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[godsfavoritescientist]

Chapter 49 of human Bill Cipher being such a miserable prisoner even the Pines are starting to feel bad for him: The Eclipse: Epilogue.

####

"The heck did you do to that poor woman?" Tate asked, staring out the window. Bill was sitting on the pier, legs dangling in the water, staring blankly into the depths. He was still muddy and trembling. "She looks more traumatized than when y'all left."

Ford couldn't meet Tate's gaze under the brim of his hat, but he could feel Tate raising a brow when he spotted Dipper pacing back and forth on the pier behind Bill, muttering furiously.

"We've had a very bad day," Ford said. 

"Uh-huh."

"Could I borrow your phone to call my brother?"

Outside, Dipper was oblivious to everything except the one line he'd managed to remember from the Axolotl, the words he'd picked out as they crossed the lake. "'Sixty degrees that come in threes,'" Dipper murmured. He knew that much. It was a poem. It was a rhyme. He couldn't remember the rest. What did it mean? He murmured it over and over to himself as he walked, trying to remember the next line, "'Sixty degrees that come in threes,' 'sixty degrees that come in threes'... breeze, freeze, ease, lease, knees—" He couldn't remember the rhyme.

Bill was considering grabbing Dipper by the ankle and dragging him off the pier just to shut him up when whatsisname, the younger McGucket came out of the shop. "Hello there? Miss Goldie?"

Human. Strange human. Human that Bill could get on his side. Be charming. He tried to remember how to be charming. He offered a feeble smile. "Yello?"

"I wanted to make sure you're all right," Tate said. "You look like you, uh... you've had a hard time."

Bill laughed ruefully. "Well, I've been dragged all over the mountain, I'm hungry, exhausted, and half-drowned, and I can barely walk—but I'm not currently dead. Allegedly. I'll take what I can get."

The corners of Tate's mouth twitched down in a concerned frown. "Is there anything you need? A..." He floundered for a moment, "A water, or...?"

"I've had enough water to last me a lifetime." He wondered idly whether he could claim he was too exhausted to make it all the way home—there was a sofa in the staff room, Tate would probably let the poor bedraggled "woman" take a nap, if Bill got that bit of distance between himself and the Pines maybe he could... maybe he could... do something with it? But he couldn't think of anything more definite than that and now Ford was coming back and the window of opportunity closed. He shrugged wearily. "Just need to get back to the shack. Thanks." He half heartedly used the lake water to wash the drying mud off his lower legs and knees.

"Stan will be here in about twenty minutes," Ford said, and tried to ignore the dirty look Tate gave him. 

"I'll be just inside if you need anything else," Tate said. "Watching." He headed inside—and then, indeed, stood at the shop window and watched.

Ford was never going to get on Tate's good side. He suspected Tate would be a little less sympathetic to the poor woman on the pier if he knew who he really was; but it certainly wouldn't make Tate like Ford any better for keeping him around.

"Nothing to do now but wait." Ford unloaded the rest of their supplies from the borrowed motor boat. He dropped Soos's Monster-Mon backpack beside Bill—it was heavy, Bill must have just shoved his clothes and bedsheet straight in without bothering to wring out the water—and the plastic bag of snacks Dipper had bought. "You ought to eat more while we wait." Ford nudged the snack bag.

Bill sneered at it. "I don't want that trash."

"What?" Ford examined the bag's contents. Jerky, chips, candy, cups of marshmallow cereal... "This is ninety percent of what you eat."

"Ninety percent of what I eat is what I can scavenge from the counters."

Ford looked through the bag again. Ah. Right. So it was. "If you want something else, you know you can ask us to..."

"Mac and cheese."

Maybe Ford had better stop talking. He sighed and glanced at Dipper to see how he was doing.

It didn't look like Dipper had even registered Ford's return, too busy pacing and muttering to himself. Ford frowned. "Dipper?"

"Axolotl," Bill explained. "He's obsessing over him. Didn't I tell you that meeting that thing would drive him insane?" He tilted his head toward Dipper. "Look at that, he's already mumbling to himself. Don't suppose you have his therapist's number, do you? I doubt that would save him, but it might slow the process—"

Ford shushed him.

