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Les Astronauts dir. Walerian Borowczyk & Chris Marker
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SUBLIME CINEMA #50 - MARKER’S SANS SOLEIL
A startling film, in its freedom of form and experimentalism, from the maker of La Jetee, Chris Marker. Saw it only once in a private screening held by Werner Herzog, but the images and feeling stayed with me for all these years. The title translates to ‘Without Sun’
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SUBLIME CINEMA #491 - LEVEL FIVE
Chris Marker’s films are steeped in dream imagery, flashes of memory and seem stranded on the precipice of death and an oncoming technological apocalypse. Or utopia. They predate vaporwave by decades.
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Wonderful Days, 1964 | Masahisa Fukase 深瀬 昌久
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External shots of botanical gardens by Swiss photographer Samuel Zeller
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Bob’s New York
See New York through Robert Rauschenberg’s eyes with “Bob’s New York,” our guide to the sites of friendship and exchange that marked his time in the city. Our first stop: 6 West 95th Street, the studio and apartment Bob shared with his wife, artist Susan Weil in 1950. It was here, in the building’s shared bathroom, that the pair created the blueprints that offered them their first recognition: a 3-page spread in LIFE magazine.
Explore more sites from “Bob’s New York” on mo.ma/bobsny, and visit mo.ma/bobsmap to map out your own #RauschenbergAmongFriends walking tour. … [Rauschenberg demonstrating the blueprint process for Life photojournalist Wallace Kirkland. Photo: Wallace Kirkland. Courtesy University of Illinois at Chicago Library Special Collections]
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Man Ray - Peggy Guggenheim (gown by Paul Poiret). 1924
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Pablo Picasso’s Light Drawings, photography by Gjon Mili.
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Unpacking Mona Lisa at the end of World War II (1945)
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