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humbled
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This <3
hey
hey friend
dont kill yourself tonight ok
you have a really pretty smile and i know its not always easy to manage one but itd be a bummer if we never had the chance to see it ever again
youre really important and you matter a lot so stay safe and try and have a nice sleep
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Don’t forget we invade the Fire Nation today
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WAIT....HOLY CRAP
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Speechless
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IM SEATED
Official reckoning of roku cover art save me……… save me official reckoning of roku cover art……… save me……
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Announcing Maiko Week 2024!
Daily Maiko announced on Twitter that MAY-Ko week will be from May 1st - May 7th 2024!
Here are the prompts, they look amazing. It will be so great to have our first Maiko week in two years
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Please tag your friends, artists, and writers to make this week extremely special!
@bluespiritshonour @an-aspiring-jester @akiizayoi4869 @count-horror-xx @justinedont
@leantailean @privatefire @attackfish @loopy777 @swan2swan @rms10 @valkyrie-kun +MORE
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I saw someone make a post about no confirmation of Iroh meeting Izumi. We can't have that! So have this first meeting with Uncle and his Granddaughter.
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have i ever mentioned how genuinely happy i am that zuko ended up with a daughter. he'd be a great dad even if he had a son but theres no character in atla with stronger girl dad vibes. he just needed a daughter
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Fire Lady Mai
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"mai isn't izumi's mother, her and zuko broke up in the comics and mai is seeing another guy."
literally her and zuko:
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On my umpteenth rewatch of lok, I had a sudden interest in old Zuko…. And let’s just say another wip is brewing in my brain now about Zuko and his involvement in book 3 :/
Zuko looks in the mirror and sees only a face he no longer recognizes: old, long past its prime. An old wound haunting him, even how many years later. It happened so long ago; only yesterday. Shaky hands rub the rough skin as the memory takes hold. It was for the better, he once told himself long ago. It led him on the path of good, toward the light. But the thought of giving such a punishment to Izumi… He admittedly was not perfect when it came to raising her, but he was no Ozai.
Through the reflection, he sees Akari, the Firelord’s senior aide, emerge from the golden doors. “Lord Zuko,” she says with a respectful and low bow. Her voice is distant, muffled, despite being so near. Just a reminder of his aging body. “The Firelord will see you now.”
He nods, acknowledging her, but his focus remains on the stranger–no, the old man–staring back at him, copying every move he makes. Akari backs away to give him space. And he touches a few wrinkles. Uncle always said they were a sign of living, far better than the alternative. His laughter still echoes in his mind; the steam of hot tea still lingers around him.
He moves away from his reflection and into the throne room where his daughter sits high above him in all her glory. Zuko smiles as he bows–and his old bones crack as he bends. Another reminder that the old man in the mirror and the boy who thought his destiny was to capture the Avatar were one in the same. “The Firelord has requested an audience with me. I would be interested in knowing what for.”
“Hello Dad,” greets Izumi gently as she stands. She approaches him, a familiar look of care mixed with concern permanently captures her face each time she looks at him. He knows it well. Old age brings on pity. No, Uncle would say, old age brings on care. They hug and, suddenly, he is drunk with the scent of familiarity. Once Mai’s favorite perfume worn now by a grieving daughter who wants only to keep her mother close. “How are you?”
“I am fine, daughter,” he assures, his hand squeezing her shoulder as if to emphasize the fact. Sadness lingers around them with Mai’s passing just over a year ago. “Though, perhaps it is I who should be asking you that very question. Avatar Korra has led us into a new age where spirits and mankind must now live together in harmony. As the Firelord, it is your duty to make her decision a reality. With some guidance from me, of course, if it doesn’t interfere with my nap time.”
She rolls her eyes as a smile forms. “I think sometimes I can make better sense of your snoring than your political babble,” she teases.
“Be careful what you say next, daughter,” he shoots back. “I still have claim to the throne, you know.”
“Like I’d give it back,” she tells him playfully. But her face turns serious. And like a stuck bandage, the news of why she has summoned him is ripped open quickly to ease the anticipation: “I’ve just received word from President Raiko in Republic City. It seems… Harmonic Convergence has brought back the Airbenders.”