Dipper had briefly tuned back into the conversation when he heard Bill say Axolotl; and now he grit his teeth and stubbornly tuned it back out. No. He was not going insane. Dipper would figure this out. If he just remembered the rest he'd be fine. He tried to go through all the potential rhymes alphabetically, "—bees, cease, d—deez?" That wasn't a word. "Fees, geese, he's..." and on and on, "seas, tees, uh... vees? Wheeze..."

"I've had enough of you trying to convince that boy he's about to go mad," Ford muttered to Bill. "What do you get out saying that? Even if you do convince him he's insane, it won't make him start trusting anything else you say."

"I'm not lying," Bill said heatedly. "You ought to know that, you've been in the multiverse, you've seen plenty of maddening sights. You saw them before you even left the Nightmare Realm."

Ford hesitated before responding; was Bill trying to persuade Ford he was insane? But he could still remember those first few moments of terror in the Nightmare Realm: the creatures that had seemed to move and shift in impossible ways as they swam in and out of dimensions Ford couldn't see, the lights and colors that throbbed like an inverted migraine, Bill himself seemingly suspended a million light years away and a foot in front of Ford's face at the same time. Until Ford had latched onto his quest to destroy Bill and let that focus him, his mind had felt like an unraveling sock. "You were chief among those maddening sights."

"I was," Bill acknowledged neutrally.

"But I didn't go insane."

"Because you knew when to look away." He cast a sideways glance at Dipper, an implicit unlike him. "I know you used to read cosmic horror. Do you know why the narrator always goes mad just from looking at some giant beast? It's not because it's too ugly to take. It's because once you meet something, you try to understand it; but if you want to understand the reality something like that comes from," he rolled an eye up toward where the invisible Axolotl had hung in the sky, "you have to lose your understanding of your own reality. They're incompatible. Like the lunatics who escaped Plato's cave and came back ranting about nonsense like sunlight and colors."

It was a twisted interpretation of the cave allegory. Plato had meant it as a metaphor for education: that learning about the true nature of reality was enlightening, but alienated you from your peers.

Perhaps to Bill, enlightenment and insanity were the same thing.

Ford murmured, "Once your eyes have been too dazzled by the sunlight to see the dim shadows, you'll never be awed by a candle again."

"You have been there before."

Ford didn't answer.

"Once you've seen something like that, if you let yourself dwell on the significance of it all, you're doomed. Better to tell yourself it's unimportant and try to forget it ever happened."

Ford thought of Fiddleford.

Bill twisted around to snap tiredly at Dipper, "So stop staring at the sun before you go blind, moron."

"Shut up." Dipper had been trying to mentally drown out Bill's dire predictions by grasping for more rhymes—"disease, unease, Socrates"—but enough filtered through to make his stomach churn with nervousness. What if Bill was right? What if he never remembered what the Axolotl told him—what if he drove himself mad trying? What if this turned into a lifelong obsession—but he'd be fine and could let it go once he remembered—was that the trap? Was whatever it had told him impossible for a human to remember? Was it something so incomprehensible a human couldn't remember it without going crazy?

But he'd seen plenty of stuff last summer that was supposed to make humans go "insane." Bill had to be messing with him. He remembered the first line—surely that meant he could remember the rest—but was that part of the trap? "'Sixty degrees that come in threes'... come on, there's something else, I know it, what is it? 'Sixty degrees that come in threes'—"

Bill sighed irritably. "'Watches through the eyes in trees.'"

Dipper stopped pacing. He hadn't realized he'd raised his voice enough to be audible. "What?"

"What?" Bill said.

"What's the rest of it?"

"What rest of it? It's a couplet. That's all," Bill said. "Is that what he told you? He gets rhymey when he feels self-important, it's no big deal. Maybe you're lucky. Put it out of your head and you'll be fine."

Dipper turned the words over in his head. Sixty degrees that come in threes, watches through the eyes in trees... "That's not exactly right," he said slowly. "It was 'watches from within birch trees.'"

"Is that how he translated it? I've never heard it in English before. I got close, though, I knew it'd rhyme."

Ford echoed, "'Sixty degrees that come in threes.' Like a triangle?"

Dipper gave him a perplexed look. "What?"

