesn’t matter,” Rigo growls. “I’ll change the amount however I want. Interest, late shows, fines. He’ll never pay it off. That’s the point.”

“And if he tries to leave again?”

"We remind him what happens to little strays who don’t know their place.”

You don’t hear the rest. You’re already slipping away, eyes wide, chest tight.

Hoshi doesn’t know. He thinks the debt is manageable. That there’s an end to it. But there isn’t. There never was.

The next city is louder than the last.

Cobbled streets overflow with carriages and clamour. Street performers clog every corner. Posters for the circus flutter on every lamppost.

You help him dress backstage that evening, hands tightening the clasps of his costume as he stretches his arms above his head. He hums off-key, as usual, pretending not to wince when his shoulder cracks.

“Nervous?” you ask, voice barely audible.

“Always,” he says with a grin, though the tremor beneath it betrays him. “But it helps that I know you’ll be watching.”

You smile. It’s faint. But real.

He cups your chin with one gloved hand, eyes searching your face like he’s trying to memorise you again. You lean into his palm before he can pull it away.

“Come back to me after,” you murmur.

“Always.”

You don’t see the man in the suit approach him.

You don’t hear the words exchanged at the edge of the ring after the show when the lights are dimming, and the crowd is dispersing.

You don’t see the glint of a silver card passed from one palm to another.

But Luca does. And that’s enough.

Hoshi returns later than usual that night.

You’re in the wagon, seated cross-legged on the bench, one of his shirts in your lap. Mending it. Or pretending to. Every sound outside sends your heart leaping.

When the door finally creaks open, you look up—and freeze.

He’s pale. His mouth is drawn tight. He walks like he’s trying not to breathe too deep.

“You’re late,” you whisper, rising quickly.

“Got caught in the crowd,” he replies, his voice hoarse.

You cross the floor in two strides and reach for his arm. He jerks it back instinctively. Your heart drops.

“What happened?”

"Nothing, Moon. Really. I’m just tired.”

You narrow your eyes, and you step closer.

He won’t meet your gaze.

“Take off your shirt.”

"What? No, I—”

"Take. It. Off.”

His jaw tightens.

“You don’t have to pretend with me,” you add, softer now. “Not here.”

He exhales slowly through his nose.

Then, without a word, he reaches for the hem and pulls the shirt over his head.

Bruises bloom like dark petals across his ribs and chest. Long, red welts streak across his back—angry, raised, and recent. Some are still bleeding. Others already begin to purple.

“Rigo,” you whisper, your voice trembling.

Hoshi says nothing. Just stands there, eyes closed, like he’s waiting for you to flinch away.

Instead, you reach out. Your fingers brush gently across one of the bruises, barely touching. He hisses softly—but not from pain.

“He beat you.”

"It’s not the first time.”

"Because of me?”

"No.” His eyes flash open, fierce. “Not because of you. Because I might’ve had a way out. Because someone else saw what I could be, and he can’t stand that.”

"A scout?”

He nods.

“Asked if I was under contract. Told me he’d seen my last two performances. Said I had something rare.” He swallows. “I didn’t even say yes. I just took his card.”

You don’t need to ask what happened next.

Your stomach churns. Rage bubbles in your throat, bitter and thick.

“I’ll kill him,” you whisper. “I swear to god, I’ll kill him.”

"It’s nothing.”

"Don’t say that.”

He finally looks up.

And it’s you he sees now—not the artist, not the runaway—but the woman who’s watched him from the shadows every night since he met her.

“This place will kill you before it frees you,” you say.

“Then what do we do?"

Your hands reach for his.

“We burn it down.”

It begins with Mira.

You approach her first. The seamstress with needles tucked into her bun and burns on her fingers. You show her Hoshi’s bruises. You don’t say a word. Just let her see. She doesn’t speak for a long time. Then she nods.

“It’s about time.”

Then Andrei.

The tall, silent strongman with eyes like storm clouds and a permanent frown. He’d always been kind to Hoshi. Had once given you half a sandwich without asking why you were hiding behind crates.

He listens. He nods once. Then he spits on the ground.

“I’ll handle the locks.”

Then, the twins—Illya and Ivan.

Aerialists with matching red hair and scars on their ankles from the silk ropes. They’d grown up in the circus. Their parents hadn’t been as lucky.

When Hoshi tells them the plan, they glance at each other—then smile, cold and sharp.

“We’ll give them a show they’ll never forget,” Illya says.

“And if Rigo ends up gagged in a lion cage, well…” Ivan shrugs. “Oops.”

It becomes something more than revenge. It becomes a rebellion.

One by one, performers start pulling their weight for Hoshi, stalling for him, hiding you in plain sight.

You and Hoshi begin mapping out everything.

You sketch the grounds, mark the weak points, the tent poles soaked in oil, the ropes fraying after years of neglect.

Hoshi studies fire escapes like choreography. Practices his flips in silence. His eyes burn with purpose again.

And every night on your way to Paris, before the candle goes out, you sleep with your hand in his.

The Palais Garnier gleams like a dream—its chandeliers sparkle, marble stairs echo with polished footsteps, and every guest inside wears something that costs more than your entire life.

It is Paris. And tonight, the circus burns.

You stand just outside the main tent, your body cloaked in dark rain-slick fabric, the matchbox clenched in your hand.

The performers pass around each other like whispers—disguised in their roles, eyes meeting in split seconds of silent code. Tonight isn’t a performance. It’s a war.

Mira helped you lace your boots extra tight. Andrei handed you the rope soaked in kerosene. Illya gave you a pocket knife, “just in case.”

No one says goodbye.

You’re not sure if that’s superstition, or fear.

Across the field, on the opposite end of the canvas, Hoshi slips into the beast tent. You catch one last glimpse of him. His white and silver costume shimmers against the lighting. No mask. Just his face, taut with focus, damp hair clinging to his temples.

He looks back once. His eyes find yours. And you nod.

Then, he vanishes into the shadows.

Inside the ring, the final act is about to begin.

The guests—drunk on champagne and artificial wonder—roar in their seats. Rigo stands just behind the curtain, adjusting his cuffs and sipping dark liquor from a cut-crystal glass. His cane, tiger-head-topped and gold-plated, rests against his thigh.

“They think they’ve seen a show already,” he smirks to Luca. “Wait ‘til the beast steps out. Solomon’s presence raises the price of the ticket by tenfold.”

"Are you sure it’s wise?” Luca murmurs. “He was twitchy this morning.”

“They’re all twitchy before a crowd.” Rigo scoffs. “That’s what makes them pliable. And Soonyoung knows better than to disappoint me again.”

He chuckles, cruel and smug. “Besides, the tiger knows who owns him.”

You circle the outer rim of the tent now, fingers trembling as you reach the section Mira marked in chalk—just behind the main structure, near a weak seam in the canvas wall. It’s here you strike the match.

The sulfur flares with a hiss, gold against the grey.

The flame eats the rope greedily.

The wind carries the flames faster than expected, wrapping around the edge of the tent. The fire is elegant at first—just a shimmer. A flickering glow.

Then, the fuel kicks in. And the tent goes up like a furnace.

Inside, Rigo freezes mid-sip.

The crowd begins to murmur—then shout.

“What the—” he barks, turning toward the entrance. The smoke has reached the curtains. Flames curl upward in waves.

“Someone put that out! What’s happening?!”

Luca runs out with two other crew members. Chaos explodes like firecrackers. Chairs overturn. Guests push toward exits, masks slipping from sweat-soaked faces.

