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joaquin left riverdale on a bus headed to san junipero to save himself, but then he comes back to riverdale to help save fangs and for that choice he gets imprisoned, blackmailed, and murdered before he even graduates high school. but then in another lifetime, where joaquin never existed, where fangs makes it to graduation (heterosexually (?)) and tries to leave riverdale for good, his bus crashes. town that kills you if you leave! town that kills you if you stay! town that kills you and kills you and kills y

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it pisses me off SO bad how transphobes have so effectively used sports to launder transphobia and misogyny to people. like does nobody remember like ~5-10 years ago when it was a MAJOR feminist talking point to argue for desegregating sports and going by skill level instead of gender separation??? and now, because so many cis people hate trans people so violently and think we should be excluded from all aspects of public life, you’ve got a whole bunch of women who call themselves feminists laundering misogynistic talking points about how “women are just inherently weaker and worse at athletics than men :(( it’s just biology and women are inherently inferior :(( this is definitely not misogyny that’s unsupported by science, women are just weaker and worse at things :((“ like girl open your ears and listen to what you’re saying!!

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SpongeBob and Patrick discover that the mise en scènce of squidward’s house is so alluring that they start hooking up on the down low there. When Squidward discovers this he completely trashes his place so they’ll stop, but when he finds out that they started fucking at Squilliam’s house, he gets jealous and overcompensates by turning his house into a love hotel: The Sinful Cephalopod

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dan favouriting Obamas tweet doesnt mean that he is gay it means he supports gay marriage

don’t make everything about phan

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Fuck it, I didn't want to make a post on this but it's bugging the hell out of me so let's exorcize the thought.

Lilo and Stitch is an extremely good children's movie. I've been working at a daycare for over five years now, and out of all the children's movies I've shown to an auidence of twenty or so school-age kids (i.e. between the ages of 5 and 12), the only movie that's held their attention as well as Lilo and Stitch is The Emperor's New Groove, and the only one that's held it better is An American Tail. Of those three, Lilo and Stitch has won the vote of "what movie we will watch" the most. It not only entertains kids, but emotionally captivates them from start to finish, because it very thoroughly understands how to engage children on their level. It's a smart, tightly written children's movie.

The feat of story-telling genius it pulls of lies in its ability to reach both where children's imaginations want to go and where their lived real-world experiences lie - most children's movies focus on one or the other, but Lilo and Stitch dives deep into both. On the imagination side, there's Stitch's whole plotline of being a little alien monster being chased by other weirdo aliens onto earth because they want to stop him from running amok and causing havoc (which, of course, happens anyway in fun cartoony comedy/action spectacle). On the real-world side, you have Lilo's plotline of being a troubled little girl who has an abundance of very real problems that, like an actual child, she struggles to comprehend and deal with, as well as the many adults in her life that care about her to some degree but all struggle to fully understand her. Kids want to be Stitch and run amok and cause cartoony havoc. Kids, even the least-troubled kids, relate to Lilo, because all of them have been in a similar situation as her at least once in their lives.

Balancing these two very different stories, with very different tones and scopes to their respective conflicts, is a hard writing task, but Lilo and Stitch manages to do it in a way that seems effortless with one very powerful trick. The two plots are direct mirrors to each other, complete with the characters involved in each having foils in the respective plot. To break it down:

Stitch, the wild and destructive alien gremlin who everyone has labeled as a crime against existence, is Lilo, the troubled young girl who's viewed as a "problem child" by all the adults in her life. In both plotlines, Stitch and Lilo are facing the threat of being "taken away" from the life they know because they act out, and in both plotlines, we see that this is an unfathomably cruel thing to do to them and will not actually solve the problems they have.

Dr. Jumbaa, the mad scientist who made Stitch because making monsters is what mad scientists do, and who had no intentions of ever being nurturing or parental to anything or anyone in his life, is Nani, Lilo's older sister whose parents died when she was young and now is forced to act as a parental substitute despite not being mentally or emotionally prepared for that responsibility yet. Both Dr. Jumbaa and Nani are trying to get their respective wild children in line with what society wants them to be, and both are struggling hard with it because they in turn have a lot of growing to do before they can actually accomplish that.

