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So yesterday my grandparents found a big box of old 78s that they’ve had in an attic for years, and wanted me to transfer them to CDs. Most were in pretty great shape, no cracks and few scratches. Lots of 1930s sweet/hot jazz, British big band & swing and a few Decca classical ones. This one had its label peeled/scratched off on the a side, on the reverse was a Parlophone march.

90% sure by playing it it’s unleashed some kind of 70 year old curse.

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Judy #twinpeaks https://www.instagram.com/p/BuFff5In7le/?utm_source=ig_tumblr_share&igshid=1ezrehmq6lye0

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Horror art by Stefan Koidl

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A decaying Great White shark at an abandoned Wildlife park in Melbourne. This shark had been dead a long time and is (now very poorly) preserved in a tank of formaldehyde.

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In Japanese folklore, Gashadokuro, also known as Odokuro, are giant skeletons, fifteen times taller than an average person, and are constructed from the bones of people who have died from starvation. Their bones are collected into this giant skeleton creature which is filled with intense anger and a thirst for human blood. He wanders around at night, grinding his teeth and making a “gachi gachi” sound. The giant skeleton towers so high above the ground and walks so quietly that he can be almost invisible. The only warning you get when the giant skeleton is near is a strange and inexplicable ringing in your ears.

If the Gashadokuro finds you, he will reach down with his bony hand and snatch you off the ground. Then he will pluck your head off and suck the blood out of your headless body until his thirst is quenched.

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Racing by Valera Lutfullina

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Mismatched Eyes

I have heterochromia.

My mom has it too, only hers is sectoral heterochromia. A part of her left eye is brown while most of it is blue. Mine’s complete. My right eye is brown, the left is blue. As a kid I’d get the most excited reaction out of the adults-

“His eyes are so beautiful!”

“Wow, they’re different colors!”

“How stunning!”

I’d like to say that my eyes are only one part of myself, that it’s just a slice of the pie that makes up me. But really, the only fascinating part of myself is the heterochromia. I’m average in grades. Height. Strength. IQ. Not much stunning charisma either- I tend to stick to myself.

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[fuck-yeah-creepy]

So yesterday my grandparents found a big box of old 78s that they’ve had in an attic for years, and wanted me to transfer them to CDs. Most were in pretty great shape, no cracks and few scratches. Lots of 1930s sweet/hot jazz, British big band & swing and a few Decca classical ones. This one had its label peeled/scratched off on the a side, on the reverse was a Parlophone march.

90% sure by playing it it’s unleashed some kind of 70 year old curse.

[fuck-yeah-creepy]

honestly an experiment i took waay too long to finish

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baby on board.png

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For that "glitch in the matrix" thing going around

Not me, but my mom.

In 1972, she ran away from home. She was gone for several months, and when she got home my grandmother started shaking her and screaming about how someone had told her my mother had no shoes and my grandmother was sure it meant my mom was dead.

She finally calms down, and they piece it together: my grandmother had gotten a phone call from someone who breathed two or three times, said “Cathy’s in bare feet,” and hung up. Except that’s not what they said–my grandmother had written the date in on her calendar, and on that date my mother was in Bare Feet, Arizona. She knew definitively that she was in Bare Feet because on that date she called home to talk to my grandfather, who told her Uncle Jim had died–“got himself shot”–and that she had missed the funeral. Ready for the glitch in the matrix part? Here we go:

–My grandfather had no recollection of the conversation–which would have been a strange conversation indeed, since Uncle Jim was still alive and, in fact, didn’t die until 2009, eight years after my grandfather. However, my mom did miss the funeral, thanks to a delayed flight. Cause of death? Supposedly, it was suicide, but there were enough indications for the family to believe that was a pile of horseshit, not least that shooting himself in the head with the rifle indicated would’ve been near-impossible.

–My mom was going by the name Patricia Danko when she was on the run–she had a fake ID and everything. She hadn’t called herself “Cathy” since leaving home and nobody knew she was traveling under an alias.

–According to my mom, she never gave a name for herself–either Patricia or Cathy–when she was in Bare Feet, and she would’ve had no reason to. Bare Feet had maybe a hundred people in it, and they were just stopping for food and gas.

–This isn’t just an account from my mother–my dad was with her at the time, and he remembers both the phone call and the truckstop.

But that’s not the weirdest nor the creepiest part, which is this:

–I’ve been trying for three years to find Bare Feet, Arizona–on the Internet, on old maps, by talking to old Arizona cowboys, and there was never a Bare Feet, Arizona. My mom convinced my dad to drive “through Bare Feet” on the way back from Texas in 2013 and there was no town anywhere along the highway, not even the abandoned bones of one. I’ve looked for Bare Feet, Barefeet, Bear Feet, Bare Feat, Bare Foot, Barefoot, and Bear Foot. None of these exist.

My mother stopped in a town that doesn’t exist, ate in a restaurant that never was, made a phone call that could not have happened and was apparently answered by a ghost from 40 years in the future, and later that night someone called my grandmother from a number that turned up on her phone bill only as a pay phone in Arizona to say that single sentence, “Cathy’s in Bare Feet.”

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god i can never stop thinking about certain sculptures used in modern art and how they can be used to elicit the beautiful and terrible feeling of true and genuine horror in ways that a lot of horror movies can never do

like when you ask people “what is horror?” they’ll tend to give examples of monsters, of killers, of dark places, of sharp teeth and too many legs and lots and lots of blood. which is true, that can be used as horror! but i’d like to call that “the horror of being eaten/hurt/killed” or more succinctly “the horror of vulnerability”. it’s a horror that something, whether it’s a killer or a monster or some phenomenon, has the ability to cause us harm. we see large amounts of teeth and we think “that thing is going to tear us to pieces with those teeth” or we see spilled blood and we think “someone has been hurt, there’s a chance we can be hurt too by whatever spilled this blood”.

but what certain modern sculptures can do is elicit a very physical visceral reaction of a completely different kind of horror. 

it’s “the horror that something is a thing that SHOULD not exist, and you are absolutely powerless to understand what it is, but it is existing in your space, right now, it is real and you cannot make it unreal no matter what you do”

or perhaps, in a shorter fashion, it’s “the horror of wrongness”

like one of the sculptures that made me feel this way is this sculpture here, named “Monekana” located in the American Art Museum in Washington D.C:

“okay,” you say, with a shrug. “it’s a horse made of wood? what’s so scary about that?”. but this is the lie of the photograph! a photograph of a sculpture rarely grasps the experience of standing next to a sculpture. you have to picture yourself walking into this room, practically devoid of people, and coming face to face with this sculpture that is very large and very real.

and your brain screams that “THIS IS WRONG. MAKE IT GO AWAY. THIS IS WRONG”, like at any moment you expect it to move, to twist its head, to follow you with eyes that aren’t simply there. it looks like a horse but it is no horse. you could almost argue that maybe it isn’t even an art piece at all, but it wandered in from god knows what kind of world and it’s blending in with everything else. maybe it’s fooling you. maybe it isn’t.

anyways, i’m not trying to say that this sculpture in particular is SUPPOSED to be scary, it may make other people feel nothing at all (or even positive feelings!), but what i’m trying to say is that feeling i had that day, when i saw this thing, when i felt this fearful instinct to stay away and not stare, it’s THAT feeling that i feel so many writers and makers of horror don’t completely understand. you don’t need teeth. you don’t need blood. you don’t need to make Spooky Scary Skeletons or chainsaw-wielding villains. all you need is to create something wrong in its existence, something to make parts of us fear the fact that we can’t entirely rationalize what we’re seeing.

that’s horror, to me.

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