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Scooby-Doo, Where Are You! (1970) -William Hanna, Joseph Barbera

Scooby-Doo, Where Are You! is an American animated comedy television series which is created by Joe Ruby and Ken Spears. This series was premiered as part of the network's Saturday morning cartoon schedule on September 13, 1996 and aired for two seasons until October 31, 1970.The complete series is available on the Boomerang, HBO Max, and Tubi Streaming services. The series spawned the famous Scooby-Doo franchise, which continues to this day, over fifty years later, outliving both its creators and the studio that produced it.

Technique Section:-

Scooby-Do, Where Are You! was created through a process called 'limited' or 'panelled' animation' which was devised a decade earlier by Bill Hanna and Joe Barbera. Limited or panelled animation does not require an entirely new drawing for every frame of film. This is accomplished by splitting up the character onto different 'cels' (sheets of acetate) or 'celluloid' onto which the figures are painted and then photographed. The bottom cel may contain the character's body, while the cel laid over it contains the arm or head, or whatever part is required to move. the episode is broken down into shots on paper. This phase of production includes staging the action and designing the sets, props and any new character the episode requires. Then later on, the director passes the work onto animators, who draw the scenes and lip-sync the mouths of the character to the voice tracks.

Representation Section:-

Scooby-Doo, Where Are You! is a story of a group of teenage friends and their great Dane (Scooby Doo) travel in a bright green van solving strange and hilarious mysteries, while returning from on going tom regular teenage function. First episode of Scooby-Doo, Where Are You! is What a Night for a Knight. In this episode the teenage group and scooby doo himself goes to have fun movie time on fine day. On their way back from the movie Shaggy (main character, scooby-doo's best friend) and Scooby finds the abandoned vehicle of a missing archaeologist, and the only thing inside the car at all is a mysterious suit of black armor in the seat. After research, the gang learns that superstition tells that the armor can come to life.

Reception Section:-

Scooby-Doo, Where Are You! was the result of CBA and Hanna-Barbera's plan to create a non-violent Saturday morning program that would appease the parent watch groups that had protested the superhero-based programs of the mid-1960's. Originally titled The Mysteries Five and later Who's S-S-Scared?, Scooby-Doo, Where Are You! underwent a number of changes from script to screen. On November 9,2010, Warner Home Video released Scooby-Doo, Where Are You! The Complete Series. The eight-disc set features all 25 episodes of the series plus the 16 episodes produced in 1978 which aired as part of Scooby's All-Stars. While a successful series during its three separate tenures on Saturday morning. Scooby-Doo won o awards for artistic merit during its original series runs. The series has received only two Emmy nominations in its four-decade history. Scooby-Doo has maintained a significant fan base, which has grown steadily since the 1990s due to the show's popularity among both young children and nostalgic adult who grew up with the series.

Personally, Scooby-Doo cartoon was my childhood favourite cartoon. I use to love watching Shaggy's and Scooby-Doo's friendship a lot. Me and my siblings used to make the room dark as much as possible so make the cartoon more intense4. It was fun watching it again and remembering good old days.

Reference:-

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Astro Boy (1980-1981)

-Noboru Ishiguro.

Astro Boy (October 1, 1980 - December 23, 1981) also know as New Mighty Atom is a color remake of the 1960’s anime black and white series. It is also the last Astro Boy work that Tezuka himself wrote and directed, and the humour of the story and direction that is typical of Tezuka can be seen throughout. The original Japanese version of the series ran for 52 episodes while the English dub ran for 51 Episodes as the first two were combined into one.

Technique Section:-

The Tv animation series, Astro Boy is known as one of Osamu Tezuka’s seminal works that changed the history of Japanese Animation. The 1980’s are considered the ‘golden age’ of Japanese anime, it saw a huge explosion of genres and intrest. Many factors contributed to this, including the introduction of VHS and children who were inspired by Tetsuwan Atom (Astro Boy) twenty years ago, growing up and becoming nostalgic for their favourite show. Osamu Tezuka’s love of animation as an art form ran deep, and right from thr very begining he knew that he wanted to push the artistic boundaries as much than the commercial ones. 