Pleakley, the nebbish alien bureaucrat who ends up being assigned to help Dr. Jumbaa despite being mostly uninvolved in creating the whole Stitch situation, is David, the nice but mostly ineffectual guy who's crushing on Nani and wants to help her but doesn't really have much he can provide except emotional support. Ultimately Pleakley and David prove that said emotional support is a lot more helpful than it seems on the surface, as they give Jumbaa and Nani respectively a lot of the pushes they need to become better in their parental roles.

The Grand Councilwoman, who runs the society of aliens that is trying to banish Stitch forever for his crime of existing, is Cobra Bubbles, the Child Protective Services agent who is in charge of deciding whether or not Lilo needs to be taken away from her home forever for, ostensibly, her own good. Both are well-intentioned and stern, with a desire to follow the rules of society and do what procedure says is the most humane thing to do in this situation, but both lack the understanding of Stitch/Lilo's situation to actually help until the end of the movie.

Finally, we have Captain Gantu, the enforcer of the Galactic Council who is a mean, aggressive, sadistic brute but is viewed as a "good guy" by society because he plays by its rules (well, when he knows can't get away with breaking them, anyway), who is the counterpart of Myrtle, the mean, aggressive, sadistic schoolyard bully who is viewed as a "good kid" by other adults because she plays by the rules they established (well, when she knows she can't get away with breaking them, anyway). Both Gantu and Myrtle are, in truth, much nastier in temperament than Stitch and Lilo, but are better at hiding it in front of others and so get away with it, and often make Stitch and Lilo look worse in the eyes of others by provoking them to violence and then playing the victim about it - in fact, both even have the same line, "Does this look infected to you?", which they say after goading their respective wild-child victims into biting them.

The symmetry of these two plotlines allows them to actually feed into each other and build each other up instead of fighting each other for screentime. The fantastical nature of Stitch's plot adds whimsy to the far more realistic problems that Lilo faces so they don't get too heavy for the children in the audience, while the very real struggles of Lilo in her plotline bleed over into Stitch's plot and make both very emotionally poignant. When both plotlines hit their shared climax, they reach children on a emotional level few other movies can match - the terror of Lilo being taken away from her family, and the emotional complexity of that problem (Cobra Bubbles pointing to Lilo's ruined house and shouting at Nani, "IS THIS WHAT LILO NEEDS?" is so starkly real and heart-breaking), is matched and echoed in the visual splendor and mania of the spectacular no-way-this-is-going-to-work chase scene where Stitch, Nani, Jumbaa, and Pleakley all team up to rescue Lilo from Gantu.

The arcs of the characters all more or less line up. Nani confronts her own failures to be a guardian and parent to Lilo and resolves to do better and learn from her mistakes. Jumbaa, who through most of the movie protests to be evil and uncaring, nonetheless comes to not only care for Pleakley, but more importantly for Stitch too, and ends up assuming the role he never wanted but nonetheless forced himself into from the start: he is Stitch's family. Hell, the moment that reveals this is really clever - Stitch goes out into the wilderness to try and re-enact a scene from a storybook of The Ugly Duckling, hoping, in a very childish way, that his family will show up and love him. Jumbaa arrives and, coldly but not particularly cruelly, tells Stitch that he has no family - that Stitch wasn't born, but created in a lab by Jumbaa himself. But in that moment Jumbaa is proving himself wrong - because Stitch's creator, his parent, DID show up, and did exactly what happens in the story by telling Stitch the truth of what he is. It can't be a surprise, then, that later in the movie Jumbaa ends up deciding to side with Stitch, to help him save Lilo, and to stay on Earth with his child.