Then, a roar splits the air, but it doesn’t come from the crowd.

It’s deeper. Wilder. Rigo pales.

“That’s not possible.”

He turns— and sees the gate of Solomon’s cage wide open.

The chain lies coiled on the ground.

“No. No, no, no—WHERE IS HE?! WHO LET HIM OUT?!”

He stumbles back as the tiger emerges.

Solomon moves slowly at first, padding across the ring with terrifying grace. He is not panicked. He is not afraid. He is free.

The audience flees. Performers scatter.

And in the centre of the smoke and madness, Rigo stands—frozen. His cane shakes in his grip.

“Easy now,” he whispers, stepping backwards. “You’re trained. You know me. You know your master.”

But Solomon does not stop.

He snarls low as his eyes gleam with something cold. You watch from outside the tent, unable to move, unable to breathe.

Rigo lifts his cane like it’s a sword.

“You obey me!”

And then Solomon pounces.

The cane flies from Rigo’s hand as claws tear through his coat and skin. Rigo screams—a high, broken sound that echoes like a death rattle inside the inferno. He stumbles to the floor, arms flailing, trying to crawl, trying to beg, but Solomon bites down.

The tent is fully ablaze now.

A final scream is lost in the roar of collapsing canvas and shattering beams.

And just like that—Rigo is gone.

There’s only one last thing left to do.

You reach his wagon on the far edge of the circus grounds.

It’s massive—more like a carriage fit for royalty than a travelling performer’s quarters. The door, somehow, is unlocked.

Of course, it is. Overconfidence always did follow arrogance.

You slip inside and close the door silently behind you. The air smells like whiskey, sweat, and expensive cologne. The velvet drapes are half-drawn.

You move quickly.

The room is cluttered—brass fixtures, crystal glasses, boxes of cigars. But your eyes are sharp now, your purpose clearer than fear. You open drawers. Tear through desk cabinets. Rifling past letters, ledgers, and a pile of guest receipts.

Nothing.

Then—you find it.

A narrow cabinet beneath the liquor shelf. Locked. You pry it open with the tip of your knife.

Inside, you find a thick stack of bound papers, folders, and cash.

You search quickly until your fingers close around one with a name written in thick black ink across the top.

Kwon Soonyoung.

You grab it. Beneath it is a yellowed envelope, fat with bills—more than you’ve ever seen in one place.

You shove both into a satchel, sling it over your shoulder and turn toward the door.

“Going somewhere, Angel?”

Luca stands in the doorway, his face dirty with ash and smoke, eyes wide with fury.

“You stupid, stupid bitch.”

Meanwhile, Hoshi is running.

Rain pelts down in sharp slashes. His chest heaves as he pushes through the brush and out toward the clearing.

The rendezvous point, where you should already be.

He drops the bags—his and yours—by the base of the tree where you promised to meet.

“Moon?” he calls. Nothing.

“Moon!” Still nothing.

He turns, scanning the tree line, frantic.

Mira appears first, drenched and panting, dragging a case of costumes behind her. Then Andrei, carrying one of the twins—Illya, maybe—with blood on his shirt. Ivan stumbles in next, singed and coughing.

One by one, they arrive. Except you.

Back in the wagon, Luca steps inside and slams the door behind him. “You think you can just destroy us and walk away?” He bellows. “You think he’s free? He’ll never be free. Not from this. Not from what he is.”

You stand your ground even though your body is already coiled like a spring.

“Rigo owned that tiger,” Luca spits. “He made all of this. You think you’re better than us? You think you’re something because Hoshi likes you?”

He spits the words like it’s poison.

“You’re still just a broken whore who’s good at looking sad.”

You don’t have time to answer.

He lunges.

His hand strikes your face first—hard, open-palmed, knocking you into the desk. Pain blooms across your cheekbone.

Before you can recover, he kicks you in the side. You cry out and crumple against the cabinet.

“You ruined everything,” he growls, dragging you up by your hair. “He could have had a future. We all could. But no—you had to make it about you.”

You thrash, kicking. Your elbow connects with his ribs, but he punches you in the stomach. Air flies out of your lungs. Your vision swims.

You hit the floor hard.

Then—you see it. The brass tiger paperweight on the edge of the desk.

You lunge for it.

“You think you can beat me?” he snarls, dragging you once more. “You can’t even fight.”

You close your fingers around the cold metal.

And without thinking, you swing.

The sound of impact is dull and sickening. Bone cracks. Luca stumbles backward, stunned, blood pouring from his temple.

He sways, then crashes to the floor.

The smoke is crawling into the wagon now. The wood slowly engulfing into flames.

You grab the satchel, stagger to your feet, your ribs screaming in protest. The velvet curtains are alight.

You throw open the door, choking, stumbling into the open air. And run.

Hoshi is pacing.

“She should be here.”

"Maybe she went a different way,” Mira suggests gently.

“No. We had a plan.”

Then—movement.

You burst through the trees, soaked in blood and soot, your dress torn, your lip split.

Hoshi turns and runs to you.

“Moon—Moon, what the hell happened?”

He cups your face, frantic, hands shaking.

“Are you okay? What—did someone—”

"I’m okay.” You gasp. “I’m okay. But we have to go. Now.”

You hold up the satchel. “I have it. Your contract. The money. Everything.”

His eyes widen.

“You went back.”

You nod once. Then: “Train. Now.”

You run.

The entire company—burned, bruised, breathless—runs together through the wet fields, dragging bags and trunks and instruments and cages. You help Andrei lift Illya. Hoshi carries your satchel when your arms give out. Mira wraps a scarf around your bleeding arm without a word.

In the distance, you hear a whistle.

The tracks shimmer in the dark.

An old freight train rumbles past, slow and moaning.

You run faster.

Hoshi helps Mira up. You push Illya into the cart. Andrei hoists Ivan. Hoshi jumps up next, then turns and grabs you.

Your knees almost buckle from exhaustion—but his arms are around you, pulling you in.

The doors close. The train rolls on.

And as the last glow of the fire dies behind you—you are free.

The train groans against the tracks, the kind of sound that settles into your bones like an old ache. It’s been three days since the fire. Three days since the circus ceased to exist. Three days since Rigo’s scream was swallowed by a blaze you lit with your own hands.

You haven’t spoken about it.

Not with Hoshi. Not with anyone.

The others are gone now, scattering like embers from a dying flame. Andrei leapt off at a sleepy station near the border, chasing rumours of a woman who once promised him she would wait. The twins disappeared into fog-cloaked hills, saying something about a cousin’s vineyard and never setting foot in a tent again. Mira kissed you both goodbye, said Paris was too heavy and lacework was lighter.

Now, it’s just the two of you in an empty freight car, rocking slowly toward the south. The sea, maybe. Or some small town with cheap rent and no haunting past for either of you.

The silence between you grows louder with every mile.

Hoshi crouches in front of you, his hands gently pressing a warm cloth to your cheek. The swelling has gone down, but the purple bruising still blooms over your ribs, your jaw, and your hip. He’s been nursing you like this every day, his fingers careful, his voice low.

But tonight, you’re both too tired to pretend it doesn’t hurt.

“Stop fidgeting,” he mutters, dipping the cloth in a tin cup of boiled water.

“I’m not.”

“You say that right before you wince.”

"That’s because you’re hurting me.”

He sighs, but there’s a flicker of something under the breath—something sharp and coiled.