"You're taking geometry next year, aren't you? The inner angles of polygons always have the same number of degrees; and a triangle has a hundred and eighty degrees. Three angles of sixty degrees forms... an equilateral triangle."

Dipper and Ford stared at Bill.

Bill gave them a tired, unreadable look. "What?" he said. "Don't look at me. I'm not the only equilateral triangle in the universe."

Well, now Dipper was sure there was more to the poem than just a couplet. "How many other equilateral triangles spy on people through birch trees?"

"Lay off," Bill said crabbily. "I didn't have to tell you that line. Don't make me regret it." He planted his elbows on his knees, laced his hands together, pressed his forehead to them, and massaged his eyelids with his thumbs.

He tilted slightly to the right, keeping the weight of his head off his left arm.

####

"Nice shirt," Stan said, eyeing Ford's anger management t-shirt.

"If you like it, you can have it."

"What happened to your coat?"

"Somewhere at the bottom of the lake," Ford sighed.

"How...?"

"I'll fill you in later."

Bill's trembling was almost unnoticeable by the time Stan arrived. Or, at least, it was slight enough that he could stand and make the short walk from the pier to the car without an obvious struggle. 

He climbed into the back seat slid across the bench, leaned against the door, wrapped his arms around his Monster-Mon backpack, fell asleep, and didn't wake up for the entire drive home.

Dipper and Ford fell silent when they noticed; and, sensing the heavy atmosphere, Stan followed suit.

####

The event organizers for Higher Dimensional Gate had arranged for the Magister Mentium's audience to surround him in a circle with as large a circumference as possible, so that as many shapes as possible could pack into the first few rows where they could see him. Even so, the crowd was much too large for everyone to be in the first few rows. Speakers had to be planted throughout the crowd so that they'd all be able to hear the Magister speak. Most of his audience couldn't see him.

But he, with his all-seeing eye, could see all of them.

The crowd extended back, row after row after row, in every direction like flecks of multicolor confetti filling the air all the way to the horizon. He'd never spoken to such a large crowd before. He didn't think he'd ever seen such a large crowd before.

Not all of them were his worshipers. He didn't have that many worshipers. The rest were drawn in by his boast—to be the first shape outside of legends to predict an eclipse, over six months ahead of schedule. They were here for a spectacle. He meant to give them one.

If he succeeded, all these spectators would become his worshipers, he was sure of it. If he didn't succeed, he lost everything. The whole nation knew about his bet. He'd be financially ruined. His worshipers would abandon him. There would be no fleeing to a new town and starting over; everyone everywhere knew who he was. His life would be over.

This would be only the third eclipse he could recall. There's no way to neatly map shape ages onto human ages. Different year lengths, different aging speeds, different mental and physical milestones. But approximately, compared to a human, he was scarcely over fifteen years old. 

But he wouldn't fail. He pushed all his fears aside. He didn't even want to think about them. He wouldn't, because he couldn't, because he could see what nobody else saw. He could see the eclipse's approach.

It was traveling across the vast empty gulf outside the world.

The only other third dimensional objects he'd ever seen were the sun—which looked to him like a circle—and the stars—which seemed to be mere points. He assume all third dimensional objects were fundamentally just second dimensional objects, moving on a strange plane. He had no capacity to model a 3D object in his mind.

But the eclipse was a beast that twirled and gyrated around impossible axes, moving and rotating in ways his eye couldn't even comprehend. To him, it looked as though the living creature—he assumed it was a living creature, sometimes it manifested a couple of limbs or an eye—was constantly shapeshifting, its perimeter moving and altering. Its uncanny undulations had haunted his nightmares for months after he first watched it, so young he'd barely started school. It wasn't any less nightmarish now.

But as incomprehensible and terrifying as it was, he could see it, and nobody else here could, and that was all that mattered. He could watch it on the horizon and publicly announce that it would cross the sun in two weeks—and then in about three days—and then, to his humiliation, not tomorrow but today, guaranteed, as the creature sped up and threw off his estimate. His worshipers and bemused spectators had taken over the square to while away the time. They'd quickly gathered around him to wait after he'd declared it would arrive within the hour

That had been almost an hour and a half ago. The stupid thing had slowed down.