David and Pleakley go from being pushed away by Nani and Jumbaa respectively to essentially becoming their partners in the family. The Grand Councilwoman and Cobra Bubbles finally see how cruel their initial solution of isolating Stitch and Lilo from their family would be, and bend the rules they are supposed to enforce to protect and support this weird found family instead of breaking it apart. Gantu and Myrtle are recognized for the assholes they are and face comeuppance in the form of comedic slapstick pratfalls. And most importantly, Stitch and Lilo both get the emotional support and understanding they need to thrive and live happy lives as children should be allowed to do. It's like poetry, it rhymes.

It's a very precise, smartly written movie. It's a delicate balancing act of tone and emotions, with a very strong theme about the need for family and understanding that hits children in their hearts and imaginations. It's extremely well structured.

...

So it'd be kind of colossally fucking stupid to remake it and start fucking around with the core structure of it, chopping out pieces and completely altering others, with no real purpose beyond "Well, the executives thought it might be better if we did this."

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it's called one william dollars because it's. bills:)

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Found these clown plushies :3 (source: stuffedserotonin on Instagram)

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seems a little unfair that I’ll never have my portrait made by John Singer Sargent. I would have been really good at it. there’d be just a hint of canny amusement in my gaze toward the viewer and everything

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stan pines and his goddamn canon girdle

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people be calling folks zesty a lot these days, brother I need you to call me a faggot‼️‼️‼️‼️

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*cools ur dashboard down*

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My T-shirt with the entire text of Borges' theoretical Library of Babel is raising a lot of questions already answered by the shirt, somewhere.

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2027: Wizards of the Coast and the American Psychological Association collaborate on the D&DSM, 6th Edition, widely regarded as the worst thing ever published

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It is genuinely fascinating how many feminist cis women, including those who are on paper openly supportive of trans people, struggle to actually think about trans men as a concept.

A few months ago I ended up having a very long talk with a friend of a friend. She told me that she'd never really spoken to a trans man before, the only trans people she knew were trans women. There was a point, after the third time I reminded her that I was a man, that she just sorta of slotted me into her mental box of "man", and I could tell that happened because after that point she started trying to explain things to me as if I was a cis man.

I categorically do not "pass" and likely never will. I'm very short, my hips are prominent because I'm fat, I keep my hair long, charitably I could be said to have a baby face, I have D-cups and cannot bind due to spinal problems. To the majority of cis people I do not "look like a man".

But for the rest of the conversation I had with this friend of a friend I had to keep reminding her of how other people are going to view me, because there was no room in her mental idea of "man" for a man who is not treated as one. This was not malicious on her part, she was very nice to me, and I believe her when she says she wants to support trans people. I do not think she was lying when she told me how horrified she was to learn about how her trans woman friends were treated.

She said she was envious of me going out alone and how I need to understand that's a facet of male privilege and I asked her to look at me and explain why I'd be any safer. She was shocked to learn that I've been catcalled, been assaulted, that I regularly get spoken down to by cis men, shocked to learn I don't have a single transmasc friend who hasn't. She couldn't understand that I'm going to be treated the same by misogynists as any fat cis woman who doesn't wear makeup. There was no room in her feminism for trans men, because there was no room in her understanding of gender for men who are not cis.

We ended up talking about politics. She told me she was terrified of abortion being banned, and that this would never be a threat if men could get pregnant.

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sugar we're going down is like. yes it's overplayed yes everyone has heard it a million times and then some. but it really truly never gets old. not ever. i could never get sick of it. sometimes it comes on and i'm like "ehh i don't know if i feel like it" but i let it play and i'm reminded just how deserving this song was of being THE song that skyrocketed fob to mainstream success. it really is That fucking good. purely iconic 2000s emo excellence. literally flawless song, 1000/10, no notes, i AM more than you bargained for and always will be, i love you forever fall out boy

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okay now I'm curious and I dunno if this is really such an archaic foreign thing to young people today or if I'm just out of touch

Please reblog, I'd love to see a lot of responses!