“I’m trying to help, Moon.”

"I didn’t ask you to.”

It slips out colder than you intend, and the moment you say it, you regret it. His hand stills on your skin.

You flinch, not from pain but from the look in his eyes.

He stands slowly, tossing the cloth aside.

“You don’t have to bite me every time I get too close.”

"I’m not—”

"Yes, you are.”

He steps back, the space between you stretching like a chasm.

“Every time I try to touch you, really touch you, you act like I’m going to burn you alive.”

"That’s not fair.”

"Neither is the fact that I haven’t slept in three nights wondering if you’ll be gone when I wake up.”

That stuns you.

The candlelight flickers. Rain begins to tap softly on the metal roof above.

He runs a hand through his hair, jaw tightening.

“I know you’re scared, Moon. God, I know. But I’m scared, too. I don’t know what comes next. I don’t know what this is.”

You want to say something. You do. But the words are stuck in your throat.

He turns away slightly, his voice quieter now.

“And I’m starting to think you’ll leave now that I’m not something to fix.”

That breaks something in you.

“So that’s what you think this is?” you whisper. “That I stayed because you were broken?”

His silence says enough.

You stand, even though your ribs scream. You move closer until there are only inches between you and the man in front of you.

“I’ve never stayed for anyone, Soonyoung. Not once.”

He doesn’t answer.

You reach for his hand, lacing your fingers through his. Your voice shakes when you speak next.

“But I want to stay with you. Every day.”

The words hang in the air between you, trembling like your breath.

Hoshi’s eyes search yours—wide, stunned, reverent. Like you just handed him a whole galaxy and asked him to hold it.

Then, slowly, carefully, he steps toward you, his hand lifting to your cheek.

And his lips finally meet yours.

His mouth moves against yours like he’s afraid you’ll vanish, but you don’t. You melt.

The kiss deepens, slow and aching. Your fingers twist in his shirt, pulling him closer as he backs you gently toward the soft pile of blankets laid out on the freight car floor.

“Tell me if you want me to stop,” he whispers, resting his forehead against yours.

“Don’t,” you breathe, voice small. “Please. Just—don’t.”

Soonyoung kisses you again, slower this time. Fuller. Like he’s learning the shape of your mouth from scratch. His hands stay at your waist, not roaming, not demanding. You press your chest into his, heart pounding like a drum against his ribs.

You whimper when he grazes your lip with his teeth.

His thumb strokes over your hip.

“Still okay?”

"Yes.”

He unbuttons your shirt slowly, each pop of a button a small act of worship. He kisses your shoulder as it slips off, trailing warmth in his wake. You’re trembling—but not from fear.

His eyes drink you in as he pushes the fabric down your arms.

“You’re so—” he swallows. “God, you’re so beautiful.”

You flush, chest tightening.

You’re not used to this. Not this kind of looking. Not this kind of wanting.

He kneels in front of you like one would at an altar, before his hands softly remove your pants.

When you’re bare in front of him, shivering in only your underwear, he leans forward—pressing his lips gently to the bruises on your ribs. Your stomach. The cut on your collarbone.

“You survived so much,” he murmurs. “And you’re still here.”

You bite your lip, fighting tears.

“I want to make you feel good, Soonyoung,” you whisper. “I want to—”

He shakes his head.

“No.”

You blink.

“You don’t have to give anything tonight. You don’t owe me pleasure, Moon. You never did.”

"But—”

"Let me show you what it’s supposed to feel like,” he says softly. “Let me show you what it means to be wanted.”

You shudder as he leans in again.

“You deserve to be worshipped, not used.”

He gently instructs you to lay back on the blanket, your hair fanning out like a halo. His lips trail along your throat, your collarbone, the swell of your breasts. Every kiss is slow, like he’s savouring you. Every glance between kisses makes you ache deeper.

When he finally pulls off his shirt, you see the bruises still healing across his ribs, and your breath catches. You reach out, kissing the darkest one.

“You got this for me.”

“I’d do it again.”

His hand slips between your thighs, fingertips brushing the cotton of your underwear.

“Can I?”

You nod, voice caught in your throat.

He eases the fabric down, then settles between your legs like it’s the only place he’s ever wanted to be.

The first touch of his fingers against your clit is gentle. Careful.

He strokes between your folds, collecting your building juices and learning every gasp that leaves your mouth, every arch of your back, every shiver of your hips. He watches you with the same expression he wears on stage—focused, present, enchanted.

And when he slides a finger inside your wet heat, his mouth meets your breast, kissing, sucking, syncing the rhythm of his tongue with the one from his fingers.

You reach for him—needing him closer, needing his weight, his heat.

“Soonyoung—please—”

He groans against your skin.

“You feel like heaven.”

Your pleasure builds slowly, like a tide rising, until you’re trembling beneath him, and the world is spinning behind your eyelids. His fingers continue their steady push and pull inside of you as his thumb gently flicks your clit.

You don’t even realise when you fall.

You suddenly cry out his name, shaking, as waves of pleasure ripple through you, raw and real and overwhelming.

Hoshi guides you through it, pressing kisses to your temple, your cheek, and your jaw.

When the aftershocks fade, you pull him down, your legs wrapping around his waist.

“I want you,” you whisper. “I want all of you.”

He hesitates.

“Are you sure?”

"I’ve never been more sure.”

He kisses you again, deeper this time. Your bodies slide together, skin to skin, as he removes his pants. His hard cock springs free, slapping against his stomach. He doesn’t break eye contact when he guides his tip to your entrance and pushes into you. You gasp softly, your legs falling open wider to make space for him. He stills halfway through, his brows drawn in concentration, the corded muscles of his arms shaking where he holds himself above you.

“You’re okay?” he pants.

“Yes,” you whisper, overwhelmed by the stretch of him within your walls, by the way your heart cracks wide open under the weight of being cared for.

“You feel like… fuck, Moon. You feel like home.”

He finally bottoms out with a groan, hips pressing flush to yours. Your head tips back, a moan slipping past your lips at the feeling.

He doesn’t move at first. Just lets you adjust. Your hands trace his spine, nails dragging lightly. His breath is ragged against your neck.

When you lift your hips, he takes it as permission.

He moves. Slow. Gentle. Worshipful.

The friction sparks something deep in you, something raw and tender. Your body arches into him, chasing each slow grind of his hips.

He kisses your lips again.

“You’re so good,” he breathes. “So perfect. I’ve wanted you for so long.”

You whimper, your fingers tangling in his hair as he thrusts deeper, his cock hitting a spot inside of you, you never bothered to search for.

The rhythm builds—deliberate and measured, but full of heat. He rolls his hips against you, his body moving like a dance, like the final act of a performance meant only for you. Each thrust pushes in just right, pulling soft, gasping moans from your throat.

“Soonyoung—please—don’t stop.”

"I won’t. I’m right here.”

You cling to him, overwhelmed by the pleasure building in waves again, dizzy from the closeness, from the way he never looks away from you. His forehead presses to yours. Your lips brush as you breathe each other in.

His hand slides between your bodies, finding your aching bundle of nerves again and circling it gently with his fingers. You cry out at the combined sensation, your hips jerking, pleasure blooming fast and deep.

“Come for me, Moon,” he whispers. “Let go. I’ve got you.”

And you do.

You shatter beneath him—back arching, a sob torn from your throat, the orgasm rippling through you so hard it steals your breath. Your whole body trembles, tears spilling from your eyes.

Soonyoung kisses them away.

