Harry Vincent is a designer whose work resides at the convergence of gothic and contemporary visual culture.
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Family-owned costume shop in Southend-on-Sea. This was my sanctuary, a place to acquire the catalysts in which I could change/alter my vessel. A magical kingdom of otherness. There was no place like it. The jank between the jewels. Polyfiberous aroma. Wigs, there hanged in thought, in potential, of who you could be.
Every time I walked in, was a promise of myself becoming more than what I am.
SANCTUARY T-shirts. Online 31/05/2025.
Printed by Diss Prints.
[SHOP ITEM, 2025]
‘Two-colour screen print on Black AS Colour Heavy garment.’
VIDEO IMAGE SOURCES: Personal Camera Roll archive imagery 2012-2024.
IMAGE DESCRIPTION: A Black flatlay t-shirt with a rounded Red box with Yellow rounded sans-serif type that says ‘SANCTUARY’ and underneath in Red brush-script type that says ‘The Promise Store’ at an upper-reaching angle. All on a Black background.
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No elaboration, only liberation.
TYPEFACE: ‘Kern’ by Pizza Typefaces.
IMAGE DESCRIPTION: A portrait image depicting text in a Scarlet Red Sans-serif font that reads: “TRANS RIGHTS ARE HUMAN RIGHTS.” With a small symbol at the bottom with a circle, and three arms, denoting the trans identity inside a Scarlet Red frame. All on a Black background.
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Focussing. A target. Lens-view. Viewed emotion, not experienced (enough). Tallying the tears from the observing irises. I really don’t want to be here. Look at me, actually don’t. Viewer as partaker, you’re in the room, as am I. This room of pixels maybe too small? Limited, cropped, cut, spliced, filmed for your viewing: my pain.
ENCIRCLE
[DIGITAL ARTWORK, 2025]
‘Existing imagery overlaid with graphic treatment.’
IMAGE SOURCE: Eyes: Flickr 439018318 by Chiara Marra.
IMAGE DESCRIPTION: A square image of someone with heavy eyeliner crying closely cropped so that merely their nose and eyes fill the space, with CRTV textures and 7 Red dots in a circular layout on top. All on a Black background.
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SERMUN vv. I: Continue.
They say “things come in threes” I wish they hadn’t said that. In blood and name, a path is caved in ancestry.
Am I, Harry to continue this tree?
Forsee, I need a degree to turn to I yearn for a me that is not Want what is not Be who I’m not.
This armour, heavy It’s weight, alive on me. Is me I am it and inside of it. No pause for concern. No contemp(t)- plation. Too much, now.
Deep is this line, this bloodline. A thread, this thread, threading us together, for without it we’d surely be apart. I have contempt for you. I hate you. At times, yes. At times, no. At times, I just don’t think so.
Crest, crestens beam. Routinely, I navigate this stream. Set forth, taking me. Breaking me still. Bruised, from word more than fist. From verbal jab than knife-puncture. From authority unjustly wrathed, than deserved tender.
In name I have, is it nature too? Am I another you you? Is me me, me? Will I repeat, weep, hurt and forseek?
Will I die Alice Size?
Tubed up, leaning on machining for life. Leaning on others. Pushing them, prodding for productivity. Jesting. Besting. Thinking of other.
Will I miss this? Will I miss everything? Will I stare unto reflection seeing an amalgam of three. Of him, you and me. This isn’t me.
Will I be scared of myself (as I am now)? Continue a path to this cenotaph. Inevitable doom. Early, cut-short. Regressed and stagnant. Staying, not exploring. Not mooring, delaying. Avoiding.
Tackling and standing comes quicker now. I am not filled with regret, just yet. Its buds do blossom though. A climb up to fall down. To end. To no more.
To not seeing you again. It again. All my problems again. Easy jump. Easy choice, nothing to do. Or to be. Yet it hurt to try, it hurt to mind.
Mind if I stay, actually?
[DIGITAL ARTWORK, 2024]
‘Poem typeset with outlined Red beams.’
IMAGE SOURCE: Priest: Flickr 46578090224 by Midnight Believer.
IMAGE DESCRIPTION: A portrait artwork depicting longform text in a Red Sans-serif typeface, with Red outlined graphics to the right. All on a Black background.
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Tears from within. Caverns of cry. Cry O’ loud. Cry out. Cry… Crystallised streams of hot magma adorn the face. Worn without pride. Worn out. Worn nonetheless. Waning spirit. Flailing soul. Desperate to connect to you all.
GLYPH-REAPER-THETA
[MIXED MEDIA ARTWORK, 2023]
‘Bespoke painted portrait with water-based acrylic paints on A4 300GSM paper. Scanned and digitally manipulated.’
IMAGE DESCRIPTION: A square artwork depicting a Black and Scarlet Red silhouetted humanoid figure with tears streaming down both eye holes, featuring a heptagram in their iris. All on a Black background.
