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Here is a link to a cover I have done recently, of the songĀ āWhere we go when we dieā by Thornhill.Ā
Itās been receipted pretty well, and I would say its the best cover I have done so far.Ā
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Link
I wrote this song a couple days after āDrop The Lifeā. I set myself the challenge of trying to write an EP over this lockdown period just to get my creative juices flowing, and to develop myself as a songwriter. Iām really proud of both of these pieces and they hold a strong place in my heart.Ā
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Sweet Release Lyrics
VERSE 1
Are you coming down, off that cloud that you call home. Because Iāve been thinking bout you and them bad thoughts.
infecting your brain, transcend to the pain
CHORUS
Sweet release, are you coming down,
Cuz the clouds are raining, and your memories fadingĀ
Sweet release are you coming down,
Cuz the clouds are raining, and youāre close to fading Ā
Verse 2Ā
I donāt want you thinking boutĀ
All the worries on your mind
Your demons they take it all awayĀ
They wonāt let you go,
To the bright red door on your ownĀ
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Drop the life Lyrics
Based on my mental state for the past coming weeks. This song was a massive release for me, as It marked the first time in a few weeks where I had creative energy. I wrote the song in a couple of hours, and the lyrics came so naturally.Ā
Intro
Lie and waitĀ
Verse 1Ā
Itās all gettin too much,Ā
Iāve not left my bed for daysĀ
Deadbeat and out of touchĀ
Youāve gotta drop the life Ā
Chorus
Lie and wait as the sky is swirling
Am I getting too muchĀ
Iām not keeping in touchĀ
Die in sleep
Iām not made for the earthĀ
So Letās drop the lifeĀ
BridgeĀ
3 nights in a row. You thought Iād dropped off the face, of the earthĀ
2 reasons why I canāt leave my past behindĀ
Pre chorus
I feel like dying in my sleepĀ
Trying to claw the thoughts out
Youāve gotta drop the lifeĀ
ChorusĀ
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Tell Me Iāll be Fine Lyrics
These chains that wrap around my throat,
Leave nothin but marks of my last life where I cowered to your touch.Ā
Cuz I been thinking lately are we, meant to be.Ā
Iāll always be at the end of the hallway.Ā
ChorusĀ
Just tell me That im fine, cuz Iām fallin even faster now, youāll be the death of me.Ā
started only carrying yourself, no thought for me. But pleaaaase DONT let me goĀ
Let me go. Iām trying to tell you now that all the times we had were rose glass, and I have really grown past this.Ā
So fly away with me, and Iāll show you the places that you never thought I would see.Ā
Setting sights and wanting to be free
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Link
Here is a song Iāve done recently in collaboration with Batfish, who produced it and made the beat, entitled āCRYNOMOREā.Ā
It is for my solo projectĀ āAmber Palaceā, and deals with a rather heavy subject for me. The concept of the song, is about me suffering through a really depressive time, feeling like I was completely alone with no help at all. Regardless of having people who care about me around. It also is almost a cry out for help for more funding for mental health, and the lineĀ āJust another figure to youā is a shout at the government who I feel couldnāt care less for the general population and their struggles with mental health.Ā
Here are the Lyrics:Ā
I donāt mind if you keep touchĀ
But I wonāt wanna cry no moreĀ
These days, they merge together.
Iām Dying in my sleep right now,Ā seems poetic, as I watch the clock tick,Ā right now,Ā
Spiralling out of control
Iāll have these thoughts until the day I die,Ā
No help Iām fucking crying dry to the sockets,
While your filling pockets,
Iāll fall farther through this fog
Tell me I need helpĀ
Tell me you canāt helpĀ
Underfunded youāre planning my suicide.Ā
Just wait till I jump.Ā
Just another figure, to you. Ā
Iāll drink another bottle donāt you dareĀ
Tell me to man up and cuz that aināt fairĀ
Iām blinded out cascading in thought, intrusiveĀ
AmnesiaĀ
Forgetting my placeĀ
Forgetting my time
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Coalesce Lyrics
Gods will bleed and I will usurp the earth,
The snakes entangle your mind,
The prophecy of all Iāve become.Ā
Torturing the weak and deviated,
Their minds embraced by ache,
Shattered hands wrap around your neck,
You called your end.Ā
For your demise, we are waiting.
Your fall will reap anarchy.
To them all.
I never thought itād come this far,Ā
Too reap a kingdom you never had control of.
We died for you, your only cause.
You only wanted us dead,Ā
You only wanted our debt
You canāt rebuild out of ashes of man.
Watching painless vengeance has no recoil.Ā
Choke on your blood when they come for you (x2)
It only serves the many when you serve them all,
Setting sail to a burnt down kingdom,Ā
Rise from the ashes and fight for your kind
Reclaim your life, embrace your right.
Burn down, your vices,
Burn down your crime
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Link
Here is the YouTube link to the Live performance of our pieceĀ āVacantā.Ā
After all the hard work that went into the practices of this piece, I can honestly say that I am proud of how it turned out for all of us. It was performed really cleanly, with minimal mistakes.Ā
I believe that my performance in this, was pretty solid. The fills that I wrote for it were creative, and pulled off well. There were a couple mistakes that I made in regards to rhythm, and a couple missed hits; And if I were to do this again, I would book out the rehearsal studio for my individual use to work on my drumming and the sections. However for my fourth time playing drums, I feel that it went really well all things considered.Ā
To Conclude, in a far from ideal situation for me, I believe that I excelled and rose to the occasion. I now feel that I could drum again and fair pretty well.Ā
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Here is the remixed version of the song.Ā
For this, we decided to rework the already tracked studio version; And use the vocals from that in this piece. As that's what a Remix is anyway!
