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The Forest Meadow 1876 by Hans Thoma
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Carp and Waterfall with Cherry Tree
By
Koshiba Keizan
(Japanese, dates unknown)mid to latter half of the 18th century
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TIEPOLO The Death of Sophonisba 1755-60 Oil on canvas, 49 x 38 cm Museo Thyssen-Bornemisza, Madrid
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Arthur Wardle, A Jack Russell Terrier (circa 1900)
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Psyche Conveyed by Zephyrs to the Valley of Pleasure John Wood (1801–1870) Sir John Soane’s Museum
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The Dinner Horn (Blowing the Horn at Seaside), 1870 Winslow Homer
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Vincent van Gogh, Wheat Fields after the Rain, 1890, oil on canvas Carnegie Museum of Art, Pittsburgh, PA
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A song of love by Harry George Theaker
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Andromeda by Gustave Doré (1869)
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Rene-Antoine Houasse (French, 1645-1710), Morpheus awakening as Iris draws near, 1690
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Allegory of Summer
Artist: Franz Bohumil Doubek (Czech, 1865-1952)
Date: 1905
Medium: Oil painting
Collection: Private collection
Description
Allegory of Summer (also known as Allégorie de l’été) depicts a young woman surrounded by symbols of summertime, such as ripe fruits, flowers, and a cornucopia. The woman’s beauty and the symbols of Summer create a sense of peace and harmony.
The painting is also an allegory of the passage of time. The woman’s youth and beauty represent the fleeting nature of Summer, while the ripe fruits and flowers represent the abundance of the season, yet also suggest that Summer is coming to an end. The cornucopia, a symbol of plenty, suggests that Summer’s gifts will be enjoyed by all.
Allegory of Summer is a beautiful and thought-provoking painting that captures the essence of the season. It is a reminder that Summer is a time of joy and abundance, but it is also a time of change and transition.
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Theodor Severin Kittelsen (Norwegian, 1857-1914) - Pesta på Fjellet (The Plague on the Mountain) (1901)
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George William Russell - On the Roof Top, Moonlight (ca. 1904)
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Artur Loureiro (Portuguese, 1853-1932)
Spring, 1891
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Le Printemps (Springtime) by Eugène Bidau
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COROT, Jean-Baptiste Camille Agostina 1866 Oil on canvas, 132 x 98 cm National Gallery of Art, Washington
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Bath Time by Virgilio Tojetti (1897)
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