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Jodie Comer as Elizabeth of York in The White Princess 1x01
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@honorxlies asked: [ ššš„š¦šØš¬š­ ] : sender and receiver are finally about to kiss, but are interrupted. ( loreon Ɨ araceli )
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she had intrigued him from the first ā€” all flame and passion, how could anyone not watch her with bated breath? and with every ounce of attention she granted him, his interest grew, rapacious in his quest to know her completely. lovers came and went for the golden prince, but it was rare one would occupy his mind quite so. araceli velaryon would not be one of many. they sat in dim-lit tavern somewhere in braavos, his addled mind couldn't quite recall how many corners they'd rounded, where the food was unspeakable but the drink was cheap and plentiful. a finger traced her jawline, tucking it under her chin with every intention of tipping it upward ā€” that was when a patron stumbled over his own feet and sent his drink overbrim and over loreon's shoulder. he had half a mind to grab the man by the collar and vent his vexation, but he stopped himself. her company was far more preferable to a half-sloshed brawl. "might it be wise," he began with a crooked smirk, shaking off the droplets of wine that had landed on skin. "to retreat to somewhere private? a beach, perhaps?"
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george villiers + clothes ā†’ episode 5/7
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check the source link or HERE for #247 gifs of š§š¢šœš”šØš„ššš¬ š ššš„š¢š­š³š¢š§šž as š–Œš–Šš–”š–—š–Œš–Š š–›š–Žš–‘š–‘š–Žš–Šš–—š–˜ in episode three of š–’š–†š–—š–ž & š–Œš–Šš–”š–—š–Œš–Š bringing the current total to #874. all gifs are made entirely from scratch by me for roleplaying purposes. please REBLOG if you find this post useful and check my rules for more info.
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Slow Horses, S02E02 - From Upshott with Love
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hi! love your blog! do you write any asoiaf canons?
hi, omg ty. and no, i don't, but i'm always happy to tweak my ocs' backstories to squeeze them into different asoiaf eras!
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in a way, this was no different from a private audience with the king ā€” only that it had not been granted, but rather occurred by chance. cassandra thought it potentially her only chance to leave a durable imprint on his memory, she wouldn't waste it. "it was perfectly accessible to me, your majesty, albeit concealed from plain sight." a deliberate construction, giving her pause as she wondered if his staff knew of the hideout. if it was solitude he sought, no one ought to know, for a king was never truly alone otherwise. "if you do not wish for it to be entered, might it not be wiser to keep it under lock and key?" a sense of intimacy in the small space emboldened the captain, not that her exploits mattered here. in her function as a princess, she spoke when her father willed it. a lamentable waste of a sharp tongue and an even sharper mind. "sleep often evades me in foreign places." it was not entirely false, but sleep tended to evade her in most places. bone-deep exhaustion a common prerequisite for a decent night's rest. the smirk, paired with presumption ā€” was he mocking her? her features darkened. "my father and i have come all this way, and you plan to regale us with tea and dances?" she asked pointedly. "with respect... ale. ale, and dancing. you know how to brew the proper kind here, yes?" finally, cassandra mirrored his smirk. "my father is a proud and boastful man, as you will have noticed by now. he will appreciate a feast in his honour, but no frills."