Although the original Black and White Astro Boy (1963-1966) television series is often credited with getting Mushi Production’s animation division off the ground, it’s quit telling that despite the pressure to succeed at the enormous task he would set for himself- the complete production of a weekly animated television program on a shoestring budget- he still held fast to the dream of creating animation as fine art. Under the original English name, it kept the same classic art style art style as the original manga and anime, but was revisioned and moderized with more lush, high-quality, near-theatrical animation and visuals. It combined the playfulness of the early anime with the darker, more serious and dramatic Science fiction themes of the manga and 1980’s series.

Representation Section:-

 In the series Astro boy, Astro is the main character, who has a strong sense of morality and is always gentle and kind towards other. AStro is a superpowered robot, with seven secret super powers. He looks exactly like his creator Tobio. Throughout the series, Atlas attempts to persuade Astro to help Atlas conquer the world. By design, both AStro and Atlas were created from the same blueprints, and so they are considered to be brothers. However, Astro refuses to help Atals in his quest for world domination. Astro’s voice is dubbed by Mari Shimizu to continue with Patricia Kugler Whitley for American Version and then 12 year old Steven Bednarski for Canadian Version.

Reception Section:-

Astro Boy was dubbed in two different English Languages. The first was coordinated by Tezuka Productions and Nippon TV and dubbed in 1982, which aried in Australia from 1983 to 1998. It had a very limited release in the U.S. This version was later released on DVD in both Australia and the United States. iIn the Philippines, the series was aired on RPN in the 1980’s. The second English dub was heavily edited and redubbed in Canada in 1985. In the Canadian version most of the character names were different from the American counterparts. In India, the Hindi-dubbed version of this show was broadcasted on Pogo from 2008-2009. The first two episodes of the series were edited into one episode, completely removing the subplot of Atlas origin. Astro Boy is said to be the first popular anime created based on a manga, providing the foundation for the animation of popular comics. Without Astro Boy and it creators, Japanese manga and anime might not have seen the great success that followed and continues to his day. In todays day, it be be hard-pressed to find a person grown up in Japan who is not aware of Astro Boy. The  anime theme tune is still commonly used in sporting events and performances.

Personally, I myself have also enjoyed this series in my childhood. Seeing this series after so longs gives nostalgic feeling and it made me miss my old days when i use to watch it with my siblings and cousins.

Refrences:-

https://characterdesignreferences.com/art-of-animation-8/art-of-astro-

boy#:~:text=Under%20the%20original%20English%20name,near%2Dtheatrical%20animation%20and%20visuals.

astro-boy-influence

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The World History of Animation (2011)

-Stephen Cavalier

Stephen Cavalier has worked in the animation and games industries for two decades. An animator, writer and director, ha has worked as an Animation director for Disney TV shows and been part of the animation team at Steven Spielberg’s Amblimation. He also works as ana animator, writer and director through his own company, Spy Pictures.

Stephen Cavalier in the book The World History of Animation  have lavishly illustrated the gener’s 100 year old story around the globe, featuring key players in Europe, North America and Asia. Since, the animatio has been discovered, it has developed mutiple iterations and created myriad dynamic styles, innovation techniques, iconic characters and memorable stories. In this book, Stephen Cavarlier has organized chronologically, feature films, television programs, digital films, games, independant films, and the web. He has listed must-see films along with synopses and in-depth biographies of individuals and studios. This book explains the evolution of animation technique, from rotoscoping to refinements of cel techniques, direct film, claymation and more. This kind of books give oneself a reason to turn to over and over again.

The reason for picking this book is, because this book is a wide ranging history of animation. It starts with a short brief summary about history of animation in different part of countries by the time. later on, it continious with year by year history of animation. Reading this book have given me chance to learn in depth of history of animation. To learn new techniques for animation or to increase your knowledge across animation field, one should first be aware of from where the animation started and how its going. Reading this book will be first step to the foundation of the knowldge for animation in your career.

The first chapter of this book is ‘Brief Histories of World Animation’ in which it mentions about how animation productions were conducted in countries like North America, Eastern and Western Europe and Asia. I found this chapter most intresting because it doesnt only concentrates on one era of animation but in all as overall. Stephen Cavalier, have also included a useful chart about must-see animation films produced from 1914 to 2010. I wasnt aware of this book before, but after searching about it a bit i developed intrest in knowing more about history of animation in different countries.