The triangle was terrified.

In every direction, shapes were staring at him. Waiting. His father was watching him—his stare seemed to grow heavier by the minute. He could see reporters in the crowd taking notes.

He had to fight not to pace, not to cringe, not to show any nerves in front of the hundreds of eyes.

Now. It had to be now. It was so close. Please don't let him be wrong. Every cord in his body quivered in terror as he grabbed his microphone and announced: "Lines, bis, tris—quads, quints, and more! My dear students and beloved believers, and my—" he cut off the urge to say something nastier, "—curious visitors, who I hope will join our quest for enlightenment. This is the moment you've been waiting for! The eclipse is upon us! In less than a minute, it will begin!" He had to keep his gaze forward as he spoke, looking at his audience. (His mother had always said the way his eye went white when he was looking at the third dimension unnerved people.) "Soon—you won't have to take all my claims about the third dimension on faith. You'll be able to see for yourself the effect of the third dimension on the plane."

The crowd murmured excitedly. He could see his father relax. He stared up-but-not-north, gnawing nervously on his eyelid until he caught himself. The beast above glowed a warm pink in the light of the nearby sun.

And the stupid thing. Slowed. Again.

He stared in disbelief.

"Sixty seconds," his father whispered, out of range of the microphone.

His stomach flopped. He was dead.

"One minute, fifteen seconds. What's going—?"

He held his microphone away and hissed, "The eclipse decided to zigzag."

"Eclipses can zigzag?"

"Shhh!" He'd already failed. He'd already shown everyone he was wrong. He could hear the murmurs. His eye hurt from staring at the sun and from straining for so long to turn so far upward-not-northward, go faster faster faster—

There! The snout of the eclipse was this close to kissing the perimeter of the sun. He cried triumphantly, "Now!"

The wretched beast did a loop-the-loop around the sun and missed it entirely.

The triangle felt the last strands of his fraying self-composure snap.

He howled in rage.

He could hear laughs from the crowd. They felt like daggers in his sides.

"ARE YOU KIDDING ME?!" He was bellowing into outer space as if he thought it might hear him, "Do your think this is a game?! Is this funny?! Are you trying to humiliate me in front of the whole world!" His father put a hand on his arm; the triangle shoved him away. "Get back here right now! You thick, brainless, blobby, pink, feeler-faced two-eyed freak of nature! GET BACK HERE and LOOK ME IN THE EYE!" He was a lunatic, everyone would know it, their leader raving in a direction no one could actually see about some big pink delusion, what did he care, no one would ever take him seriously again anyway—

And the thing in the sky.

Stopped.

And looped back.

And came closer, and closer, and bigger, and bigger—it just kept getting bigger, how far away had it been before, how large was it, how large was the sun?

He hardly noticed the crowd's gasp as the creature twirled between them and the sun—the light shone through its body, pink with blood—and then out of the way, and then in again, and out—until finally it was so close that its perimeter completely engulfed the sun. He'd taken a field trip to the planet's surface once—an enormous solid mass of stone and crystal. Until now, he'd never seen another solid objects so large. To his limited understanding of 3D objects, it looked as though there were no organs inside its perimeter—just a layer of solid, uninterrupted flesh. He didn't know how it could even move.

It stopped straight over him.

He was sure the two black circles embedded inside its body must be its eyes. His whole life he'd heard psychic powers—psychic powers like his own—described as having an "inner eye." But he'd thought the phrase was just a metaphor. An eye on the inside of a body instead of on its perimeter would be useless to most people. He'd never seen a creature with an eye literally on the inside of its body. But the eclipse had two.

And they were looking at him.

A giant ever-shapeshifting cosmic horror from outside of reality, staring through the veil separating the sane world from outerplanar space, and it was looking—at—him.

He was terrified.

He heard an alien voice in his head, vast and deep and slow as distant whale song:

"Hello there!" It was overjoyed. It was tickled pink. "I've never been spoken to by a shape on the wall before. I didn't know you could see off of it!"

Weakly, the triangle repeated, "'A shape on the'...?"

"Yes, this wall of yours." The eclipse gestured with its tail at—everything. A single sweep that took in an entire dimension. "I've probably commuted past this wall billions of times, and nothing's ever called to me before. I didn't know shadows could do that!"