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atĀ  Ā  timesĀ  Ā  heĀ  Ā  wishedĀ  Ā  toĀ  Ā  reverseĀ  Ā  actionsĀ  Ā  thatĀ  Ā  hadĀ  Ā  beenĀ  Ā  takenĀ  Ā  withĀ  Ā  soĀ  Ā  littleĀ  Ā  thoughtĀ  Ā  toĀ  Ā  them.Ā  Ā  wishesĀ  Ā  toĀ  Ā  reverseĀ  Ā  themĀ  Ā  notĀ  Ā  becauseĀ  Ā  heĀ  Ā  missesĀ  Ā  them.Ā  Ā  notĀ  Ā  reallyĀ  Ā  . . .Ā Ā  Ā  andĀ  Ā  that,Ā  Ā  inĀ  Ā  itself,Ā  Ā  isĀ  Ā  aĀ  Ā  sinfulĀ  Ā  thingĀ  Ā  toĀ  Ā  feelĀ  Ā  perhaps Ā  Ā āøŗ Ā  Ā  butĀ  Ā  isĀ  Ā  itĀ  Ā  trulyĀ  Ā  ?Ā  Ā  isĀ  Ā  itĀ  Ā  trulyĀ  Ā  wrongĀ  Ā  notĀ  Ā  toĀ  Ā  missĀ  Ā  coldĀ  Ā  fistsĀ  Ā  hammeringĀ  Ā  downĀ  Ā  onĀ  Ā  him,Ā  Ā  evenĀ  Ā  coolerĀ  Ā  wordsĀ  Ā  torturingĀ  Ā  theĀ  Ā  soulĀ  Ā  ofĀ  Ā  aĀ  Ā  youngerĀ  Ā  versionĀ  Ā  ofĀ  Ā  theĀ  Ā  crownĀ  Ā  prince.Ā  Ā Ā toĀ  Ā  himselfĀ  Ā  lachlanĀ  Ā  thinksĀ  Ā  itĀ  Ā  isĀ  Ā  not.Ā  Ā  itĀ  Ā  isĀ  Ā  notĀ  Ā  falseĀ  Ā  toĀ  Ā  appreciateĀ  Ā  theĀ  Ā  peaceĀ  Ā  andĀ  Ā  theĀ  Ā Ā freedomĀ  Ā  heĀ  Ā  hadĀ  Ā  givenĀ  Ā  himselfĀ  Ā  theĀ  Ā  momentĀ  Ā  hisĀ  Ā  ownĀ  Ā  frozenĀ  Ā  handsĀ  Ā  chokedĀ  Ā  andĀ  Ā  squeezedĀ  Ā  theĀ  Ā  lifeĀ  Ā  outĀ  Ā  ofĀ  Ā  hisĀ  Ā  father.Ā Ā Ā Ā 
butĀ  Ā  heĀ  Ā  wishesĀ  Ā  toĀ  Ā  reverseĀ  Ā  hisĀ  Ā  actionsĀ  Ā  forĀ  Ā  elseĀ  Ā  reasons.Ā  Ā  forĀ  Ā  thatĀ  Ā  heĀ  Ā  cannotĀ  Ā  findĀ  Ā  rest,Ā  Ā Ā thatĀ  Ā  nightsĀ  Ā  getĀ  Ā  shorterĀ  Ā  andĀ  Ā  daysĀ  Ā  longerĀ  Ā  āøŗ Ā  Ā  notĀ  Ā  justĀ  Ā  dueĀ  Ā  toĀ  Ā  hisĀ  Ā  dutyĀ  Ā  asĀ  Ā  theĀ  Ā Ā kingĀ  Ā  ofĀ  Ā  scotland.Ā  Ā  heĀ  Ā  seesĀ  Ā  itĀ  Ā  still.Ā  Ā  theĀ  Ā  momentĀ  Ā  lifeĀ  Ā  hadĀ  Ā  leftĀ  Ā  lightĀ  Ā  blueĀ  Ā  eyes.Ā  Ā  itĀ  Ā  hauntsĀ  Ā  him.Ā  Ā  andĀ  Ā  perhapsĀ  Ā  itĀ  Ā  isĀ  Ā  hisĀ  Ā  burdenĀ  Ā  toĀ  Ā  carry.Ā  Ā  perhapsĀ  Ā  thatĀ  Ā  isĀ  Ā  theĀ  Ā  costĀ  Ā  ofĀ  Ā  freedom . . . Ā  Ā  toĀ  Ā  beĀ  Ā  restlessĀ  Ā  andĀ  Ā  toĀ  Ā  searchĀ  Ā  peaceĀ  Ā  whereĀ  Ā  thereĀ  Ā  wouldĀ  Ā  beĀ  Ā  none.Ā  Ā Ā oneĀ  Ā  wayĀ  Ā  orĀ  Ā  another,Ā  Ā  fatherĀ  Ā  wouldĀ  Ā  alwaysĀ  Ā  beĀ  Ā  there.Ā Ā Ā Ā 
