Asexual lesbian, she/her, Just a girl with very eclectic tastes. I love talking let me talk.
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#this bit in particular got to me#actually sam in general gets to me#his constant... negging I guess#it's deeply uncomfortable
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I came up here looking for you not because things were going to shit and I had to talk to you, but because I wanted to. I'm just-I'm saying...if this is you broken...if this is you broken, stay broken. Hey. I like talking to you, too. So maybe we can die alone together.
Annie Murphy and Mary Hollis Inbroden as Allison McRoberts and Patty O'Connor in Kevin Can F*** Himself (2021-2022) created by Valerie Armstrong
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Happy Fish Him Out Friday everyone
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hate an x reader fic do not put me in a situation
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guy i saw in traffic today that i felt compelled to draw
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so i know a lot of people mark the little garden pissing contest as the start of zosan for them (and for good reason!), but i wanna talk for a minute about why, in retrospect, i think that arlong park is really where it all begins.

the thing that fascinates me about arlong park is that at this point, zoro and sanji really don’t know each other at all. like yeah, sanji saw zoro fight and get sliced open by mihawk so he’s got a vague grasp on him, but zoro hasn’t really seen sanji fight at all (he wasn’t there when sanji beat up fullbody), so he only knows him as the waiter they had at the baratie. i’m not even sure zoro’s fully aware that sanji is the crew’s new cook when the straw hats reunite at cocoyashi.
and up until they fight the arlong pirates, the only real interactions zoro and sanji have had have been neutral at best and kind of antagonistic at worst. there’s the brief conversation between them at the baratie, and then arguing about nami, where they’re clearly of two different mindsets. apart from the fact that they’re both part of the crew, there’s really not a whole lot you could say they have in common at this point.



but as soon as luffy is in danger? they sync up immediately, and their coordination is damn near seamless. they’re both instantly on the same page about what to do and how to do it and they both act fast to see it done. i think sanji is maybe a little more aware of zoro than the other way around simply because sanji knows the true extent of zoro’s injuries from mihawk, but even that’s an example of good teamwork. sanji is there to compensate where zoro is lacking. it’s why he jumps in the water to save luffy even though he must know that’s a dangerous idea when facing a fish-man opponent. because sanji understands that if he doesn’t, zoro will—and zoro’s in no state to be trying to fight underwater. sanji might be at a disadvantage, but at least he’s not actively hurt.




and like. i think this is a really significant moment for both of them, because neither of them is really used to that kind of teamwork. it’s clear from the baratie arc that sanji didn’t exactly get along with the other cooks there, and while zoro did team up with johnny and yosaku for a while, it’s also evident that neither of them is on his level in terms of fighting ability.
even in the other fights we’ve seen at this point where luffy is involved, zoro and sanji didn’t have the same kind of coordination with him as they do with each other at arlong park. zoro takes on cabaji and the meowban brothers largely alone while luffy deals with buggy and captain kuro. there’s sort of a group effort to fight pearl at the baratie, but then sanji fights gin while luffy takes on don krieg alone. we also see that zoro’s good at directing others from how he handles usopp and nami at syrup village, but again, the biggest moment of true coordination there is when zoro cuts down the tree branch blocking usopp’s short at django. otherwise, he’s mostly mitigating the damage that would otherwise have been aimed at them.
that’s not the same as fighting side by side with someone and then facing off together against an enemy ten times tougher than the ones you just beat the way sanji and zoro do with arlong and his officers. that kind of cooperation takes an inherent level of trust in the other person to both stay by your side and to watch your back.
these are two young, brash, reckless boys who don’t know each other and have barely spoken expect to argue; and yet despite that, they come to trust each other implicitly in the span of a single fight. you can see that from these two panels; zoro says he won’t last more than 30 seconds against arlong, trusting that that will be enough time for sanji to free luffy. sanji says that’s plenty, trusting that zoro will be able to hold arlong off for that long, even though he understands that arlong is in completely different weight class than his officers.

and the thing is? it is. even as injured as he is, zoro manages to keep arlong busy enough to sanji to smash the rock keeping luffy’s feet trapped, and from there he’s able to take over the fight. the plan works because they both trusted each other to do their part and they both came through. and yeah, they were doing it for luffy’s sake and not each other’s, but honestly i think that’s a huge reason why zosan works so well. they both understand that at the end of the day, luffy comes first. and there’s not a whole lot of people either of them would trust to both understand that and be able to see it through—but they trust each other. and that trust is really the foundation of their whole relationship.
it’s such a small thing in the grand scheme of one piece, but for me the 30 seconds/that’s plenty moment is right up there with thriller bark and the death pact in terms of importance when it comes to zosan, because it’s the first time we really see them operating as the wings of the pirate king. and it’s beautiful.
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That one time I got so obsessed with @hazel-athena ‘s Facade that I blacked out for 2 weeks and woke up to a mountain of sketches
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i'm watching a Deltarune LP in Japanese and found out that Tenna has a cute quirk where he ends a lot of his sentences with でしょう ("deshou") but he combines it with SHOW in English ("でSHOW" or "deSHOW")
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Before the computing era, ILM was the master of oil matte painting, making audiences believe that some of the sets in the original Star Wars and Indiana Jones trilogy were real when they weren’t. They were the work of geniuses like Chris Evans, Michael Pangrazio, Frank Ordaz, Harrison Ellenshaw and Ralph McQuarrie ! Forever thank you, to their handmade art and the work of their colleagues, that made us dream of impossible worlds and fantastic places across Earth and the Universe.






There are more background paintings on this article, featuring comments by the masters/artists themselves !
Some of the following pieces were made by other artists 2:











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jokes to make after failure that aren’t self-deprecating:
I’m the best to ever do it
Nobody saw that (best if said loudly)
No one’s ever done it like me
I could be President/they should make me President
Behold, a mere fraction of my power!
The public wants to be me soooooo bad
I’m an expert in (thing you just failed at)
How could this have happened to god’s favorite princess?
Nothing ibuprofen and a glass of water cant fix
I’m being sabotaged
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i can't get over this stupid fucking animation. i love how comically high the framerate is compared to all of his other animations. blud looks like he's boutta roundhouse kick silver the hedgehog
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Can we find a sun god or diety from every timezone and make a map of them all?
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When I (M29) was a young boy (M7) my father (M35) took me into the city (X167) to see a marching band (M23, M21, M22, F22, M24, M25, F21, M
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DELTARUNE 2
SECRET WEAD
weed ENDING
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