"'Shadows'?" the triangle echoed again. That was all they were? An eclipse's shadows?

"I'm absolutely delighted," the eclipse said. "First contact from a lower-dimensional species! I've watched you for eons and never imagined. Isn't this exciting! How charming of you! Tell me who you are."

Him? "Me?"

"Of course. Who else?" It stared at him. Only him. A shapeshifting force of nature the size of a planet with two inner eyes, an eclipse that saw him as a shadow—and it was looking only at him.

Weakly, he said, "I'm... the Magister Mentium."

The eclipse thought that over. Its tone was a tad dubious and not terribly impressed (why should it be impressed? he was embarrassed at himself for giving his silly puffed-up title)—but it said, "Yes, I suppose that's true. I am the Axolotl. It's been a pleasure meeting you." It began to shapeshift again—its eyes slid sideways through its body, until one reached its perimeter and disappeared.

It dawned on the triangle, in its first immature understanding of third dimensional objects, that its eye had disappeared because the Axolotl was turning away. "Wait!" he cried. "Why..." Why answer him? Why focused on him so completely, if he was just a shadow? Why ask who he was like he mattered? He didn't even know how to put those questions to words in his own mind, much less out loud. "Why are you here so early?"

The Axolotl turned back to the triangle. "Oh! I had to go back for some documents I forgot at the office. Big case in the morning," it said. "You shadows know my schedule?"

"You... pass in front of the sun."

The Axolotl turned away, eyes disappearing and frills fluttering, to look at the sun. "So I do! How funny." It turned toward the triangle and gave him a strange, grotesque look that—by the tone of its psychic voice—he suspected was a smile. "I must get going. I'll be heading into the office a few hours late tomorrow, but perhaps I'll see you again then." And it turned away. It felt like it took forever for the enormous body to sail over-not-north-of the triangle—and pass, at last, out of the sun's path.

The triangle didn't look down-but-not-south until someone shook his side—his father. He lowered his dazed gaze to the crowd—the cheering, applauding crowd. Ma-gi-ster, Ma-gi-ster. A sea of multicolor confetti shapes that filled the air to the horizon.

Shadows.

His father shook him again—"Go on, say something. They're waiting"—and the triangle held up his mic as though he were in a dream. He tried to remember what he was supposed to say. "I was right," he said flatly. "Just like I always told you. I can see the third dimension. The realm of dreams—of colors, of light, and..." The lies left a sick taste in the back of his eye. He couldn't say them. Points of light in darkness and pink nightmares.

"I'm s— You'll all have to excuse me," he said, his voice childish and small. "I can't—I've had a... a... profound... spiritual experience. I must meditate on the revelations I've received." The words felt like woo-woo mumbo-jumbo. "The next eclipse will be a few months after the new year." It seemed important, for some reason, to pass that information on. Wasn't that what he always said he did? Share the wisdom of third dimensional spirits with his followers? "I... have to go now."

His father took his elbow. "This is your moment," he whispered. "Come on, son—you don't want to lose your chance to speak directly to them, do you?"

He shoved the microphone in his father's side. "You speak to them."

"But—"

"I can't," he said. "I can't."

He cut through the crowd as fast as it would part for him—if they were any slower, he'd have started stabbing his way through—haunted the whole way by their applause.

####

And that was it.

From the Axolotl's perspective, he had just had a brief pleasant exchange with a precocious tadpole in a sidewalk puddle.

From the triangle's perspective, he might as well have been standing on the boat deck watching as Cthulhu rose from his millennia of dead slumber at the bottom of the ocean, turned to the fragile vessel bobbing on the waves, and said, "Good morning! Glorious weather we're having, isn't it?"

And from the perspective of the Higher Dimensional Gate, their Magister Mentium had predicted an eclipse, been rightfully insulted when it didn't come the exact second he ordered it, and furiously summoned down an eclipse darker and swifter and longer than any in recorded history.

