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Frederick Judd Waud, Rum Row, 1922. Via Art Gallery X

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Arthur Edward Pillsbury, Footage of Roses, 1925

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Louise Moillon (French, 1610-1696): The fruit seller (via Dorotheum)

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Lilla Cabot Perry (1848-1933) "Reading" Oil on canvas Impressionism

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Mark Rothko, Untitled, 1948 oil on canvas 45 x33 5/8" © 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), 

Displayed at Pace Gallery exhibition 1/12-2/10/90

This is only the second scan I have seen of this and the first one is very much redder, but I have not seen it in person to say what's more accurate. In my experience, the pace gallery, if this was even taken by then, tends to take darker shots of the paintings then a lot of other places do. There was an old pace gallery book where I would swear that everything was just much darker than it actually appeared in life, but looking at the new Louis Vuitton, showing in Paris, some of those old pace gallery scans are more accurate than I thought.

Most of this has to do with the lighting, photographers choose, sometimes this lighting is forced on them by the type of lighting a gallery has. At one time, this kind of big color shift would surprise me, but now I see it all the time.

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Okamoto Shuki Japan, 1807 (?)-1862 Pictures of Flowers and Birds 19th century

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"Caricature No.1 (Bread and Match)", Koshiro Onchi, 1948.

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Onchi Koshiro, Poem No. 6: Image de la Mer, 1948

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Edward Hopper, Interior (Model reading), 1925

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Joe Brainard

Untitled (Still Life). 1968

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Joe Brainard’s Pansies (1968)

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Joe Brainard

Untitled (Whippet on Green Couch), 1973

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Marcel Duchamp

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Alberto Magnelli Composition, 1962 signed and dated 'Magnelli 62' (lower right) oil on canvas 55 x 46cm (21 5/8 x 18 1/8in).

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Jane Birkin in Jane B. par Agnès V. (1988) by Agnès Varda

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William Hawkins

YELLOW STEGOSAURUS, C.1985-87

Enamel on Masonite

48 x 48 in.

WH 14 2D