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Expanded being. Descent the only form of ascent. Divine conscious sent down, dropped, displaced from origin. Occupying vessels, machine bodies to feel and roam. Grow, young fruitful being, unearth yourself. Evolve.
“Earth is a place where souls are sent to evolve.” This artwork derives its core idea from an excerpt in ‘THE WAR OF ART’ Winning the Inner Creative Battle’ by Steven Pressfield. Taking Steven’s thoughts on self-growth and the artistic pursuit.
EARTH: EVOLVE LAND - First Protrusion
[DIGITAL ARTWORK, 2025]
‘Bespoke graphic in outlined Red beams.’
IMAGE SOURCE: Globe: Vecteezy 18795406 by artisangraphics.
IMAGE DESCRIPTION: A portrait image with a glove in the centre in Red and Black, with a single vertical Red line coming up from the bottom through the centre, diverging into multiple lines with symbols inside the dispersing lines at the top, all on a Black background.
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Sum of all parts. Beings of ecosystems. Are we just the amalgam of ancestors? A continued thread? Genetically predisposed? Such beauty in the eye of the held mass of experience you are. Such radiance. Building off of light. All of before. All to now. Formed of was. Is. You.
𝔄𝔊𝔊ℜ𝔈𝔊��𝔗𝔈
[DIGITAL ARTWORK, 2025]
‘Modified existing imagery with typography and esoteric “Heavenly Body” layout.’
IMAGE SOURCE: Eye: ‘Ten figures, showing the eye open and closed’, engraving by T. Milton, 1809.
TYPEFACE: ‘DS Walbaumfraktur’ by Dieter Steffmann.
IMAGE DESCRIPTION: A shape consisting of multiple stars, crosses and outlined circles of various layers protruding out of the centre, outlined in Red. With a Teal vintage illustration of an eye in the centre, circled by a blackletter typeface that reads ‘AGGREGATE’ on a Black background.
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Decision intuition in the movement of hand. Clickety-click of a mouse. Soaring perpendicular palms make waves across pads. Plotting. Marking. Selecting. Power in choice, drain in indecision.
FINAL-05 Selection
[DIGITAL ARTWORK, 2024]
‘Coffin-boxed portal with captured imagery texture and small graphic focal centre.’
IMAGE SOURCE: Flower: IMG_1645.HEIC, flower on Cliff Parade Gardens.
IMAGE DESCRIPTION: A hexagon coffin box shaped image with a Scarlet Red outline, depicting a Red flower with VHS lined textures, outlined by coffin box shape, with 7/8 having filled in square corners and a single-weighted line. On a Black background.
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Attempts revealed. Plastering over. Do-overs. Over-worked and over it. Ripping through space-time, continue? Ripped by the doing. Ripped by people. Ripped by yourself. Rip to you.
TORN VII
[DIGITAL ARTWORK, 2024]
‘Textural imagery with typography underlay.’
IMAGE SOURCE: Tiles: IMG_2985.HEIC, of attempted covering of pub tiles, Leigh-on-Sea.
TYPEFACE: ‘Anton’ by Vernon Adams.
IMAGE DESCRIPTION: A Square poster with Red and White lines underneath a torn area revealing Green tiles underneath with Scarlet Red stretched typography in a Sans-serif typeface that states ‘TORN’. All on a Black background.
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In a world where the World’s top 1% own more wealth than 95% of humanity, we reminded that the majority prop up the few. Living in systems design to funnel. Inflating inflation and fragile egos of CEOs. Live to Work. Struggle. Creative direction from monthly rent. Dictating destinies for billions.
Colony. Eat. Oligarchy.
TYPEFACE: ‘Kern’ by Pizza Typefaces.
IMAGE DESCRIPTION: A portrait image depicting text in a Scarlet Red Sans-serif font that reads: “TOGETHER WE CAN MAKE A DIFFERENCE.” With a small image at the bottom of A Bug’s Life antagonist, Hopper inside a Scarlet Red frame. All on a Black background.
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Misheard miserable. Sounding out but letting in. Allowing. Hearing. Aides to the mind. Aiding audio allowing auditory arguments although at an allowed amount. What is it to hear? Ear, ere.
Thank you to all who donated their ears to this artwork.
CROS(s)ES ‘Hear no evil’ (16)
[DIGITAL ARTWORK, 2024]
‘Manipulated existing imagery into a crucifix layout.’
IMAGE SOURCES: Flickr Album: 72157602594112039 ‘Ears’ by knowingPark.
IMAGE DESCRIPTION: Artwork featuring multiple images of low-resolution ears that form a crucifix-style cross with a Red square centre, on a Black background.
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ARE YOU CRYING BABY?
‘crybaby’ artwork for SadBoi.