His heart feels as if it has sunk. The Fire Nation’s greatest burden, their deepest regret—now, so suddenly, fixed? He would have to see it to believe it, especially if Raiko is the one reporting it. All the man cares about is the votes. “What?”
“I haven’t yet received word from Tenzin, but there has been at least one Airbender sighting in Caldera alone. Most, it seems, are in the Earth Kingdom.”
“That could mean trouble.”
The Earth Queen remains bitter over land now the United Republic of Nations and everything surrounding it, Air Temple Island included: Earth Kingdom territory, she makes false claims. While her father was timid, mostly oblivious as a leader, Hou-Ting is loud, demanding, and a complete tyrant.
Zuko turns, hurrying out the room. There is no time to waste. “I’ll head straight to Ba Sing Se—”
His daughter is quick to stop him. “The Fire Nation should not have any involvement there, dad. You know this.” His intent would be to liberate this new wave of Airbenders from the grasps of great tyrannical power, but the world might view it as another Firelord’s attempt to again dismantle the Air Nation. He blinks, seeing clearly now as his daughter faces him again. “Furthermore,” Izumi continues cautiously; they’re always dancing around his state of retirement. The nation is hers–it is her birthright–but he makes diplomatic trips around the world to assure peace, to continue what he and Avatar Aang started so long ago, yesterday. “A man your age should really be fretting over pai sho and gardening. Not the state of the world.”
The man she is describing is Uncle. Not him, never him. “I will not turn my back on the world when it still needs me,” Zuko insists. His reflection shows an achy old man with a story long ago completed, but as long as his heart still beats and the fire still burns, he can be useful.
“I know,” she says, “but… you can only do so much before it becomes too overwhelming for you.” She adjusts her glasses as a sigh escapes her. “Dad, I care only for your safety–”
“I am still capable–”
“–which is why I think it perfectly sensible for you to take in a ward.”
He stops, hurt–offended. “A-a ward?”
“One of Master Muromachi’s young pupils,” she continues. “Someone who can be your companion. Someone who will watch your back and defend you when you’re unable.”
Zuko huffs, rubbing his forehead in frustration. His daughter thinks him unable, an invalid of his craft now just because of a few wrinkles. Spirits! He is Lord Zuko, Leader of the Fire Nation and the Avatar’s Firebending Master. And she thinks he needs a sidekick? Some noble boy defending his honor? “No, absolutely not. I don’t need some child protecting me.”
Izumi rolls her eyes. “This isn’t a suggestion, dad. Master Muromachi is expecting you. We’ll go down there this afternoon.”
He stomps away stubbornly, like a child not getting his way. The roles were reversed long ago, just yesterday when he was still in charge, when he was still capable. “I can choose my own ward, can’t I?”
“Of course–”
“Then I’ll go on my own, if it pleases the Firelord.”
He exits before she can answer. Anger boils within him. He hates being the man who is old, the man who needs help. Most of his friends are gone now and this new generation is perfectly competent, his daughter being one of them, but the fire still burns inside him. The face in the mirror is the face he saw long ago–yesterday–when there was no scar.
The Fire Nation Academy for Gifted Boys is a secondary school for sons of nobles. It teaches Nonbenders how to fight through the art of swordsmanship. Only the best, or most wealthy, can attend. And the training is rigorous, not for the faint hearted. Tom-Tom became one of the academy’s pupils when he came of age, mastering sword fighting at the age of fourteen. Firelord Ozai always dismissed the school’s teachings, saying Nonbenders could never truly be masters without the ability of bending. In his final years, without his bending, his father learned the way of the sword, though he never tried to understand the relationship between a man and his blade, thus never becoming a full master of the craft.
These days the school is just as rigorous with Master Muromachi, a stern and, dare he say, cruel man, in charge of this new generation of fighters. The boys stand straight in a line when Lord Zuko arrives. Eyes forward, not one hair out of place, not a single crease in their suits. Their movements are in sync as they all bow low when Muromachi introduces him to them.