heĀ  Ā  hadĀ  Ā  thoughtĀ  Ā  hisĀ  Ā  guestsĀ  Ā  asleepĀ  Ā  whenĀ  Ā  heĀ  Ā  catchesĀ  Ā  glimpseĀ  Ā  ofĀ  Ā  aĀ  Ā  wavyĀ  Ā  skirtĀ  Ā  inĀ  Ā  theĀ  Ā  halfĀ  Ā  darknessĀ  Ā  ofĀ  Ā  theĀ  Ā  corridors.Ā  Ā  followsĀ  Ā  her.Ā  Ā  followsĀ  Ā  untilāøŗĀ  Ā  Ā theyĀ  Ā  reachĀ  Ā  andĀ  Ā  standĀ  Ā  withinĀ  Ā  aĀ  Ā  secret.Ā  Ā Ā hisĀ  Ā  secret.Ā  Ā  hisĀ  Ā  placeĀ  Ā  toĀ  Ā  mourn,Ā  Ā  toĀ  Ā  scheme,Ā  Ā  toĀ  Ā  . . . Ā  Ā  beĀ  Ā  justĀ  Ā  aĀ  Ā  boyĀ  Ā  whenĀ  Ā  noĀ  Ā  eyesĀ  Ā  lingered.Ā  Ā  clearingĀ  Ā  hisĀ  Ā  throat,Ā  Ā  shakingĀ  Ā  theĀ  Ā  tirednessĀ  Ā  andĀ  Ā  theĀ  Ā  exhaustionĀ  Ā  fromĀ  Ā  itĀ  Ā  now.Ā  Ā  ā€œĀ  Ā  princess.Ā  Ā  ā€œĀ  Ā  aĀ  Ā  smallĀ  Ā  nodĀ  Ā  directedĀ  Ā  atĀ  Ā  her.Ā  Ā Ā ā€œĀ  Ā  iĀ  Ā  amĀ  Ā  hereĀ  Ā  asĀ  Ā  thisĀ  Ā  isĀ  Ā  myĀ  Ā  homeĀ  Ā  andĀ  Ā  . . . Ā  Ā  ā€œĀ  Ā  gazeĀ  Ā  shadowsĀ  Ā  theĀ  Ā  confinedĀ  Ā  spaceĀ  Ā  theyĀ  Ā  findĀ  Ā  themselvesĀ  Ā  inĀ  Ā  brieflyĀ  Ā  beforeĀ  Ā  heĀ  Ā  findsĀ  Ā  herĀ  Ā  faceĀ  Ā  again.Ā  Ā  ā€œĀ  Ā  youĀ  Ā  haveĀ  Ā  enteredĀ  Ā  aĀ  Ā  spaceĀ  Ā  notĀ  Ā  necessarilyāøŗ Ā  Ā  accessibleĀ  Ā  forĀ  Ā  guests. ā€ Ā  Ā  theĀ  Ā  cornerĀ  Ā  ofĀ  Ā  hisĀ  Ā  mouthĀ  Ā  curlsĀ  Ā  up.Ā  Ā  theĀ  Ā  smirkĀ  Ā  thereĀ  Ā  playful,Ā  Ā  curiousĀ  Ā  almost.Ā  Ā  ā€œĀ  Ā  thoughĀ  Ā  itĀ  Ā  makesĀ  Ā  meĀ  Ā  wonderĀ  Ā  whatĀ  Ā  ledĀ  Ā  youĀ  Ā  here.Ā  Ā Ā shouldĀ  Ā  aĀ  Ā  princessĀ  Ā  notĀ  Ā  restĀ  Ā  atĀ  Ā  thisĀ  Ā  hourĀ  Ā  ?Ā  Ā  prepareĀ  Ā  forĀ  Ā Ā teaĀ  Ā  andĀ  Ā  dancesĀ  Ā  tomorrowĀ  Ā  ?Ā  Ā  ā€œ
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šŸšØš« š²šØš® š¢ š°šØš®š„š: a little assortment of prompts revolving around painful, bottled up affection and endless yearning, as well as the possible result of finally taking action. remember to tag your dark themes. add +reverse to swap the roles.
