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SABRINA CARPENTER performing at the Primavera Sound Festival (June 6, 2025)

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Sebastian Stan for L'Officiel Malaysia photographed by Mathieu Rainaud

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JANELLE MONÁE — at the 95th Annual Academy Awards (March 12, 2023)

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LEWIS PULLMAN as Miles Miller BAD TIMES AT THE EL ROYALE (2018) — dir. Drew Goddard

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Academy Award Winners for Best Cinematography: 1999 — Janusz Kamiński, ASC Saving Private Ryan (1998) Directed by Steven Spielberg Aspect Ratio: 1.85 : 1

“Steven and I really didn't want to shoot Private Ryan in black-and-white, and I think it would have been a little pretentious to do another World War II film that way. [...] We also wanted to shoot this picture in color because there is some blood in the film and we wanted to play with the reds, even though we did desaturate the colors. [...] I knew the movie would have more of a bluish tone to it, and the color of the blood on the uniforms and the ground was a primary concern. Because we were dealing with a World War II drama, the wardrobe was already muted, and since we were shooting in England and Ireland, we had day after day of foggy, rainy climate, which automatically made the light more diffused and the colors more pastel. We therefore compared various levels of ENR, and based on those tests, the special effects department mixed a certain amount of blue into the blood to make it a bit darker than they normally use.” — Janusz Kamiński for American Cinematographer, August 1998

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BRING IT ON 2000, dir. Peyton Reed

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Ryan Gosling as Ryland Grace

Project Hail Mary (2026) dir. Phil Lord, Chris Miller

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MAMMA MIA! (2008) — dir. Phyllida Lloyd

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people love to complain about sex scenes in tv shows and violence in movies when the real danger is scenes that make you feel second hand embarrassment.

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Superman (2025) + Text posts

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Aaliyah - attends the Essence Awards (2001)

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BUFFY THE VAMPIRE SLAYER 3.07, “Revelations”

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ESPRESSO — Sabrina Carpenter, 2024

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maybe i like my tech a little bit inconvenient