This book have reached my expectation. The most intresting part of the chapter ‘Brief Histories of World. Animation’ was how Cavalier’s history of Asian animation succinctly touches upon Korean, Chinese, Indian and Japanese tradition. Each section contains astute analysis of the intricate relationships between the animation industry and contemporary politics and art movements. One can be benefited by reading his chapter in the book, as each individual gets to know from our animation is being improved year by year since 1914. By reading this one also gets to know how todays techniques and technology has made animation much easier than in old days when everything was manually done by the animators. Also, each countries different technique have been mentioned and their success on different stages is being disccused. 

Reading this book have given me good quality time and have also shocked me with some information i was unaware about. Learning more about history of anything makes one more interested in that particular field, and reading this book and chapter have boosted my desire to explore more about animation historical events.

Reference:-

The+World+History+of+Animation.-a0436983301

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The Jungle Book (1967)

-Wolfgang Reitherman

The Jungle Book is an American Musical comedy film which wa sreleased on October 18, 1967. It is produced by Walt Disney Productions and released by Buena Vista Distribution.  Based on Rudyard Kipling’s 1894 book of the same title, it is the 19th Disney Animated feature film and the final animated film to be produced by Walt Disney, who died during its production. 

Technique Section:-

In the movie The Jungle Book, rather than applying motion-capture (in the same way as films like Avatar and The Polar Express), they instead used the more complicated process of key-frame animation- again, using real animals for reference to capture photo realistic images of the creatures. The Jungle book was created on transparent ‘cels’, a technique patented by Earl Hurd in 1914. The cels were originally fixed onto register pegs and this way various layers of image could be short at once and backgrounds didn’t need to be repainted each time. However, Disney developed this idea by using a amultipalne camera which photographed a much larger number of layers of frames at once. It also enabled special effects to be created, such as moving water or flickering stars. Backgrounds were hand-painted - with the exception of the waterfall, mostly consisting of footage of the Angel Falls in Venezuela - and sometimes scenery was used in both foreground and bottom and filmed with the multiplane camera to create a notion of depth. It also used Xerography, copying the animator’s drawings onto a light-sensitive aluminium plate and then onto cels, unlike the old, painstaking hand-inking process, tracing them from paper drawings.

Representation Section:-

In the classic Walt Disney animation short The Jungle Book, an abondend child  named Mogli is raised by wolves. He lives with other animals peacfully until he is threatned by the retuen of the man-eating tiger Shere Khan. While facing certain death threats, Mowgli must overcome his reluctance to leave his family and friends and return to the ‘man village’. Mowgli braves the jungle’s many perils. Some characters were cut out during the development process: Rocky the short-sighted rhinoceros. Bruce Reitherman voice-over Mowgli, Phil Harris voice-over Baloo the Bear, Sebastian Cabot as Bagheera the Panther and George Sanders as Shere Khan the Tiger.

Reception Section:-

The Jungle Book was released on October 18, 1967. Audiences respond to the short film was quick and filled with enthusiasm. By the end of them 1967 The Jungle Book was they year’s fourth highest grossing short animation film. It recieved positive reviews upon release, undoubtedly influenced by a nostalgic reaction tothe death of Walt Disney. REtrospective reviews were also positive and music and characters also recieved much praise from audience throught the years. The film recieved an approval rating of 88%, with an average rating of 7.2/10. The Jungle Book was re-released threatrically in North America in 1978, 1984 and 1990, and also in Europe throughtout the 1970’s and 1980’s. The film earned over $23.8 million worldwide becoming the most successful animated film released during its initial run.

Personally, watching this movie was very entertaining and seeing friendship of Mowgli and his friends was adorable. Seeing him overcome his threat was adventurous. It was a unique story of a child spending his life happily with animals in jungle.

Reference:-

#:~:text=But%20audiences%20responded%20quickly%20and,to%20the%20one%20non%2DSherman

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Duck Amuck (1953).

-Chuck Jones.

Duck Amuck is an America animated surreal comedy short film directed by Chuck Jones and written by Michael Maltese. This short was released on January 17, 1953. The short inspired the 2007 Nintendo DS game Looney Tunes: Duck Amuck.

Technique Section:-

Directed by the renowned animator Chuck Jones, this innovative and ground-breaking cartoon is a masterpiece of surreal humor and meta storytelling. In just seven minutes, Duck Amuck brings their viewers to an unpredictable journey as it challenges the traditional coventions of animated storytelling. Duck Amuck has become a cultural landmark in the world of animation. It cleverly parodies the traditional cartoon-making process, the background of the movie continuously changes, adding to the surreal atmosphere. Chuck Jones unique animation style, characterized by exaggerated movements and expressive facial expressions, is prominent throughout the movie. Through clever visual gags and physical comedy, Duck Amuck elicits laughter without the need for excessive dialouge.

