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I love when you’re reading multiple fics by the same author and you start to spot all the phrases and adjectives they like to use

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Mista's sex pistol (sorry)

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Reading my own fanfiction is basically just a rollercoaster of emotional whiplash.

20% of the time: “Hold on. I wrote this? This is fire. This is emotionally devastating in the best way. This scene is dripping with tension. I’m a literary perfectionist. Someone give me a book deal.”

80% of the time: “Straight to jail. Immediate prison. Why is everyone’s breath hitching?. I used the word ‘gaze’ three times in one paragraph like I was possessed. Did I think 'his eyes darkened' was profound? Why is everyone clenching their jaws? Why is someone whispering 'their name like a prayer' again?? No one talks like this. What is this dialogue. Why are there so many weird metaphors and em-dashes…”

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i keep forgetting how insane this pose actually is like you cannot defend this from the gay allegations literally what the fuck are they doing.

knee ON THE SHOULDER AND EVERYTHING ???? AND WHERE TF ARE GYROS HANDS GOING HELLO WHAT IS GOING ON ????????

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"there should be some kind of test you have to take before having kids" -> wrong, extremely dangerous and highkey eugenicist and racist "the youth should have safe and effective legal pathways at their disposal to make sure their human rights are constantly protected and upheld" -> based, centers the youth, gives minors more power to fight inequality and does not reinforce the idea that parents are immune to scrutiny from their kids

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I do in fact fully believe Gyro and Johnny would have a slow burn. Even if they fucked in the desert it'd still be a slow burn cause they'd go "we were just uh taking care of each other, as bros"

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re reading steel ball run rn and i didn’t remember they are always about to die when they run into another stand user. like every new chapter they are losing limbs and shit and gyro is like johnnyyyyyyyy imma bout to die just go and win the race and johnny is like oh no gyro!!! im not gonna leave you behind!!!! and in the meantime they are bleeding the fuck out….. i love them

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Even if the words are never said, Johnny and Gyro love each other. Whether it's platonic or romantic is up to interpretation but you cannot deny they love each other. We witness that love story and how it affects both of them and how they develop during the Steel Ball Run, with Johnny taking that love with him after the end of the story.

And my favorite ways this is shown is not just in the big scenes like when they save each other and sacrifice for each other, but in the small moments and the moments after these big scenes. When we get to see them interacting outside the main action, when we sit with them and take a breath too, the subtle body language of closeness they develop as time passes. These are the scenes that really highlight the love these two have for each other and place narrative importance on it.

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Gyro’s Just as Bad: A Gyjo Essay

its generally understood that gyjo is important to each other, but since sbr is from Johnny’s pov we get his thoughts on the ‘why’ more than gyro’s. Johnny’s side of things also tends to get more emphasis in fanon, which I just wanted to try and illustrate the development of their relationship from Gyro’s pov since I think that’s the part of gyjo that seems the most underexplored.

First thing to note, and something that’s pretty funny, is that Gyro is an asshole to everyone at the start of the race. Through the first stage hes basically this ‘lone rider’ character. Before the race starts, Gyro helps Johnny out by helping him get on the horse, but during the race itself he’s pretty brutal to his competitors. It’s Johnny who chooses to chase him, which Gyro didn’t ask for. But by the end of the stage Johnny’s proved his grit and Gyro allows him to accompany him. It’s cute how quickly he takes Johnny under his wing, especially since he’s still so hostile to everyone else.

Gyro presents himself as this very confident figure, and carries them through the attacks of Mrs. Robinson, Strohiem, and Oyecomova. The Boom-Boom family was more of a team effort between Gyro, Johnny and Tim, and they mostly won thanks to Tusk awakening. It isn’t until Pork Pie Hat Kid attacks and Gyro gets taken out of commission that Johnny is forced to be the one doing the quick thinking and rescuing. I think both Johnny being the one to rescue him and his newfound determination to collect the corpse tickles Gyro, similar to how he was interested in Johnny at the starting line because of Johnny’s stubbornness with Slow Dancer.

I think a big part of the reason Gyro is initially attracted to Johnny is because Johnny has the fortitude to go after what he really wants; unlike Gyro, who, as revealed in True Man’s World, remains to some extent paralyzed by his family’s traditions. So far the only thing Gyro has ever done to differentiate himself from his given role as executioner and eldest son is join the race, supposedly for Marco. Yet as demonstrated with his continued correspondence with Naples and their delivery of the Zombie Horse thread, Gyro did not cut himself off from his country and family entirely. He doesn’t know how to exist without it. Johnny meanwhile is fiercely independent; by contrast Gyro is still dependent on his tradition, country and family to guide his decisions. That’s why I think Marco was only an excuse / smaller factor in Gyro’s choice to join the race than what was initially presented. Gyro left to join the race because he’d never had a chance to develop himself as a person outside of his role as eldest son and executioner. That’s why his question about Marco’s death is about ‘consent’. Marco was supposed to be Gyro’s first solo execution. Marco was imprisoned as a traitor to the crown and by law would need to die. As a prisoner he has no consent to give, and Gyro knows that. The consent Gyro needs is his own. Gyro needs to understand, for himself, who he is and what his actual values are before he ‘consents’ to being the executioner.