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[ š„šØš§š š¢š§š  ] : receiver notices sender looking at them longingly. [ šš«šžššš¦ ] : receiver hears sender calling their name while asleep. [ š°ššš«š¦š­š” ] : sender drapes a coat / cape / etc. around receiver's shoulders. [ š¬šœšžš§š­ ] : receiver is hugging a coat / cape / etc. that belongs to the sender. [ šœššš„š¦ ] : sender is helping the receiver through a panic attack / severe anxiety. [ š”ššš§š ] : sender takes a hold of receiver's both hands. [ š«šžš¬š­ ] : sender and receiver are spooning for comfort and warmth. [ ššš„š¦šØš¬š­ ] : sender and receiver are finally about to kiss, but are interrupted. [ š­ššš¬š­šž ] : sender and receiver are finally sharing a passionate kiss. [ šŸšØš®š§š ] : sender has just found the receiver who's been missing for weeks. [ š„šØš¬š¬ ] : after being misinformed that the sender has died, receiver is grieving. [ š„šØš®š ] : sender is expressing anger over receiver's constant recklessness. [ š£šžššš„šØš®š¬ ] : sender is voicing their negative opinion about a person who appears to be close with the receiver. [ š¦š¢š§šž ] : sender has just told receiver "you belong to me". [ š°š”š² ] : sender has just asked receiver "why don't you love me". [ šÆš¢šØš„šžš§š­ ] : sender has harmed someone who threatened the receiver. [ š š«š¢š¦ ] : sender has killed someone who threatened the receiver. [ š”š®š«š­ ] : sender has gotten injured protecting the receiver. [ ššš„šØš§šž ] : sender is getting frustrated with their repressed affection and asks receiver to leave them alone. [ šœš«š®šžš„ ] : unable to handle their fondness towards receiver, the sender lashes out and they end up in a heated argument. [ ššš©šØš„šØš š² ] : sender is apologising for appearing cold. [ š¬š­šØš© ] : sender is telling receiver they "deserve better than whatever this is".
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šš„š‘šŒš€šš„šš“ šš‹šŽš“š“šˆšš† š‚š€š‹š‹. this is a permanent plotting call for CERELLE WESTERLING (jodie comer). if you react to this, i'll come and reach out to you via dms/discord to discuss ideas!
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šš„š‘šŒš€šš„šš“ šš‹šŽš“š“šˆšš† š‚š€š‹š‹. this is a permanent plotting call for OLYVER BARATHEON (nicholas galitzine). if you react to this, i'll come and reach out to you via dms/discord to discuss ideas!
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šš„š‘šŒš€šš„šš“ šš‹šŽš“š“šˆšš† š‚š€š‹š‹. this is a permanent plotting call for BENJEN STARK (harry gilby). if you react to this, i'll come and reach out to you via dms/discord to discuss ideas!
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šš„š‘šŒš€šš„šš“ šš‹šŽš“š“šˆšš† š‚š€š‹š‹. this is a permanent plotting call for VERON DRUMM (ekin koc). if you react to this, i'll come and reach out to you via dms/discord to discuss ideas!
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šš„š‘šŒš€šš„šš“ šš‹šŽš“š“šˆšš† š‚š€š‹š‹. this is a permanent plotting call for CASSANDRA GREYJOY (bruna marquezine). if you react to this, i'll come and reach out to you via dms/discord to discuss ideas!
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šš„š‘šŒš€šš„šš“ šš‹šŽš“š“šˆšš† š‚š€š‹š‹. this is a permanent plotting call for LOREON LANNISTER (jack lowden). if you react to this, i'll come and reach out to you via dms/discord to discuss ideas!
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on being the daughter of the family
if my body could speak, blythe baird // i put the coffin out to sea, lisa marie basile // @/belovedbi // ? // been a son, nirvana // elektra, sophokles; translated by anne carson // ? // churching, kristin chang
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LEO SUTER as Harald Sigurdsson Vikings: Valhalla, The Web of Fate (2.01)
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