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Here is the link to the studio version of our arrangement.Ā
The workflow fo this, was Rebecca wrote the song, then sent it over to Robyn to track vocals. After Robyn finished the vocals, I was sent the version with her vocals on it.Ā
What I felt like my job was during this piece. Was to add harmonies, and vocal doubles to give an interesting, unique dynamic. Kind of like what āThe XXā do with their songs. I find male and female vocals go together so beautifully, and create a really emotive feeling. On top of this I added high harmonies to the chorus, that merged perfectly with Robynās vocals perfectly.Ā
As well as all of this. I wanted to fill in the gaps where there weren't any vocals. As there were quite a few gaps which I feel benefitted from being filled with vocals.Ā
My favourite part that I added to this was theĀ āIām not coming backā line. I tried something new for this that I didnāt know if it would work. I did the base layer, and then sang it 6 different ways. Some harmonies, some in the same key but belted. This added a whole new dynamic, and feeling to the song which I am very proud of. It occurs twice in the song, once in-between the first and second verse; And again at the climax of the song. Both sections are sang differently, to compliment the sections that they are in.Ā
Overall I am very proud of this piece, and feel like I contributed a great amount to it.Ā
Here are the lead sheets to this arrangement:
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GROUP ROLES
Studio version:Ā
Haydn - Vocals, Technician, Co-writer
Robyn - Vocals, Lyrics
Rebecca -Guitar, Song writer
Leah - Ā Bass
Live Version:
Haydn - Drums
Robyn - Vocals
Rebecca - Guitar
Leah - Bass
Harri - Saxophone, Keys
Jazz Remix:Ā
Haydn - Vocals
Robyn - VocalsĀ
Rebecca - Production
Leah - Bass
Harri - Composer, Saxophone
Other Jobs:
Haydn - Ā Booking equipment
Robyn - Booking rooms
Rebecca - Recording rehearsals
Leah - Snacks and drinks
Harri - PA and levels
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Video
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Hereās a clip of the second rehearsal we did as a group for the main assessment.Ā
For this assessment, I was a little worried as I was left without a group. I didnāt really know what I was going to do at all. I then raised this in a lecture, and Robyn and Rebecca said I could join their group. I had no idea what I was actually going to do. As I specialise in Vocals, Guitars and bass. It then sprung to me that I could try and play drums and see how that went.Ā
In this video. This was the second time I had ever actually touched a drum kit. Iāve never had access to them. I was struggling quite a bit to keep rhythm as I haven't got the coordination between my hands and my feet. it felt completely alien to me. However I persevered.Ā
in this Video, I am mapping out what I was going to do over the song. Thinking about what fills I could do, what would compliment the song the most. It is very sloppy, but for a second time It isn't too bad.Ā
Im very glad that I took the leap to attempt drums. As it pushed me so far out of my comfort zone that I started to get anxious about it. However this pushed me to really focus on it every waking moment to think about what I could do better, and what would work best. I could happily now say that I could sit behind a kit and hold a decent rhythm, by no means flashy, but solid.Ā
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Near the beginning of the term, we were set the challenge to create a song using the theory ofĀ āProsody.ā What is prosody you may ask? Well youāve came to the right blog.Ā
Prosody is the practice of using real emotion, or a concept, in your composition. Like you're setting a scene through the medium of music. It also helps all of your music fit together. So if you've got the agenda ofĀ āI want to make this song sound like someone taking a walk with a warm coffee on a snowy winters day, admiring its beauty.ā You could certainly write a song that gives you this emotion. So you would think about lyrically, what do you want to say that portrays this picture? What instruments remind you of this setting, and so on.Ā
What I chose for the theme if this piece, is ironically a lot more melancholy. I wanted to base this song around the idea ofĀ āDrowning inside your head.ā
The way I accomplished this, was through writing a very sombre piece. The guitars were very light in the verses, absolutely drowned in reverb. With layered ambient leads in a descending pattern to imitate the feeling of sinking. This, all accompanied by a soft, soothing, warm vocal, with quiet layers of falsetto.
In this piece, I wanted to convey the feeling that I was accepting the sinking. Which is why I made the verses so calm. However, I wanted to show that this sinking is also not always peaceful. That I didnāt accept it. Kind of like two sides of me. Like Iāve lost all faith, but at the same time. I donāt want to accept this, I want to make something of my life. I will fight to get out of the ocean that is my head. This is portrayed in the chorus, where it is a lot more loud, energetic and full. With a fast drum beat to show I am alive and kicking, and wanting to get to the surface and breathe.Ā
To add to the immersion, I took a wave sample off of YouTube, EQād it, and added reverb. This was to relate the the nautical aspect of the song, and to set the scene immediately.Ā
Iām very proud of this piece, and believe that I have achieved prosody. This was the first full song that I ever wrote in full. It went so much better than I expected, and came together a lot quicker too.Ā
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Over the lockdown period, I have set myself the challenge of writing an EP from scratch. In the past I havenāt really wrote many songs, so this is a big challenge for me. However I know even just through this song that it is going to be highly beneficial for me.Ā
For the Guitars and bass I used the Neural Abasi Archetype, for the drums I used MT power drums, which was a free VST that I found that surprisingly sounds really good. I whacked Valhalla vintage verb on the kit to make it sit better in the mix as well.
for the vocals, I used my SM7b with the signal chain - EQ, Joey Sturgis Gain reduction. Then sent to a vocal bus containing a limiter, Valhalla Vintageverb, and delay.Ā
An improvement I would make however, would be to add another verse after the first chorus. While the current structure works, I think it would give the song more time to shine, and it would also give me chances to bring in motifs previously heard in the song, or to set new ones!
Overall I could be more proud of this piece. As itās really coherent and I believe that the production itself is actually pretty good.Ā
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