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Herzog & Meuron Proposal for a theater in Visp/Valais (competition, 1984)
more information
via “Herzog & Meuron - 1978-1988”, Birkhäuser Verlag; Basel, Berlin, Boston (1997)
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The Citadel, collective living, Aarhus. Matthew Kernan
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A House for Oiso in Japan by DGT Architects
from Homeli.co.uk ~ { Facebook | Twitter | Tumblr }
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Sir Sidney Robert Nolan, O.M., R.A. (Australian, 1917-1992)
Landscape mixed media on paper 12 x 10in. via
New Guinea Series: Central Australia ripolin on paper 20½ x 30in. via
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CITY’S THERMAL BATH (Warsaw, Poland ) - Katarzyna Pankowska
Instagram @fmtmblr
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The Itamaraty Palace - Foreign Relations Ministry, Stairs, Brasilia 2012 - Vincent Fournier
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Jacob van Loon Provision Watercolor and graphite on panel 30x22″ 2016
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Tezuka Architects, Echigo-Matsunoyama Museum of Natural Science, Niigata, 2003
www.tezuka-arch.com/
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IUAV MATERIALS TESTING LABORATORY ( ITALY - MESTRE ) - FRANCESCO VENEZIA
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Video
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While this technology might look funny at first sight, we think that Remote Material Deposition by Gramazio Kohler Research is a major breakthrough in large scale additive manufacturing. #gramaziokohlerresearch #architecturalrobotics #constructionrobotics #universalrobots #additivemanufacturing via @asmbld
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Bauhaus / Art as Life / Art and Technology - A new Unity / Kunst und Technik - Eine neue Einheit
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André Masson’s “Battle of Fishes”
André Masson was best known for his works in Surrealism, using drugs or losing sleep to create works that tapped into his unconscious. Masson started experimenting with sand in the 1920’s. Battle of the Fishes was one of these works, where Masson applied gesso to the canvas and threw sand on it, resulting in contours that suggest forms, “although almost always irrational ones.” Masson was born on this day in 1896.
[André Masson. Battle of Fishes. 1926. Sand, gesso, oil, pencil, and charcoal on canvas, © 2017 Artists Rights Society (ARS), New York/ADAGP, Paris]
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