“That’s it, love,” he murmurs. “That’s it.”

Your walls cramp around him with your orgasm, and he groans—a low, desperate sound—and thrusts faster, his hips losing their rhythm as he chases the edge as well.

"I love you,” he gasps, his voice wrecked. “I love you, I love you, I—”

And then he comes too, with a shudder and a cry against your skin, his come pouring into you, his body collapsing into yours.

You wrap your arms around him as he trembles through the aftershocks, your hands stroking his back, your heartbeat thundering in your chest.

Neither of you speaks for a long time.

You simply hold each other, sweat-slick and breathless and ruined in the most sacred way.

And when he finally lifts his head to look at you—those eyes soft with everything he doesn’t know how to say—you whisper, “You’re mine now.”

He smiles.

The sea is quieter in the mornings.

You like to think it’s listening.

The breeze carries the scent of salt and citrus, the sky soft with watercolour light. Your little studio stands just beyond the dunes, tucked beneath an olive tree that’s older than you’ll ever be. The walls are whitewashed and cracked in places, but the inside is alive—with your brushstrokes, with the stories only colour can tell.

You painted the studio walls with everything you couldn’t say. A tiger in flight. A girl with stars in her hair. Fire that doesn’t burn but frees.

Soonyoung says it feels like walking into your soul.

He still calls you Moon.

Even now. Even after all this time. Even when your given name hangs on your business sign in elegant cursive: Galerie de Lune.

You laugh now, more than you cry. Not because everything is easy, but because it’s no longer unbearable.

Soonyoung teaches dance in the community hall just down the road. Most days, he brings home sand in his shoes and glitter on his neck from the children, who insist on decorating him like he’s part of the show.

He teaches them rhythm, footwork, and how to roar on stage without fear.

“No one can take your voice if you learn how to use it,” he tells them, tapping their chests where their hearts beat bold and wild. “Even when it shakes.”

Sometimes, you watch through the open windows as he twirls a girl in pigtails or lifts a boy with stage fright into the air until he forgets to be afraid. You still can’t believe he’s real.

Sometimes you touch his back in the middle of the night just to make sure he’s still there.

The bed is a little fuller now.

There’s a child who curls up between you most nights, her little body warm and soft and full of questions. She has a gap in her teeth and a temper that rivals thunder. She calls him Papa and you Maman and insists she was a tiger in her past life.

You might just believe her.

The adoption wasn’t easy. Your body, marked by things you never asked for, couldn’t carry life without danger. It broke you once, quietly and completely, in the dark of a hospital room. But he never blamed you. Not for a second.

He only kissed your tears and whispered, “Then we’ll find the child who’s already waiting for us.”

You did. And she is perfect.

Sometimes you still flinch in your sleep. Sometimes he still wakes from dreams of iron bars and snapping chains, sweat beading on his skin, whispering names he never told you.

But it’s not like before.

You soothe each other back down, palms on hearts, kisses against temples. The panic no longer owns you. It visits. It passes.

You have anchors now. You’ve built a world where no one owns you. Where no one watches from behind velvet curtains. Where no one pays to touch you, or beats you for dancing too slow.

Here, in this quiet coastal town with your studio and his stage and a child that carries light in their palms—you are finally free.

And you are still in love.

Tonight, the stars are out.

You sit on the porch with your sketchbook, legs tucked beneath you, your child asleep inside. Hoshi brings you tea and a kiss on your cheek, still sweaty from rehearsal, his shirt hanging loose on his shoulders.

“Whatcha drawing, Moon?”

"You.”

"Again?” he laughs.

“Always.”

He sits down beside you, thigh pressed to yours, gaze fixed on the dark waves in the distance. For a moment, neither of you speaks.

Then, quietly, he says, “Do you ever think about the fire?”

"Sometimes.”

"Do you regret it?”

You lean your head against his shoulder. “No. It saved you.”

"It burned everything down.”

"Only what needed to die.”

He takes your hand, kissing your knuckles. “You rebuilt me.”

"No,” you whisper. “You just finally had room to bloom.”

He hums, content. And as the tide laps against the shore, you realize something so simple it nearly brings you to tears.

You are safe. You are free. You are loved.

And your tiger still sleeps beside you.

A/N: Don't ask me where this came from, I have no idea. Did I cry while writing it? Yes. Am I also incredibly proud of it? Yes. Anyway, hope you enjoy and that it breaks your heart like it did mine. 💟

Send me your thoughts - feedback/fangirling is always welcome.

(Collage created by me. Credits to owners of the pictures taken from Pinterest)

#kwon soonyoung #seventeen

218 notes · View notes

floraoleander · 22 days ago

Text

Can someone write a svt fic with this plot 😭

#chwe hansol #mingyu #dokyeom #vernon chwe #svt wonwoo #hoshi #kwon soonyoung #kim mingyu #svt #svt fanfic

9 notes · View notes

floraoleander · 2 months ago

Text

on watching a parent age

i saw somebody say “what if you’re gone and i haven’t become anything yet” and basically that broke me on a random thursday evening

69K notes · View notes

floraoleander · 2 months ago

Text

hard carry 🧮 mingyu x reader.

your math major soulmate is the only reason you’re surviving college, but how long can you rely on him for help?

★ math major!mingyu x art major!reader. ★ word count: 2k ★ genre/warnings: alternate universe: college/university, alternate universe: soulmates (you and your soulmate can communicate with thoughts), romance, fluff, humor. a math term/solution i am not 100% sure about. reader’s thoughts are in pink while mingyu’s are in blue. ★ footnotes: this is part of my follower milestone event. when are @maplegyu and i not self-indulgent? alas, brainiac!kmg is one of my favorite versions of gyu— so i’m glad to finally have an excuse to play with it. ily, maple!

↻ ◁ || ▷ ↺ hard carry by got7. no song without you by honne. in the same place by girls on top. let’s love by suho. lilac by iu. mariposa by peach tree rascals. love equation by vixx. common denominator by justin bieber.

Barnett Newman. Helen Frankenthaler. Mark Rothko.

All fantastic abstract expressionist painters, known for their vibrant compositions and color-saturated canvases. Some of your peers turned their noses up at the movement, presumably because it always took a little more of a critical eye to understand it.

You didn’t share the same distaste. Most of the time, you enjoyed the colors, lines, and shapes that all served to be a bigger part of a whole.

If anything, the math problem in front of you was the most abstract thing you’d ever faced.

You stare at the test paper, your pencil hovering uselessly above the page. The numbers have all blurred together— a mess of equations and symbols that could rival the work of Jackson Pollock.

It’s almost comical, how you slot so easily into the stereotype of art-major-who’s-ass-at-math. Some people are an exception to the norm. You are not one of them.

“Fifteen minutes left,” your hard-pressed professor drawls from the front of the classroom, and you snap out of your woe-is-me reverie.

Question five taunts you. If f(x) = 3x² - 4x + 7, find f'(x) and evaluate f'(2).

Derivatives. Okay. You know this. You should know this.

Except, right now, your brain is a blank canvas.

You purse your lips. This isn’t going to bode well for you, but you’d held out this long. You’ll be lucky to get a C on this test— to pass by the skin of your teeth— and so you deserve to get at least one question indisputably correct. Right?

Mingyu. You reach out through the bond, desperate. You there?

Some have said that once you’ve met your soulmate, once you know how they sound like, it’s their voice that rings in your thoughts. If you haven’t, though, you’re left with something more akin to subtitles. Text flashing in your head in a font of your choosing.