Up until then, he had been seen as, at best, an oracle. A prophet. A messenger to share the secrets of the third dimension, but that was all he could do. But now, he had commanded forces in an unseen dimension, creating an eclipse months before it was natural. He had made it flicker on and off like he had his finger on the sun's light switch. News reports and the most unimpeachable scientific authorities reported that the eclipse had centered on the location of the Higher Dimensional Gate rally, narrowed down to an inexplicably small radius around that point, and then remained unchanged for several long minutes, long enough for anyone in its shadow to grow fatigued from the missing sunshine. Nothing like that had ever happened before. It defied every known fact about the science of eclipses.

People around the gathering—even people who had known nothing about the Higher Dimensional Gate rally—reported that during the eclipse, they'd become inexplicably disoriented, unable to tell compass directions, and had felt themselves fall toward the darkness—as if gravity's pull had suddenly moved from the south to the epicenter of the eclipse. Public building inspections confirmed that somehow the entire town had shifted, ever so slightly, closer to the epicenter. Closer to the Magister.

Never mind prophecy; as far as the Magister's rapidly-increasing followers were concerned, he might have been a god.

It was the greatest triumph a baby cult leader could ask for.

He barely noticed.

####

For days, he could hardly sleep, speak, or think. He kept losing track of conversations to stare into space. Now, it awed his followers when his eye turned an empty white—he must have been communing with something in a higher dimension.

He didn't argue. It was better than letting them know he was losing his mind.

He spent his time alone locked in his room, pacing back and forth, trying not to look up-but-not-north and failing. Dwelling on the significance of it all. Feeling like he'd never figure it out.

He used to love cosmic horror stories, back when he had time to read. They followed a reliable pattern: the hero travels farther than any rational shape ever should, meets something big, and goes mad from the realization.

And what was it that the hero always realized? That he was a dust fleck in the firmament. That he was insignificant. That he didn't matter. That there were things out there he'd never seen before and would never truly understand, and that they cared not for mere shadows on the wall like him, and that in the grand scheme of the cosmos he was nothing. That he was utterly unimportant.

In moments of what felt like lucidity in between the shivering horror, the triangle  wryly acknowledged that it was no surprise he'd ended up in a cosmic horror story. He could see into another dimension. In the stories he'd read, that made it all but inevitable.

But all the authors had gotten the maddening revelation wrong. He could have handled knowing he was nothing. It almost would have been a relief. 

True horror was knowing he mattered.

He'd spent the majority of his young life selling the idea that he was oh-so-important, as part of a big con to trick gullible idiots into liking him and flinging cash at his rotten undeserving family—and he'd only been able to do it because when the guilt got to him, when his conscience asked what would become of the shapes forking over their life savings on false promises of divine secrets, he could look out into bleak black space and tell himself that nothing really mattered, nothing was important, nothing he'd ever do would really make a difference, and the people he manipulated didn't matter any more than he did. He meant everything to his worshipers, and nothing to the universe. He could do anything and it didn't matter.

For a moment, a vast mind-melting shape-shifting incomprehensible eldritch god had focused its full attention on him—of all the universe, of all the dimensions beyond the known universe, it had looked at him and only him—a mere shadow on the wall, and yet in that moment, it found him interesting. It found him worthy of notice. He had screamed into the cold uncaring void, and the void had cared. For a moment, he'd held cosmic importance. He mattered. His actions mattered.

He'd felt it see him as important, but why? What was so important about him? There had to have been something significant he'd done, something he showed it, something in what he said. He replayed their conversation in his mind over and over and over and over, trying to remember what he'd done that proved he mattered.

He didn't know what it was. He couldn't find it. All he could remember was just... being.

The writers were wrong. Cosmic horror wasn't when an elder god's eyes slid past you without noticing you existed. It was when the elder god gazed down at you at your lowest and bleakest, during your most petty and selfish act of mass swindling, from a dimension where not even slamming the door and shutting your eye could shield you from its gaze—and it decided you were worth caring about. Cosmic horror was when you encountered a colossal alien that planted the incomprehensibly alien idea in your head that you had an inherent worth just because you existed. Cosmic horror was when a force of nature asked the name of a shadow on the wall.

If it was true... if it all mattered... then what was he doing? How could he? What had he done?

####

He was lucky—he was lucky that his parents had raised him to think so clearly about issues like morality and money and easy marks. His only saving grace was that he was too rational to seriously entertain the Axolotl's mad ideas.

