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Growing up is realising that Sofia was just an 8 year old girl who had too many responsibilities and was pressured by adults to save her new family and a kingdom and realm she now has to take care of and protect and people have high expectations of her, and that she was never given any real time to grieve her missing (most likely dead) father who only passed away like a year before her mother's remarriage and she is a child with trauma and doesn't want to bother people with it or tell anyone her secrets because they might put her in danger. She is a prodigy in just about everything she tries and isn't used to the idea of failling or not getting the hang of things quickly.

Sofia is also constantly betting her own life or being forced to negotiate the lives of her family since she was 8. She was betrayed by 4 adults, 3 of which were her teachers and and 3 of them are redeemed. She watched two people be murdered and a man waste his life away. Her brother being distressed and angry because he wasted his childhood preparing for a position he was never going to get because their grandmother and aunt lied. She watched the reason the twins were born and the queen was killed. Has been trapped in the middle of no where multiple times. Her sister stole her amulet. She saved the world multiple times. And her friends were toxic to her for being better than them at a game and trying to help a girl out. Was tricked by Cedric into cursing the entire kingdom to sleep. Is very protective and suspicious to anyone who even looks at the Amulet. Was given a position that constantly puts her life in danger and told to protect an entire realm filled with like 50 kingdoms. Must watch or read peoples lives no matter how gory in order to give them an ending weather it's sad or happy as long as it's an ending. Is blamed if things go wrong because of an adult. Isn't believed even if she's right. And none of the adults listen to her and always underestimate her.

This child needs a hug, therapy, sleep, and should just go play Dazzle all, Flyer Derby, or Ice dancing, go back to the Buttercup scouts, do her homework, practice magic, and play with her animals.

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I love that The Ghost and Molly McGee's forced cancellation isn't just frustrating to fans of the show but to people in the animation industry as well. They're just as sick as we are about how much studios disrespect animation. They keep looking for the next Spongebob, Simspons, or goodness forbid Family Guy, but instead having faith in the creators and their content, they just...wait. They wait to make a profit and do the bare minimum to market their shows and make them available.

Let's look at Gravity Falls for example. I remember that when Gravity Falls was still airing, you would be able to find out a new episode was coming out based on coming across a commercial by random chance or by the people working the show promoting it online. Add that with the fact that it was on a different channel that required you paying MORE for your cable to get it. It WAS available through Disney Channel, a channel more available at a cheaper price, but the entire of Season Two got moved to the more expensive Disney XD, where Disney shows go to die, because...REASONS. With no warning or announcement. I think I found out about Gravity Falls moving to Disney XD because the trailer played during a commercial break. And that's just the START the show's problems. Mixed in with poor marketing, the show would have a crazy inconsistent schedule, where we'd have four episodes a week, a few months of NOTHING, a few more episodes a week, nothing for a few months, a random episode playing between that nothingness with next to no promotion, and all of that happening to the rest of the show until it finally died a slow death with its series finale where four episodes got stretched out for six months. That...is NOT okay. And it doesn't stop with Gravity Falls.

Steven Universe, OK KO, Ducktales 2017, Amphibia, The Owl House, and now Ghost and Molly McGee are all shows that had similar and sometimes WORSE treatments as Gravity Falls did, where the networks gave next to NO marketing, the creators had to promote their own shows themselves, and the airing schedules were so inconsistent with wildly long hiatuses that only the most dedicated fans were willing to keep watching. General audiences (mainly kids) weren't willing to keep up with shows that had ongoing stories if the episodes stories kept being too spaced apart and never had reruns as frequent as other shows like Teen Titans Go or Big City Greens (Or whatever's constantly on network TV nowadays. I don't know. I mostly watch shit on streaming).

The people of the animation industry is catching onto all of these tricks, and they're getting sick of it. They're getting sick of inconsistent schedules. They're getting sick of trying to bend over backwards in every possible way to make the show they wanted. By either making serialized content as episodic as possible so the network could air it more or by condensing their stories as much as they can, already expecting that forced cancellation to happen sooner than later. And in some cases, they don't even get the luxury of being told their show is ending. Did you know that Inside Job and Paranormal Park both had seasons that were already in development before Netflix pulled the plug shortly after releasing new episodes of their shows? Did you know that The Ghost and Molly McGee was already working on a Season Three before Disney shut that down so they had to force out a series finale that would still be good despite the cancellation? Because it's true. It's ALWAYS true. Creators want to make MORE, but the studios won't let them because they didn't profit off of it. Except they WOULD HAVE if they treated it better.

I want kids to grow up with characters that stick around through their childhood, just like I did with mine. I want kids to have their own Ed, Edd n Eddy, Codename: Kids Next Door, Phineas and Ferb, or Kim Possible. I want kids to watch shows that last more than two-three seasons, stick around for years, and leave an impact as if they have all the time in the world because to them, it feels like they do. I want kids to have a show that ends on a high note because the creators wanted it and not because the networks demanded it. But the unfortunate thing is that it doesn't seem possible nowadays. Because if a mostly episodic show like The Ghost and Molly McGee fails, despite being charming and inoffensive and something most kids will love, the what hope IS left.