Representation Section:-

Duck Amuck’s innovation animation techniques and storytelling have had a lasting impact on subsequent generations of animators. The short-tempered Daffy Duck gets irritated by the mischief behaviour of unseen animator who plays around Daffy by somtimes changing his bacground, voice or makes his physical form, creating a hilarious and surreal experience for viewers. At the end they relieve the unseen animator was none other than Bugs Bunny. Its unique concept, innovation animation, and entertainig. storyline make it a true gem in the world of cinema. With its clever humor, memorable characters, and unexpected twits, this movie continues to be a beloved classic that stands the test of time.

Reception Section:-

Duck Amuck was released on January 17, 1953. It was ranked #4 best short in 1953.  It stands out for its clever and intelligent humor, appealing to audience of all ages. Over the year, Duck Amuck has gained a dedicated following, becoming a cult classic among animation enthusiasts. In 1999 the film was deemed ‘culturally significant’ by the United States Library of Congress and selected for preservation in the National Film Registry. This was the second  of three animated shorts by Jones to recieve this honor. The short was included on the Looney Tunes Goldden Collection: Volume 1 DVD Essential Daffy Duck. The short inspired the 2007 Nintendo DS game Looney Tunes: Duck Amuck.

In person, watching this short have given me a pleasant time. Seeing Bugs Bunny at last as unseen animator was a great suprise. The humor and exaggeration used is proper and perfect.

Reference:-

https://rateyourmusic.com/film/duck_amuck/

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All This and Rabbit Stew (1941)

-Tex Avery 

All This and Rabbit Stew is a 1940s short comedy animated film directed by Tex Avery. This cartoon was released on September 13, 1941 and it featured Bugs Bunny in it. It is a one-reel animated cartoon short subject in the Merrie Melodies series, produced in Technicolor.

Technique Section:-

as early as the 1940’s, rotoscoping in animation was picked up in Asia.In this short Tex Avery appears putting his foot driving fast on the accelerator. He appears to rapidly change his own style in the timing as well as to the gags. Compared to the pervious work, Tex’s comic timing has become a lot more slicker, and the gag deliveries were becoming a lot more wilder. Tex loved to violate the rules of animation, but this time he violated it even further, as well as he kept the gag subtle from the censors that it certainly pays off the short with a great, humorous ending shots. This short was animated with three-strip technicolor process.

Representation Section:-

The film contains a reference to World War 2. In this short animated film, Bugs Bunny is being hunted by a slow witted Afro-American hunter. After Bugs outplays the hunter several times, Bugs wins all of his clothing through a dice game. The hunter then covers himself with only a leaf and remarks ‘Well, call me Adam’. Bugs rushes back and plucks the leaf from the hunter.

Reception Section:-

All This and Rabbit Stew was released on September 13, 1941. Soon after the release this cartoon was banned due to its caricature of a blackface African-American  hunter. This was one of the infamous ‘Censored 11’ by United Artists. The ‘Censored 11’ are banned from television syndication, will not be re-issued, and will not be released on home video. After copyright on All This and Rabbit Stew expired in 1969, the film fell into the public domain. The cartoon has been considered highly controversial due to racial stereotyping, which prompted United Artists to withhold this cartoon from syndication a year before it entered the public domain.

Personally, this short animated film was fun to watch. Beside it also shows some racism movements which were not appropriate to the viewers.

Reference:-

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Working with Disney.

-Don Peri

Bobby Burgess

Bobby Burgess was born in Long Beach, California on 19th of May 1941. He was the one of the original Mouseketeers. He is also known for is singing and dancing. He worked for Disney for almost 4 years, starting from the age of 13. Burgess family was of 6 members, his father was a meat cutter and mother a housewife, he had 2 sisters and a brother.

Bobby started dancing at very young age. He appereaded in many amateur events and contest before he worked for Disney Studio. The Mickey Mouse Club project gave young Burgess his first taste of celebrity. Before he was selected for the role of Mouseketeers, he had already appeared in at least 75 television programs. After almost 4 years of working as a Mouseketeers, Burgess returned to a normal tenneger’s life, and graduated from high school in Long Bach itself, and started his University life. Burgess got a chance to appear on The Lawrence Welk Show as the prize for the contest he and his childhood friend Barbara Boylan won. He remained cast member of the show for twenty-one years.