(Your poison is Courier New. You asked Mingyu once, what his font for you was, but he never really ‘got back’ to you on it.)

There’s a pause— just long enough for you to feel guilty— before a response flashes in your mind. Aren’t you in the middle of a test?

You can almost imagine his tone. You anticipate it’d be something sharp and warm all at once, which is just your way of coping with how desperate you feel right now.

I’m seriously failing in the middle of my test, you respond. Hopefully, he can read how frantic and desperate you are. I just need a little nudge.

A beat.

You tack on, Please?

If Mingyu could sigh, he probably would have by now. He’s a man carrying the weight of your academic shortcomings, after all. There’s just enough exasperation in his ‘tone’ when he shoots back, Fine. What is it?

Your eyes dart over the problem plaguing you. Once you’ve mentally relayed it to your soulmate, he responds without missing a beat.

Power rule. If you have something like axⁿ, the derivative is naxⁿ⁻¹.

You blink. Say that like I’m five.

So help me, God, Mingyu says, forcing you to tamp down a laugh. Okay. What’s 3x²?

Uh… 6x?

Good. And -4x?

-4?

And a constant?

Zero—

You sit up a little straighter, faltering mid-mental correspondence. So f’(x) is 6x - 4.

Mingyu can’t really sound amused— or proud— but you picture it all the same when he urges you to go on. And f’(2)?

Your pencil is already scribbling furiously across your test paper. Eight, you triumphantly declare. The answer is eight.

There you go, he answers.

For not the first time, you wish you’d already met him. It must be nice to have a smile in your mind, a cadence instead of sentences. But you and Mingyu had agreed that neither of you were in a rush. You were both uni students wanting to explore your individual lives at your own pace before attempting a happily ever after.

It’s only through your ironclad will that you’ve resisted the urge to look him up, to find out if there was a math major named Mingyu within your area.

This is the last time I’m going to help you cheat, he says as you move on to correct your answers for some of the other questions.

A corner of your mouth twitches upward. That’s what you said last time.

Yeah, well, I mean it this time. Get a tutor or something, woman.

Are you presenting yourself?

Don’t tempt me with a good time.

Your professor keeps you from responding immediately. “Five minutes,” she calls out.

Your fingers tighten around your pencil. It wouldn’t be the first or last instance where academic integrity might be compromised because of the whole soulmate bond, but Mingyu is right. You can’t keep summoning him like your personal math genie.

Fine, you concede. I’ll stop bothering you with my [math] problems. Nerd.

Mingyu asked for it, so, really— he’s to blame for missing it.

It’s an odd feeling, this restlessness that comes in the absence of your out-of-the-blue inquiries. The two of you still occasionally reach through the bond to exchange an amicable word or two, maybe recommend a song, but gone are the times you’d come running to him for help.

He’s sitting in the library, his notebook opened to a half-finished proof. His pencil twirls idly between his fingers as he attempts to focus. Instead, his mind keeps drifting to what was once a daily occurrence.

Panicked whispers of Mingyu, help. Last-minute pleas for salvation. Complaints about how math is ruining your life, how this would most definitely not be useful in the real world.

(He would never admit it, but he had always liked when you tangented into the last one. It felt a bit like a betrayal to his field, the endearment he felt whenever you’d flood his mind with paragraph after paragraph cussing out Newton and Leibniz for inventing calculus.)

With a sharp sigh, he stabs his pencil into the spiral binding of his notebook and leans back, rubbing a hand over his face. His fingers drum against the desk. His leg bounces. He debates reaching out first— just to check, just to make sure you haven’t actually given up on math altogether. But what would he even say?

Hey, fail another test yet? Are you alive, or did calculus finally take you out? I kind of miss you annoying me. Don’t let it go to your head.

No, no, and definitely not.

He doesn’t even know you like that. You’re soulmates and that’s pretty much it. He’s lucky that you’ve been rather chill about the whole affair, not hurrying to meet him and lock him down like other soulmate horror stories he’s heard.

He knows bits and pieces. Your major, your love for survival reality shows, your utter distaste for anything beyond multiplication.

Mingyu mumbles something like “for fuck’s sake” to himself. He tries to refocus, and he manages to make it halfway into his homework when it comes.

Mingyu.

When you wanted to tell him something inconsequential, like The new Fantastic Four movie sucked or I’d kill for a slice of pizza right now, you went straight into it. You only ever ‘said’ his name when it was related to numbers.

Took you long enough, he says, his lips twitching.

Shut up. I was trying to figure it out on my own this time.

And?

Your brief moment of hesitation has Mingyu wondering if he’s too cruel. His mother had always advised him to be nice to his soulmate, to not overwhelm you, and he contemplates throwing in an apology. Before he can, though, you’re back in his head.

I need you.

Something in his chest tightens. He tells himself it’s just relief.

(The truth of the matter is this: Mingyu liked being needed by you. He wasn’t sure yet why, but he did.)

Yeah, yeah, he responds as he absentmindedly sketches a heart into the corner of his notebook. What’s the problem?

You’re starting to think that a tutor might not be that bad of an idea.

While Mingyu is always obliging, the guilt of relying on your connection was beginning to weigh on you. You scoured the university boards until you found a girl named Somi willing to meet with you twice a week, and it was going pretty well.

Still— is it weird to admit that you kind of miss running to Mingyu?

You try your darndest to keep those thoughts catalogued. A couple of your friends have talked about accidentally slipping some of their innermost thoughts to their soulmates, and God forbid Mingyu find out that you crave his dry wit.

You can’t miss somebody you’ve never met.

At least that’s what you keep telling yourself as you go to Mingyu less and less, instead filling in the gaps of your conversation with menial, everyday things.

What coffee do you usually drink?, you ask him one afternoon.

You’re in the world’s slowest-moving line, at the cafe you and Somi frequented for your tutoring sessions. Your phone is dead, you’ve analyzed the art on the walls at least seven different ways, and there’s no one around for you to talk to. Might as well abuse the soulmate connection.

His response comes in by the time you’re nearly at the front of the line. Iced Americano, he responds. Why?

No reason.

“Next.”

You offer a sympathetic smile to the dead-eyed barista at the counter. “Once large iced Americano, please,” you say.

You go to stand off to the side. As you’re waiting for your order, Mingyu asks a question of his own.

What about you?

What about me?

What’s your go-to order?

You contemplate it for a moment. Salted caramel cream cold brew.

The barista hands you your drink. A corner of your lip twitches upward as you accept it, Mingyu’s response coming in at the same time.

That sounds obscene, he taunts. A toothache in the making.

Hey. You’re mentally britsling, readying to defend your coffee of choice. I’ll have you know—

“Oomf!”

This was sometimes the problem about getting lost in your thoughts. You tend to get dragged out of the real world, stuck in your conversation. You exchange a quick apology with the person you bumped into, the tips of your ears flaming red.

With your drink in hand, you make a beeline for the table that you and Somi always sit at. You’re distracted enough to forget that you were mid-‘conversation’ with Mingyu, and so you barely register that your usually punctual tutor has yet to arrive— or that someone else is coming up to your table once you’ve settled in.

Later, you will get a text from Somi telling you something came up, but not to fret; she called in a friend to help. Someone who was more than willing to pick up Somi’s slack after joking that he’d already been doing it for the soon-to-be-love-of-his-life.

Your gaze flicks up to the boy standing in front of you.

‘Cute.’ ‘Cute.’

