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It’s as if Luca’s a wizard who’s cast a spell.

Luca Guadagnino on casting Timothée Chalamet and Armie Hammer :

"I felt that if I loved them and wanted them, they were going to want and love one another."

(November 2017)

'.. they were going to want and love one another."

.. they did.

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Armie has always talked about what he liked about Timmy which is Timmy’s unguarded openness. But can we also talk about his own unguarded moment?

You know, the way he brightened up during stage door reunion and when Timmy’s name was mentioned during the interview.

I’d like to call this, unguarded happiness. I wish him more of this.

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Could you give us some privacy, please ?

We have kind things to say and do to each other... without anyone else, just the two of us, alone ❤️.

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I listen to this song from Armie’s IG post when I want to just chill.

Armie Hammer talking about his favorite food

California chicken Sandwich and Elvis cupcake 😋🤤🤤

I cut the video a little bit..😏

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[W Magazine] Armie Hammer and Timothée Chalamet on Call Me By Your Name, the Year's Most Sensual Love Story

Last month, Armie and Timothée (Chalamet, who plays Elio in Call Me By Your Name teased a secret photoshoot in New York. Today, W Magazine unveiled a couple of the beautiful shots, including one featuring Michael Stuhlbarg, who plays Elio’s father, along with a very interesting interview of the three men. Don’t wait any more minute and enjoy the gorgeousness of the photographs along with the honest words of the talented actors. 

The article was written by Lynn Hirschberg for W Magazine, find the original article here. 

From left: Timothée Chalamet wears a Gucci shirt. Armie Hammer wears an AG shirt. Photographs by Mario Sorrenti, Styled by George Cortina

Call Me by Your Name, which opens in theaters in November, is a film about first love: specifically, an affair between a 17-year-old boy and a 24-year-old doctoral student working for the boy’s father, a professor of Greco-Roman culture.

Based on the novel by André Aciman, the film, which was directed by Luca Guadagnino, is set in the 1980s, in a villa in a bucolic small town in Italy, but its sense of youthful desire is timeless and universal. “You don’t really see a lot of tender love stories between men,” Armie Hammer, who plays Oliver, the older of the two, told me. “There’s always one person who says, ‘Oh, we can’t do this’ or ‘My family wouldn’t approve.’ You don’t get that in this movie. Instead, you have two men who are trying to figure out the feelings they have for each other.”

When Call Me by Your Name premiered at the Sundance Film Festival last January, Guadagnino and his cast were surprised by the overwhelming response. Sony Pictures Classics bought the film for more than $6 million, and Timothée Chalamet, who plays Elio, the young boy, was immediately hailed as the first Oscar contender of 2017. Chalamet has acted since he was a child—“But,” he said, “I’m sure no one really wants to think of themselves as a child actor.”

In the TV show Homeland, Chalamet stole practically every scene he was in, and in Call Me by Your Name he is electrifying. His mix of raw awkwardness and puppy-like enthusiasm should be recognizable to anyone who has felt a deep longing that they didn’t totally understand.

From left: Hammer wears an AG shirt; Tom Ford pants. Michael Stuhlbarg wears a Louis Vuitton sweater; Acne Studios jeans. Chalamet wears a Gucci shirt; Dior Homme jeans.

“I first met with Luca when I was 17,” Chalamet, who is now 21, told me at the photo shoot for W. He was dressed in jeans and a T-shirt. “We had lunch, and Call Me by Your Nameseemed far away from being real. It seemed unlikely that I would be the lead of the movie, or that the movie would happen at all. What I did know is that if the movie did manage to happen, Luca would have his fingerprints on every shot of the film. His superpower is his sensuality—his ability to make everything feel romantic.”

Guadagnino, who also directed I Am Love, starring Tilda Swinton as a rich Milanese wife who has a life-changing affair with a chef, as well as A Bigger Splash, in which Swinton plays a sort of Bowie-esque rock star whose bohemian idyll on a Mediterranean island is interrupted by the arrival of her producer (and former lover) and his daughter, was very involved in the casting for Call Me by Your Name.