In interviews with Don peri, Burgess also told that his family was not rich enough and at very small age Bobby earned more than his father in a month. He also mentioned how his family was very supportive and encouraged him towards his passion of dance and singing. 

There are many interviews available on platforms like youtube and google where Burgess shares some interesting incidents happens with him. One of them was, Burgess was exploring Walt Disney’s Office, when he peered into his room while he wasn’t there. Right there he saw the Seven Dwarfs statuette he got at the Academy Awards. He also saw an easel with little drawings of Sharon (his companion in Mouseketeer) and him. It was a sketch of them in action. The thing which was surprising is that he didn’t know they were going to do Jitterbug on the show next day until he went exploring.

The reason of choosing to write about Bobby Burgess was that, he played major part in the early television through his performances on two of the most famous family-oriented shows:- The Lawrence Welk Show and The Mickey Mouse Club.

The main thing I have learned from his interviews and journal is that one person should also enjoy the work he is doing and follow his passion, also support others towards theirs. 

(Bobby Burgess talking about the time he spent on The Lawrence Welk Show)

(Bobby Burgess talks about his works)

Book written by Bobby Burgess

Sharon Baird

Sharon Baird was born in Seattle, Washington on 16th August, 1943. She is an American actress, voice actress, singer, dancer and puppeteer. He is mainly know for her work as a Mouseketeer. Her father Eldon Baird was an aerospace work and mother Nikki Marcus, a future talent agent also a brother who was a former child actor.

Sharon Baird began to dancer at very young age just like her fellow Mouseketeer partner, Bobby Burgess. At the age of five, Sharon won the title of ‘Little Miss Washington’ and also performed for the title ‘Little Miss U.S.A’ in California. The family planned to stay there itself and later on Sharon appeared in many television shows and movie. Most notable  dancing was with Dean Martin in Artists and Models. Sharon was a featured Mouseketeer for the entire run ofThe Mickey Mouse Club which was of 4 years project. Alongside, she continued her show business career both onstage and in television with series. She continues to be very active in and out of the world of show business. in 1970’s she worked extensively as a live ‘puppet’ for Sid and Marty Krofft, among others, doing children’s show such as H.R. Pufnstuf, The Bugaloos, New Zoo Revue and Sigmund and the Sea Monsters. In 1980, she along with the other Mouseketeer, did a television special for The Wonderful World of Disney, reprising her ‘tap dancing while jumping rope’ routine. She then joined a smaller number of her colleagues in performing live show at Disneyland on weekends for several years during the early 1980’s.

In the interview with Don peri, Sharon Baird also shared some interesting talks with him. on the question being asked about whether her legs were insured or not, she answered saying her legs were insured for fifty thousand Dollars. And when she went out to interview for Eddie Cantor, they had a sketch for two little girls and two little boys to dance on the show but at that time she was too small for the role, but they did like her dancing and decided to write a special part for her afterwards. After the show was aired, Eddie Cantor’s attorney called her folks and said that she wanted to sign Sharon under contract.

The reason of choosing to write about Sharon Baird is that she was among all the Mouseketeer most experienced of these professionals. She maintained a positive outlook through the many ups an downs in her long show business career.

One thing i learned from Sharon Baird life is that now matter what the situation is, if you have talent the circumstances will change for you and your talent will be the one which will be dominant. 

(Sharon Baird interview)

 (Sharon Baird and Bobby Burgess at opening day at disneyland memories)

Reference:-

https://www.proquest.com/docview/2131729757/bookReader?accountid=37673&ppg=172

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Snow White and the Seven Dwarfs (1937) -(David Hand, Wilfred Jackson, William Cottrell, Larry Morey, Perce Pearce, Ben Sharpsteen)

Snow White and the Seven Dwarfs is an American animated movie, produced by Walt Disney Productions and was realsead by RKO Radio Pictures. It was first full length traditionally animated feature film.