“You have honored this school with your presence, Lord Zuko,” Muromachi says with a bow of his own. He moves aside for Zuko to properly examine his students. “Please, choose anyone you think is worthy.” He gestures to the tallest of the group: tan skinned and golden eyed, Zuko sees a darkness in him that brings only suspicion. The way the boy eyes him; it’s not like the others. “Eigo here is our star pupil.”
“Is that so?”
Muromachi gestures again and Eigo assumes a fighting stance as he draws his sword. He dances with it around Zuko–impressive but, still, there is something about him that he doesn’t quite like–before returning to his spot in line.
“Very good,” Zuko tells him, “though I find your lack of moderation rather… unsettling.”
The boy’s expression darkens at the criticism. Not suitable for his company at all. Muromachi moves on without a visible reaction: “Pao,” he calls. And the next boy moves skillfully around the room with his blades. A mindless routine, practiced over and over again until perfection. He does what he is told and nothing more.
“Your moves, though highly skillful, lack originality,” Zuko notes. He will find something wrong for each of them. He does not need a protector, nor does he want one.
Muromachi becomes more tense as they move down the line, each boy weaker than the last. This Academy is a show and these so-called warriors are nothing more than performers this day in age, not like how they used to be, he will tell his daughter later over tea. That is why he did not choose a child today. That is why he should not have a ward.
Finally, they arrive at the last: the smallest of the group. A softness exists within him that the other boys do not have. Short hair above his ears cut in a wonky bowl shape and fierce blue eyes with a sparkle in them that shows he is ready, not to win but to fight for what is right—he knows those eyes. It hits him, suddenly. A girl, disguised as a young boy.
“Lee!” orders Muromachi, sweating profusely at this point. Zuko instantly understands the name is false, an alias to hide her true nature.
And the girl disguised as a boy begins her dance around Zuko. Her movements are hesitant. She nearly trips over her own two feet. Her two swords do not move together as one but rather as completely separate entities. An amateur compared to her peers. Muromachi is visibly appalled by her performance, but remains silent out of respect for his guest. Zuko, admittedly, is intrigued by the girl. Why would she openly go through such turmoil?
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Behold the sketch before I ink and color...
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CW: SA, Child abuse.
Quiet on Set is one of the most horrifically depressing documentaries I've seen in a while. I remember having to take a long extended break between each episode, because trying to binge watch the entire series in one sitting would have legitimately broken me.
If ever there was a documentary that perfectly sums up how awful the entertainment industry is when it comes to SA and abuse, it's this one.
What's fucked up about the Brian Peck situation is how quickly it got swept under the rug, everyone just went back to work like nothing ever happened. And the fact that Dan Schneider had the audacity to try and act like a friend towards Drake Bell after everything that Bell went through is downright sickening.
It's like "Yeah, I may be an abusive asshole who keeps exposing children to sexual content at a young age, but at least I didn't SA anyone!"
Fuck you, Schneider.
What Drake Bell went through was pretty horrific and I do applaud him for speaking out about his experience on camera, however, that shouldn't take away from the fact that he took advantage of an underage girl.
But I think what this documentary does well is that it shows you first hand why so many SA victims take years to speak out, it's because the entertainment industry will go out of its way to protect predators and abusers.
The fact that only one celebrity denounced her defense of Brian Peck during the documentary's production is very telling.
If you want to know why so many predators and abusers end up working in the entertainment industry, it's because they know they can get away with acting like complete monsters behind the scenes and that nobody will ever hold them accountable until it's too late.
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Sozin is the worst, i hate him with a burning passion
The fact that the Fire Nation used Sacred Air Nomad sites and temples as lures and traps to kill any surviving Air Nomads makes this whole topic even darker.
This is horrifying. All because they wanted to kill a kid.
And the ending?
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Ugh.
Aang whole story is so tragic. A lot of people constantly shit on him for no reason but this kid carried this loneliness through into his adult years and bottled so much up.
Aang never really accepted the end of his culture.
This comic broke me.
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Seeing this picture made me think that if Uncle Iroh had a phone it would be filled with Zuko's silly pictures. Uncle would consider all of them cute and he would gladly show them to the gaang. Meanwhile, Zuko would die from embarrassment.
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Some Zukos! Plus an Ursa :)
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