“I loved I Am Love,” said Hammer, who also met with the director long before the film went into production. “I thought it was an incredibly gorgeous movie.” Hammer, who became famous after he played both Winklevoss twins in The Social Network, had no idea why Guadagnino wanted to meet with him. “We talked about life. And traveling. And food. And then we said goodbye. Years later, I got the script. I read it, and at first it kind of scared me. I was like, ‘There’s a lot of stuff here that I’ve never done on film before. But there’s no way I can’t do this, mostly because it scares me so much.’ ”

Chalamet and Hammer met for the first time in the ancient town of Crema, where Guadagnino lives in a lavish but elegantly dilapidated palazzo. (Basically, the film could have been set in his house.) Luckily, the two actors clicked immediately: Their characters’ love affair is complicated by their age difference, gender, and the times in which they live. “We both realized that the story was simultaneously important, fresh, relevant, artistic, and out there,” explained Chalamet, who has youthful exuberance but comes across as an old soul.

That restlessness mixed with intelligence is evident in his kinetic performance. “It did take a lot out of me,” Chalamet said. “I had to take a monthlong detox after we finished shooting.”

The final—and crucial—component of Call Me by Your Name is Michael Stuhlbarg, who plays the all-seeing, all-accepting father. A graduate of Juilliard and an acting chameleon (in 2015, he played a tech geek in Steve Jobs and Edward G. Robinson in Trumbo, yet you could have sworn different actors had played those parts).

Stuhlbarg delivers a speech—heartbreaking in the novel—about tolerance and love that changes the entire scope and resonance of the movie. “It was the very last scene that I shot,” Stuhlbarg explained, hinting that he took the part purely so he could deliver those lines. “I always saw it as a kind of culmination of the spirit of what we were trying to say with the film.”

Call Me by Your Name represents one of those summers in everyone’s life experience, one can only hope, when wonderful and forever-altering events transpire. “Like this film,” Stuhlbarg continued, “that time can have a great buoyancy and lightness. But it can also be profound. It can change the course of your life.”

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Lamb Shank

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“This isn’t a hug, it’s clinging to a lifeline”

That comment seriously choked me up like wth…it just hit me that yes, they were each other’s rock for so long barely 6 months ago…how does it feel to finally be in that embrace again (though maybe not the first time) for Tim, and for Armie to have this boy in his arms again celebrating Tim’s success with his first major lead role…without him

And with emotions so intense coming off of that pic…I DO feel like a voyeur, lucky enough to be shown a glimpse into such an incredible bond that they have, whatever kind of bond it may be ❤️❤️❤️

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Class Act

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Timothée Chalamet: Making Grand Entrance (and fails)

*Any other suggestion would be welcome thank you

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Timothée Chalamet by Karim Sadli

for L'Uomo Vogue 2019

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Sweater Paws, I see you.

New/old outtakes from Time Out Magazine ▫️▫️▫️

Credit to tchalametrus vk.com

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Dripping with sex.

Aww, these should be illegal. But here I am looking and looking

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😭

Eyes make no sound, yet sometimes they scream loud enough to awaken what you thought was long dead inside.

You believe words need lips then why did a glance betray you?

How did a look wound you without touch?

How did it know what you hid even from yourself?

The language of eyes is not poetry.

It’s not romance, as the starry eyed dreamers want to believe.

It’s the art of killing without leaving a trace.

A silent blade, forged in silence, honed by time.

Some glances don’t tell you anything

They empty you.

You walk steadily, and suddenly you fall inward, without ever hitting the ground.

Eyes that do not cry are not stronger.

They are more dangerous.

They store.

They swell.

They gather storms.

And when they finally look.. they ruin you without warning.

Black eyes are not a color.

They are the mouth of something unspoken.

And it is a beautiful curse to love someone whose eyes say nothing

And a cruel tragedy to drown trying to decode a gaze that was never meant for light.

Sometimes the eyes of the ones you love look at you and say, without saying:

"I love you… but I don’t believe in you."

Or: "I used to see an angel. Now I see nothing."

Or worse: "I know everything you never dared to admit."

It is unjust not to understand.

But it is terrifying to understand too late.

To translate a gaze after the face is gone, after the door is shut, after only its echo remains inside you.

Some eyes never leave.

They live under your eyelids, opening when you sleep, closing when you wake.

You stop being yourself.

You become a reflection of a look that never blinked.

The language of eyes is not a poem.

It’s a novel that died in its first chapter.

A silence not written by fingers, but trembled into being by the heart.

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ah 🥰😍