It’s a two-way record scratch.

The stranger hovering by your table seems to freeze, too, and the pieces fall together in your head like a puzzle— no. It’s like when you squint at an abstract painting and the whole thing comes together.

You had said sorry earlier, hadn’t you? To the person you bumped into. He had apologized as well.

Now, there was a voice to the words in your head. A face to the soulmate you’d been missing.

“Hey,” your soulmate says, he says out loud.

He plops down into the seat across from you, trying and failing to fight off the biggest smile on his face. There’s no need to exchange introductions. He says your name, and it’s so much better than anything you could have ever imagined.

When Mingyu sets down his drink, you actually laugh.

It’s a salted caramel cream cold brew.

539 notes · View notes

floraoleander · 2 months ago

Text

#so good I love this #yoon Jeonghan #please I think if I was any less awestruck I would be able to yap more #i don't know how to use tags #but I wanted to be vocal #i really really really think you're amazing

growing sideways 📧 jeonghan x reader.

yours, whether you like it or not,

📧 pairing. co-workers!jeonghan x reader. 📧 social media au & epistolary (told through emails). 📧 genres. alternate universe: non-idol, alternate universe: co-workers. romance, humor. 📧 includes. mention of alcohol; suggestive language; profanity. workplace rivals, corporate jargon, engineering terms i definitely butchered, use of y/n l/n for e-mail purposes. title from noah kahan’s growing sideways; waaay too many kahan references, really. style and format insp. by cinnamorussell’s tell all your friends i’m crazy (i’ll drive you mad). 📧 notes. this is a bit long, but we ball. in one of my first conversations with @diamonddaze01, we dreamed up workplace rival yoon jeonghan. i offer it, now, as part of a month-long celebration for the person i’ve dedicated a good quarter of my work to. tara, i’ll never meet someone who won’t know about you. nanu ninnannu pritisuttene! 🔭

Liked by feat.dino, everyone_woo, and others jeonghaniyoo_n if my engine works perfect on empty, guess i’ll drive

View all comments

vernonline woah indie ahhh caption user1 Looking good, Jeonghan! Let’s catch up soon x user2 who tha baddie in the back in the second slideee ↳ sound_of_coups 👋 ↳ user3 no the one on the right sry :/ ♥︎ Liked by creator user4 congrats to whoever’s bouncing on it ! junhui_moon Aura 1000000% ↳ jeonghaniyoo_n what language are you speaking

Liked by sound_of_coups, dk_is_dokyeom, and others yourusername romanticizing life (before i go insane)

View all comments

user1 need to know where that phone case is from user2 Are you EVER not working dk_is_dokyeom THAT’S MY GIRLBOSS ╰(▔∀▔)╯ ↳ yourusername ❤️ user3 i wanna be you when i grow up <3 xuminghao_o Lovely ♥︎ Liked by creator

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Test Platform Validation Report (EU Submission)

Yoon,

I reviewed the validation draft you uploaded this morning. Fascinating interpretation of clause 4.3.2. Bold of you to skip the stability data appendix entirely. I can only assume it was an artistic choice.

Also, the raw tensile data from the 0528 batch isn’t included. If it was meant to be in the shared drive, it wasn’t in any of the usual folders (QA_Share > FR_Validation > tensile_data > missing_files > probably_Jeonghan’s).

I’ve attached my edits. I added actual numbers.

Regards, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: Test Platform Validation Report (EU Submission)

Thank you for the prompt review. I assumed your obsession with clause 4.3.2 would outweigh your impulse to nitpick, but alas—some things never change.

The stability data was excluded intentionally while awaiting results from the accelerated aging test. If you opened the protocol (second folder under QA_Share > FR_Validation > tensile_data > definitely_not_missing), you’d see that.

As for your edits, I appreciate the effort. It’s cute when you pretend Excel likes you back.

Best, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: EU Submission - FR Manufacturing Coordination

Yoon,

Not that I expect you to read full briefs, but just in case you skimmed this one: yes, the transfer protocols need to be locked before next Friday if we want the France site to hit qualification by Q3.

Your last edits to the QAP template were inspired. I didn’t know it was possible to confuse ISO 13485 with a haiku.

I’ve restructured the equipment IQ section. You’re welcome. You’ll need to coordinate with Wonwoo at the Lyon site for vendor access, assuming you remember to email him this time.

I’ll see you in Lyon.

Disrespectfully, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: EU Submission - FR Manufacturing Coordination

Of course I read the brief. Just because I don’t annotate every margin with red ink and superiority complexes doesn’t mean I don’t understand the deadline.

I’ll coordinate with Wonwoo, assuming you don’t scare him off again with your charmingly blunt emails. (I still have the screenshot of him calling you “intimidatingly competent.”)

By the way, your IQ revisions look fine. Shockingly legible this time. Congratulations.

I’ll see you in Lyon. Try not to sabotage the coffee machine this trip.

Until customs detains us, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: EU Submission - FR Manufacturing Coordination

If Wonwoo was intimidated, it’s because I sent him instructions written in complete sentences. A rare treat, I know.

You still haven’t confirmed the calibration matrix. We’ll need the traceable certs before equipment ships, or do you plan to charm EU regulators into letting us slide on documentation? Actually, don’t answer that. I’ve seen you talk to vendors.

Also: bring the correct adapter this time. I’m not sharing an outlet with you again.

Best of luck (to me), L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: EU Submission - FR Manufacturing Coordination

The calibration matrix is in the tracker: third tab, fourth column, next to the thing labeled “READ ME, PLEASE” Try it. It’s fun.

And yes, I plan to charm the regulators. You, on the other hand, can stun them into compliance with your piercing PowerPoint transitions.

As for the outlet. I’m bringing an adapter. And a surge protector. For reasons.

Looking forward to our time in France. Nothing says “teamwork” like four days of jetlag and passive aggression.

Yours in regulatory purgatory, Yoon Jeonghan he/him [email protected]

YJH 👿 (Work) [8:13 AM]: why do you type so aggressively. the guy next to me thinks you’re yelling at me You [8:14 AM]: he’s not wrong. YJH 👿 (Work) [8:15 AM]: did you really need three highlighters in your carry-on? You [8:15 AM]: yes. the pink one is for your mistakes. YJH 👿 (Work) [8:16 AM]: romantic You [8:16 AM]: if you die on this trip it’s going to be from a highlighter to the throat. YJH 👿 (Work) [8:17 AM]: worth it You [8:17 AM]: you are the worst seatmate in existence. YJH 👿 (Work) [8:18 AM]: you snore when you pretend not to be sleeping and your pointy elbow crosses the line You [8:18 AM]: so we’re calling it a truce? YJH 👿 (Work) [8:19 AM]: we’re calling it foreplay

☾ You have silenced Notifications.

Liked by junhui_moon, woozi_universefactory, and others jeonghaniyoo_n everything, everywhere

View all comments

user1 oui oui 😜 user2 Who are you wearing??? ho5hi_kwon surprised a murder hasn’t occurred lolololol ఇ ◝‿◜ ఇ ↳ jeonghaniyoo_n not counting it out just yet user3 WHAT’S 4+4? ATEEE user4 Is he a model? ↳ sound_of_coups please don’t say that his head is going to get so big

Liked by vernonline, xuminghao_o, and others jeonghaniyoo_n northern attitudes

View all comments user1 bwoah . . . feat.dino STUNT ON THEM HOESSSS ♥︎ Liked by creator user2 gender gender gender 😮‍💨 user3 Really need to know where the second pic is !! Plsss DM yourusername i see how it is ↳ jeonghaniyoo_n credits. xo

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: FR Submission Debrief + Documentation

Yoon,

Per our debrief notes (the ones not written on a cocktail napkin), I’ve uploaded the final QAP revisions and vendor qualification summaries to the shared drive. You can stop emailing me pictures of our hotel room as “documentation.” Though impressive dedication to fieldwork.