Technique Section:-

In 1930’s early color processes came into use and also multiplane camera were used for better animation. Disney sent his animators to Chouinard Art Institution, to ensure that the animators get the right skill about cameras and realistic movements which in return will make the animations more realistic to audience. For giving his animators more understanding of the concept, Disney also brought animals into studio and hired actors for better griping the main idea. Snow White had been largely finised by the time the multiplane camera had been completed, Disney ordered some scenes to be re-drawn to use new effects in the film. Mostly techniques like Cutout, silhouette and stop motion was used while filming of this animation.

Representation Section:-

The grimm fairy tale gets color to its film for the first time for Disney’s animated cartoon film. It is story of a beautiful lady Snow white, who gets tortured by her setpmother, who also gave orders to murder her. later on she discovers that she is still alive and is hiding in a cottage with seven drawfs. Knowing this makes the setpmother angry and leds her to poison  Snow White with poisonous apple, which makes her to fall into a death-like sleep that can be broken only by a kiss from the prince. This film show the affection of the drawfs towards Snow White. The voice over of Snow White was done by Adriana Caselotti. Walt Disney was looking. for a voice that sounds “away from everyday, as if from another world”.

Reception Section:-

Snow White and the Seven Dwarfs premiered at the Carthy Circle Theatre on December 21, 1937. The film was hugely appreciated and recieved standing ovation from audience. Six days later after its release, Walt Disney and the seven drwafs appeared on the cover of Time magzine. It became a major box-office success and most successful sound film of all time. It was re-released to theaters in 1952, 1958, 1967, 1975,1983 and 1993. in 1983, on its 50th anniversary release, Disney released one of many authorized novelizations of the story. It had a lifetime gross of 418 million dollar across its original release and several reissues.It is the highest-grossing animated film. 

Personally watching this animated movie of 1937 in todays era is as enjoyable as it was in 1930’s. Knowing that in 1930’s producers and directors didn't have all the technology we have today for animation makes this film more appreciable. 

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Alice’s wonderland (1923) -Walt Disney

Alice’s Wonderland is an animated short film directed by Walt Disney with working title as Alice in slumberland. It was silent black and white short film which came out in 1920’s. It wasn’t released in theaters but was shown to prospective film distributors. Alice’s Wonderland was film pilot for the series named Alice comedies.

Technique section:- By mid 1920’s audience craved demands for “films with continuing heroes”. 20’s era witnessed animation shifting to narrative storytelling and continuing series of animated flims. That is when Disney brothers created Alice Comedies sequences. Walt’s production team was smaller, where Walt’s older brother Roy Disney was instruct to hand crack the movie camera. Where as, Walt directed the live action and single handedly created animated drawings. Their team also includes two members Kathleen Dollard and Ann Loomis, who were hired as ink and paint artist. The technique which is used during making of this series is Max Fleischer’s technique. Is technique combines live action with cartoon character.

Representation section:- Alice’s wonderland features Virginia Davis as Alice (it show a child’s imagination) , a young child actress who visits an animation studio where the animator is Walt Disney himself. The animators show various interesting scenes of drawing boards on her request. Same night, she dreams of landing into cartoon land in a train where she is welcomed by many cartoons characters. She appears in live action. With the story continuing the lion break out of the zoo and chase Alice into hollow tree, cave and a rabbit hole. Finnally she jumps off a cliff, which awakens her.

Reception section:- Alice’s Wonderland was never shown theoretically, but was instead shown to prospective film distributors. It was included as a bonus feature in the 2010 Special Anniversary Edition DVD release of Alice’s Wonderland. In today’s date this short film is available on almost every platform like YouTube and online websites. Today’s audience is enjoying this short film and giving good response. I personally loved watching 1920’s short film and live action in it.

Reference:-

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Animation as Interest by Gurleen Kaur

Myself, Gurleen Kaur, a 19 years old student at Langara College gaining knowledge in the field of 2D Animation.

Animation has always meant something magical to me, it made me think deeper about visual arts. Growing while watching all kinds of animation cartoons attracted me to draw characters and paint them. This gradually increased my attraction for animation, which made me choose a course in similar field.

Cartoons have always been an important part of my childhood, and still continues to be best of all. Tom and jerry, Doraemon and Shinchan are one of the cartoons which can make me sit in-front of them until today.

With growing Animation industry we can witness movies, short films and tv series being more dynamic and catchy for audience. Minions and Smurfs are movies which I can watch all day long and never get bored. Every time I watch these movies I get to see and learn something new for animation field.

Learning about animation will always be the most interesting part of my life.