Tackled a visual style I hadn’t done before, leaning into more modern graphical anime, closer to NGE. All flattening into a single colour, high-contrast vector. The facial features are deliberately skewed, and off, to exaggerate the eyes and to get that ‘baby’ head shape. Translating SadBoi’s unique look and features, finishing off with her signature chromed heart neckpiece. 100% done on trackpad. Available now on whysosadboi.com
‘crybaby’ Artwork
[CLIENT WORK, 2024]
‘Chiaroscuro vector graphic portrait.’
TYPEFACE: ‘Badlands’ by Jason Ferry.
IMAGE DESCRIPTION: A flat Red graphic portrait of a feminine face with various tattoos, several tears streaming down their face and pigtails swaying in an anime art style with enlarged eyes and smaller mouth, on a Black background.
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FREE BOOKS* only on 7/7/2024
SIGN UP TO RECEIVE OFFER: www.harryvincent.com/transmuting
Password-protected link will be sent on Sunday 5:55pm BST
*Just pay postage
[PHYSICAL RESOURCE, 2024]
‘Modified captured imagery with type in ’Ray-Ban’ Instagram Hack layout.’
IMAGE SOURCE: Books: Own-imagery. Mountains: Pixabay 4786394/ by srkcalifano.
TYPEFACE: ‘Calibri’ by Luc(as) de Groot.
IMAGE DESCRIPTION: A rectangular image depicting a stack of several books to left, on top of a Cream background showing a faded reflected landscape of mountains. On top of the background is a bespoke Red Script text that reads “Free•Books”, with groups of Sans-serif text which read in order: “One One Day”; “7/7/2024”; “£77.99” (With a Red strikethrough); “100% Off*” (In Red); “£0.00” “www.harryvincent.com” (Which is underlined in Black); “SIGN UP to receive link” (In Red); “Official Website” (In smaller Black text); and “*JUST PAY POSTAGE” (in Red).
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Blood beams beckon. Encircled form. Regent of light. Archangel of salvation. Appearance, due. Intense Vermillion sheets of flamed-Red. Encasing anger. Wrath of the senses. A blood-blinding light.
𝖀𝕽𝕴𝕰𝕷
[DIGITAL ARTWORK, 2024]
‘Modified existing imagery with typography and esoteric “Heavenly Body” layout.’
IMAGE SOURCE: Eye: Flickr 6023231861 by Lovelorn Poets.
TYPEFACE: ‘DS Walbaumfraktur’ by Dieter Steffmann.
IMAGE DESCRIPTION: A shape consisting of Red light beams protruding out of the centre, that depicts a Triangular shape with a stem and two cross beams, outlined in red. With a Yellow vintage illustration of an eye in the centre, circled by a blackletter typeface that reads ‘URIEL’ on a Black background.
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Worry, the partner of uncertainty. A world that is so confounded in more, doing an intentional less is often the key to weathering the turbulent storm of today.
TYPEFACE: ‘Kern’ by Pizza Typefaces.
IMAGE DESCRIPTION:
A portrait image depicting text in a Scarlet Red Sans-serif font that reads: “IMPORTANT OVER URGENT.” With a small image at the bottom of two opposing arrows, with one larger in White and a smaller one in Red, on a Blue background inside a Scarlet Red frame. All on a Black background.
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Closing. Embracing the illusions of illuminated Red from lids I yearn to possess. For now, leaking orifices suffice for this emotional leak. Burning sorrow emptied from inside my own face. Outpouring, streaming, bleeding. Was I made this way?
GLYPH-REAPER-ETA
[MIXED MEDIA ARTWORK, 2023]
‘Bespoke painted portrait with water-based acrylic paints on A4 300GSM paper. Scanned and digitally manipulated.’
IMAGE DESCRIPTION: A square artwork depicting a Black and Scarlet Red silhouetted humanoid figure with tears streaming down both eye holes, featuring a heptagram in their iris. All on a Black background.
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There are always signs. A roadmap. Often they come and we aren’t able to see. Not looking, doesn’t mean it isn’t there. This cruel slow build, to a point, an edge of one’s self. The will to die. To choose to go across a line. To take. One. More. Step. You are here, aren’t you?
FINAL-04 Pointers
[DIGITAL ARTWORK, 2024]
‘Coffin-boxed portal with captured imagery texture and small graphic focal centre.’
IMAGE SOURCE: Concrete: NCP car park wall, Brighton, November 2023.
IMAGE DESCRIPTION: A hexagon coffin box shaped image with a Scarlet Red outline, depicting a flat area of warm textured concrete with 8 direction arrows in an Off-white forming the corners of a coffin box shape, with one arrow not having it’s triangular tip. On a Black background.
#Coffin#Final Nail In The Coffin#Seven#Checking In#Suicidal Tendencies#Incomplete#Mockup#Harry Vincent
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