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This, oddly enough, is my favorite part of my entire Senior Thesis project. I feel it was the cohesive piece that tied everything together. While the design is simple and clean, the message is impactful.
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Recently, I had the opportunity to visit the Smithsonian National Museum of African American History and Culture, for about the seventh time, and yet, every visit feels like the first. There is always something new to discover, whether it’s a different perspective, a hidden detail, or a deeper understanding of the powerful stories being told. One exhibit that struck me this time was the iconic LIFE magazine cover captured by Gordon Parks. Titled The Cry That Will Be Heard, the image is a haunting yet powerful representation of pain, struggle, and resilience. Seeing it up close, alongside Parks' words about his mission as a photographer—to expose the chaos and hardship faced by Black communities while also honoring their dignity—was a humbling and thought-provoking moment. This museum is truly an emotional journey. It holds the weight of history while also celebrating the triumphs, creativity, and enduring spirit of African Americans. In the climate and ongoing political controversy, it was nice to visit Downtown DC for something positive. No matter how many times I visit, I leave deeply moved and inspired. If you haven’t been, I highly encourage you to go. It’s an experience that challenges, educates, and stays with you long after you leave.
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I had the incredible opportunity to put my Mass Communication skills to the test during my Hip-Hop Culture class visit to WBSU Bulldog Nation Radio. I stepped into the role of host for a live podcast/radio show, where we took a deep dive into the topic of "The Hip-hopcrisy";a discussion exploring the controversies and evolution of modern hip-hop. I won’t lie, I was nervous to be on air at first. There’s something about knowing your voice is live and reaching an audience in real-time that makes you hyper-aware of every word. But after the first few minutes, the conversation started flowing naturally. The energy in the room, the depth of the discussion, and the passion we all shared for hip-hop made for an engaging and thought-provoking show. Overall, it was a success! I’m grateful for the chance to blend my love for communication, storytelling, and culture in such a dynamic way. Who knows? Maybe this won’t be the last time you hear me on a listening platform. Stay tuned! 🎙️
#BulldogNationRadio
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Bowie State University’s Art Gallery's latest exhibition, The Bold and the Beautiful. This show brings together an incredible collection of donated pieces from galleries and museums, offering a diverse collection of pieces from multiple mediums.
One piece that really caught my eye was Nevertheless America by Clarence Talley. This mixed-media piece is a collage made of beads, print, and acrylic. It takes the shape of the American flag, but it’s so much more than that. The texture and details pull you in, featuring news articles from pivotal Supreme Court decisions. Making you reflect on what America means, its struggles, history and its resilience. The exhibitions include artwork from around the world, including textiles from Kenya, sculptures from Zimbabwe, and tapestries from Ethiopia
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Mental health is just as vital as physical well-being, especially for veterans. That’s why I included the Veterans Crisis Line in my SVA rebranding. This ensures student veterans always have access to immediate support. This ties into Buddy Check 22, a movement encouraging veterans to check in on each other every 22nd of the month, raising awareness about veteran suicide. No one should struggle alone, and this design choice reinforces that message. #YouAreNotAlone #BuddyCheck22
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here are some of the rendetins of the logo design that I created
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Revitalizing the SVA at Bowie State University
For my Senior Thesis project, I decided to do a rebranding project. I serve as the Public Affairs Officer for the Student Veteran Association (SVA) at Bowie State, I’ve been working on rebranding our chapter to strengthen its presence on campus. From designing a new logo to creating digital outreach materials, this initiative aims to engage and support our veteran community like never before. #BSUSVA #VeteranSupport
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Growing up, I didn't often listen to hip-hop, but its cultural influence has still played a role in shaping parts of my identity. One of the most significant ways it has impacted me is through my love for sneakers and streetwear. Hip-hop has always been deeply connected to fashion, and the way artists use style to express themselves resonates with me. Sneakers, in particular, tell a story—whether about exclusivity, cultural movements, or personal milestones. This appreciation for storytelling through visual aesthetics has naturally extended into my passion for design, communication, and leadership.
Leadership is second nature to me. My ability to adapt, make quick decisions, and guide teams through challenges has been honed over years of military service. Transitioning into the world of visual communications and digital art, I’ve found that these skills are just as valuable in creative spaces as they were in high-stakes environments. Effective storytelling, whether through visual communication or spoken word, requires clarity, confidence, and an understanding of the audience. These elements are particularly crucial in podcasting, where capturing and maintaining audience engagement relies on effective storytelling and compelling conversation.
Currently, I’m deeply inspired by Kendrick Lamar’s Super Bowl performance. He masterfully blended multiple elements, combining choreography, fashion, music, and social issues into a seamless, compelling experience. Seeing him command such a massive stage while staying true to his message reinforced my appreciation for storytelling’s power. It reinforced my belief that great communicators don’t just inform; they captivate, challenge, and inspire. That’s the kind of impact I want to have in my own work.