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you ppl love villains/morally grey characters UNTIL they're a woman, then all of a sudden they are annoying, evil and irredeemable

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I LOVE being autistic and trying to communicate because every time it’s

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Rick Riordan try not to make every "strong" female character be snarky and mean and insult and be obsessively toxic and hurt other characters, especially male character challenge extreme.

Rick Riordan try not to make all male characters stupid or unable to function without their significant others only to raise the status of other female characters under a fake, fragile mask of feminism challenge impossible.

Rick Riordan try not to pair up every single character and/or force them into the Hunters of Artemis and make them aro/ace challenge extremely impossible.

Rick Riordan try to write a book without piss jokes, pedophilia, victim blaming, excusing rapists, grooming, child trafficking, weirdly suggestive manipulation (not in a good way), ABSOLUTELY NERF complex characters, incorrect representation of Greek, Roman, Norse and Egyptian mythology, incorrect representation of minorities and smaller ethnicities/POC/culture, fake feminism, LGBTQIA+ community challenge MISSION ABSOLUTELY IMPOSSIBLE.

Rick Riordan try not to nerf your own plot and timelines and your own characters only to create cash-grabs that appease all fans by creating something "fanon" and promoting bullying, stereotypes, stupidity and toxicity and forget why the hell you wrote the series in the first place CHALLENGE. ABSOLUTELY. EXTREMELY. IMPOSSIBLE.

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Funny idea for that Mabel x Ferb ship is that while they're doing romance stuff, Phineas and Dipper are on an adventure. Because it'd be hilarious to see the high-strung Dipper Pines interacting with the nearly unfazable Phineas Flynn.

Also, Doofenshmirtz is trying to attack McGuckett for allegedly ripping off his Inator. While he's stopped by Perry, the offending invention is destroyed. Fortunately, that's a completely legal way of handling disputes in Gravity Falls since its founding.

Oh and maybe later Dipper is paranoid about Perry but finds nothing.

This is super cute! I can't imagine Ferb going off and doing anything romantic with Mabel when there's a day to be seized with Phineas (if this crossover happens when they're still kids), but I can imagine Mabel repeatedly flirting with Ferb during the adventure and Ferb accepting all hints by literally going along with whatever she's doing. Because he does reciprocate but he's Ferb. Brings him a treat? He eats it with a thumbs-up. Falls from a crazy height due to a grappling hook error? He catches her. Grabs him by the arm and volun-tells him they're gonna go get supplies/hunt for clues together? ("You know who'd make a great team? Me and this guy! Am I right? Who else can feel this? I can feel this.") Ferb's in. That kind of thing, definitely! Phineas and Dipper would be amazing together for exactly your reasoning. Phineas is so confident and capable and easy. Dipper is so not. I don't think Dipper would even suspect anything about Perry - I think he'd be way more interested in the statistical probabilities of the boys' contraption both working like a dream and disappearing before Candace's mom can see it every day. But I can also see him wanting to find/prove something and marveling at how easy it is for Phineas and the gang to do just that - everything always works out for them. Not something Dipper's ever experienced, really! And your idea for Doof made me think of an alternative, but maybe not as funny idea where he and Fiddleford work together on building an inator and Perry has to fight both a mad genius and a mad homeless man. In bare feet. I just - the idea of a summer in Gravity Falls and a summer in Danville intersecting is too easy and too funny and too wonderful. No matter how you slice it. Dwampy and Alex, where is the crossover, I KNOW YOU CAN HEAR US-

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Do you think the reason why perry and candace manages to have the ability to share multiple dreams (ex. phineas and ferb busted, wizard of odd, etc) is because they once switched bodies?

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To all the Dippers and Mabels in other timelines who had to go home alone that summer

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proshippers: "anti's are so mean to us, it's causing us to have mental health issues, we're people with feelings too yk :("

damn that's so crazy, it's almost as if the things you say online can and often do have real world impacts and don't just exist in the vacuum of "fiction"

what a truly wild concept

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proshippers really need to stop saying “you don’t care about real victims!”

1. i can care about more than one thing.

2. you do not know me personally or what i do outside of social media.

3. and what makes you care more than me? romanticizing people’s trauma and posting it online to show to other people who likes romanticizing people’s trauma (and pedophiles) doesn’t show that you care about real victims.

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Sometimes you don’t get what you want because you’re destined to receive much more. God knows what He is doing so trust Him.

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“When you pass through the water, I will be with you; in the rivers you shall not drown. When you walk through fire, you shall not be burned; the flames shall not consume you.”

— Isaiah 43:2