In the Third Stage, Gyro admits to himself that “maybe the corpse hunt will help me grow a little.” Like I said, I think that to an extent Marco’s unjust execution was not necessarily the entire reason Gyro came to the race. Gyro may not have recognized it himself, but what he’s looking for is an opportunity to define himself outside of what he knows. Marco isnt what he’s thinking about when he loses the Third Stage; Gyro is thinking about how much he himself is pissed off by the loss. Unconsciously, Gyro recognizes that he’s not just racing for Marco, but to prove something to himself. Moreover, easily winning would prove that he’s fine as he is, and he can back to Naples, ignorant but having in a sense ‘gotten it out of his system’. But losing forces him to reflect, not just on the loss, but on what he’s racing for. That’s why Johnny’s advice is for him ‘to hunger’. Because Gyro still doesn’t really understand his own motivations for racing.

That’s why Ringo’s words about his being a conformist in True Man’s World bother him so badly. Because Gyro knows that, up until that point, he has been a conformist. He still relies on Naples for guidance and Gregorio’s teachings still echo in his head. But his friendship with Johnny is what allows him to break the first of the family traditions he’d so strictly adhered to, and give in to ‘sentimentality’. This is the first ‘new’ value he explicitly chooses to define himself by, and the first part of himself he discovers outside of his ‘conformity’. Gyro risks a lot by going back to confront Ringo. He’s challenging not just Ringo, but himself. Only a ‘true man’, or someone fighting for ‘something’ that they desire for themselves, would have the ‘dark determination’ necessary to beat Ringo. And Gyro finds it. Ringo welcomes him to the true man’s world because he recognizes that Gyro has found something to fight for.

In Catch the Rainbow, Gyro takes Johnny’s advice from the Third Stage and creates another value to define himself by - a hunger to win, for himself. That’s why he tells Diego to gtfo of the way; Gyro’s chasing himself on the Golden Path. Supposedly it’s a path for him alone. Ironically, it’s Johnny who interrupts Gyro and Diego’s battle on the Golden Path. Textually, Johnny realizes Diego is cheating but Gyro is so desperate to win that he doesn’t realize it. Metaphorically, Johnny interrupts to demonstrate that Gyro isn’t done growing yet, and is not yet ready to truly walk the ‘golden path’ of the True Man’s World. He doesn’t yet have the self-definition or subsequent selfish hunger necessary to do it. Only together are Gyro and Johnny able to defeat Diego and continue their pursuit of self-improvement (the corpse parts). However, afterwards Gyro lashes out at Johnny for interrupting, further demonstrating that in many areas he is still immature, childishly taking his feelings out on Johnny instead of waiting for an explanation of why Johnny interfered, and not really listening when he does.

In A Silent Way, Johnny is again what enables Gyro to find his second area of self-definition: mentorship. It’s heavily implied that Gyro is the first one to break Zeppeli tradition and teach the Golden Ratio to someone outside the family; however, he won’t teach Johnny any other way but the Zeppeli family way (‘I can’t do it’ four times), demonstrating his continued struggle between tradition and independence.

Sugar Mountain is iconic, but just as a refresh: at the end of the arc Gyro sees again how much Johnny is willing to give up for him. I think that this shapes his approach to Johnny afterwards; he’s much softer, and more protective. Because of Johnny’s actions in Sugar Mountain, he’s realized that finding his ‘golden path’ isn’t something he can do alone; and that he really does need Johnny as much as Johnny needs him. As noted before, Johnny gave up everything for Gyro. This is the impetus for Gyro to really embrace his role as friend and mentor, no longer afraid that his newly discovered ‘sentimentality’ is a weakness, but embracing Johnny as a trusted companion and deciding that he doesn’t need to be a ‘lone rider’ to win and find the independence and self-definition he’d been looking for. Johnny, not the race, is what pushes Gyro into reflection, soul-searching, and adaptation, embracing the world as it comes instead of adhering to everything he’s been taught.

Gyro defeats his narrative foil in Wekapipo. Wekapipo has abandoned his homeland entirely, and been abandoned by it. He hopes to find a new beginning in America. He too is looking to define himself anew. However, Gyro, now having reconciled what he’s been taught with what he’s learning with Johnny, is able to pull off a miracle. He doesn’t need to be someone new entirely or abandon who he was; he just needed to understand himself. Note that this is also the arc where he finds the golden rectangle in Johnny’s eyes - literally melding where he came from (Golden Ratio, Zeppeli traditions) with what he’s chasing now (self-improvement, alongside Johnny). That’s why Gyro’s allowed to win this stage, and he and Johnny get their one-two finish. Gyro earned his victory against Wekapipo and he earned first place in the stage, he and Johnny finding the best path forward (the golden path) by combining Tusk and a Steel Ball to create their own. Furthermore, Gyro reconnects Wekapipo with Naples by revealing his sister is still alive; thus Wekapipo too is allowed to live and try to reconcile where he came from with where he’s going, starting the journey Gyro now realizes he’s been on.

Frankly I’m tired so I’m not going to get into D4C arc but by the time sbr reaches its climax most of the heavy relationship work for gyjo is done anyway. I hope anyone who questions Gyro’s side of things finds this essay helpful!

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in 2022 i was thinking about a gyjo au in which they were in a rock band called balls of steel and today i felt like revisiting it

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absolute cinema

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beware of the "i don't really care about ships in jjba" to "snorting gyjo cocaine" pipeline

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boring take from real 21st century idiots: bdsm is bad because it's basically torture

interesting take from a fictional 14th century monk: torture is bad because it's basically sex

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gyro doodle

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i think the sbr english dub should bring back the accents that pb and bt had. give johnny the worst southern drawl you’ve ever heard. make gyro’s neapolitan accent sound so bad that the audiences will be yearning for caesar’s. make hot pants have an equally thick accent as johnny but from opposite sides of america. and. i cannot stress this enough. if diego brando doesn’t have the world’s thickest cockney accent then what is the point of it all