Also, your expense report still lists the mini bar from Tuesday night. Pretty bold move, considering you insisted you only drank half the bottle.

Respectueusement, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: FR Submission Debrief + Documentation

You’re welcome for the in-room stress testing of French plumbing. I was being thorough.

Also, I did only drink half. You drank the other half and then told the front desk I was your emotional support engineer.

Re: shared drive. I see your formatting crimes continue. I fixed your spacing in the risk assessment table. Try to be better.

Yours across all timezones, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: FR Submission Debrief + Documentation

Yoon,

I’d fix my spacing if you’d stop adjusting my bullet styles just to mess with me. And next time, maybe don’t volunteer us for the plant tour while hungover. Watching you nearly fall into a vat of solvent was not the regulatory impression we wanted.

Stop calling me yours, L/N Y/N she/her [email protected]

P.S. You still owe me one (1) bed. I’m adding it to your performance review.

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: FR Submission Debrief + Documentation

Not my fault someone booked the hotel late and got us the romantic suite. You’re lucky I didn’t call room service for rose petals.

I’ve uploaded the final sign-offs and confirmation from the French regulatory contact—who says we’re the most “thorough and theatrically matched” engineers she’s worked with. I think that’s a compliment.

Let me know if I’ve missed any appendices. Or if you want your highlighter back.

Yours, even if you deny me (hotel registration said so), Yoon Jeonghan he/him [email protected]

P.S. I liked sharing the room with you. Not because of budget errors or international confusion. Just because it was you.

Liked by ho5hi_kwon, min6yu_k, and others yourusername good week 🌷

View all comments

user1 GIVE US A FIT CHECK user2 something you’re not telling me ? hmmm ↳ yourusername dm dm dm user3 Need to know who yr nail tech girlie is fr everyone_woo 👀 ↳ yourusername 🤫 sunwoo pretty flowers 4 a pretty girl ♥︎ Liked by creator

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Supplier Audit Timeline + Other Things

Great audit notes, as usual. I’ve attached my edits for the CAPA log. We’ll have to discuss column F, because your formulas hate me.

Also, bold of you to post a photo of flowers on a Tuesday. Does SVT approve PTO for midweek romance now?

Am I being cheated on?, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Supplier Audit Timeline + Other Things

Yoon,

Corrected the formula logic in column F. Try not to break it again.

And yes, Tuesday dates are a thing now. Believe it or not, some people find me tolerable enough to see more than once.

Shocking, I know.

Regrets, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: Supplier Audit Timeline + Other Things

Don’t worry. I’m sure your second date will be charmed by your bullet point consistency.

Personally, I’ve never seen the appeal of dating someone like you. Too sharp. Too bossy. Too quick to judge formula errors.

Fortunately, SVT doesn’t require us to like each other outside of Gantt charts.

Yours, whether you like it or not, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Supplier Audit Timeline + Other Things

Yoon,

Believe me, the feeling is mutual. I'd sooner date a malfunctioning tensile tester.

I fixed your math in the timeline estimates. Again. Please don’t bother me for the rest of the week. I’m going to be busy preparing for date number two.

(You wish I was) Yours, L/N Y/N she/her [email protected]

You [11:42 PM]: he ghosted me. u jinxed it. You [11:43 PM]: i shaved my legs for nothing. hope ur happy. You [11:44 PM]: he said he liked my slides. he LIED!!!!!!!!!!!!!! You [11:45 PM]: sitting alone at a bar rn contemplating the meaning of life.. and if i can blow u up telepahteitcally.... YJH 👿 (Work) [11:45 PM]: *telepathically YJH 👿 (Work) [11:46 PM]: which bar. You [11:47 PM]: fucking MANSPLAINER You [11:47 PM]: don’t come near me EVEREVER

YJH 👿 (Work) requested your location.

You started sharing your location with YJH 👿 (Work).

You [11:50 PM]: fuckfcuckfuckity my fat fucking thumbs FMLLL YJH 👿 (Work) [11:53 PM]: i’m coming. don’t order tequila until i get there. or do. i want to see the disaster myself. You [11:55 PM]: jerk YJH 👿 (Work) [11:56 PM]: always. save me a seat, heartbreak girl

Liked by dk_is_dokyeom, junhui_moon, and others jeonghaniyoo_n keep the bad shit in my liver and the rest around my heart

View all comments

user1 Caption + second slide >>>> joshu_acoustic is that yourusername in the last slide 🫨 ↳ jeonghaniyoo_n is it ? yourusername ↳ yourusername must be a lookalike ♥︎ Liked by creator ↳ dk_is_dokyeom THAT’S ME yourusername & min6yu_k !!! ᵔ ᵕ ᵔ user2 just one chance pls,, user3 Wait was that a wine date or

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Equipment Revalidation Schedule

Yoon,

Your revised equipment validation timeline looks solid. I’ve flagged the dates where QRA and process requal overlap. You’ll need to talk to Ops to make sure there’s no resource conflict.

Also, thanks. For the other night.

Don’t make a thing out of it. Reluctantly yours, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: Equipment Revalidation Schedule

Wow. A “thanks.” What is this, a truce?

Noted on the QRA overlap—I’ll sync with Ops and shift our timeline by 2-3 business days. I’ve attached a revised Gantt for your very critical review.

Also: you owe me fries.

Yours with no reluctance whatsoever, Yoon Jeonghan he/him [email protected]

P.S. Don’t let your guard down. I’d hate for you to start thinking I’m nice.

P.P.S. You’re beautiful when drunk. Infuriating, but beautiful.

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Equipment Revalidation Schedule

Attached: my comments on your Gantt chart (see rows 14–27). Also, your font choices are unhinged. You’re lucky you’re marginally good at your job.

Fries are contingent on you not mentioning the karaoke. Sober now, L/N Y/N she/her [email protected]

P.S. You’re nice when you think I’m too drunk to remember.

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] subject: Re: Equipment Revalidation Schedule

I’ll swap the font if it means less red pen in my inbox.

And don’t worry, I’d never mention your rendition of “Dancing Queen” in front of senior management. Or that you made me sing backup.

As for being nice: I was just making sure you didn’t fall asleep in a nacho basket. Again.

Drunk on you, Yoon Jeonghan he/him [email protected]

P.S. I remember everything you said. Even the parts you don’t.

Liked by everyone_woo, sound_of_coups, and others yourusername new perspective

View all comments

user1 fly safe, babygirl user2 ermmm.. am i witnessing a soft launch ?! min9yu_k I’d know that YSL bag from anywhere 😏 user3 How can I be youuu :( user4 is that a BOYFRIEND?! junhui_moon strategic non-response to any of the comments here #respect

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: France Stability Testing Timeline

Attached: updated protocol outline and projected data submission window. Added notes re: temperature excursions flagged by the lab.

Unrelated, but I saw your latest post. Interesting how you managed to frame the lighting just right on that cafe table. Almost as if someone you work with took the photo.

Also, bold choice uploading a cropped version of that one picture of me holding five tote bags. Very “soft launch,” very subtle.