And yet, his mind boiled with mad regret. It blazed with insane guilt. The heat of it could burn him out. It was months before he could continue his public sermons without feeling sick—and even once he did, he could still feel the delusion that what he did mattered, festering in his mind.

It would fester for the next trillion years.

####

(And that concludes this plot arc! I hope y'all enjoyed it!! I'd love to hear what y'all thought of the whole thing—especially now that we've looped back to the original eclipse. 😁)

[godsfavoritescientist]

died and i came back normal. more normal than before even. such a regular guy it’s freaking everyone out. i’m ironing my shirts & doing the sunday paper crossword puzzle and the people i love won’t stop crying

[godsfavoritescientist]

The Book of Bill better have some stories about this

[godsfavoritescientist]

would you guys trust bill cipher to do your top surgery

[godsfavoritescientist]

I reread this one today and it made me feel like I was looking up while it was hailing bricks. Can't believe I forgot to ever link this one to tumblr. Ford Category 5 Autism Moments

[godsfavoritescientist]

I love media where a bunch of guys go into a cursed place where everything is fucked up, and then one by one they become fucked up. Love their little journals like “Day 28… Hector is worms now. Beginning to question our mission??” 

[godsfavoritescientist]

you can love someone and still murder them in cold blood without remorse btw!!! the two are not mutually exclusive and to suggest otherwise is a very heteronormative point of view!!!!

[godsfavoritescientist]

“all my comfort characters have killed someone at least once” is actually a statistical error. most of my comfort characters have never killed anyone. Murders Bill, who lives in the nightmare realm and has killed like 7 trillion people, is an outlier adn

[godsfavoritescientist]

Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.

I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.

Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?

How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"

And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.

So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.

So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.

And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.

-

And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.

Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.

And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.

So you sail away in a boat together.

And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.

But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.

But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.

You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.

And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-

-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.

You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.

-

And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.

It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.

And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.

[godsfavoritescientist]

Once again thinking about Ford and Billford because of the interview

I think one of the more interesting but less obvious things about their relationship is how, despite Ford being weird and having few social skills, he has this this sort of freak charisma where the people who do stick around to become his close friends (Stan, Fiddleford, Dipper) can get just obsessed with trying to keep up with him and win his favor, while Ford himself has an oblivious disregard for the existence of this dynamic that tends to leave himself at the center of all of his relationships.

But with Bill this dynamic is flipped, and then Ford becomes the one scrabbling around trying to please someone who is, to him, just so much better and smarter and worthier. Even when he flips over to hating Bill, it's still so much easier for him to castigate himself for being stupid, shortsighted, outplayed by Bill than it is for him to act lesser than anyone else. With Bill, it's Ford's turn to get sucked into the inexorable pull of reorbiting his life around some oddly charismatic disaster guy.

[godsfavoritescientist]

say it's me that you want to dismember

[godsfavoritescientist]

Mayhaps you could draw the "this is fine" meme, but with Bill in it?

Love your art style, by the way!

This was actually supposed to be a doodle but it turned out to be a messy full-coloured art instead lmao! I guess this would count as a colouring test since I still dont have a fixed artstyle yet. Thx 4 the req!! :)

[godsfavoritescientist]

…Bill tried Mabel’s “MableJuice”

(Inspiration for this and the majority of my Bill artworks: Aiden Swank & Beach Blonde- clear eyes looped)

[godsfavoritescientist]

yknow i never noticed the sheer rareness of images having ids or alt text on this website until i started adding alt text to my art (and trying to remember to add it to any images i post in general, especially text screenshots) and that makes me kinda sad

[godsfavoritescientist]

reblogging this since its homestuck day. here's an excerpt!

Bill Cipher: Lord of Hope (the homestuck classpect)

explanation for why I picked this classpect for him under the cut

First of all: I think classpect is heavily influenced by one's narrative role in a story. It's influenced by personality too, of course, but someone with the exact same personality could have a completely different classpect depending on how the story uses them.