In terms of skills, I bring a strong foundation in leadership, strategic thinking, and visual communication. My background in mass communications provides insight into audio and television production, scriptwriting, and effective message crafting for podcasting. My experience mentoring and teaching gives me the ability to engage audiences meaningfully. However, I know there’s always room for improvement. One of the areas I want to refine is my voice and diction. I recognize the importance of clear, well-paced speech, especially in a podcast setting. By improving my vocal clarity and pacing, I can become a more engaging speaker and ensure my message resonates as intended.
Ultimately, hip-hop’s emphasis on self-expression, resilience, and storytelling aligns with my own journey. Whether it’s through a podcast, design, or teaching, I want to create meaningful conversations and visuals that inspire and inform. Just like Kendrick Lamar brought together multiple elements to deliver a powerful performance, I aim to merge my skills and experiences to create something impactful and memorable.
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I got to check out the play reading of Whatchu Say Your Name Was? by Raymond Ingram on Monday, November 18th, at the Fine & Performing Arts Center’s 3rd Floor Lounge. This reading, part of Raymond’s Spring 2025 Capstone project, gave an exciting peek into his creative process and storytelling talent.
The performance was super engaging and thought-provoking, with the cast bringing the story to life in such an energetic and memorable way. It definitely left me wanting to see more.
Raymond isn’t just a talented playwright; he’s also a phenomenal singer and an incredible actor. I don’t know if he can dance, but he’s definitely a triple threat! I had the pleasure of working with him as a co-director on Shutter, and he was absolutely astute and a true professional.
I can’t wait to see how Whatchu Say Your Name Was? evolves and look forward to the full showcase when it hits the stage next spring!
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I had the pleasure of attending a performance of Lynn Nottage’s Fabulation, or the Re-Education of Undine presented by the Bowie State University Theatre Department. The show was a delightful mix of humor and heartfelt moments, exploring themes of identity, class, and redemption. I was thoroughly impressed by the talented cast, who brought the characters to life with energy and nuance, as well as the professionalism of the entire house crew. From the seamless transitions to the engaging performances, it was a remarkable production that highlighted the creativity and dedication of everyone involved. Bravo to the BSU Theatre team!
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Highlights from the NAAHBCU Exhibit
One of my favorite pieces from this year’s NAAHBCU Exhibit was "MA’AT" by T.L. Bartwick. This extraordinary artwork was constructed using Miyuki, Toho, Czech, and Tila glass beads on acrylic on canvas. The artist meticulously placed thousands of individual beads to create a vibrant and intricate composition that captures both the eye and the imagination.
What captivates me most about "MA’AT" is the dedication and precision evident in every detail. Each bead plays a vital role in building the larger design, resulting in a piece that feels both delicate and powerful. The rich colors and intricate patterns add depth and texture, drawing viewers closer to fully appreciate the artistry and craftsmanship behind it.
"MA’AT" embodies balance, harmony, and truth, values that resonate through the composition’s meticulous structure and vibrant energy. This piece is a stunning testament to the skill and patience required for beadwork, as well as the enduring power of art to convey cultural and spiritual significance.
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The National Alliance of Artists from Historically Black Colleges and Universities (NAAHBCU) is a non-profit organization dedicated to supporting and promoting artists and art programs within Historically Black Colleges and Universities (HBCUs). The organization focuses on elevating art and art education, ensuring they remain central to the priorities of its member institutions. NAAHBCU's mission is to highlight the importance of these programs and preserve their legacy for future generations.
This year marked the 25th Anniversary of the NAAHBCU Conference and Exhibition, themed "Living the Legacy: Celebrating Twenty-Five Years Surging Forward.” I had the pleasure of attending the artist talk, where I was deeply inspired by the stories shared. It was fascinating to see how many artists began their careers in one medium and, over the years, transitioned to explore others, showcasing their growth and adaptability.
What struck me most was the strong sense of community and connection among the members—a bond built and nurtured over decades. This collaborative spirit and mutual support within the organization underscore the vital role NAAHBCU plays in fostering not only artistic development but also lifelong relationships among its members.
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Shutter: A gripping tale of obsession and betrayal as a college student's dark secret is exposed by his closest ally—his own teammate and friend. Tension builds, suspense lingers, and a twist will leave you stunned.
This film began as a collaborative class project between the Fashion Department and second-year film students, blending creative disciplines to bring a unique vision to life. It was submitted to multiple HBCU film festivals and the 3rd Annual Prince George's Film Festival earlier this year, where it placed in the top at two film festivals and won second place. I am incredibly proud of the work we all have done and to have been a part of this inaugural crew. I hope this is a tradition that continues.
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I had the opportunity to see an early screening of the stock motion animation film "Piece by Piece". This film depicts the Journey of Music Producer and Artist Pharrell Williams building to his massive success in the music industry. Animated in the style of LEGO toys and following the style of The LEGO Movie, Piece by Piece is a bio-pic documentary.
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Prince George's Film Festival Take III. Had the pleasure of seeing the Director of EICOP Stacey Milner again and listening to her speak during the "Breaking Into the Business: “Getting Your Foot In the Door” panel.
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