Launched like a rocket ship, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: France Stability Testing Timeline

This isn’t the time.

The humidity chamber failed mid-run and half of the accelerated aging samples are compromised. I’ll need to retest from baseline and revalidate the controls. Not sure yet if it pushes our submission, but I’m flagging it with QA.

I suggest you review section 6.2 of the protocol instead of obsessing over my Instagram.

L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: France Stability Testing Timeline

Didn’t mean to distract. I hadn’t seen the alert yet. Engineering just looped me in on the chamber issue. I’ll prioritize sourcing backup samples and contact Tech Ops to check chamber calibration across all zones.

You’ll have data. We’ll make it work.

(But if you were soft-launching me, I looked great.)

Trying too hard, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: France Stability Testing Timeline

Yoon,

Appreciated. Sorry I snapped.

I just really didn’t want this run to go sideways. I know it’s not your fault—but I’ve been fielding calls since 7:00 a.m. and I’m a little fried.

Yours and then some, L/N Y/N she/her [email protected]

P.S. You looked ridiculous, but sure. Let the internet wonder.

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: France Stability Testing Timeline

You can yell at me any time. Preferably not before coffee, but I’ll survive.

QA says they’ll expedite sample disposal so we can start the new batch by end of week. I sent you a revised Gantt. And a snack. Don’t fight me on it.

Yours in whatever way you’ll have me, Yoon Jeonghan he/him [email protected]

P.S. Internet speculation is already intense. I’ve received two DMs inquiring if I’m truly off the market. Is this your twisted little way of staking claim?

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: France Stability Testing Timeline

The snack was suspiciously well-timed. You’re lucky I like sesame.

Re: QA—I’ll update the submission calendar and notify Regulatory we’re adjusting the stability window.

And tell your fans I’m flattered, but my standards are higher than “guy who argues about font weight in shared spreadsheets.”

Yours for some reason (When did I succumb to this?), L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: France Stability Testing Timeline

For the record, I wasn’t arguing. I was advocating for consistent formatting.

Also: I’m sorry. For earlier. I should’ve checked the system alerts before joking around. You always catch things first, and I forget what it’s like to be under that kind of pressure all the time.

Let me know what else you need. I mean it.

Yours for equally no reason (I bookmarked the first time you signed off with ‘yours’, btw), Yoon Jeonghan he/him [email protected]

Liked by woozi_universefactory, vernonline, and others yourusername needed coffee

View all comments

sound_of_coups 🎣 Hook, line, sinker user1 can this guy fight omfg user2 Even his side view is ethereal. What the hale vernonline okurrr ♥︎ Liked by jeonghaniyoo_n ↳ yourusername ? jeonghaniyoo_n wasn’t aware i had paparazzi ↳ pledis_boos IS THIS ALLOWEDDD IS THIS ALLOWED

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Apologies for the Timestamp

Yoon,

I realize this is past hours. I won’t pretend it’s an emergency—it’s just the draft for the stability test realignment we discussed. I needed to get it out of my head or I wouldn’t sleep. It can wait until morning. I just didn’t want to forget.

Sorry. Again. Sleep well, or party well, or whatever it is you’re doing tonight.

Terribly sorry, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: Apologies for the Timestamp

Got your email—yes, timestamp noted.

I’m out. Drinking. Loud music, terrible lighting, questionable tequila. I’ll look at the draft during actual work hours. I promise.

Also, you do know that you’re allowed to exist outside work. Don’t apologize for thinking too hard. That’s half your brand.

Buzzing like a drunk bumblebee, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Apologies for the Timestamp

Yoon,

Enjoy your night out. Try not to bully the DJ. May your drinks be overpriced and your lighting flattering.

And hey—hope you pull. You deserve someone mildly tolerable for a few hours.

Cheers, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: Apologies for the Timestamp

The drinks are terrible. The lighting is flattering. I’ve technically pulled, but she’s more interested in the bartender now, which is fine because—

I miss you. You, and your midnight overthinking, and your Excel color codes, and the way you always say “don’t wait up” but still check your inbox five minutes later.

I miss you. Stupidly. Even while I’m here.

Yours at my own risk, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Apologies for the Timestamp

Yoon,

Pray tell why you're getting drunk and you're "pulling" what I can assume to be ABGs whose names you won't even know in the morning, and yet you're still in the club, emailing me? Missing my drunken emails?

Why? Are the girls of Wall Street not enough for you?

Totally not jealous, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: Apologies for the Timestamp

I can answer this so simply, it won’t even be fun.

The girls of Wall Street will never be you.

No one will ever be you.

I'm not enjoying my night as much as I should because you're not here. I'm in the club, drunk AND emailing you. That should tell you everything.

Come out with me next time. Wreck my plans. Ruin the music. Steal my coat.

I may be playing with fire, but to hell with it.

Burning myself, Yoon Jeonghan he/him [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: Apologies for the Timestamp

I can feel you overthinking all the way from here. You’re probably thinking that I’ll wake up tomorrow morning and regret all of this. That I will be unable to face you at work come Monday, when I am no longer drunk out of my mind and thinking you are the most brilliant, most gorgeous, most infuriating person alive.

You will be right. Thankfully, though, these are—what do the kids call it? ‘Receipts’. You will have a paper trail. These emails will be between you, me, and that Australian guy from IT.

He will know, and you will know, that I may have the most miniscule work crush on you.

Jesus Christ. What am I? A high schooler?

Let’s try that again: Love is just a chemical reaction that compels animals to breed. What I’m feeling for you isn’t love. It’s so much more than that.

Love sucks, and I need to sober up, Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Apologies for the Timestamp

Get home safe, Jeonghan.

Yours, with questions, L/N Y/N she/her [email protected]

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: Apologies for the Timestamp

You just called me Jeonghan.

Yours, with answers (maybe), Yoon Jeonghan he/him [email protected]

from: L/N Y/N [email protected] to: Yoon Jeonghan [email protected] subject: Re: Apologies for the Timestamp

That’s your name, isn’t it?

Stop e-mailing me while you’re at the club.

Fine. Yours, L/N Y/N she/her [email protected]

P.S.: I may have the most miniscule work crush on you, too.

from: Yoon Jeonghan [email protected] to: L/N Y/N [email protected] Subject: Re: Apologies for the Timestamp

i am goi n to die

Yoon Jeonghan he/him [email protected]

Liked by yourusername, ho5hi_kwon, and others jeonghaniyoo_n you got all my love

View all comments

vernonline lfggg min9yu_k 🤮 JK! Congrats junhui_moon saw this coming from a mile away sound_of_coups Gorgeousss ↳ jeonghaniyoo_n back off, bud. dk_is_dokyeom (˶ ˘ ³˘)ˆᵕ ˆ˶) love is love everyone_woo oh god what about our project ↳ yourusername please check your e-mail. :) ↳ everyone_woo fml.

Liked by jeonghaniyoo_n, dk_is_dokyeom, and others yourusername dreaming each night of this version of you :)

View all comments

xuminghao_o Not seeing yjh in suits is disconcerting ho5hi_kwon RAH RAH RAH RAHHH woozi_universefactory 👍 ↳ jeonghaniyoo_n JIHOON????????????? pledis_boos U CAN DO BETTER THAN HIM GIRL joshua_acoustic So happy for you two! feat.dino my otp fr jeonghaniyoo_n mine ♥︎ Liked by creator ↳ yourusername yours,

670 notes · View notes