Lord is an extremely powerful class reserved for the big-bad in homestuck. It means having unimaginable amounts of control over your aspect (which here is Hope). It's also a volatile, destructive, and self-serving class. It's also the mirror and opposite of the Muse class, which is equally powerful, but wielded passively for the benefit of others, often using methods more like setting up all the components of a rube goldberg machine behind the scenes, rather than the Lord's preferred method of steamrolling over things whenever possible.

Second side-note: Each aspect has an opposite, and I think these aspect pairs meaningfully influence each other by virtue of being on opposite ends of a continuum. You might even say they're opposite sides of the same concept.

Hope is the aspect of imagination, limitless possibilities, belief, and the literal meaning as well. It also has a ton of religious undertones. Its opposite aspect is Doom, which, other than the literal meaning, is all about rules, limitations, doubt, and what is rather than what could be. They both need each other--without Hope, Doom becomes despair. Without Doom, Hope becomes completely disconnected from reality.

Which brings me to Bill. On the Hope-Doom spectrum, he's leaned so absurdly far towards Hope that he's convinced himself Doom doesn't even exist. In his reddit AMA, he literally says "lie until what you want to be true becomes true. Lie until you can't remember what's a lie and what isn't. Lie until you aren't lying anymore." I can't think of a better encapsulation of what it means to push the Hope aspect to its absolute extreme. He believes so much in the power of belief that he simply ignores any truths he doesn't like.

He embodies the Hope aspect in many other ways, too. Originally he was going to be more of a morally-neutral trickster character, whose whole purpose was just to show up randomly in Dipper's dreams and rattle off wild statements of questionable truth and conspiracy theories at him. The kind of things that people hope are true (sometimes to make the world seem more exciting and magical, sometimes for bigoted reasons, you know how it is with conspiracy theories), but the point is: Bill retains some of this in his canon personality. He tells Ford in the journal that the moon landing was fake. When he first meets Gideon, he says the whole "reality is an illusion" thing. He delights in sharing these kinds of things with people, and yeah, it's to fuck with them, but there's still something to be said about the fact that he accomplishes this through the use of things that exist as uncertain possibilities in people's minds, and things that some people have a strong belief in and/or hope to find proof of. He's wielding Hope as a tool, because that's when he's in his element.

Bill also preys on people's hopes and dreams, appearing to people literally inside their heads, and existing mainly in dreams and minds for billions of years--a place where you really can create anything you can imagine. He uses Ford's hopes of accomplishing something meaningful to get him to create a doomsday device. He also has Ford practically worshiping him, calling him a Muse with a capital M, calling his presence 'divine intervention'... the religious themes that often go hand-in-hand with the Hope aspect are definitely present. Of course a Lord would wield the Hope aspect to give himself worshipers who practically see him as a god.

And, speaking of doomsday devices, Weirdmageddon is the exactly what would happen in a world where the Hope aspect ran rampant without any laws or restrictions or concrete truths. In the codes of Journal 3, Bill says, "why should time only move forward, why must cause precede effect, who voted on the laws of physics - rules are perversions against all will, that's why I'm about to rewrite the whole system buddy, and no one is going to stop me."

We also get some insight into Bill's beliefs when we take a look as Mabel's dreambubble. He literally uses someone's hopes as a weapon against them, trapping her inside a twisted version of all the things that could've been true, if only the world was fueled by pure imagination, without any laws of physics or imperfect days or boring moments. Bill is so confident that this trap is infallible that he doesn't even bother to stop Dipper from trying to get her out once he makes it inside the dreambubble. Maybe the reason why Bill is so confident that this trap is inescapable is because he's pretty much trapped himself in a dreambubble of his own creation, where anything is possible and fantasy wins over reality every time (talking about the nightmare realm here), and was so intoxicated by the limitless lawlessness of the place that he spent billions of years trying to expand his little self-imposed prison to cover the rest of the multiverse, rather than ever stop to question himself or consider the consequences. Because with enough Hope, there are no consequences, only infinite possibilities limited only by your own imagination! ...right?

I could probably go on, but I think this is more than enough to support my case for Bill being a Lord of Hope. I'm always interested to hear about other classpect headcanons though!

[godsfavoritescientist]

happy "everyone forgets that icarus also flew" monday. i want to throw up !

[godsfavoritescientist]

falling in love with the most obnoxious character like